A BLUES BIBLIOGRAPHY. Second Edition

A BLUES BIBLIOGRAPHY Second Edition

A BLUES BIBLIOGRAPHY Second Edition

ROBERT FORD University of Exeter, UK

FIRST PUBLISHED IN 1999 BY PAUL PELLETIER PUBLISHING 11A PLAISTOW LANE, BROMLEY, KENT BR1 4DS ENGLAND

Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016

Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN

© 2007 by Taylor & Francis Group, LLC Routledge is an imprint of Taylor & Francis Group, an Informa business This edition published in the Taylor & Francis e-Library, 2008. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.”

International Standard Book Number-13: 978-0-415-97887-3 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data Ford, Robert, 1964Blues bibliography / Robert Ford. -- 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0-415-97887-4 1. Blues (Music)--Bibliography. I. Title. ML128.B49F67 2007 016.781643--dc22 ISBN 0-203-94212-4 Master e-book ISBN

Visit the Taylor & Francis Web site at http://www.taylorandfrancis.com and the Routledge Web site at http://www.routledge.com

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Contents Preface

vii

Acknowledgments

ix

References

xi

I

History and Background

1

II

Biographical Entries: A

81

III

Biographical Entries: B

107

IV

Biographical Entries: C

219

V

Biographical Entries: D

291

VI

Biographical Entries: E

335

VII

Biographical Entries: F

351

VIII

Biographical Entries: G

369

Biographical Entries: H/I

403

X

Biographical Entries: J

495

XI

Biographical Entries: K

569

XII

Biographical Entries: L

611

XIII

Biographical Entries: M

675

XIV

Biographical Entries: N

763

XV

Biographical Entries: O

773

XVI

Biographical Entries: P

781

Biographical Entries: Q/R

817

XVIII

Biographical Entries: S

861

XIX

Biographical Entries: T

939

Biographical Entries: U/V

989

Biographical Entries: W/X/Y/Z

995

IX

XVII

XX XXI

v

vi

Contents

XXII

Instruments

1091

XXIII

Record Labels

1117

XXIV

Reference Sources

1217

Regional Variations

1237

Lyric Transcriptions and Musical Analysis

1285

XXV XXVI

Author Index

1291

Preface

Since the first edition of this bibliography was published in November 1999, an enormous amount of research has become available. In this second edition I have chosen to concentrate on books and journal articles which has meant less information being included in the form of record liner notes (although I have by no means neglected these altogether). Newspaper articles and unpublished theses have also been included where locatable. This revised and updated version includes those writings published prior to 1999 that I was unable to list in the first edition, as well material produced since that date. The cutoff date is 2005, although I make no apologies for including some research in the first half of 2006 such as entries for the Routledge Encyclopedia of the Blues. This material is too valuable to omit. Physical distribution and rarity of materials have prevented the examination of every item listed, and some references are regrettably but unavoidably incomplete. Approximately half the sources included have been checked by myself or other helpful individuals. Specialist blues magazines continue to emerge and disappear — the final issue of Blues Access appeared in 2002 — but other publications have materialized to take their place. The nature of these magazines varies depending on their target audience; Living Blues still concentrates on African American blues artists (although its remit has expanded to occasionally include “Deep soul” singers) while other publications such as Blues Revue focus on White rock/blues acts as well as more traditional Black musicians. European publications sometimes feature articles on homegrown as well as American musicians. Long-established titles such as Jefferson (1968–), Soul Bag (1968–), Living Blues (1970–), Block (1975–), Blues & Rhythm (1984–), and Juke Blues (1985–) continue to attract international subscribers. Although many of the specialist journals listed are obscure, they are usually traceable through the National Library of the country of publication. The major blues archives in the United States (such as those at The University of Mississippi, and Chicago Public Library) hold runs of international journals. In the United Kingdom, The Archive of African American Music is due to open soon in Gloucester — this will house the Paul Oliver Collection and should benefit blues scholars and musicians. Non-specialist journals have also been indexed wherever possible and the expansion

of online facilities has proved beneficial in tracing citations where access to the hard copy has proved difficult. Web sites are generally not included due to their transitory nature; however, I have included references to reprints of articles online, and also “pointers” to two important Web sites: Stefan Wirz’s American Music site at http://www.wirz.de/music/american. htm, and The Red Saunders Research Foundation page at http://hubcap.clemson.edu/~campber/rsrf.html. This bibliography lists references on African American blues and blues artists and therefore does not include writings on White blues/rock musicians such as Eric Clapton or Stevie Ray Vaughan. A number of previously cited artists have been omitted from this edition because they veer more towards the soul genre than blues; for similar reasons, references to a number of jazz singers have also been omitted. For ease of use, the text has now been numbered according to the individual citation. For simplicity, the biographical entries — by far the largest section — are subdivided alphabetically (BA, BB, etc.). The author index refers to these numbered entries rather than to the page number. Also included are some incomplete references which have been grouped together at the end of the section for reasons of brevity. Obituaries have been identified separately from the other entries — where no author is acknowledged (or my own reference is incomplete) these too have been condensed. Due to the size of this work I have tried to scale down the text by extensive cross referencing. These references are placed at the end of each entry — a cross reference does not necessarily mean a secondary citation, and readers are advised to follow up these entries. For the sake of brevity, reference to some individuals connected with record labels, e.g. Don Robey, have been cited under the label concerned — in each case a cross reference has been provided under their name. This avoids duplication and again reduces the size of the entire work. This is not a comprehensive listing, but I hope that it proves useful in locating information on the subject. More research needs to be carried out, but, at the very least, the coverage includes a good percentage of the relevant major English language publications. Robert Ford

vii

Acknowledgments

First, thanks to Paul Pelletier for publishing the first edition and for his help with the original manuscript. The following individuals all helped with this work in different ways — their assistance is greatly appreciated: Mary Katherine Aldin, Alan Balfour, Andries van den Berg, Tony Bourke, Andrew Brown, Richard Carlin, Patrice Champarou, John Clarke, Su Conniff, Julie Crawley, Bob Eagle, David Evans, Steve Franz, Paul Garon, Lynn Goeller, Michael Gray, Daniel Groslier, Lex Jansen, Sean Killeen, Tony King, Ed Komara, Dr. Rainer Lotz, Peter B. Lowry, Lisa McCormick, Robert Macleod, Flo Martin, Kathy Miles, Luigi Monge,

Dave Moore, John Newman, Paul Oliver, Robert Riesman, Guido van Rijn, Howard Rye, Robert Sacré, Devon Sherman, Robert Sims, Denny Tek, Steve Tracy, Paul Vernon, and Val Wilmer. I hope I shall be forgiven if I have omitted any names from this list. Thanks to Erin and Matt for tolerating me during my numerous journeys to London. Finally, thanks to John Bridges and the late Geoff Williamson for introducing me to this wonderful music back in my teens and to Madeleine for suffering my mood swings while this book was being written.

ix

References

Aldin, Mary Katherine. Blues Magazine Selective Index: By Artist and Subject. Hollywood: Mary Katherine Aldin, 1996. 48 pp.; 2nd ed. Hollywood: Mary Katherine Aldin, 1997. 54 pp.; 3rd ed. Hollywood: Mary Katherine Aldin, 1998. 63 pp.; 4th ed. Hollywood: Mary Katherine Aldin, 1999. 60 pp. Allen, Daniel. Bibliography of Discographies. Vol. 2: Jazz. London: Bowker, 1981. 239 pp. Cooper, David Edwin. International Bibliography of Discographies: Classical Music & Jazz & Blues, 1962–1972: A Reference Book for Record Collectors, Dealers, and Libraries. Littleton: Libraries Unlimited, 1975. 272 pp. De Lerma, Dominique-René. Bibliography of Black Music. Westport: Greenwood, 1981. 4 vols. Dixon, Robert M.W.; Godrich, John; Rye, Howard W. Blues and Gospel Records, 1890–1943. 4th ed. Oxford: Clarendon, 1997. 1370 pp. Gray, Michael H. Bibliography of Discographies. Vol. 3: Popular Music. New York: Bowker, 1983. 205 pp. Harris, Sheldon. Blues Who’s Who: A Biographical Dictionary of Blues Singers. 5th ed. New York: Da Capo, 1989. 775 pp. Hart, Mary L.; Eagles, Brenda M.; Howorth, Lisa N. The Blues: A Bibliographical Guide. New York: Garland, 1989. 636 pp. Hefele, Bernard. Jazz-Bibliography: International Literature on Jazz, Blues, Spirituals, Gospel and Ragtime Music with a Selected List of Works on the Social and Cultural Background from the Beginning to the Present. Munich: Saur, 1981. 368 pp. Hoffman, Frank. The Literature of Rock, 1954-1978. New Jersey; London: Scarecrow, 1981. 337 pp. Hoffman, Frank; Cooper, B. Lee. The Literature of Rock. II: 1979– 1983. New Jersey; London: Scarecrow, 1986. 2 vols. Leadbitter, Mike; Slaven, Neil. Blues Records: 1943 to 1970: A Selective Discography. Vol. 1: A–K. London: Record Information Services, 1987. 802 pp. Leadbitter, Mike; Fancourt, Leslie; Pelletier, Paul. Blues Records, 1943-1970: ‘The Bible of the Blues’. Vol. 2: L–Z. London: Record Information Services, 1994. 808 pp. Merriam, Alan P.; Benford, Robert J. A Bibliography of Jazz. Philadelphia: American Folklore Society, 1954. 145 pp. Music Index. Warren, Michigan: Pinewood Park Press, 1949–2005. Popular Music Index (POMPI). London: British Library Sound Archive, 1984–1986. Regester, Charlene B. Black Entertainers in African American Newspaper Articles. Volume 1. Jefferson: McFarland & Company, Inc., 2002. RILM Abstracts. New York: Répertoire International De Littérature Musical, 1967–2005. Ruecker, Norbert. Jazz Index. Frankfurt: Norbert Ruecker, 1977–1987. Sacré, Robert (comp). Blues & Rhythm Magazine Index: Issues 1–80 (July 1984–July 1993). Leeds: Blues & Rhythm, 1993. 67 pp.

Skowronski, JoAnn. Black Music in America: A Bibliography. Metuchen: Scarecrow, 1981. 723 pp. Vann, Kimberly R. Black Music in Ebony: An Annotated Guide to the Articles on Music in Ebony Magazine, 1945–1985. Chicago: Center for Black Music Research, Columbia College, 1990. 119 pp.

Web Sites All-Music Guide: http://www.allmusic.com Blues Bibliographic Database: http://bluesnet.hub.org/gorgen Blues Magazine Selective Index: http://www.aliveandpicking.com/ bluesmag.html BluesWorld: http://www.bluesworld. com Canadian Music Periodicals Index: http://www.collectionscanada. ca/cmpi-ipmc/index-e.html FirstSearch: http://www.oclc.org Jazz Darmstadt: http://www.jazzinstitut.de National Library of the Netherlands: http://opc4.kb.nl/ National Library of Sweden: http://websok.libris.kb.se/websearch New Musical Express Contents 1953–1969: http://www.skidmore. edu/~gthompso/britrock/NME/ The Paul Oliver Seventieth Birthdate Tribute: http://www.bluesworld.com/PAULOLIVER.HTML Pete Welding Bibliography: http://www.bluesworld.com/Welding. htm The Red Saunders Research Foundation: http://hubcap.clemson. edu/~campber/bioindex.html Rock’s Backpages: http;//www.rocksbackpages.com Rojaro: http://www.rojaro.com Roots & Rhythm: http://www.rootsandrhythm.com

Libraries Consulted British Library, Chicago Public Library, Exeter Central Library, National Library of Canada, Trinity College, Dublin, University of Exeter, Westminster Music Library

Editions Where multiple entries are cited the following editions have been consulted: Arnaudon, Jean-Claude. Dictionnaire du Blues. Paris: Filipacchi, 1977 (Item E101). Aykroyd, Dan; Manilla, Ben. Elwood’s Blues: Interviews with the Blues Legends & Stars. San Francisco: Backbeat, 2004 (Item A139). Baggelaar, Kristin; Milton, Donald. Folk Music: More Than a Song. New York: Thomas Y. Crowell, 1976 (Item E104). Berendt, Joachim Ernst (ed.). Die Story des Jazz: Vom New Orleans zum Rock Jazz. Stuttgart: Deutsche Verlag, 1975 (Item A216). Bogaert, Karel. Blues Lexicon: Blues, Cajun, Boogie Woogie, Gospel. Antwerp: Standaard Uitgeverij, 1972 (Item E110). xi

xii Bourgeois, Anna Stong. Blueswomen: Profiles of 37 Early Performers with an Anthology of Lyrics, 1920-1945. Jefferson: McFarland, 1996 (Item E112). Broven, John J. Rhythm and Blues in New Orleans. Gretna: Pelican, 1978 (Item F1076). Carr, Ian, Fairweather, Digby, and Priestley, Brian. Jazz: The Essential Companion. London: Paladin, 1988 (Item E118). Carr, Ian, Fairweather, Digby, Priestley, Brian, and Parker, Chris. Jazz: The Rough Guide. London: Penguin, 1995 (Item E119). Case, Brian; Britt, Stan. The Illustrated Encyclopedia of Jazz. London: Salamander, 1978 (Item E120). Charters, Samuel B. The Bluesmen. Vol. 1: The Story and the Music of the Men Who Made the Blues. New York: Oak, 1967 (Item A387). Charters, Samuel B. The Bluesmen. Vol. 2: Sweet as the Showers of Rain. New York: Oak, 1977 (Item A388). Charters, Samuel B. The Country Blues. New York: Rinehart, 1959 (Item A389). Charters, Samuel B. The Legacy of the Blues: A Glimpse Into the Art and the Lives of Twelve Great Bluesmen: An Informed Study. London: Calder and Boyars, 1975 (Item A396). Charters, Samuel B. Walking a Blues Road: A Blues Reader, 1965– 2004. London: Marion Boyars, 2004 (Item A407). Chilton, John. Who’s Who of Jazz: Storyville to Swingstreet. 4th ed. London: Macmillan, 1985 (Item E121). Clarke, Donald. The Penguin Encyclopedia of Popular Music. 2nd ed. London: Penguin, 1998 (Item E125). Cohn, Lawrence (ed.). Nothing But the Blues. New York: Abbeville, 1993 (Item A432). Dance, Stanley (ed.). Jazz Era: The Forties. London: MacGibbon & Kee, 1961 (Item E128). Davis, Francis. The History of the Blues. New York: Hyperion, 1995 (Item A513). Dicaire, David. Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century. Jefferson: McFarland, 1999 (Item E130). Dicaire, David. More Blues Singers: Biographies of 50 Artists from the Later 20th Century. Jefferson: McFarland, 2001 (Item E131). Dundes, Alan (comp). Mother Wit from the Laughing Barrel: Readings in the Interpretation of Afro-American Folklore. Jackson: University Press of Mississippi, 1990 (Item A582). Feather, Leonard; Gitler, Ira. The Encyclopedia of Jazz in the Seventies. London: Quartet, 1976 (Item E135). Feather, Leonard. The Encyclopedia of Jazz in the Sixties. New York: Bonanza, 1966 (Item E136). Fox, Charles; Gammond, Peter; Morgan, Alun; Korner, Alexis (eds). Jazz on Record: A Critical Guide. London: Hutchinson, 1960 (Item E318). Govenar, Alan. Meeting the Blues: The Rise of the Texas Sound. Dallas: Taylor, 1989 (Item F1414). Guralnick, Peter; Santelli, Robert; George-Warren, Holly; Farley, Christopher John. Martin Scorsese Presents the Blues: A Musical Journey. New York: Amistad, 2003 (Item A895). Hannusch, Jeff. I Hear You Knockin’: The Sound of New Orleans Rhythm and Blues. Ville Platte: Swallow, 1985 (Item F1085). Hardy, Phil; Laing, Dave (eds.). The Encyclopedia of Rock. Vol. 1: The Age of Rock ‘n’ Roll. St. Albans: Panther, 1976. Vol. 2: From Liverpool to San Francisco. St Albans: Panther, 1976. Vol. 3: The Sounds of the Seventies. St. Albans: Panther, 1976 (Item E145). Harris, Sheldon. Blues Who’s Who: A Biographical Dictionary of Blues Singers. 5th ed. New York: Da Capo, 1989 (Item E146).

References Helander, Brock. The Rock Who’s Who: A Biographical Dictionary and Critical Discography Including Rhythm-And-Blues, Soul, Rockabilly, Folk, Country, Easy Listening, Punk and New Wave. New York: Schirmer, 1982; London: Collier Macmillan, 1986 (Item E147). Herzhaft, Gérard. Encyclopedie du Blues. Fayetteville: University of Arkansas Press, 1992 (Item E150). Hitchcock, H. Wiley, and Sadie, Stanley. The New Grove Dictionary of American Music. London: Macmillan, 1986 (Item E154). Holland, Ted. This Day in African-American Music. San Francisco: Pomegranate Artbooks, 1993 (Item E157). Kernfeld, Barry (ed.). The New Grove Dictionary of Jazz. London: Macmillan, 1988 (Item E159). Kinkle, Roger D. The Complete Encyclopedia of Popular Music and Jazz, 1900–1950. New Rochelle: Arlington House, 1974. 4 vols. (Item E160). Komara, Edward. (ed.). Encyclopedia of the Blues. New York: Routledge, 2006 (Item E162). Larkin, Colin (ed.). The Guinness Encyclopedia of Popular Music. Enfield: Guinness, 1992 (Item E165). Larkin, Colin (ed.). The Guinness Who’s Who of Blues. 2nd ed. Enfield: Guinness, 1995 (Item E166). Larkin, Colin (ed.). The Guinness Who’s Who of Jazz. Enfield: Guinness, 1992 (Item E167). Larkin, Colin (ed.). The Virgin Encyclopedia of the Blues. London: Virgin, 1998 (Item E169). Leadbitter, Mike (ed,). Nothing But the Blues: An Illustrated Documentary. London: Hanover, 1971 (Item A1241). Logan, Nick; Woffinden, Bob. The Illustrated Encyclopedia of Rock. London: Salamander, 1976 (Item E173). Marco, Guy A.; Andrews, Frank (eds.). Encyclopedia of Recorded Sound in the United States. New York: Garland, 1993 (Item E176). McCarthy, Albert, Morgan, Alun, Oliver, Paul, and Harrison, Max (eds.). Jazz on Record: A Critical Guide to the First 50 Years, 1917–1967. London: Hanover, 1968 (Item E378). Neff, Robert, and Connor, Anthony. Blues. London: Latimer, 1976. (Item A1504). Nite, Norm N. Rock On: The Illustrated Encyclopedia of Rock n’ Roll. New York: Harper & Row, 1982 (Item E181). Obrecht, Jas. Rollin’ and Tumblin’: The Postwar Blues Guitarists. San Francisco: Miller Freeman, 2000 (Item C312) Oliver, Paul. Blues Off the Record: Thirty Years of Blues Commentary. Tunbridge Wells: Baton, 1984 (Item A1577). Oliver, Paul. Conversation with the Blues. London: Cassell, 1965 (Item A1585). O’Neal, Jim, and Van Singel, Amy. The Voice of the Blues: Classic Interview from Living Blues Magazine. New York: Routledge, 2002 (Item A1676). Panassié, Hugues, and Gautier, Madeleine. Dictionary of Jazz. London: Jazz Book Club, 1959 (Item E182). Pendergast, Tom, and Pendergast, Sara. St. James Encyclopedia of Popular Culture. Detroit: St. James Press, 2000 (Item E185). Roxon, Lillian. Lillian Roxon’s Rock Encyclopedia. New York: Grosset & Dunlap, 1969 (Item E192). Russell, Tony. The Blues: From Robert Johnson to Robert Cray. London: Aurum, 1997 (Item A1904). Santelli, Robert. The Big Book of Blues: A Biographical Encyclopedia. New York: Penguin, 1993 (Item E202). Shadwick, Keith. Blues: Keeping the Faith. London: Apple, 1998 (Item E204).

References Shepherd, John, Horn, David, Laing, Dave, and Oliver, Paul (eds.). The Continuum Encyclopedia of Popular Music of the World. Vol. 1: Media, Industry and Society. New York; London: Continuum, 2003. Vol. 2: Performance and Production. New York; London: Continuum, 2003. Vol. 4: North America. New York; London: Continuum, 2005 (Item E205). Southern, Eileen. Biographical Dictionary of Afro-American and African Musicians. Westport, CT: Greenwood, 1982 (Item E208). Stambler, Irwin; Landon, Grelun. Encyclopedia of Folk, Country, and Western Music. New York: St. Martin’s, 1983 (Item E209). Surge, Frank. Singers of the Blues: Brief Biographies of 17 Singers and Musicians who Helped Develop the Blues Style and Became Legendary Performers During Their Lifetime. Minneapolis, MN: Lerner, 1969 (Item E213). Tracy, Steve (ed.). Write Me a Few of Your Lines: A Blues Reader. Amherst: University of Massachusetts Press, 1999 (Item A2216).

Periodicals The country of origin of the most significant periodicals which appear herein are shown in the following list. Those marked (a) have been indexed by the author, although in some cases it was not possible to examine complete runs; those marked (b) were indexed by either Mary Katherine Aldin, Alan Balfour, Andries van den Berg, Tony Bourke, Patrice Champarou, Lex Jansen, Tony King, John Newman, Paul Pelletier, or Paul Vernon. Where possible I have tried to distinguish similar journal titles in the text by indicating the country of origin. 78 Quarterly [USA] (a) Acoustic Guitar [USA] (a) African American Review [USA] (a) Alley Music [Australia] American Folk Music Occasional [USA] (a) American Music [USA] (a) American Music Magazine (formerly Rock & Roll Performers Magazine) [Sweden] Annual Review of Jazz Studies [USA] (a) Arhoolie Occasional [USA] (a) ARSC Journal [USA] Association For Recorded Sound Collections: see ARSC Journal Audio — The Equipment Authority [USA] BBR Boogie: see British Blues Review Big City Blues (formerly Detroit Blues) [USA] (a) Billboard: The International Newsweekly of Music, Video and Home Entertainment Bim Bam Boom [USA] (a) Black Music/Black Music & Jazz Review [UK] (a,b) Black Music Research Bulletin: see Black Music Research Journal Black Music Research Journal [USA] (a) Black Music Research Newsletter: see Black Music Research Journal Black Perspective in Music [USA] (a) Black World [USA] (a) Bleu Banane [Belgium] (a) Block [Holland] (a,b) Blue Flame [USA] Blue Suede News [USA] Blueprint/Blues in Britain [UK] (a) Blues Access [USA] (a,b) Blues & Rhythm [UK] (a)

xiii Blues & Soul [UK] Blues Bag [UK] (a) Blues: Bimestrel International Blues Jazz [Belgium] (a) Blues Collection [UK] (a) Blues et Jazz [Belgium] (a) Blues Etc. (later Blues Magazine) [France] Blues Forever Magazine [UK] (a) Blues Forum [Germany] (b) Blues Gazette [Belgium] Blues In Britain: see Blueprint Il Blues: Trimestrale di Cultura Musicale [Italy] (a) Blues Life [Austria] Blues-Link [UK] (a,b) Blues Magazine [Canada] (a) Blues Magazine (formerly Blues Etc.) [France] Blues Matters [UK] (a) Blues News: Das Deutsche Bluesmagazin [Germany] Blues News [Finland] Blues Notes [Germany] (a) Blues Power [Italy] Blues Power Magazine [Germany] Blues Research [USA] (a) Blues Revue Quarterly/Blues Revue [USA] (a,b) Blues Statistics [UK] Blues Unlimited [UK] (a) Blues World [UK] (a) B.M.I.: The Many Worlds of Music/B.M.I MusicWorld [USA] Boogie Woogie & Blues Collector [Holland] (a) British Blues Review (BBR Boogie) [UK] (a) Broadside [USA] Bulletin du Hot Club de France [France] Cadence [USA] (a) Career Discographies [UK] (a) Coda [Canada] (a) Collectors Items [UK] (a,b) Come for to Sing [USA] (a) Crawdaddy [USA] Crazy Music: The Journal of the Australian Blues Society [Australia] (a) Cream [UK] (b) Creem [USA] Crescendo [UK] (a) Crescendo International: see Crescendo Detour: Country Folk and Blues Music Magazine [UK] (a,b) Detroit Blues [USA] Dirty Linen [USA] (a) Discographical Forum [UK] (a) Discophile [UK] Discoveries [USA] Doctor Jazz [Holland] Down Beat [USA] (a) Ebony [USA] Ethnomusicology [USA] (a) Feelin’ Good [Italy (a) Folk Roots [UK] (a) Footnote: Dedicated To New Orleans Music [UK] Frets [USA] FRoots: see Folk Roots German Blues Circle Info [Germany] Goldmine [USA] (a) The Guitar Magazine [UK] (a) Guitar Player [USA] (a) Guitar World [USA] (a)

xiv Guitarist [UK] (a) HiFi/Stereo Review [USA] (see also High Fidelity, Stereo Review) High Fidelity/Musical America [USA] The History of Rock [UK] (a) Hot Buttered Soul [UK] In the Basement [UK] (a) Info/German Blues Circle: see German Blues Circle Info International Musician [USA] (a) Jazz [Switzerland] Jazz [USA] Jazz & Blues [UK] (a,b) Jazz & Pop [USA] Jazz Beat [UK] (a,b) Jazz, Blues & Co [France] Jazz Forum [UK] (a) Jazz Forum [USA] Jazz Freak [Holland] Jazz Hot [France] Jazz in Time [Belgium] Jazz Journal [UK] (a,b) Jazz Magazine [France] Jazz Monthly [UK] (a,b) Jazz Music [UK] (a) Jazz News/Jazz News and Review [UK] (a) Jazz Podium [Germany] Jazz Record [USA] Jazz Report [USA] Jazz Review [USA] (a) Jazz Statistics [Switzerland] Jazzforschung/Jazz Research [Austria] (a) Jazznews International [Ireland] (b) JazzTimes [USA] Jefferson [Sweden] (a) JEMF Quarterlyr [USA] (a) JEMF Newsletter [USA] (a) Jet [USA] John Edwards Memorial Foundation Quarterly: see JEMF Quarterly John Edwards Memorial Foundation Newsletter: see JEMF Newsletter Journal of American Folklore [USA] (a) Journal of Jazz Studies [USA] (a) The Journal of Texas Music History [USA] (a) Juke Blues [UK] (a) Keyboard [USA] (a) Lead Belly Letter: A Publication of the Lead Belly Society [USA] (a) Let It Rock [UK] (a,b) Living Blues: A Journal of the Black American Blues Tradition [USA] (a) Magic Blues [USA] (a) Matrix [Australia & UK] (a) Melody Maker [UK] (a,b) Micrography: Jazz and Blues on Microgroove [Netherlands] Mississippi Rag [USA] (a) MM: Tidskrift fôr Rytmisk Musik [Denmark] Mojo [UK] (a) Mr. Blues [Holland] (a) Music Memories/Music Memories & Jazz Report [USA] (a) Music Mirror [UK] (a) Musica Jazz [Italy] Musical America: see High Fidelity/Musical America Musician [USA] NME: see New Musical Express

References New Musical Express (formerly Musical Express) [UK] (a) Newsweek [USA] Notes [USA] (a) Now Dig This [UK] (a) Offbeat [USA] Orkester Journalen [Sweden] The Oxford American [USA] (a) Pickin’ The Blues [UK] (a) Playback [USA] Point du Jazz [France] Popular Music [UK] (a) Popular Music and Society [USA] Q [UK] (a) R and B Collector (later R and B Magazine) [USA] (a) R and B Magazine (formerly R and B Collector) [USA] (a) R&B Monthly [UK] (b) R&B Scene [UK] (a) Real Blues (formerly Westcoast Blues Review) [Canada] (a) Recorded Americana Bulletin: see Record Research Record Changer [USA] (a) Record Collector [UK] (a) Record Exchanger [USA] Record Mirror [UK] Record Research [USA] Rhythm and Blues: Covering the Blues and Jazz Scene [USA] Rhythm & Blues Panorama [Belgium] (a,b) Rock & Blues News [USA] (a) Rock & Roll Performers Magazine (later American Music Magazine) [Sweden] Roll Street Journal [UK] Rollin’ & Tumblin’ [Luxembourg] (a) Rolling Stone [USA] (a) Sailor’s Delight [UK] (a,b) Saturday Review/Saturday Review of Literature/Saturday Review of Politics, Literature, Science and Art [USA] The Second Line [USA] Sepia [USA] 78 Quarterly [USA] (a) Shout [UK] (a,b) Sing Out! [USA] (a) Solo Blues [Spain] Soul Music/Soul Music Monthly [UK] Soul: The Magazine for the R&B Collector [UK] (a) Soul [USA] Soul Bag [France] (a,b) Sounds [UK] (a) Southern Folklore Quarterly [USA] Spin [USA] Spin: The Folksong Magazine [UK] Stereo Review [USA] (see also High Fidelity) HiFi/Stereo Review) Storyville [UK] (a) Talking Blues [UK] (a) Time [USA] Variety [USA] Village Voice [USA] Vintage Jazz Mart [UK] Vox [UK] (a) Wavelength [USA] (a) Westcoast Blues Review (later Real Blues) [Canada] (a)Western Folklore [USA] (a) Whiskey, Women, and ... [USA] (a) Who Put the Bomp [USA] (a) The Wire [UK] (a)

References The following journals are also cited in this bibliography: ABC TV Hootenanny; Acoustic Music; Acoustic Musician; Accounting History; Acta Musicologica; Acta Sociologica; African Music Society Newsletter; Alabama Blues Society Newsletter; Alabama Heritage; Albany Southwest Georgian; Alcheringa Ethnopoetics; Allegro; The Alternative; American Anthropologist; American Demographics; American Heritage; American Image; American Journal of Religious Psychology and Education; American Libraries; American Music Research Center Journal; American Quarterly; American Record Guide; American Scholar; American Sociological Review; American Speech; American String Teacher; American Visions; Les Amis du Blues; Anarchy [UK]; Angolite; Annals of Internal Medicine; Anschlaege; Antaeus; Arbetet; Arcade; Arkansas Historical Quarterly; Arkansas Review; Arsenal: Surrealist Subversion; Arts In Society; ASCAP Today; Atlanta Gazette; Atlanta Historical Bulletin; The Atlantic; Audio; Australian Jazz Quarterly; Automotive News; Back to the Roots; Bad; Badaboom Gramophone; Band Wagon: An Independent Weekly Newspaper; Bass Player; Bassist; Bay Area Blues Letter [USA]; The Beat [USA]; Beat [Norway]; Beat Instrumental [UK]; BFW Contact Magazine; The Big Beat; Big Beat of the 50’s; Big Town Review; Biography News; Black American Literature Forum; Black Books Bulletin; Black Collegian; Black Echoes; Black Lines; Black Panther; Black Sacred Music; Black Scholar; Black Times; Black Wax; Blackfolk; Blåtryck; Blesok; Blitz; Blue Sky Review; Blues [Japan]; Blues Connection; Blues Rag; Blues Scene Quarterly; Blues Views; The Bookman; Bookseller; Boston After Dark; Business History Review; Business Review Weekly; Business Week; Les Cahiers de la Guitare; Cahiers de Musiques Traditionnelles; Les Cahiers du Jazz; Callaloo; Canadian Journal of Political and Social Theory/Revue Canadienne de Theorie Politique et Sociale; Canadian Musician; Canadian Review of American Studies; Canadian University Music Review/Revue de Musique des Universites Canadiennes; Caravan [USA]; Cash Box [USA]; Cataloging and Classification Quarterly; CAUSM Journal [Canada]; Center For Southern Folklore Newsletter; Century Magazine [USA]; Chicago Blues; Chiron: A Review of Jungian Analysis; Choral Journal; Chicago History; Chronicle of Higher Education; Cincinnati Magazine; Cineforum; Cinema Journal; Cinémonde; Circus; City Limits; City of Memphis; CLA Journal; Clamor; Classic Images; Classic Wax; Clavier [USA]; Claviers [France]; Clifton; Clockwatch Review; Close-Up; Cobblestone Magazine; Collectanea; Collectibles Illustrated; Collier’s; Common Ground; Commonweal; Composer; Connoisseur; Contemporary Drug Problems; Contemporary Keyboard; Counterpunch; Country Directory; Country Gentleman; Country Music; Country Music People; Crain’s Chicago Business; Crisis: A Record of the Darker Races; Critical Perspectives of Third World America; Crossroads: A Journal of Southern Culture; Cuadernos de Jazz; Cultural Correspondence; Cultural Resource Management; CultureFront; Current Biography; Current Opinion; Dance Magazine; Dansk Musiktidsskrift [Denmark]; Dark Star; Death Studies; Delta Review; Dialectical Anthropology; Dig It!; Disc; Disc’Ribe; Disco-Graph; Discographer; Discographical Notes; Discorder; Door to Liberation; Drexel Library Quarterly; Druid: A Humanities Magazine; The Drummer; Dwight’s Journal of Music; EAR; Echoes; The Economist; Encore: American and Worldwide News; English Journal; Esquire; Essence; Estudios Afrocubanos; Etc.: A Review of General Semantics; Ethno-Musicology Newsletter; Ethnology; Etnomusikologian Vuosikirja; Eureka: The Bi-Monthly Magazine of New Orleans Jazz; European Blues Association Newsletter; Evergreen Review; Expansions; Experience Hendrix: The Official Jimi Hendrix Magazine; Expressions: The Urban Traditions Newsletter; Facts on File; Fast Folk Musical Magazine; Feber; Fiddler

xv Magazine; Fifth Estate; Figaro [USA]; Filotrax; Flamingo; Folk Music; Folk Music Journal; Folk: Review of People’s Music; Folk Scene; Folk-Michel; Folklife Center News; Folklore; Folklore and Folk Music Archivist; Folklore and Folklife In Virginia; Folklore Annual of University Folklore Association; Folklore Forum; Fontes Artis Musicae: Review of the International Association of Music Libraries; Fortune; Free & Easy; Freedom Anarchist Weekly; Freedomways; Friends (later Frendz); Fuzz; Gaffa; Gambit; Genre; Geographical Magazine; Get Rhythm; Gidappa!; Gig Magazine; Girl Illustrated; The Golden Age; Golden Book Magazine; Goldenseal; Goodphone; GQ; Grammy Magazine; Gränslöst; Great Speckled Bird; Greece & Rome; Griot: Official Journal of the Southern Conference on Afro-American Studies; Gris Gris; Guitar Extra; Guitar (For the Practising Musician); Guitar International; Guitar One; Guitar Techniques; Guitar: The Magazine for All Guitarists; Gunn Report; Heresies; Heritage [New Zealand]; Hi Folks!; Hifi-Stereophonie [Germany]; Hit Parader; Hip; Hip Hop Connection; The History Teacher; Hobbies; Hot Club Magazine [Belgium]; Hot Jazz; Hot Jazz Club Bulletin; Hot Jazz Info; Horizon; Hot Notes; Hot Press; Hot Wire: The Journal of Women’s Music and Culture; House Beautiful; House & Garden; Hue; The Humanist; IAJRC Journal; Illinois Entertainer; In These Times; Inland: The Magazine of the Middle West; Les Inrockuptibles; Independent Woman; The Instrumentalist; International Jazz Archives Journal; Interview; Into Jazz; Israel Studies in Musicology; IT: The International Times; It Will Stand; Jahrbuch für Amerikastudien/American Studies; JARS (Jazz At Ronnie Scott’s); Jazz [Denmark]; Jazz 360°; Jazz: A Quarterly of American Music [USA]; The Jazz Archivist; Jazz Around; Jazz Bazaar; Jazz Digest; Jazz Echo; Jazz Educators Journal; Jazz Express; Jazz FM: The Magazine [UK]; Jazz Greats [UK]; Jazz Guide; Jazz Information; Jazz Magazine [Argentina]; Jazz Magazine [UK]; Jazz Magazine [USA]; Jazz Maker; Jazz: Metodická Publikace Urcená Clenum Jazzové Sekce; Jazz Music [Germany]; Jazz Music [USA]; Jazz Notes/Jazz Notes and Blue Rhythm [Australia]; Jazz Notes [USA]; Jazz Nu [Holland]; Jazz on CD/Cassette [UK]; Jazz + Classic; Jazz Press [Holland]; Jazz Quarterly; The Jazz Rag; Jazz Register; Jazz Reprints; Jazz Rhythm and Blues; Jazz Special; Jazz Spotlite News; Jazz Stage; Jazz Tempo; Jazz Wereld; Jazzband [Argentina]; Jazzfinder; Der Jazzfreund; Jazziz; Jazzman; Jazznu [Holland]; Jazznytt; Jazzology; Jazzophone; Jazzthetik; Jerry’s Rhythm Rag; Joslin’s Jazz Journal; Journal & Guide; Journal of Abnormal and Social Psychology; Journal of Aesthetics and Art Criticism; Journal of American Culture; Journal of American Studies; Journal of Country Music; Journal of Folklore Research; Journal of Geography; Journal of Musicology; Journal of Negro History; Journal of Poetry Therapy; Journal of Popular Culture; Journal of Pragmatics; Journal of Regional Cultures; Journal of Southern History; Journal of the Folklore Institute; Journal of the International Trumpet Guild; Jumpin’ & Hot; Kaleidoscope; Kenyon Review; Keskidee; Keyboard Player; Keystone Folklore Quarterly; King Biscuit Time; King Biscuit Times Blues Journal; Kommotion; Kord; Kudzu; Ladies Home Journal; Latch On; Latin Beat Magazine; Library Journal; Life Magazine; The Lightning Express; Lira; The Listener; Little Sandy Review; Living Age; Look; Los Angeles Magazine; Louisiana Folklife; Louisiana Folklore Miscellany; Louisiana Historical Quarterly; Lucille’s Blues Letter: A Bi-Monthly Journal of Blue Thought; Macleans; The Mandocrucian’s Digest; Mandolin Quarterly; Massachusetts Music News; Massachusetts Review; Maverick; Maximum Guitar; MD; Mean Mountain Music; Mediators; Meetings and Conventions; Melodie; MELUS; Memory; Memory Lane; Memphis; The Memphis Flyer; Memphis World; Mens en Melodie; Mentor; Metro Forum; Metronome; M.I. Magazine; Mich-

xvi igan History; Michigan Quarterly Review; Mid-America Folklore; The Mid-Atlantic Almanac; Mid-South Folklore; Midwest Folklore; Midwest Quarterly; Minneapolis-St. Paul; Minority Voices; Mississippi; Mississippi Arts & Letters; Mississippi Folklore Register; Mississippi Libraries; Mississippi Quarterly; Mississippi Saxophone; Missouri Folklore Society Journal; Missouri Journal of Research in Music Education; Modern Drummer; Modern Music; Der Monat; The Monitor [Naples, Texas]; Monitor [Peavey]; Mother Jones; Moxie; Ms; Il Mucchio Selvaggio [Italy]; Museum News; Music and Musicians; Music and Rhythm; Music and Sound Output; Music Clubs Magazine; Music Educators’ Journal; Music in Education; Music Journal; The Music Paper; Music Scene; Music Teacher and Piano Student; Music Trades; Music Week; Music World; Music World and Record Digest Weekly News; Musica [Chaix, France]; Musica [Germany]; Musical America; Musical Courier; Musical Digest; Musical Express; Musical Opinion; Musical Quarterly; Musician Player & Listener; Musicians’ News; Musical Quarterly; Musical Times; Musik und Bildung; Musik und Gesellschaft; Musikalische Jugend; Musikern; Musikethnologische Sammelbande; Musikhandel; Musikrevy; Muzsika; NAJE Educator; Names; Names & Numbers; Nashville Scene; The Nation; The National Geographic; National Music Council Bulletin; The National Review; Nation’s Business; The Needle; Needle Time; Negro American Literature Forum; Negro Digest; Negro History Bulletin; Neue Musikzeitung; Neue Zeitschrift für Musik; New Beat; New Contact; New Jersey Folklore; New Kommotion Magazine; New Left Review; New Letters; New Look Magazine; New Masses; New Orleans; New Orleans Courier; New Orleans Item; New Orleans Music; New Record Mirror; New Republic; New Society; New Statesman; New York Age; New York Magazine; New York Review of Books; New York Rocker; The New Yorker; News World; Newsletter of the Baltimore Blues Society; Newsletter of the Folklore Society of Greater Washington; The Night Times; No Depression; North Carolina Anvil; North Carolina Folklore Journal; North Louisiana Historical Association Journal; Northwest Airlines World Traveler; Northwest Passage; Nova; NOW; Now & Then; Nuova Rivista Musicale Italiana; Oak Report; Oakland Tribune; Old-Time Herald; Old Time Music; Ole Miss Alumni Review; Omega; OneTwoThreeFour; Open City; Opera; Opportunity; Option; Oral History Review; Das Orchester; Our World; Out of Time; Outlet; Outlook; Oxford Opinion; Oz; Paid My Dues; Pan Pipes; Paul’s Record Magazine; Peachite; People; People Weekly; People’s Songs Bulletin; Peoples World; Performing Songwriter; Phoenix; Phylon; Piano & Keyboard; Piano Quarterly; Pickin’; Pickup: The Record Collector’s Guide; Playboy; Pop [Sweden]; Popular Science Monthly; Portland Scribe; Postmodern Culture; Proceedings of NAJE Research; Progressive; Prospects: An Annual of American Cultural Studies; Publications of the Texas Folklore Society; Publishers Weekly; Puls; Pulse!; Race Traitor; Radical America; Radical Religion; Radical Teacher; Radio Free Jazz; Radio Times; Rag Baby; Raison Presente; Ramparts; Rapport; Raunchy Records; Raygun; Reader’s Digest; The Real Paper; Recherches Anglaises et Americaines; Record; Record Beat; Record Collector’s Monthly [USA]; Record Digest; Record Finder; Record Mart & Buyer; Record Mirror; Record World; Recorded Folk Music; Records and Recording; Red Hot and Blue; Reflex; Relix; Reporter; Resound; Revue Francaise d’Etudes Americaines; La Revue Musicale; Rhythm and Blues Foundation News [USA]; Rhythm and Blues Gazette [UK]; Rhythm & Blues Magazine [USA]; Rhythm & News [USA]; Ritono y Melodia; Ritz; Riverfront Times; R-O-C-K; Rock ‘n’ Reel; Rochester Patriot; Rock & Folk; Rock & Roll Disc; Rock ‘n’ Roll International Magazine; Rock & Roll Musik-Magazin; Rock and Roll Memories; Rock & Roll Stars; Rock It with Aware

References Magazine; Rock Revue; Rockerilla; The Rocket; Rocking & Stomping; Rocking Regards; Rockville International; RSR: Reference Services Review; Rumble; Ruta 66; Sacred Music; Saga; Sagala; Saturday Evening Post; Saxophone Journal; Scholastic; Scholastic Update; Schwann Spectrum; Science & Society; Scribner’s Magazine; Seattle Folklore Society Newsletter; Senior Scholastic; Sepia; Seventeen; Sewanee Review; Sheet Music News; Showtime; SMG; Social Studies; Socialist Review; Sojourners; Solid & Raunchy; Sombra; Songlines; Sonus; Soul and Jazz; Soul Express [Finland]; Soul Illustrated; Soul Survivor; Souls; Soundpost; Sounds [Germany]; Sounds & Fury; South Atlantic Quarterly; Southern Cultures; Southern Exposure; Southern Folklore Quarterly; Southern Living; Southern Magazine; Southern Quarterly; Southern Reporter; Southern Review: Foreign Language and Literature Society of Okinawa; Southern Workman; Southland Blues; Southwest Review; Southwestern Historical Quarterly; Soviet Life; Space City News; Spare Rib; Spex; Spoonful Bluesmagazin; Staccato; Stereo; The Stage; Stereoplay; Stormy Weather; Straight No Chaser; Strange Days; Street Life; Strings; Studies in Popular Culture; Subway; Sunset; Sweet Soul Music; Swinging Newsletter; Swingtime; Sydsidan; Symphony; Talking Machine Journal; Tampa Review; The Telegraph [USA]; Tennessee Folklore Society Bulletin; Texas Humanist; Texas Monthly; Texas Music; Texas Quarterly; Thursday Magazine [New Zealand]; Time Barrier Express; Time Out; Times Educational Supplement; TLS: The Times Literary Supplement; Total Guitar; Touchstone; Toward Freedom; Town; Trad Magazine; Traditional Music Maker; Transactions of the Royal Historical Society; Travel-Holiday; Tribe; Tributaries: Journal of the Alabama Folklife Association; Tricolor; Tropic; Trouser Press; True: The Man’s Magazine; UCLA Daily Bruin; Ugly Things; Uncut; UNESCO Courier; University Review; US Magazine; Utne Reader; Vanity Fair; Variety; Vea y Lea; Vibe; Vibrations; Victor Record Review; Victory Review; Victrola and 78 Journal; Vieux Carre Courier; Vintage Soul; Virus de Blues; Vogue; Voice; Voices from the Shadows; West Tennessee Historical Society Papers; Western Historical Quarterly; Western Journal of Black Studies; The World and I; World of Music; Yearbook of the International Folk Music Council Journal; Your Flesh

Newspapers The Advocate [Baton Rouge, LA]: see Morning Advocate [Baton Rouge, LA] Afro-American [Baltimore, MD] The Age [Australia] Akron Beacon Journal [Akron, OH] Albuquerque Journal [Albuquerque, New Mexico] Amsterdam News: see New York Amsterdam News [New York] Asheville Citizen-Times: see Citizen-Times [Asheville, NC] Atlanta Journal and Constitution [Atlanta, GA] Austin American-Statesman [Austin, Texas] The Australian [Australia] Baton Rouge Morning Advocate: see Morning Advocate [Baton Rouge, LA] Beaumont Enterprise [Beaumont, Texas] Belfast Telegraph [UK] Birmingham News [Birmingham, AL] Birmingham World [Birmingham, AL] Bluefield Daily Telegraph [Bluefield, VA] The Boston Globe [Boston, MA ] The Boston Herald Boston, MA Boston Phoenix [Boston, MA USA] Brabants Dagblad [Holland] The Bradenton Herald [Bradenton, Florida]

References Brighton Evening Argus [UK] Brighton & Hove Gazette [UK] Bristol Evening Post [UK] The Bugle-American [Milwaukee, WI] California Eagle [Los Angeles, CA] Call & Post [Cleveland, OH ] The Capital Times [Madison, WI ] Chapel Hill Daily Tar Heel [Chapel Hill, NC ] Chapel Hill Herald [Chapel Hill, NC The Charleston Daily Mail [Charleston, SC ] The Charleston Gazette [Charleston, SC] Charlotte Observer [Charlotte, MD ] Chicago Daily News [Chicago, IL] Chicago Defender [Chicago, IL] Chicago News [Chicago, IL] The Chicago Reader [Chicago, IL] The Chicago Review [Chicago, IL] The Chicago Sun-Times [Chicago, IL] The Chicago Tribune [Chicago, IL] The Christian Science Monitor [Boston, MA] Cincinnati Enquirer [Cincinnati, OH ] Cincinnati Post [Cincinnati, OH Citizen-Times [Asheville, NC] Clarion-Ledger [Jackson, MS ] The Clarksdale Press Register [Clarksdale, MS] Cleveland Call and Post [Cleveland, OH ] Colorado Daily [Boulder, CO] Commercial Appeal [Memphis, TN] Daily Compass [New York ] Daily Mail [UK] Daily Mississippian [Oxford, MS ] Daily News [New York] Daily Press [Newport, VA ] Daily Telegraph [UK] Daily Texarkanian [Arkansas, VA] Daily Worker [New York ] Dallas Morning News [Dallas, TX] Dallas Observer [Dallas, TX] Dallas Times Herald [Dallas, TX] Delta Democrat Times [Greenville, MS] Denver Post [Denver, CO] Detroit Free Press [Detroit, MI] Detroit News [Detroit, MI] Detroit News & Free Press [Detroit, MI] Dixie Magazine: see Times Picayune [New Orleans, LA] Durham Morning Herald [Durham, NC ] East St Louis Metro-Journal [St Louis, MO] Edinburgh Evening Dispatch [UK] Edinburgh Evening News [UK] Edmonton Journal [Canada] Evening Argus [Brighton, UK]: see Brighton Evening Argus The Evening Post [New Zealand ] Evening Standard [UK] Fanfare: see Commercial Appeal [Memphis, TN] Le Figaro [France] The Florida Times-Union [Jacksonville, FL] Fort Worth Star Telegram [Fort Worth, TX ] Forward Times [Houston, TX ] Frankfurter Allgemeine Zeitung [Germany] Glasgow Evening Times [UK] The Greenville News [Greenville, SC] The Guardian [UK] The Herald [Glasgow, UK]

xvii The Herald-Sun [Durham, NC] The Herald Tribune: see New York Herald Tribune [New York] The Honolulu Star-Bulletin [Honolulu, HI] The Houston Chronicle [Houston, TX ] The Houston Informer [Houston, TX ] The Houston Post [Houston, TX ] Houston Press [Houston, TX ] Illinois Times [Springfield, IL] Independent [UK] Indianapolis Recorder [Indianapolis, IN] Indianapolis Star [Indianapolis, IN] Informer and Texas Freeman [Houston, TX] International Herald Tribune: see also New York Herald Tribune [New York] Investor’s Business Daily [New York] Jackson Clarion-Ledger: see Clarion-Ledger [Jackson, MS] Jackson Daily News: see Clarion-Ledger [Jackson, MS] Jackson Sun [Jackson, MS] Lenoir News Topic [Lenior, NC ] Lewiston Morning Tribune [Lewiston, ID Los Angeles Free Press [Los Angeles, CA] Los Angeles Herald Examiner [Los Angeles, CA] Los Angeles Sentinel [Los Angeles, CA] Los Angeles Times [Los Angeles, CA] Los Angeles Weekly [Los Angeles, CA] Louisiana Weekly [New Orleans, LA] Louisville Defender [Louisville, KY] Lubbock Avalanche-Journal [Lubbock, TX] Marshall News Messenger [Marshall, TX] Memphis Commercial Appeal: see Commercial Appeal [Memphis, TN] Memphis World [Memphis, TN] Mexia Daily News [Mexia, TX ] Miami Herald [Miami, FL] Michigan Chronicle [Detroit, MI] Milwaukee Journal Sentinel [Milwaukee, WI] Le Monde [France] Montreal Gazette [Canada] The Morning Star [UK] Morning Advocate [Baton Rouge, LA] The National Observer [New York ] Neue Zuercher Zeitung [Germany] New Orleans Dixie Roto: see Times Picayune [New Orleans] New York Amsterdam News [New York] New York Daily News: see Daily News [New York] The New York Herald Tribune: see also International Herald Tribune [New York] New York Newsday: see Newsday [New York] New York Post [New York] New York Sun [New York] The New York Times [New York] New York World-Telegram and Sun [New York] Newark Sunday News [Newark, NJ] News and Observer [Raleigh, NC] Newsday [New York] Nieuwsnet [Holland] The Observer [UK] The Orange County Register [Santa Ana, CA] The Orlando Sentinel [Orlando, FL] The Ottawa Citizen [Canada] Philadelphia Evening Bulletin [Philadelphia, PA] Philadelphia Independent [Philadelphia, PA] The Philadelphia Inquirer [Philadelphia, PA]

xviii Philadelphia Tribune [Philadelphia, PA] Pittsburgh Courier [Pittsburgh, PA] Plain Dealer [Cleveland, OH] The Post and Courier (Charleston, SC) The Prague Post [Czech Republic] Press Journal [Vero Beach, FL] The Providence Journal-Bulletin [Providence, RI] Raleigh Times [Raleigh, NC] The Record [Hackensack, NJ] The Record [New York] Richmond Times-Dispatch [Richmond, VA] The Roanoke Times & World News [Roanoke, VA] Rotterdams Dagblad [Holland] Sacramento Bee [Sacramento, CA] St. Louis Post-Dispatch [St. Louis, MO] St. Louis Globe/Globe-Democrat [St. Louis, MO] St. Paul Dispatch [St. Paul, MN] St. Petersburg Times [St. Petersburg, FL] San Antonio Express/Express-News [San Antonio, TX] San Diego Evening Tribune [San Diego, CA] San Diego Union [San Diego, CA] The San Francisco Chronicle [San Francisco, CA] The San Francisco Examiner [San Francisco, CA] San Francisco Examiner & Chronicle [San Francisco, CA] San Francisco Express Times [San Francisco, CA] San Jose Mercury News [San Jose, CA ] Santa Cruz Sentinel [Santa Cruz, CA] Sarasota Herald-Tribune [Sarasota, FL ] Scotland on Sunday [UK] The Scotsman [UK] Seattle Times [Seattle, WA] Seminole Tribune [Seminole, FL] Shreveport Journal [Shreveport, LA] Shreveport Times [Shreveport, LA] South Bend Tribune [South Bend, IN ] South China Morning Post [Hong Kong]

References Star-Ledger [Newark, NJ] Star Tribune [Minneapolis, MN] State-Times/Morning Advocate [Baton Rouge, LA]: see Morning Advocate [Baton Rouge, LA] States-Item [New Orleans, LA] Süddeutsche Zeitung [Germany] Sun [Baltimore, MD] Sunday Gazette Mail [Charleston, VA ] Tacoma Times [Tacoma, WA] Tampa Tribune [Tampa, FL] The Telegraph: see Daily Telegraph [UK] The Times [UK] The Times Herald [Port Huron, MI] Times Picayune [New Orleans, LA] Times Union [Albany, NY] Toronto Globe and Mail [Canada] The Toronto Star [Canada] Toronto Telegram [Canada] Tri-State Defender [Memphis, TN] The Tulsa World [Tulsa, OK] The Tuscaloosa News [Tuscaloosa, AL] Tupelo Northeast Mississippi Daily Journal [Tupelo, MS] U.S. News & World Report [Washington DC] USA Today [McLean, VA] The Vancouver Sun [Canada] Waco Tribune-Herald [Waco, TX ] Wall Street Journal [New York] The Washington Evening Star [Washington DC] The Washington Post [Washington DC] The Washington Times [Washington DC] The Washingtonian [Washington DC] Westward: see Dallas Times Herald [Dallas, TX] Winnipeg Free Press [Canada] Winston-Salem Journal [Winston Salem, NC] The Wortham Journal [Wortham, TX]

I History and Background

A1.

Abbott, Lynn; Seroff, Doug. “100 Years from Today.” 78 Quarterly no. 9 (c1995): 105–117. (NOTE: See also item A1978.)

A2.

Abbott, Lynn; Seroff, Doug. Out of Sight: The Rise of African American Popular Music, 1889–1895. USA: University of Mississippi Press, 2003. 510 pp.

A3.

A4.

Abbott, Lynn; Seroff, Doug; Funk, Ray. “A Survey of Afro-American Music in 1890 as Recorded in the Black Community Press.” 78 Quarterly no. 6 (1991): 51–63; “A Survey of Afro-American Music in 1891 as Recorded in the Black Community Press.” 78 Quarterly no. 7 (1991): 79–95. Abbott, Lynn; Seroff, Doug. “‘They Cert’ly Sound Good to Me’: Sheet Music, Southern Vaudeville, and the Commercial Ascendancy of the Blues.” American Music 14, no. 4 (Winter 1996): 402–454.

A5.

Abdurahman, Bilal. Origins of the Blues Revisited. New York: Ethno Modes Folkloric Workshop, 1987. 19 pp.

A6.

Abrahams, Roger D. “Playing the Dozens.” Journal of American Folklore 75, no. 297 (Jul/Sep 1962): 209–220. Reprinted in American Folk Music Occasional no. 1 (1964): 73–86. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 295–309 (Item A582).

A7.

Abzug, Robert H.; Maizlish, Stephen E. (eds.). New Perspectives on Race and Slavery in America: Essays in Honor of Kenneth M. Stampp. Lexington: University Press of Kentucky, 1986. 206 pp.

A8.

Ackerman, Paul. “America’s Most Important Song Form.” Billboard 79 (24 Jun 1967): 24.

A9.

Ackerman, Paul. “A Lure That Never Wanes.” Billboard 70 (6 Jan 1958): 1, 6.

A10.

Ackerman, Paul. “Mother Lode in the Archives.” Billboard 79 (24 Jun 1967): suppl. 71.

A11.

Adams, Sherman. “California, Here I Come.” Jefferson no. 48 (Summer 1980): 12–15.

A12.

Adams, Sherman. Mitt Amerika: En Svart Avhoppares Memoarer. Stockholm: Prisma, 1980. 328 pp.

A13.

Affeldt, Paul. “Editorial: What’s Wrong with Jazz?” Music Memories and Jazz Report 4, no. 2 (Summer 1964): 31–34.

A14.

Ahlstrand, Clas. “Bakgrund til en Musik.” Jefferson no. 41 (Fall 1978): 24–34. Reprinted in Jefferson no. 69 (Summer 1985): 30–38.

A15.

Ake, David Andrew. Jazz Cultures. Berkeley: University of California Press, 2002. 223 pp.

A16.

Albertson, Chris. AC/DC Blues. USA: Stash ST 106, 1977.

A17.

Albertson, Chris. After Hour Blues, 1949. USA: Biograph BLP-12010, c1969.

A18.

Albertson, Chris. I’m Wild About My Lovin’, 1928– 1930. USA: Historical HLP-32, c1970.

A19.

Albertson, Chris. Masters of the Blues, 1928–1940. USA: Historical HLP-31, 1969.

A20.

Albertson, Chris. Sissy Man Blues: 25 Authentic Straight & Gay Blues & Jazz Vocals. USA: Jass JCD-13, 1989.

A21.

Albertson, Chris. Sugar Mama Blues: 1949 Post War Blues. USA: Biograph BLP-12009, 1969.

A22.

Albold, Volker; Bratfisch, Rainer. Blues Heute: Musik Zwischen Licht und Schatten. Berlin: Lied der Zeit, 1987. 319 pp.

A23.

Albright, Alex. “Classic Blues Under Gigantic Tents.” Living Blues no. 109 (May/Jun 1993): 46–49. 1

2

A Blues Bibliography, Second Edition

A24.

Albright, Alex. “If Not Forgotten, Then Misunderstood: The African-American Travelling Minstrel Show.” Living Blues no. 108 (Mar/Apr 1993): 36–41.

A25.

Aldin, Mary Katherine. Blues Classics. USA: MCA MCAD3-11441, 1996.

A26.

Aldin, Mary Katherine. Blues with a Feeling. USA: Vanguard VCD2-77005, 1993.

A27.

Aldin, Mary Katherine. “Living the Country Blues: Country Blues Partnerships.” Living Blues no. 85 (Mar/Apr 1989): 37–38.

A39.

Ames, Russell A. “Art in Negro Folk Song.” Journal of American Folklore 56, no. 222 (Oct/Nov/Dec 1943): 241–254.

A40.

Ames, Russell A. “Implications of Negro Folk Song.” Science & Society 15, no. 2 (1951): 163–173.

A41.

Ames, Russell A. “Protest and Irony in Negro Folksong.” Science & Society 14, no. 3 (1950): 193–213. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 487–500 (Item A582).

A42.

Ames, Russell A. The Story of American Folk Song. New York: Grosset and Dunlap, 1955. 276 pp.

A43.

Ammer, Christine. Unsung: A History of Women in American Music. Westport: Greenwood, 1980.

A44.

Amos, Edward. Gravesites of Southern Musicians: A Guide to Over 300 Jazz, Blues, Country and Rock Performers’ Burial Places. Jefferson: McFarland, 2002. 155 pp.

A28.

Aldin, Mary Katherine. Men are Like Street Cars: Women Blues Singers, 1928–1969. USA: MCA MCAD2-1788, 1999.

A29.

Aldin, Mary Katherine. “Standing at the Crossroads: The Blues Today”, in Nothing But the Blues, ed. L. Cohn, pp. 388-409 (Item A432).

A30.

Alexander, Elizabeth. “Blues.” Chicago Review 41, no. 2/3 (1995): 7.

A45.

A31.

Allard, William Albert. A View of the Blues [Catalogue]. Washington, DC: National Geographic Magazine, 1999. 16 pp.

Anderson, Clive. “‘Dance, Dance, Dance’: Movin’ and Groovin’ from the Turkey Trot to Travolta.” The History of Rock 3, no. 1 (c1981–c1984): 481–483.

A46.

Allen, Bill ‘Hoss’. Risky Blues. USA: King KS-1133, 1971.

Anderson, Tom. “The Blues Begin to Rock,” in Exploring the Blues: Teacher’s Handbook. New York: Cherry Lane, 2001.

A47.

Allen, Robert L. Black Awakening in Capitalist America: An Analytic History. Garden City: Doubleday, 1969. 251 pp.

Anderson, Tom; Shank, Bradley. Exploring the Blues: Teacher’s Handbook. New York: Cherry Lane, 2001. 53 pp.

A48.

Andreu, Enrique. “Los ‘Spiritual Negro Songs’ y [au] Accion Ethnico-Social.” Estudios Afrocubanos 1, no. 1 (1937): 76–91.

A49.

Andrews, Dwight D. “From Black to Blues,” in Sacred Music of the Secular City: From Blues to Rap, ed. J.M. Spencer. Durham: Duke University Press, 1992.

Aloisio, Gerard Salvatore. A Historical Summary of Major Musical Developments in American Jazz from the End of World War I to the Beginning of World War II. Master’s Thesis, University of Cincinnati, 1995. 70 pp.

A50.

Anon. “America Celebrates 100 Years of the Blues.” Jet (15 Dec 2003): 56+.

A51.

Anon. “Are White Singers Taking Over Blues and Soul?” Jet 75 (6 Mar 1989): 60–62.

Alsmann, Götz. Nights als Krach: Die Unabhaangigen Schallplattenfirmen und die Entwicklung der Amerikanischen Popularen Musik, 1943–1963. Drensteinfurt: Huba Production, 1990. 160 pp.

A52.

Anon. “Backing Up to the Blues.” Kudzu 3, no. 2 (Oct 1970): 6.

A53.

Anon. “Before Adam and Eve There Were the Blues!” Saturday Evening Post 229 (6 Oct 1956): 10.

A54.

Anon. “Black Musicians Leading the Way.” Music Educators Journal 68, no. 6 (Feb 1982): 46–48.

A55.

Anon. “Blind Lemon Jefferson to Roberta Flack: The Sound of Soul.” Sunday Times Magazine [UK] (3 Jun 1973).

A32. A33.

A34.

A35.

A36.

Allsop, Kenneth. Hard Travellin’: The Hobo and His History. London: Hodder & Stoughton, 1967. 448 pp.; New York: New American Library, 1967. 448 pp.; Bari: Editori Laterza, 1969. 460 pp.; Harmondsworth: Penguin, 1972. 441 pp.; London: Pimlico, 1993. 448 pp.

A37.

Altman, Billy. Better Boot That Thing: Great Women Blues Singers of the 1920’s. USA: Bluebird 0786366065-4, 1992.

A38.

Ames, Roy C. Old Fashioned Blues, 1949–1994. USA: Collectables COL-CD-5511, 1994.

History and Background

3

A56.

Anon. “Blues.” Jazz Hot no. 490 (Jun 1992): 27–30.

A76.

Anon. “A Gallery of the Greats.” B.M.I.: The Many Worlds of Music no. 1 (1973): 3–13.

A57.

Anon. “Blues.” Record Changer 10, no. 7/8 (Jul/Aug 1951): 24–25.

A77.

Anon. “Das Geschaft mit dem Blues.” Blues Notes 2, no. 3 (Jan 1970): 11, 21.

A58.

Anon. “Blues.” Time [USA] 48 (29 Jul 1946): 21–22.

A78.

A59.

Anon. “Blues and Folksong,” in Jazz on Record, ed. C. Fox (Item E318).

A60.

Anon. “Blues als Funktion?” Blues Notes 9, no. 30 (Winter 1976): 14–15.

Anon. The Diffusion of the Afro-American Idiom in the Western Hemisphere. Final Report to the National Endowment for the Humanities. Vol. 3. Washington, DC: Howard University Center for Ethnic Music, 1977.

A79.

A61.

Anon. “Blues from Coast to Coast.” American Folk Music Occasional no. 1 (1964): 20–37.

Anon. “Git-Gat Skiffle.” Time [USA] 69 (15 Apr 1957): 59.

A80.

A62.

Anon. “Blues from Dixieland.” The Nation 184, no. 15 (Jan 1957): 1–2.

Anon. “Good Mornin’ Blues, How Do You Do?” Mojo no. 3 (Jan/Feb 1994): 46–63.

A81.

A63.

Anon. “Blues Greats Take Top Honors at Award Show.” Jet 61, no. 15 (24 Dec 1981): 61.

Anon. “Gospel Songs and Spirituals,” in Jazz on Record, ed. C. Fox (Item E318).

A82.

Anon. “Blues Heute,” in Die Story des Jazz: Vom New Orleans zum RockJazz, ed. J.E. Berendt, pp. 146–167 (Item A216).

Anon. “Heritage U.S.A.: Grand-Daddy of the Blues.” Sing Out! 5, no. 2 (Spring 1955): 18–20.

A83.

Anon. Historia del Jazz. Buenos Aires: Ricordi Americana, 1952. 285 pp.

A84.

Anon. “The History of Pop, 1943–56.” Melody Maker (7 Jul 1973) 31–34; “The History of Pop, 1957–62.” Melody Maker (14 Jul 1973): 31–34; “The History of Pop, 1963–66.” Melody Maker (21 Jul 1973): 29+; “The History of Pop, 1967–73.” Melody Maker (28 Jul 1973): 29+.

A64.

A65.

Anon. “Le Blues, le Jazz et l’Amerique (Tableau Synoptique).” Jazz Magazine [France] no. 200 (May 1972): 38–41.

A66.

Anon. “Blues Singers.” Ebony 5, no. 10 (Aug 1950): 35–39.

A67.

Anon. “City Blues,” in Jazz on Record, ed. C. Fox (Item E318).

A85.

A68.

Anon. Collector’s History of American Blues. USA: Murray Hill 959054, 1970s.

Anon. “Home of the Blues.” Billboard 79 (24 Jun 1967): suppl. 54.

A86.

A69.

Anon. “Country Blues and Folksong,” in Jazz on Record, ed. C. Fox (Item E318).

Anon. “Inte Bara Blues.” Orkester Journalen 25, no. 7/8 (Jul/Aug 1957): 3. (NOTE: This is a reply to Berta Wood’s article in Ebony 12, no. 7 (1957): 64–68.)

A70.

Anon. Country Blues Classics. Vol. 1. USA: Blues Classics BC-5, 1965. Vol. 2. Blues Classics BC-6, 1965. Vol. 3. USA: Blues Classics BC-7, 1966. Vol. 4. USA: Blues Classics BC-14, c1967.

A87.

Anon. “Jazz Age’s Blues Next Pop Vogue?” Variety 199 (31 Aug 1955): 1+.

A88.

A71.

Anon. “Country-Blues-Trip ‘76.” Spoonful Bluesmagazin no. 14 (Mar 1980): 16–18.

Anon. “The Musicality of the Negro People.” New York Times (14 Jun 1953): B6.

A89.

A72.

Anon. The Country Girls. USA: Origin OJL-6, c1964.

A73.

Anon. “Detour Ahead for the Blues Boom?” Melody Maker (7 Jun 1969): 10.

Anon. “Die Musikalische Articulation der AfroAmerikanischen Minderheit in den Vereinigten Staaten, Betrachtet an der Spezifischen Musikform des Blues, Unter Berucksichtigung der Sozialen Situation der Neger.” German Blues Circle Info no. 55 (Sep/Oct 1981): 1–48.

A74.

Anon. “Ebony Article Asks If Blacks are Giving Away Heritage in the Blues.” Jet 78, no. 26 (15 Oct 1990): 22.

A90.

Anon. “Musique le Blues des Hommes Bleus.” Jeune Afrique l’Intelligent 45, no. 2297 (22 Jan 2005): 80–101.

A75.

Anon. “Folk-Songs in the Making.” Literary Digest 101, no. 2 (13 Apr 1929): 27.

A91.

Anon. “A Negro Explains Jazz.” Literary Digest 61, no. 4 (1919): 28–29.

4

A Blues Bibliography, Second Edition

A92.

Anon. “New Archive Has ‘Em Singing the Blues.” Collectibles Illustrated (Mar/Apr 1984): 14–15.

A113.

Anon. “Will the ‘53 Bubble Become the ‘54 Boiler?” Melody Maker (2 Jan 1954): 3.

A93.

Anon. “Nightclubs and Other Venues,” in The New Grove Dictionary of Jazz. Vol. 2: L-Z, ed. B. Kernfeld, pp. 176–247 (Item E159).

A114.

Anon. “Worksongs, Prison Blues and Prison Spirituals,” in Jazz on Record, ed. C. Fox (Item E318).

A115.

A94.

Anon. “1955: The Year R&B Took Over Pop Field.” Billboard (12 Nov 1955): 126.

A95.

Anon. “Origin of ‘Blues’ Numbers.” Sheet Music News 2, no. 5 (Oct 1923): 8–9, 41.

Antonucci, Michael A. “Judge Harsh Blues: Lynching, Law, and Order in the New South,”in Music and History: Bridging the Disciplines, ed. J.H. Jackson; S.C. Pelkey, pp. 163–180. Jackson: University Press of Mississippi, 2005.

A96.

Anon. Out Came the Blues. Vol. 2. UK: Ace of Hearts AH 158, c1967.

A116.

A97.

Anon. The Party Blues. USA: Melodeon MLP 7324, 1966.

Aquila, Richard. That Old Time Rock & Roll: A Chronicle of an Era, 1954–1963. New York: Schirmer, 1989.

A117.

Anon. “Plan Recordings of Old Songs by Artists Who Shone Many Years Ago.” Chicago Defender (6 Jul 1946): 16.

Aranjo, Karl W. The Working Musician’s Dictionary of Terms. Milwaukee: Creative Concepts, 2002. 129 pp.

A118.

Arentson, Robert M.; Sistrunk, J. Woody. “Show Posters: Promoting the Soul of the Blues.” Living Blues no. 122 (Jul/Aug 1995): 50–55.

A119.

Arkell, Thomas. “Geography on Record.” Geographical Magazine 63, no. 7 (Jul 1991): 30–34. Reprinted in The Sounds of People and Places: A Geography of American Folk and Popular Music. 3rd ed. ed. G.O. Carney, pp. 55–62. Lanham: Rowman & Littlefield, 1994.

A120.

Armentrout, David; Armentrout, Patricia. Jazz and Blues. Vero Beach: Rourke, 1999. 24 pp.

A121.

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A122.

Arnaud, Gerald; Chesnel, Jacques. Masters of Jazz. Edinburgh: Chambers, 1991. 248 pp.

A123.

Arnett, Paul; Arnett, William. Souls Grown Deep: African American Vernacular Art of the South. Vol. 1: The Tree Gave the Dove a Leaf. Atlanta: Tinwood, 2000. 544 pp.

A124.

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A125.

Aschoff, Peter R. “Blues Folklore,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 130–132 (Item E162).

A126.

Aschoff, Peter R. “The Poetry of the Blues: Understanding the Blues in Its Cultural Context,” in The Triumph of the Soul, ed. F. Jones; A.C. Jones, pp. 35–68. Westport: Praeger, 2001.

A127.

Ashburne, Michael R. “Black Music: A Financial Perspective.” Western Journal of Black Studies 1, no. 4 (Dec 1977): 263–269.

A98.

A99.

Anon. “Portraits du Blues.” Jazz Magazine [France] no. 217 (Dec 1973): 36–39.

A100.

Anon. “The Rebirth of the Blues.” The Economist 339, no. 7964 (4 May 1996): 111–112.

A101.

Anon. “Rhythm and Blues,” in Jazz on Record, ed. C. Fox (Item E318).

A102.

Anon. Rhythm and Blues, 1943–1975. New York: BMI, 1976.

A103.

Anon. “River City Still Sings the Blues.” Southern Living 16, no. 1 (Mar 1981): 48.

A104.

Anon. “Saluting Blues Unlimited.” Record Research no. 129/130 (Oct/Nov 1974): 13.

A105.

Anon. Singin’ the Blues: Music with Feeling. Peterborough, NH: Cobblestone, 2005. 49 pp.

A106.

Anon. “The ‘60s: A Decade of Radical Change with the Avant Garde, Blues, Rock, Pop, and Soul Music.” Down Beat 56, no. 9 (Sep 1989): 58+.

A107.

Anon. Start to Jump Because It’s Jubilee. Denmark: Swingtime ST 1009, 1986.

A108.

Anon. The Story of Music. Vol. 5: Gospel, Blues, and Jazz. Danbury: Grolier, 2001.

A109.

Anon. “Suuri Blues: Tietokilpailu: Tulokset ja Selittelyt.” Blues News [Finland] no. 116 (1989): 40–41.

A110.

Anon. “The 25 Most Important Events in Black Music History.” Ebony 55, no. 8 (Jun 2000): 140+.

A111.

Anon. “The Universality of the Blues: ... Some Quartertones Around the Drone.” Down Beat 35 (4 Apr 1968): 22–23, 26.

A112.

Anon. “Urgently Swinging Blues.” Melody Maker (15 Dec 1956): 27.

History and Background

5

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Baker, Houston A. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press, 1984. 227 pp.; Chicago: University of Chicago Press, 1987. 288 pp.

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Baker, Houston A. “Introduction,” in Blues, Ideology, and Afro-American Literature, pp. 1-14. Chicago: University of Chicago Press, 1984. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 456–469 (Item A2216).

A134.

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Bakter, Carol. “‘Love Me Like I Like to Be’: The Sexual Politics of Hurston’s Their Eyes Were Watching God, the Classic Blues, and the Black Woman’s Club Movement.” African American Review 32, no. 2 (Summer 1998): 199–214.

A136.

Atkinson, Gary. The Essential Country Blues. UK: Document CBL 200008, 2001; USA: Allegro CBL 200008, 2001.

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A150.

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A151.

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A152.

Balliett, Whitney. American Singers: Twenty-Seven Portraits in Song. New York: Oxford University Press, 1979. 178 pp.; New York: Oxford University Press, 1988. 244 pp.; New York: Oxford University Press, 1990. 244 pp.

A153.

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Balmir, Guy-Claude. Du Chant au Poeme: Essai de Litterature sur le Chant et la Poesie Populaires des Noirs Americains. Paris: Payot, 1982. 376 pp.

A155.

Bamberg, Heinz. Beatmusik: Kulturelle Transformation und Musikalischer Sound. Pfaffenweiler: Centaurus, 1989. 154 pp.

A156.

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Bane, Michael. White Boy Singin’ the Blues. Harmondsworth: Penguin, 1982. 259 pp.; New York: Viking, 1981. 259 pp.; New York: Penguin, 1982. 259 pp.

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Asirvatham, Sandhya. The History of the Blues. Philadelphia: Chelsea House, 2003. 104 pp.

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Asma, Stephen T. “The Blues Artist as Cultural Rebel.” The Humanist 57 (Jul/Aug 1997): 8–15.

A130.

Asma, Stephen T. “Blues Man on a Mojo Mission.” Chronicle of Higher Education 49, no. 11 (8 Nov 2002): B16.

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Baird, Jim. “‘I Went to Tell Everybody, But I Could Not Get Across’: The Blues Course at the University of North Texas.” Mid-America Folklore 24, no. 1 (1996): 32–42. Baker, Barbara A. The Blues Aesthetic and the Making of American Identity in the Literature of the South. New York: P. Lang, 2003. 164 pp.

6

A Blues Bibliography, Second Edition

A158.

Banes, Ruth A.; Belamear, David A.; Kaster, Kent. “Florida Bound Blues.” Popular Music and Society 12, no. 4 (Winter 1988): 43–58.

A173.

Barlow, William. “‘Fattening Frogs for Snakes’: Blues and the Music Industry.” Popular Music and Society 14, no. 2 (Summer 1990): 7–35.

A159.

Banes, Ruth A.; Belamear, David A. “Introduction: Writing the Blues.” Popular Music and Society 14, no. 2 (Summer 1990): 1–6.

A174.

Barlow, William. Looking Up at Down: The Emergence of Blues Culture. Philadelphia: Temple University Press, 1989. 404 pp.

A160.

Banes, Ruth A.; Ferris, William. “Looking at the Blues.” Popular Music and Society 14, no. 2 (Summer 1990): 49–66.

A175.

A161.

Baptista, Todd R. Group Harmony: Echoes of the Rhythm and Blues Era. New Bedford, MA: TRB Enterprises, 2000. 256 pp.

Barlow, William. “The Music of the Dispossessed: The Rise of the Blues,” in America’s Musical Pulse: Popular Music in Twentieth-Century Society, ed. K.J. Bindas. Westport: Greenwood, 1992.

A176.

Baradat, Matthew Jacob. The Blues Revival and Whites in Contemporary Blues Music. B.A. Thesis, California Polytechnic State University, 2005.

Barlow, William. Voice Over: The Making of Black Radio. Philadelphia: Temple University Press, 1999. 334 pp.

A177.

Barlow, William Brook. Voices from the Heartland: A Cultural History of the Blues. Ph.D. Dissertation, University of California, 1983. 607 pp.

A178.

Barnes, Francis Lloyd. ‘Disappearing Railroad Blues’: The Southern Engineer in Folk and Hillbilly Music, 1890–1930. Honors Thesis, University of Georgia, 1999. 57 pp.

A179.

Barnie, John. “Covers Uncovered.” Living Blues no. 78 (Jan/Feb 1988): 7–8.

A180.

Barnie, John. “Formulaic Lines and Stanzas in the Country Blues.” Ethnomusicology 22, no. 3 (Sep 1978): 457–473.

A181.

Barnie, John. “Oral Formulas in the Country Blues.” Southern Folklore Quarterly 42, no. 1 (1978): 39–52. Reprinted in Folk Groups and Folklore Genres: A Reader, ed. E. Oring, pp. 254–266. Logan: Utah State University Press, 1989. 384 pp. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 201– 212 (Item A2216).

A182.

Barnie, John. Y Felan a Finnau: Golwg ar Hanes y Blues. Caerdydd: Gwasg Prifysgol Cymru, 1992. 122 pp.

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Baraka, Amiri. “Black Music: Its Roots, Its Popularity, Its Commercial Prostitution,” in Folk Music and Modern Sound, ed. W. Ferris; M.L. Hart, pp. 177–193. Jackson: University Press of Mississippi, 1982. Baraka, Amiri. “The ‘Blues Aesthetic’ and the ‘Black Aesthetic’: Aesthetics as the Continuing Political History of a Culture.” Black Music Research Journal 11, no. 2 (Fall 1991): 101–109. Baraka, Imamu Amiri. “Los Blues Classicos.” Jazzband [Argentina] 1, no. 1 (Mar/Apr 1972): 12-21.

A166.

Baraka, Imamu Amiri. The Music: Reflections on Jazz and Blues. New York: Morrow, 1987. 332 pp.

A167.

Barber, C. Jerome. The Sociological Significance of Country Blues Lyrics, 1900–1942. Ed.D., Thesis, State University of New York at Buffalo, 1985. 136 pp.

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Barber, Nicola. “Blues,” in Music: An A–Z Guide. New York: F. Watts, 2001.

A169.

Bargannier, Earl F. “Tin Pan Alley and Dixie: The South in Popular Song.” Mississippi Quarterly 30, no. 4 (Fall 1977): 527–564.

A183.

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Barkley, Elizabeth F. Crossroads: Popular Music in America. Upper Saddle River: Prentice Hall, 2003. 287 pp.

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Barlow, William. “Black Music on Radio During the Jazz Age.” African American Review 29, no. 2 (Summer 1995): 325–328.

Barsamian, Jacques; Jouffa, Francois. L’Age d’or de la Rock Music: Blues, Country, Rock’n’Roll, Soul, San Francisco Sound, Underground, Hippies, Festivals. Paris: Ramsay, 1986. 249 pp.

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Barlow, William. “Cashing In, 1900–1939,” in Split Image: African Americans in the Mass Media, ed. J.L. Dates; W. Barlow. Washington, DC: Howard University Press, 1990.

A186.

Bartis, Peter. A Preliminary Classification System for Hollers in the United States. Master’s Thesis, University of North Carolina at Chapel Hill, 1972. 64 pp.

History and Background

7

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Barton, Matthew. Southern Journey. Vol. 1: Voices from the American South. USA: Rounder CD 1701, 1997.

A205.

Bennett, Lerone, Jr. The Negro Mood and Other Essays. Chicago: Johnson, 1964. 104 pp.; New York: Ballantine, 1964. 158 pp.

A188.

Bas-Rabérin, Philippe. Le Blues Moderne, 1945– 1979. Paris: Albin Michel, 1979. 254 pp.; new ed. Paris: Albin Michel, 1986. 254 pp.

A206.

Benston, Kimberly W. “Tragic Aspects of the Blues.” Phylon 36, no. 2 (2nd Quarter 1975): 164–176.

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A189.

Bass, Carole; Bass, Paul. “Still Singin’ the Blues in the South.” In These Times 7, no. 39 (19–25 Oct 1983): 20.

Bentley, Chris. Tough Mamas. UK: Krazy Kat KK 7448, 1989.

A208.

Bentley, John. “Origin of the Blues.” Music Memories 3, no. 4 (1963): 4–5.

A209.

Berendt, Joachim. Blues. 2nd ed. Munich: Nymphenburger, 1957. 122 pp.; Munich: Nymphenburger, 1962. 115 pp.; Milan: Boggeri, 1966. 50 pp.; Cologne: Gerig, 1970. 68 pp.

A190.

Basso, Marco. “L’Altra Metà del Blues: Blues è Donna.” Il Blues no. 75 (Jun 2001): 36–37.

A191.

Baszak, Mark; Cohen, Edward. Such Sweet Thunder: Views on Black American Music. Amherst: University of Massachusetts, 2003. 205 pp.

A210.

A192.

Baum, Dan. “Jake Leg: How the Blues Diagnosed a Medical Mystery.” The New Yorker (15 Sep 2003): 50+.

Berendt, Joachim. “The Blues,” in The New Jazz Book. New York: Hill & Wang, 1962.

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A193.

Bayles, Martha. “Hollow Rock.” Wilson Quarterly 17, no. 3 (Summer 1993): 10–29.

Berendt, Joachim Ernst. “The Blues Got White — Got He?” Jazz Podium no. 17 (1968): 316–317.

A212.

A194.

Bayles, Martha. “Rock ‘n’ Roll Has Lost Its Soul.” Utne Reader no. 60 (Nov/Dec 1993): 100–110.

A195.

Bays, Kenneth. “It’s a Man’s Man’s Man’s World.” Blues Revue no. 52 (Nov 1999): 22–24, 26, 28–30.

A196.

Beasley, Michele Elena. From Ma Rainey to Leon Thomas: The History and Development of Vocal Jazz, 1920–1965. Honors Thesis, Smith College, Northampton, Mass., 1986. 79 pp.

Berendt, Joachim. Das Grosse Jazzbuch. FrankfurtAm-Main: Fischer, 1953. 293 pp. Published as The Jazz Book: From New Orleans to Rock and Free Jazz. New York: Hill, 1975. 459 pp.; San Paulo: Ed. Perspective, 1975. 408 pp.; Frankfurt-Am-Main: Kruger, 1976. 419 pp.; Krakow: Polskie Wydawn Muzyczne, 1979. 539 pp. Published as The Jazz Book: From Ragtime to Fusion and Beyond. Frogmore: Paladin, 1976. 480 pp.; Westport: Hill, 1982. 436 pp.; London: Granada, 1983. 530 pp.; London: Paladin, 1984. 530 pp.

A197.

Beaumont, Daniel. “Humor,”, in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 476–479 (Item E162).

A213.

Berendt, Joachim. Jazz: A Photo History. London: Deutsch, 1980. 360 pp.

A198.

Begle, Howell. “I Smell a Rat: Royalty Practices of Classic R&B Recording Companies.” Rhythm and Blues Foundation News no. 4 (Oct 1994): 5-7.

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Bei der Kellen, Ralf. “21st Century Blues: Wim Wenders.” Jazzthetik (May 2004): 38–41.

Berendt, Joachim Ernst; Claxton, William. Jazzlife: Auf den Spuren des Jazz. Offenburg: Burda Druck und Verlag, 1961. 268 pp.; new ed. Köln: Taschen, 2005. 695 pp. (as Jazzlife: A Journey for Jazz Across America in 1960).

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Berendt, Joachim. Das Neue Jazzbuch: Entwicklung und Bedeutung der Jazzmusik. Frankfurt am Main: Fischer Bücherei, 1961. 317 pp.; New York: Hill & Wang, 1962 (as the New Jazz Book); London: P. Owen, 1964. 314 pp.; London: Jazz Book Club, 1965. 314 pp.

A216.

Berendt, Joachim Ernst (ed.). Die Story des Jazz: Vom New Orleans zum Rock Jazz. Stuttgart: Deutsche Verlag, 1975. 209 pp.; London: Barrie and Jenkins, 1978. 192 pp.; Englewood Cliffs: PrenticeHall, 1978. 192 pp.

A217.

Berg, Timothy. “Blues,” in St. James Encyclopedia of Popular Culture. Vol. 1, ed. S. Pendergast; T. Pendergast, pp. 290–293 (Item E185).

A200.

Bekken, Bonnie Bjorguine. Opportunities in Performing Arts Careers. Chicago: VGM Career Books, 2001. 144 pp.

A201.

Bekker, Peter O.E., Jr. The Story of the Blues. New York: Friedman/Fairfax, 1994. 72 pp.

A202.

Belz, Carl. The Story of Rock. New York: Oxford University Press, 1969. 256 pp.

A203.

Bennett, Andy; Peterson, Richard A. Music Scenes : Local, Translocal and Virtual. Nashville: Vanderbilt University Press, 2004. 264 pp.

A204.

Bennett, Lerone, Jr. The Black Mood. New York: Barnes and Noble, 1970. 104 pp.

8

A Blues Bibliography, Second Edition

A218.

Bergerot, Franck; Merlin, Arnaud. L’Epopee du Jazz. Paris: Gallimard, 1991. 160 pp.

A234.

Block, Walter de. “Nicknames of Bluessingers.” Doctor Jazz no. 24 (1967): 14–17.

A219.

Berkowitz, Kenny. “Country Blues Reborn.” Acoustic Guitar no. 91 (Jul 2000): 51–52, 54.

A235.

Bloom, Clifford. “Blues Classic.” Time [USA] 51 (14 Jun 1948): 38, 40.

A220.

Berkowitz, Kenny. “The Next Generation: New Bluesmen.” Acoustic Guitar no. 60 (Dec 1997): 44–46.

A236.

Blue, Rose; Naden, Corinne J. The History of Gospel Music. Philadelphia: Chelsea House, 2001. 104 pp.

A237.

A221.

Berry, Lemuel, Jr. “Creole: America’s Jazz and Folklore Music.” Second Line 34 (Winter 1982): 43–45.

Boatfield, Graham. “Four Blues Men.” Jazz Journal 11, no. 4 (Apr 1958): 3–4, 6.

A238.

A222.

Berry, R.E. “Home of the Blues.” New York Times (5 May 1940): 21.

Bogaert, Karel. “Blues,” in Blues Lexicon, pp. 43-44 (Item E110).

A239.

A223.

Berthon, Jean-Claude. “Les Pionniers. Unissonsnous et Appelons-nous les Rockers,” in Le Rock et la Plume: Une Histoire du Rock par les Meilleurs Journalistes Français, 1960–1975, ed. G. Verlant; C. Eudeline; P. Desvalois. Paris: Hors Collection, 1999.

Bogaert, Karel. “Country Blues,” in Blues Lexicon, p. 87 (Item E110).

A240.

Bogle, Donald. Primetime Blues: African Americans on Network Television. New York: Farrar, Straus and Giroux, 2001. 520 pp.

A241.

Bogle, Donald. Toms, Coons, Mulattoes, Mammies and Bucks: An Interpretative History of Blacks in Films. New York: Viking Press, 1973. 260 pp.; London; New York: Bantam, 1974. 364 pp.; London; New York: Penguin, 1979; New York: Continuum, 1989. 322 pp.; New 3rd ed. New York: Continuum, 1994. 390 pp.; new 3rd ed. Oxford: Roundhouse, 1994. 391 pp.

A242.

Boggs, Carl; Pratt, Ray. “The Blues Tradition: Poetic Revolt or Cultural Impasse?”, in American Media and Mass Culture: Left Perspectives, ed. D. Lazere, pp. 279–292. Berkeley: University of California Press, 1987.

A243.

Bohanon, Margaret. “Wild Women Don’t Have the Blues”: African-American Women Blues Singers and Working Class Resistance. Ph.D. Dissertation, Case Western Reserve University, 2001. 241 pp.

A244.

Bokelman, Marina. The Coon Can Game: A Blues Ballad Tradition. Masters Thesis, University of California, 1968. 277 pp.

A245.

Bonner, Brett J.; Johnson, Patty; Nelson, David; O’Neal, Jim; Pointer-Jones, Sandra. “40 Under 40.” Living Blues no. 120 (Mar/Apr 1995): 77–90.

A246.

Boogerd, Herman van den. “Blues As a Protest Song.” Mr. Blues no. 6/7 (May/Jun 1968): 8–9.

A247.

Booth, Stanley. “Even the Birds Were Blue.” Rolling Stone no. 56 (16 Apr 1970): 34–38. Reprinted in The Rolling Stone Rock ‘n’ Roll Reader, ed. B. FongTorres, pp. 404–417. New York: Bantam, 1974.

A248.

Borello, Jean-Michel. “Blues et Franc-Maconnerie.” Soul Bag no. 155 (Summer 1999): 12–15.

A249.

Borenstein, Larry; Russell, Bill. Preservation Hall Portraits. Baton Rouge: Louisiana State University Press, 1968.

A224.

Bessman, Jim. “Everybody’s Got the Blues.” Billboard 112, no. 23 (3 Jun 2000): 47.

A225.

Bethell, Tom. “They Had a Right to Sing the Blues.” National Review 43, no. 12 (8 Jul 1991): 31+.

A226.

Bindas, Kenneth J. (ed.). America’s Musical Pulse: Popular Music in Twentieth-Century Society. Westport: Praeger, 1992. 301 pp.

A227.

Bindas, Kenneth J. All of This Music Belongs to the Nation: The WPA’s Federal Music Project and American Society. Knoxville: University of Tennessee, 1995. 184 pp.

A228.

Birnbaum, Larry. “Blues in Transition.” Down Beat 48, no. 7 (Jul 1981): 20–23, 64–65.

A229.

Black, Timuel Kerrigan. The Hope of a Song: An Interpretation of the Meaning of Blues and Spirituals. Master’s Thesis, University of California, 1979. 101 pp.

A230.

A231.

A232.

A233.

Blacklock, Michael. “A Brief Overview of the Birth of Rock and Roll Within the Cultural Climate of 1950s America.” Music Business Journal 3, no. 1 (2003). Blackwood, Dean; Blackwood, Scott. American Primitive, Vol. 2: Pre-War Revenants, 1897–1939. USA: Revenant 214, 2005. Blazer, Henry C.; Albert, Margaret. 100 Years of Jazz & Blues Festival. New York: 651/Kings Majestic, 1992. 84 pp. Blesh, Rudi. Shining Trumpets: A History of Jazz. New York: Knopf, 1946. 365 pp.; London: Cassell, 1949. 365 pp.; 2nd ed. New York: Knopf, 1958. 410 pp.; New York: Da Capo, 1975. 365 pp.

History and Background

A250.

Borneman, Ernest. “Black Light and White Shadow: Notes for a History of American Negro Music.” Jazzforschung/Jazz Research 2 (1970): 24–93. Reprinted in Blues Notes 11, no. 35/36 (Mar 1979): 49–55; Blues Notes 11, no. 37 (1979): 45–52.

A251.

Borneman, Ernest. “The Blues: A Study in Ambiguity,” in Just Jazz 3, ed. S. Traill; G. Lascelles, pp. 75–91. London: Landsborough, 1959.

A252.

Borneman, Ernest. “Blues on a Half Bottle of Gin.” Melody Maker (5 Jun 1954): 2.

A253.

Borneman, Ernest. A Critic Looks at Jazz. London: Jazz Music, 1946. 53 pp.

A254.

Borneman, Ernest. “The Roots of Jazz,” in Jazz, ed. N. Hentoff; A.J. McCarthy, pp. 1–20. New York: Rinehart, 1959.

A255. A256.

A257.

A258.

A259.

A260.

A261.

Botkin, Benjamin A.; Lomax, Alan. Negro Work Songs and Calls. USA: Rounder CD 1517, 1999. Botkin, Bruce. A Treasury of American Folklore: The Stories, Legends, Tall Tales, Traditions, Ballads and Songs of the American People. New York: Crown, 1944; New York: Bonanza, 1983. 932 pp. Botkin, Benjamin A. “Self-Portraiture and Social Criticism in Negro Folk Song.” Opportunity 5 (Feb 1927): 38–42. Bours, Etienne; Nogueira, Alberto. “The Birth of the Blues.” The Unesco Courier 44, no. 3 (Mar 1991): 12–14. Bowman, Rob. “Elvis Presley and the Impulse Towards Transculturation.” Crawdaddy no. 23 (Winter/Spring 2000): 4–7. Bowman, Robert. “Funk,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 351-353 (Item E162). Boyer, Horace Clarence. “Gospel Blues: Origin and History,” in New Perspectives on Music: Essays in Honor of Eileen Southern, ed. E. Southern; J. Wright; S.A. Floyd. Warren: Harmonie Park, 1992.

9

A266.

Brasch, Nicolas. Jazz and Blues. North Mankato: Smart Apple Media, 2005. 32 pp.

A267.

Brasso, Paul. “Blues Med ind i 80’erne.” M.M.: Tidskrift for Rytmisk Musik 13, no. 3 (Apr 1980): 12, 18.

A268.

Brearley, H.C. “Ba-ad Nigger.” South Atlantic Quarterly 38 (1939): 75–81. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 95– 103 (Item A582).

A269.

Breckow, John; Baker, Cary; Moonoogian, George A.; Kochakian, Dan. “Often Imitated, Never Duplicated: Purity & the Future of the Real Blues.” Whiskey, Women and ... no. 5 (Jun 1973).

A270.

Bremen, Paul (comp.). Blues, en Andere Wereldlijke Volksmuziek van de Noordamerikaanse Neger. Den Haag: Servire, 1961. 232 pp.

A271.

Brewer, John Mason (comp.). American Negro Folklore. Chicago: Quadrangle Books, 1968. 386 pp.

A272.

Briggs, Keith. “Black Americans at War.” Blues & Rhythm no. 198 (Apr 2005): 10.

A273.

Briggs, Keith. “Can White Men Play the Blues?” Blues & Rhythm no. 81 (Aug 1993): 18.

A274.

Bromell, Nick. “‘The Blues and the Veil’: The Cultural Work of Musical Form in Blues and ‘60s Rock.” American Music 18, no. 2 (2000): 193–221.

A275.

Bromell, Nicholas Knowles. Tomorrow Never Knows: Rock and Psychedelics in the 1960s. Chicago: University of Chicago Press, 2000. 225 pp.

A276.

Bronckers, Paul. “Blues ... Uit een Ander Gezichtspunt Bekeken.” Boogie Woogie & Blues Collector no. 44 (Sep 1974): 5–6.

A277.

Bronner, Simon J.; Lornell, Kip. “Folklore and Art History,” in Afro-American Folk Art and Crafts, ed. A.H. Fauset, pp. 353–407. Boston: G.K. Hall, 1983.

A278.

Brooks, Tilford. America’s Black Musical Heritage. Englewood Cliffs: Prentice-Hall, 1984. 336 pp.

A279.

Brooks, Tilford. A Historical Study of Black Music and Selected Twentieth Century Black Composers and their Role in American Society: A Source Book for Teachers. Ph.D. Dissertation, Washington University, 1972.

A262.

Brack, Ray. “New Market for Black Blues.” Billboard 80 (17 Aug 1968): suppl. 28.

A263.

Brack, Ray. “No Credibility Gap.” Billboard 79 (24 Jun 1967): suppl. 62.

A264.

Brackett, David. The Pop, Rock, and Soul Reader: Histories and Debates. New York: Oxford University Press, 2005. 524 pp.

A280.

Brooks, Tim. Lost Sounds: Blacks & the Birth of the Recording Industry. USA: Archeophone 1005, 2005.

A265.

Brakeley, Theresa B. “Blues,” in Funk & Wagnalls Standard Dictionary of Folklore, Mythology, and Legend. New York: Funk and Wagnalls, 1972.

A281.

Brooks, Tim. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919. Urbana: University of Illinois Press, 2004. 634 pp.

10

A Blues Bibliography, Second Edition

A282.

Brothers, Thomas. “Ideology and Aurality in the Vernacular Traditions of African-American Music (CA. 1890–1950).” Black Music Research Journal 17, no. 2 (Autumn 1997): 169–209.

A283.

Broven, John. “The Rhythm & Blues Explosion.” Juke Blues no. 3 (Dec 1985): 19–22; Juke Blues no. 5 (Summer 1986): 4–9.

A284.

A296.

Brown, Sterling A.; Davis, Arthur P.; Lee, Ulysses. The Negro Caravan. New York: Dryden, 1941; New York: Arno, 1969.

A297.

Brown, Sterling A. “Negro Folk Expression.” Phylon 11, no. 4 (4th Quarter 1950): 318–327.

A298.

Brown, Sterling A. “Negro Folk Expression: Spirituals, Seculars, Ballads and Work Songs.” Phylon 14, no. 1 (1st Quarter 1953): 45–61.

A299.

Brown, Sterling A. “Spirituals, Blues, and Jazz: The Negro in the Lively Arts.” Tricolor no. 3 (Apr 1945): 62–70. Reprinted in Jam Session: An Anthology of Jazz, ed. R.J. Gleason, pp. 17–26. New York: G.P. Putnam’s Sons, 1958.

A300.

Brown, Cecil. Stagolee Shot Billy. Cambridge: Harvard University Press, 2003. 296 pp.

Brown, Valerie Jane. Turnabout is Fair Play: The Censorship of Popular Music in the 1950s. Master’s Thesis, University of Oregon, 1991. 154 pp.

A301.

Brown, Charles T. “Common Roots of Jazz and Rock.” Proceedings of NAJE Research 1 (1981): 19–21.

Browne, Ray B. “Some Notes on the Southern Holler.” Journal of American Folklore 67, no. 263 (Jan/ Mar 1954): 73–77.

A302.

Bruin, Leo W. “Country Blues Op de Plaat, 1955– 1985.” Boogie Woogie & Blues Collector no. 54/55 (Jul/Aug 1975): 4–5.

A303.

Brunnbauer, Dietmar. “Blues in Schwarz-Weib.” Blues Notes 2, no. 5/6 (Jun 1970): 5–8.

A304.

Brunnbauer, Dietmar. “Der Blues Kommt über den Grossen Teich.” Blues Life no. 29 (1985): 6.

A305.

Brunnbauer, Dietmar. “Der Blues und Afrika: Wurzeln.” Blues Life (2nd series) no. 6 (1979): 8–9.

A306.

Brunnbauer, Dietmar. “Bluesfrauen: Frauenblues.” Blues Life no. 14 (1981): 15–16.

A307.

Brunning, Bob. Blues. Oxford: Heinemann, 2002. 32 pp.

A308.

Brunning, Bob. Blues: The British Connection. Dorset: Blandford Press, 1986. 272 pp.; New York: Sterling, 1986. 256 pp.; new ed (as Blues in Britain: The History: 1950s to the Present). Poole: Blandford Press, 1995. 288 pp.; London: Helter Skelter, 2002. 288 pp.

A309.

Brunning, Bob. Jazz/Blues/Soul /90s Pop/World Music/Rock and Rap. Oxford: Heinemann, 2002. 32 pp.

A310.

Brunning, Bob. Rock ‘n’ Roll. New York: Peter Bedrick, 1999. 32 pp.

A311.

Brunvand, Jan Harold (ed.). The Study of American Folklore: An Introduction. New York: W.W. Norton, 1978. 460 pp.

A312.

Bruynoghe, Yannick. “Blues Today,” in Just Jazz, ed. S. Traill; G. Lascelles, pp. 169–181. London:

Brown, Ashley. “Straight from the Heart: Is the Blues the Real Core of Rock?” The History of Rock 3, no. 6 (c1981–c1984): 581–582.

A285.

Brown, Cecil. “Godfather of Gangsta.” Guardian (Review) [UK] (9 May 2003): 2–4.

A286.

Brown, Cecil. Stagolee: From Shack Bully to Culture Hero. Ph.D. Dissertation, University of California, 1993. 286 pp.

A287. A288.

A289.

A290.

A291.

Brown, Clarence ‘Gatemouth’; Johnson, Luther ‘Guitar Junior’; Kahn, Paul; Tracy, Steve. “The Blues Lives On: Personal Reflections?”, in Such Sweet Thunder, ed. M. Baszak; E. Cohen, pp. 182–189. Amherst: University of Massachusetts, 2003. Brown, Ernest D. Something from Nothing and More from Something: The Making and Playing of Music Instruments in African-American Cultures.” Selected Reports in Ethnomusicology 8 (1990): 275–291. Brown, Frederick; Sims, Lowery Stokes. Frederick J. Brown: Portraits in Jazz, Blues, and Other Icons. Kansas City: Kemper Museum of Contemporary Art, 2002. 63 pp.

A292.

Brown, Frederick J. Portraits of Music I Love. Kansas City: American Jazz Museum, 2002. 48 pp.

A293.

Brown, Sterling A. “The Blues.” Phylon 13, no. 4 (4th Quarter 1952): 286–292.

A294.

Brown, Sterling A. “The Blues as Folk Poetry,” in Folk-Say: A Regional Miscellany, 1930, ed. B.A. Botkin, pp. 324-339. Norman: University of Oklahoma Press, 1930. Reprinted in The Jazz Cadence of American Culture, ed. R.G. O’Meally, pp. 540– 551. Columbia University Press, 1998.

A295.

Brown, Sterling. “Blues, Ballads and Social Songs,” in 75 Years of Freedom: Commemoration of the 75th Anniversary of the Proclamation of the 13th Amendment to the Constitution of the U.S, pp. 17–25. Washington, DC: Library of Congress, 1940.

History and Background

Peter Davies, 1957. Reprinted in Sailor’s Delight no. 1 (1978): 2–3. A313.

A314.

A315.

Bruynoghe, Yannick; Dance, Stanley. “The Perennial Blues.” Saturday Review 40, no. 19 (11 May 1957): 34–35. Buckley, Bruce Redfern. Frankie and Her Men: A Study of the Interrelationships of Popular and Folk Traditions. Ph.D. Dissertation, Indiana University, 1962. 289 pp. Budds, Michael J. “African-American Women in Blues and Jazz,” in Women & Music: A History, ed. K. Pendle. Bloomington: Indiana University Press, 1991.

11

A331.

Burns, Loretta S. “The Structure of Blues Lyrics,”, in More Than Dancing: Essays on Afro-American Music and Musicians, ed. I.V. Jackson, pp. 221–237. Westport: Greenwood, 1985.

A332.

Busnar, Gene. The Rhythm and Blues Story. New York: Messner, 1985. 218 pp.

A333.

Butcher, Vada E. “African and Afro-American Culture as Reflected in Indigenous Song Texts,” in The Diffusion of the Afro-American Idiom in the Western Hemisphere, pp. 131–137. Washington, DC: Howard University Center for Ethnic Music, 1977.

A334.

Bynoe, Linda Turner. African American Blues Women’s Contribution to Womanist Theory: An Ethnographic Educational Study. Ed. D. Thesis, University of San Francisco, 1996.

A316.

Buechler, Mark. “The Greatest Session Player of them All.” Blues Revue no. 35 (Mar 1998): 60–61.

A317.

Bull, Michael; Back, Les. The Auditory Culture Reader. Oxford; New York: Berg, 2003. 510 pp.

A335.

Cable, George Washington. “Creole Slave Songs.” Century Magazine 31 (Feb 1886): 807–828.

A318.

Burdex, Monica J. “Dance: Artistic,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 246 (Item E162).

A336.

Calloway, Earl. “The Blues: Secular Part of Black Tradition.” Chicago Defender (15 Jun 1991): 34.

A337.

Calt, Stephen; Wardlow, Gayle Dean. “Bitchin’ Boogie: An Open Letter to Blues Fans.” Blues Unlimited no. 140 (Spring 1981): 39.

A338.

Calt, Stephen. “The Country Blues as Meaning,” in Country Blues Songbook, ed. S. Grossman; S. Calt; H. Grossman, pp. 8–35. New York: Oak, 1973.

A339.

Calt, Stephen; Epstein, Jerome; Perls, Nick; Stewart, Michael. Going Away Blues, 1926–1935. USA: Yazoo L-1018, c1969.

A340.

Calt, Stephen. “The Myth of Rock and Roll.” 78 Quarterly no. 6 (1991): 66–82.

A341.

Calt, Stephen. Please Warm My Weiner: Old Time Hokum Blues. USA: Yazoo L-1043, c1974.

A342.

Calt, Stephen; Crumb, Robert; Jasen, David A.; Nevins, Richard. R. Crumb’s Heroes of Blues, Jazz, & Country. New York: Abrams, 2006.

A319.

Bureau, Jacques. “Le Blues, Ames des Noirs.” Musica [Chaix] no. H76 (Jul 1960): 7–11.

A320.

Burgess, Paul. Rare Blues of the Twenties. Vol. 1. USA: Historical ASC 5829-1, 1966.

A321.

Burgess, Paul. They Sang the Blues. Vol. 1: 1927– 1929. USA: Historical 5829-17, 1966.

A322.

Burke, Tony; Penny, Dave. “Open the Door Richard.” Blues & Rhythm no. 17 (Mar 1986): 28–35.

A323.

Burkhardt, Werner. Klänge, Zeiten, Musikanten: Ein Halbes Jahrhundert Jazz, Blues und Rock. Waakirchen: Oreos, 2002. 318 pp.

A324.

Burkhardt, Werner. The Original American Folk Blues Festival. USA: Excello 8029, 1974.

A325.

Burley, Dan. “The ‘Crazy Blues’.” New York Amsterdam News (2 Mar 1940): 20.

A343.

A326.

Burley, Dan. “Fame and Fortune for Fat Folks!” New York Amsterdam News (30 Nov 1940): 21.

Calt, Stephen. Roots of Rock. USA: Yazoo L-1063, 1978.

A344.

A327.

Burlin, Natalie Curtis. “How Negro Folk-Songs are ‘Born’.” Current Opinion 66, no. 3 (Mar 1919): 165–166.

Calt, Stephen; Stewart, Mike; Perls, Nick. Ten Years of Black Country Religion, 1926–1936. USA: Yazoo L-1022, c1971.

A345.

A328.

Burlin, Natalie Curtis. “Negro Music at Birth.” Musical Quarterly 5 (Jan 1919): 86–89.

A329.

Burnim, Mellonee V.; Maultsby, Portia K. (eds.). African American Music: An Introduction. New York: Routledge, 2006. 707 pp.

A330.

Burns, Jim. “Let the Good Times Roll.” Jazz & Blues 1, no. 10 (Feb 1972): 16–24.

Campbell, E. Simms. “Blues are the Negroes’ Lament.” Esquire 12, no. 6 (Dec 1939): 100, 276– 280. Reprinted as “The Blues,” in Jazzmen, ed. F. Ramsey, Jr.; C.E. Smith, pp. 101–118. New York: Harcourt, Brace & Co., 1939. Reprinted in The Negro in Music and Art, ed. L. Patterson, pp. 53–63. New York, 1968. Reprinted in The Afro-American in Music and Art, ed. L. Patterson, pp. 53–63. Cornwell Heights: Horizon, 1978.

12

A Blues Bibliography, Second Edition

A346.

Campbell, James. The Picador Book of Blues and Jazz. London: Picador, 1995. 406 pp.

A347.

Campbell, Michael; Brody, James. Rock and Roll: An Introduction. New York: Schirmer, 1999. 445 pp.

A348.

Cantwell, Robert. When We Were Good: The Folk Revival. Cambridge: Harvard University Press, 1996. 413 pp.

A349.

Caponi, Gena Dagel. Signifyin(g): Sanctifyin’ & Slam Dunking: A Reader in African American Expressive Culture. Amherst: University of Massachusetts Press, 1999. 467 pp.

A350.

pp.; 2nd ed. Lanham: University Press of America, 1987. 339 pp.; 3rd ed. Lanham: Rowman & Littlefield, 1994. 331 pp.; 4th ed. Lanham: Rowman & Littlefield, 2003. 366 pp. A360.

Carr, Ian; Fairweather, Digby; Priestley, Brian. “Blues,” in Jazz: The Essential Companion, pp. 50–51 (Item E118). Reprinted in an edited form in Jazz: The Rough Guide, pp. 724–725 (Item E119).

A361.

Carrera, Alessandro. “La Musica Populare e le Sue Ideologie: Dal ‘68 al Blues Revival.” Cineforum 19, no. 11 (1979): 647-659.

Carby, Hazel V. Cultures in Babylon: Black Britain and African America. New York: Verso, 1999. 282 pp.

A362.

Carroll, Jeffrey. When Your Way Gets Dark: A Rhetoric of the Blues. West Lafayette: Parlor, 2005. 176 pp.

A351.

Carby, Hazel V. “In Body and Spirit: Representing Black Women Musicians.” Black Music Research Journal 11, no. 2 (Fall 1991): 177–192.

A363.

A352.

Carby, Hazel V. “It Just Be’s Dat Way Sometime: The Sexual Politics of Women’s Blues.” Radical America 20, no. 4 (Jun/Jul 1986): 9–22. Reprinted in Gender and Discourse: The Power of Talk, ed. A. Dundas Todd; S. Fisher, pp. 227–242. Norwood: Ablex, 1988. Reprinted in The Jazz Cadence of American Culture, ed. R.G. O’Meally, pp. 469–482. Columbia University Press, 1998. (NOTE: This paper was originally presented to the conference on “Sexuality, Politics and Power” held at Mount Holyoke College, September 1986.).

Carruth, Hayden. Sitting In: Selected Writings on Jazz, Blues, & Related Topics. Iowa City: University of Iowa Publications, 1986. 192 pp.; Iowa City: University of Iowa Publications, 1993. 223 pp.

A364.

Carter, Sandy. “Feminism and Classic Blues.” Z Magazine 11, no. 7/8 (Jul 1998): 99–102.

A365.

Carter, Tom. Roots of the Postwar Blues. Sweden: Bluetime BT 2015, 1989.

A366.

Cary, Michael D. “Political Dimensions of the Blues.” Popular Music and Society 14, no. 2 (Summer 1990): 37–48.

A367.

Caselli, Roberto; Treves, Fabio. Blues Express. Milano: Multiplo Edizioni, 1989. 190 pp.

A368.

Cassinos-Carr, Cathy. “Birth of the Blues,” in Exploring the Blues: Teacher’s Handbook. New York: Cherry Lane, 2001.

A369.

Cayer, Richard. “‘What’d He Say’.” R&B Magazine 1, no. 4/5 (Jul/Oct 1970): 32-36. R and B Magazine [USA] 1, no. 6/7 (Nov 1970/Feb 1971): 17–19; R and B Magazine [USA] 1, no. 8 (Fall 1971): 21–25.

A370.

Chambers, Iain M. “‘It’s More Than a Song to Sing’: Music, Cultural Analysis and the Blues.” Estratto da Annali-Anglistica [Naples University] 22, no. 1 (1979): 1–52.

A371.

Chambers, Iain. Urban Rhythms: Pop Music and Popular Culture. London: Macmillan, 1985. 272 pp.

A372.

Champarou, Patrice. “American Folk Blues Festival (AFBF),” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 23–24 (Item E162).

A373.

Champarou, Patrice. “Field Hollers,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 320–321 (Item E162).

A353.

Card, Caroline. “Some Problems of Field Recording for Research Purposes,” in Discourse in Ethnomusicology, pp. 53–64. Bloomington: Ethnomusicology Publications Group, Indiana University, 1978.

A354.

Carles, Philippe. Blues. France: Verve 314 513 4642, 1989.

A355.

Carles, Philippe; Comolli, Jean-Louis. “Le Blues du Peuple.” Jazz Magazine [France] no. 200 (May 1972): 30–31.

A356.

Carles, Philippe. “Pourquoi le Blues?” Jazz Magazine [France] no. 200 (May 1972): 2.

A357.

Carlquist, Tom; Pleijel, Christian; Richter, Andreas. “Blues Under ett Århundrade.” Musikrevy 24 (1969): 303–305.

A358.

Carney, George O. “The Roots of American Music,” in The Sounds of People and Places, pp. 286–324. Washington, DC: University Press of America, 1978.

A359.

Carney, George O. (ed.). The Sounds of People and Places: Readings in the Geography of Music. Washington, DC : University Press of America, 1978. 336

History and Background

A374.

Charbeneau, Travis. “That Rebel Music: How the Blues Became the New World Anthem.” Toward Freedom 49, no. 2 (May 2000): 16+.

A375.

Charlton, Katherine. Rock Music Styles: A History. Dubuque: Wm. C. Brown, 1990. 288 pp.; 2nd ed. Madison: Brown & Benchmark, 1994. 324 pp.; 3rd ed. Boston: McGraw Hill, 1998. 292 pp.; 4th ed. Boston: McGraw-Hill, 2003.

A376.

Charters, Samuel B. “The African Background.” in The Bluesmen, pp. 15–22 (Item A387). Reprinted in The Blues Makers. Part 1, pp. 15–22. New York: Da Capo, 1991.

13

A389.

Charters, Samuel B. The Country Blues. New York: Rinehart, 1959. 288 pp.; London: Joseph, 1959. 191 pp.; London: Jazz Book Club, 1959. 203 pp.; Munich: Nymphenburger, 1962. 268 pp.; New York: Da Capo, 1975. 288 pp.; Reinbek: Rowohlt Teschenbuch, 1982. 219 pp.

A390.

Charters, Samuel B. The Country Blues. Vol. 1. USA: RBF RF 1, 1959. Vol. 2. USA: RBF RF 9, 1964. Vols. 1 & 2 reissued as Smithsonian Folkways 00001, 1992.

A391.

Charters, Samuel B. “The Crazy Blues,” in Jazz: A History of the New York Scene, ed. S.B. Charters; L. Kunstadt, pp. 82–93. New York: Doubleday & Co., 1962. Notes reprinted in an edited form in Walking a Blues Road, pp. 45–53 (Item A407).

A377.

Charters, Samuel B. African Journey: A Search for the Roots of the Blues. USA: Vanguard SRV 7301473015, 1975.

A378.

Charters, Samuel B. “The African Origins,” in History of the Blues, ed. D. Goldfarb. Portland: Artstigo, 1992.

A392.

Charters, Samuel B. “From the Poetry of the Blues,” in Walking a Blues Road, pp. 104–120 (Item A407). (NOTE: Reprinted from item A400.)

A379.

Charters, Samuel B. American Skiffle Bands. USA: Folkways FA-2610, 1957.

A393.

A380.

Charters, Samuel B. Blues at Newport. USA: Vanguard CVSD 115/16, 1989.

Charters, Samuel B. “From the Roots of the Blues (1981). Chapter 6: Some Young Griots,” in Walking a Blues Road, pp. 172–184 (Item A407). (NOTE: Reprinted from The Roots of the Blues. London: Marion Boyars, 1981.)

A381.

Charters, Samuel B. The Blues at Newport, 1964. USA: Vanguard VSD 79180-79181, 1965.

A394.

Charters, Samuel B. “‘Goin’ to Kansas City,” in The Country Blues, pp. 131–137 (Item A389).

A382.

Charters, Samuel B.; Charters, Ann. Blues Faces, 1950-1987. Storrs: William Benton Museum of Art, University of Connecticut, 1988. 4 pp.

A395.

Charters, Samuel B. “Hunting Music in the South.” New York Times (15 Nov 1959): K5.

A383.

Charters, Samuel; Charters, Ann. Blues Faces: A Portrait of the Blues. Boston: David R. Godine, 2000. 138 pp.; Enfield: Airlift, 2000. 138 pp.

A396.

A384.

Charters, Samuel B. Blues Masters: The Essential Blues Collection. Vol. 10: Blues Roots. USA: Rhino R2 71135, 1993. Vol. 11: Classic Blues Women. USA: Rhino R2 71134, 1993.

Charters, Samuel B. The Legacy of the Blues: A Glimpse Into the Art and the Lives of Twelve Great Bluesmen: An Informed Study. London: Calder and Boyars, 1975. 192 pp.; New York: Da Capo, 1977. 192 pp.; London: Boyars, 1997. 192 pp.

A397.

Charters, Samuel. “Meeting the Blues.” American Folk Music Occasional no. 1 (1964): 18–20.

A398.

Charters, Samuel B. “‘The Mommies and Daddies from Coast to Coast’,” in The Country Blues, pp. 232–244 (Item A389).

A399.

Charters, Samuel B. “A Music ... Extraordinarily Wild and Unaccountable,” in The Country Blues, pp. 19–31 (Item A389).

A400.

Charters, Samuel B. The Poetry of the Blues. New York: Oak, 1963. 111 pp.; New York: Avon, 1970. 174 pp.

A401.

Charters, Samuel B. “The Poetry of the Blues,” in Write Me a Few of Your Lines, ed. S. Tracy, pp. 352360 (Item A2216). (NOTE: Reprinted from item A400, pp. 152–173.)

A402.

Charters, Samuel B. “The Poetry of the Blues,” in Write Me a Few of Your Lines, ed. S. Tracy, pp. 416-

A385.

Charters, Samuel B. Blues: Music from the Documentary Film by Sam Charters. USA: Asch a 101, 1967.

A386.

Charters, Samuel B. Blues Rediscoveries: Original Recordings by Today’s Rediscovered Bluesmen. USA: RBF 11, 1966; USA: Smithsonian Folkways 00011, 1992.

A387.

A388.

Charters, Samuel B. The Bluesmen. Vol. 1: The Story and the Music of the Men Who Made the Blues. New York: Oak, 1967. 223 pp. Reprinted as part of The Blues Makers. New York: Da Capo, 1991. Charters, Samuel B. The Bluesmen. Vol. 2: Sweet as the Showers of Rain. New York: Oak, 1977. 178 pp. Reprinted as part of The Blues Makers. New York: Da Capo, 1991.

14

A Blues Bibliography, Second Edition

A419.

Clarke, Donald. “Rhythm and Blues,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., pp. 1078–1079 (Item E125).

A420.

Charters, Samuel B. The Roots of the Blues: An African Search. London: Boyars, 1981. 160 pp.; New York: Putnam, 1982. 151 pp.; London: Quartet, 1982. 151 pp.; New York: Da Capo, 1991. 151 pp.

Cloud, David W. 1950s Rock: Creating a Revolution. Port Huron: Way of Life, 2000. 36 pp.

A421.

Cochrane, William. “The Guy with the 45. Pt 1.” Living Blues no. 74 (1987): 39; “Pt 2.” Living Blues no. 75 (1987): 37, 45.

A405.

Charters, Samuel B. The Rural Blues. USA: RBF RF 202, 1964.

A422.

Cohen, Andy. “Of Music Secular and Divine.” Kaleidoscope 19 (Summer/Fall 1989): 28–32.

A406.

Charters, Samuel. “Some Thoughts on Blues Writing, 1965.” Record Research no. 70 (Aug 1965): 8.

A423.

A407.

Charters, Samuel B. Walking a Blues Road: A Blues Reader, 1965–2004. London: Marion Boyars, 2004. 280 pp.

Cohen, Norm. “‘Casey Jones’: At the Crossroads of Two Ballad Traditions.” Western Folklore 32, no. 2 (Apr 1973): 77–103.

A424.

Cohen, Norm. Folk Music: A Regional Exploration. Westport: Greenwood, 2005. 335 pp.

421 (Item A2216). (NOTE: Reprinted from item A400, pp. 43–56.) A403. A404.

Charters, Samuel B. Roots of Black Music in America. USA: Folkways 2694, 1972.

A408.

Charters, Samuel B. “Wie der Blues Begann.” Musikalische Jugend 11, no. 5 (1962): 10.

A425.

Cohen, Norman. “Jake Walk Blues.” JEMF Quarterly 15, no. 55 (Fall 1979): 191.

A409.

Charters, Samuel B. “Workin’ on the Building: Roots and Influences,” in Nothing But the Blues, ed. L. Cohn, pp. 13-31 (Item A432).

A426.

Cohen, Norman. “Streetwalking Blues.” JEMF Quarterly 15, no. 55 (Fall 1979): 190.

A427.

A410.

Chase, Gilbert. America’s Music: From the Pilgrims to the Present. New York: McGraw-Hill, 1955. 733 pp.

Cohen, Ronald D. ‘Wasn’t That a Time!’: Firsthand Accounts of the Folk Music Revival. Metuchen: Scarecrow, 2000. 232 pp.

A428.

A411.

Chase, Gilbert. “Singing the Blues,” in America’s Music: From the Pilgrims to the Present, pp. 452– 467. New York: McGraw-Hill, 1955.

Cohn, Lawrence. The Beauty of the Blues. USA: Columbia/Legacy CK 47465, 1991.

A429.

Cohn, Lawrence. “Blues: Three of a Kind.” Saturday Review 46 (16 Mar 1963): 97, 101.

A430.

Cohn, Lawrence. Maple Leaf Rag. USA: New World Records NW 235, 1976.

A431.

Cohn, Lawrence (ed.). Nothing But the Blues. New York: Abbeville, 1993. 432 pp.; 2eme edition. Paris: Editions Abbeville, 1994. 432 pp.; Barcelona: Odin, 1996. 432 pp.

A432.

Cohn, Lawrence. Nothing But the Blues: 30 Postcards. New York: Abbeville, 1993. 64 pp.

A433.

Cohn, Lawrence. Roots ‘n’ Blues: The Retrospective, 1925–1950. USA: Columbia/Legacy C4K 47911, 1992.

A434.

Clark, Edgar Rogie. “Negro Folk Music in America.” Journal of American Folklore 64, no. 253 (Jul/Sep 1951): 281–287.

Cohn, Lawrence. They Sang the Blues. Vol. 2: 1927– 1934. USA: Historical ASC 5829-22, 1968.

A435.

Clark, Robert Douglas. Tradition and Style in the Blues: An Ethnomusicological Approach. Master’s Thesis, Brown University, 1976. 131 pp.

Collier, James Lincoln. The Making of Jazz: A Comprehensive History. London: Hart-Davis, 1978. 543 pp.; London: Macmillan, 1981. 560 pp.

A436.

Collis, John. The Blues: Roots and Inspiration. London: Salamander, 1997. 128 pp.

A437.

Cone, James H. “The Blues: A Secular Spiritual,” in The Spirituals and the Blues, 97–127. New York: Seabury Press, 1972. Reprinted in Sacred Music

A412.

Cheatham, Jeannie. Meet Me with Your Black Drawers On: My Life in Music. Austin: University of Texas Press, 2006. 414 pp.

A413.

Cheers, D. Michael. “Why They Sing the Blues.” Jet 57, no. 22 (14 Feb 1980): 60–62, 64.

A414.

Chipman, Dawn; Florence, Mari; Wax, Naomi; Nelson, Pam. “Blues Divas,” in Cool Women. Los Angeles: Girl Press, 2001.

A415.

A416.

A417.

A418.

Clar, Mimi. “Folk Beliefs and Custom in the Blues.” Western Folklore 19, no. 3 (Jul 1960): 173–189. Reprinted in Second Line 11, no. 9/10 (1961): 1–8; Second Line 11, no. 11/12 (1961): 17–21; Second Line 12, no. 1/2 (1962): 23–30.

Clarke, Donald. “Blues,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., pp. 131–132 (Item E125).

History and Background

of the Secular City: From Blues to Rap, ed. J.M. Spencer. Durham: Duke University Press, 1992. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 231–251 (Item A2216). A438.

A439.

Cone, James H. The Spirituals and the Blues: An Interpretation. New York: Seabury Press, 1972. 152 pp.; Munich: Kaiser, 1973. 173 pp.; Westport: Greenwood, 1980. 152 pp.; Maryknoll: Orbis Books, 1992. 141 pp. Constant, Denis. “Kinds of Blues.” Jazz Magazine [France] no. 313 (Dec 1982): 38–41, 52; Jazz Magazine [France] no. 314 (Jan 1983): 42–44, 53–54; Jazz Magazine [France] no. 315 (Feb 1983): 46–48, 70.

A440.

Constant, Denis. “La Route du Rock.” Jazz Magazine [France] no. 342 (Sep 1985): 28–33.

A441.

Constantin, Philippe. “Du Rock au Rhythm ‘n Blues,” in Le Rock et la Plume: Une Histoire du Rock par les Meilleurs Journalistes Français, 1960–1975, ed. G. Verlant; C. Eudeline; P. Desvalois. Paris: Hors Collection, 1999.

A442.

Constantine, Mary-Ann; Porter, Gerald. Fragments and Meaning in Traditional Song: From the Blues to the Baltic. Oxford: Oxford University Press, 2003. 261 pp.

A443.

Conyers, James L. African American Jazz and Rap: Social and Philosophical Examinations of Black Expressive Behavior. Jefferson: McFarland, 2001. 256 pp.

A444.

Cook, Bruce. Listen to the Blues. New York: Scribner’s, 1973. 263 pp.; London: Robson, 1975. 263 pp.; New York: Da Capo, 1995.

A445.

Coolen, Michael T. “Senegambian Influences on Afro-American Musical Culture.” Black Music Research Journal 11, no. 1 (Spring 1991): 1–18.

A446.

Coolen, Michael Theodore. “The Fodet: A Senegambian Origin for the Blues?” Black Perspective in Music 10, no. 1 (Spring 1982): 69–84.

A447.

Coolidge, Richard A. “The Blues in Theory.” NAJE Educator 3, no. 3 (1971): 13–16.

A448.

Corio, David; Goldman, Vivien. The Black Chord: Visions of the Groove: Connections Between AfroBeats, Rhythm & Blues, Hip Hop, and More. New York: Universe, 1999. 176 pp.

A449.

Côté, Gérald. Le Blues et Ses Connotations. Master’s Thesis, Université de Montréal, 1988. 245 pp.

A450.

Cotten, Lee. Shake Rattle & Roll: The Golden Age of Rock ‘n Roll. Volume 1: 1955.. Ann Arbor: Popular Culture, 1989. 355 pp.

15

A451.

Coughlin, Jack; Tracy, Steven C. A Brush with the Blues: 26 Portraits. Provincetown: Rep House LLC, 1997. 60 pp.

A452.

Coulombe, Renee T. “The Insatiable Banshee: Voracious Vocalizing ... Riot Grrrl ... and the Blues,” in Audible Traces: Gender, Identity, and Music, ed. E. Barkin; L. Hamessley. Zürich: Carciofoli, 1999.

A453.

Cousins, Eddie; Cousins, Linda. Travelling with the Bluesmen: American Bluesmen in England. [Liverpool]: Blues & Gospel Research Library, c1974.

A454.

Covington, Ben. “Blues in the Archway Road.” Anarchy 51 5, no. 5 (May 1965): 129–133.

A455.

Cowdery, Charles K. Blues Legends. Salt Lake City: Gibbs Smith, 1995. 96 pp.

A456.

Cowley, John; Garst, John. “Behind the Song [Ella Speed].” Sing Out! 45, no. 1 (Spring 2001): 69–70.

A457.

Cowley, John H. “Blues with a Meaning?” Blues Unlimited no. 100 (Apr 1973): 48–49.

A458.

Cowley, John H. “Don’t Leave Me Here: Non-Commercial Blues: The Field Trips, 1924–60,” in Nothing But the Blues, ed. L. Cohn, pp. 264–311 (Item A432).

A459.

Cowley, John. “Shack Bullies and Levee Contractors: Black Protest Songs & Oral History.” JEMF Quarterly 16, no. 60 (Winter 1980): 183-193. Reprinted in Juke Blues no. 3 (Dec 1985): 6–12; Juke Blues no. 4 (Spring 1986): 9–15.

A460.

Cowley, John. “Shack Bullies and Levee Contractors: Bluesmen as Ethnographers.” Journal of Folklore Research 28, no. 2/3 (May/Dec 1991): 135–162. Reprinted in Songs About Work: Essays in Occupational Culture for Richard A. Reuss, ed. R.A. Reuss; A. Green. Bloomington: Folklore Institute, Indiana University, 1993.

A461.

Cowley, John. “West Indies Blues: An Historical Overview, 1920s–1950s, Blues and Music from the English-Speaking West Indies,” in Nobody Knows Where the Blues Come From, ed. R. Springer. Jackson: University Press of Mississippi, 2006.

A462.

Crawford, Richard. America’s Musical Life: A History. New York: Norton, 2001. 976 pp.

A463.

Crazy Horse, Kandia. Rip It Up: The Black Experience in Rock ‘n’ Roll. New York: Palgrave Macmillan, 2004. 231 pp.

A464.

Cray, Ed. “An Acculturative Continuum for Negro Folk Song in the United States.” Ethnomusicology 5, no. 1 (Jan 1961): 10–15.

16

A Blues Bibliography, Second Edition

A465.

Crichton, Kyle. “There’s Gold in Them Hillbillies: Recording Hillbilly and Race Music.” Colliers no. 10 (30 Apr 1938): 24, 27.

A482.

Dahl, Bill. “Back to Basics: More Blues Musicians are Shutting Off the Amps and Going Acoustic.” Chicago Tribune (14 Nov 1996): 1.

A466.

Cripps, Colin. Popular Music. Cambridge: Cambridge University Press, 1988. 96 pp.

A483.

A467.

Crouch, Stanley. “Blues to You.” Living Blues no. 168 (Jun/Jul/Aug 2003): 18-19.

Dahl, Bill. Blues Fest: Modern Blues of the ‘70s. USA: Rhino R2 72191, 1995; Blues Fest: Modern Blues of the ‘80s. USA: Rhino R2 72192, 1995; Blues Fest: Modern Blues of the ‘90s. USA: Rhino R272193, 1995.

A468.

Crowley, Daniel J. (ed.). African Folklore in the New World. Austin: University of Texas Press, 1977. 91 pp.

A484.

Dahl, Bill. Blues Masters: The Essential Blues Collection. Vol. 17: More Postmodern Blues. USA: Rhino R2 75347, 1998.

A469.

Crowther, Bruce; Pinfold, Mike. The Jazz Singers. London: Blandford, 1986. 224 pp.; San Bernardino: Borgo Press, 1989. 224 pp.

A485.

Dahl, Linda. Stormy Weather: The Music and Lives of a Century of Jazzwomen. New York: Pantheon, 1984; London: Quartet, 1990. 371 pp.

A470.

Crowther, Bruce; Pinfold, Mike. Singing Jazz: The Singers and their Styles. London: Blandford, 1997. 256 pp.; San Francisco: Miller Freeman, 1997. 256 pp.

A486.

Dale, Rodney. The World of Jazz. Oxford: Phaidon, 1980. 192 pp.; Paris: Bordas, 1991. 192 pp.

A487.

Daley, Mike. “‘Why Do Whites Sing Black?’: The Blues, Whiteness, and Early Histories of Rock.” Popular Music and Society 26, no. 2 (Jun 2003): 161–168.

A488.

Danaher, William F.; Blackwelder, S.P. “The Emergence of Blues and Rap: A Comparison and Assessment of the Context, Meaning and Message.” Popular Music and Society 17, no. 4 (Winter 1993): 1–12.

A489.

Culver, Monty. “Black Water Blues.” The Atlantic 185, no. 5 (May 1950): 34-38.

Danaher, William F. “Gender Power: The Influence of Blues Queens, 1921 to 1929.” American Behavioral Scientist 48, no. 11 (2005): 1453–1467.

A490.

Cummings, Tony. “Sexy Soul, Blue Blues, and Rude Reggae.” Black Music 1, no. 6 (May 1974): 12–15, 17.

Dance, Daryl Cumber. Shuckin’ and Jivin’: Folklore from Contemporary Black Americans. Bloomington: Indiana University Press, 1978. 390 pp.

A491.

Cuney-Hare, Maud. Negro Musicians and their Music. Washington, DC: Associated, 1936. 439 pp.; New York: Da Capo, 1974. 439 pp.

Dance, Stanley. ‘The Blues’ and All That Jazz. USA: Decca DL 79230, 1967; USA: MCA MCA-1353, c1982.

A492.

Dance, Stanley; Bruynoghe, Yannick. Out Came the Blues. USA: Decca DL 4434, 1963; UK: Coral: CP 58, 1963; UK: Ace of Hearts AH 72, 1964; USA: MCA 1352, 1982.

A493.

Dance, Stanley. “Rhythm and Blues: An Assessment.” Melody Maker (18 Jun 1955): 3.

A494.

Danchin, Sebastian. Le Blues: Les Couleurs du Blues. Paris: Layeur, 2001. 48 pp.

A471.

Crumpacker, Chick; Crumpacker, Bunny. Jazz Legends. Layton: G. Smith, 1995. 93 pp.

A472.

Crunden, Robert M. “The Bleaching of the Blues,”, in Body & Soul: The Making of American Modernism, pp. 181–239. New York: Basic, 2000.

A473.

Cruz, Jon D. “Booze and Blues: Alcohol and Black Popular Music, 1920–1930.” Contemporary Drug Problems 15, no. 2 (Summer 1988): 149–186.

A474. A475.

A476.

A477.

Cunningham, M. Times are So Tight. Denmark: Bluetime BT 2017, 1989.

A478.

Curiel, Jonathan. “Muslim Roots of the Blues; The Music of Famous American Blues Singers Reaches Back Through the South to the Culture of West Africa.” San Francisco Chronicle (15 Aug 2004): E1.

A479.

Curtis, Edward. Advertising the Blues. Master’s Thesis, University of Rochester, 1993. 105 pp.

A495.

Dane, Barbara. “The Meaning of the Blues.” Down Beat 27, no. 7 (31 Mar 1960): 17–21.

A480.

Cuscuna, Michael. The Blues Tradition, 1927-1932. USA: Milestone MLP-2016, 1973.

A496.

A481.

D, Chuck. “Afterword: Blues: The Footprint of Popular Music,” in Martin Scorsese Presents the Blues, ed. P. Guralnick; et al., pp. 280–281 (Item A895).

Daniels, Douglas Henry. “The Significance of Blues for American History.” Journal of Negro History 70 (Winter/Spring 1985): 14–23.

A497.

Danker, Frederick E. “Blues in the Classroom.” English Journal 62, no. 3 (Mar 1973): 394–401.

History and Background

A498.

Danker, Frederick E. “Towards an Intrinsic Study of the Blues Ballads: ‘Casey Jones’ and ‘Louis Collins’.” Southern Folklore Quarterly 34 (Jun 1970): 91–103.

17

burg, 1995. 309 pp.; Cambridge: Da Capo, 2003. 309 pp.; London: Kluwer, 2003. 309 pp. A514.

Davis, John Preston (ed,). The American Negro Reference Book. Englewood Cliffs: Prentice-Hall, 1966. 969 pp.

A499.

DeSalvo, Debra. The Language of the Blues from Alcorub to Zuzu. New York: Billboard, 2006. 173 pp.

A500.

Dauer, Alfons Michael. “Der Blues,” in Der Jazz: Seine Ursprunge und Seine Entwicklung, pp. 70–91. Kassel: Erich Röth-Verlag, 1958.

A515.

Davis, Stephen F. “White Blues: A Paradox?” Alley Music 1 (1st Quarter 1971): 6–7.

A516.

Dauer, Alfons M.; Longstreet, Stephen. “Blues,” in Knaurs Jazz Lexikon, pp. 52–55. München: Th. Knaur Nachf., 1957.

Dawson, Jim; Propes, Steve. What Was the First Rock ‘n’ Roll Record? Boston: Faber & Faber, 1992. 201 pp.

A517.

Deburg, William L. Van. “Black Musical Mediators,” in Black Camelot: African-American Culture Heroes in Their Times, 1960–1980, pp. 197–242. University of Chicago Press, 1999.

A501.

A502.

Dauer, Alfons M.; Longstreet, Stephen. “Country Blues,” in Knaurs Jazz Lexikon, p. 86. München: Th. Knaur Nachf., 1957.

A503.

Dauer, Alfons M.; Longstreet, Stephen. “Instrumentaler Blues,” in Knaurs Jazz Lexikon, pp. 158–159. München: Th. Knaur Nachf., 1957.

A518.

DeCurtis, Anthony. “My Journey to the Blues,” in Martin Scorsese Presents the Blues, ed. P. Guralnick; et al, pp. 271–275 (Item A895).

A504.

Dauer, Alfons Michael. Der Jazz: Seine Ursprünge und Seine Entwicklung. Kassel: Erich Röth-Verlag, 1958. 284 pp.

A519.

DeCurtis, Anthony; Watson, Albert. “Living Legends.” Rolling Stone no. 561 (21 Sep 1989): 89–99, 128.

A505.

Dauer, Alfons Michael. “Die Klage, Die Nicht Traurig Ist,” in Jazz, Die Magische Musik: Ein Leitfaden Durch Den Jazz, ed. A.M. Dauer, pp. 33–52. Bremen: Schunemann, 1961.

A520.

DeCurtis, Anthony; Henke, James; George-Warren, Holly (eds.). The Rolling Stone Illustrated History of Rock & Roll. New ed. London: Plexus, 1992. 710 pp.

A506.

Dauer, Alfons M.; Longstreet, Stephen. “Rhythm and Blues,” in Knaurs Jazz Lexikon, p. 260. München: Th. Knaur Nachf., 1957.

A521.

Deffaa, Chip. Blue Rhythms: Six Lives in Rhythm and Blues. Urbana: University of Illinois Press, 1996. 301 pp.; New York: Da Capo, 2000. 301 pp.

A507.

Dauer, Alfons Michel. “Towards a Typology of the Vocal Blues Idiom.” Jazzforschung/Jazz Research 11 (1979): 9–92.

A522.

Delden, Ate van; Herrikhuyzen, Dick van; Mulder, Jan J. (eds.). Forty and Tight: 40 Jaar Doctor Jazz. Utrecht: Stichting Doctor Jazz, 2003. 216 pp.

A508.

Dauer, Alfons M.; Longstreet, Stephen. “Work Song(s),” in Knaurs Jazz Lexikon, p. 313. München: Th. Knaur Nachf., 1957.

A523.

A509.

David, John R. “Frankie and Johnnie: The Trial of Frankie Baker.” Missouri Folklore Society Journal 6 (1984): 1–30.

DelGrosso, Rich; DelGrosso, Maureen. “Blues in Mainstream America: A Fad or a New Revival?” Blues Revue no. 33 (Dec 1997): 32–37.

A524.

DelGrosso, Maureen; DelGrosso, Rich. “Passing the Torch.” Blues Revue no. 44 (Jan/Feb 1999): 20–22.

A510.

Davis, Angela Yvonne. “Back to the Roots.” Time [USA] 151 (8 Jun 1998): 169.

A525.

Dell, Pamela. The Blues: Birth of an American Sound. Chanhassen: Child’s World, 2005. 40 pp.

A511.

Davis, Angela Y. “I Used to Be Your Sweet Mama: Ideology, Sexuality, & Domesticity,” in Blues Legacies & Black Feminism, 3–41, 360–369. New York: Pantheon, 1998. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 470–501 (Item A2216).

A526.

Demêtre, Jacques; Chauvard, Marcel. “Le Blues.” Jazz Hot no. 182 (Dec 1962): 25–27.

A527.

Demêtre, Jacques. “Blues & Boogie.” Jazz Hot no. 305 (May 1974): 7–9.

A512.

Davis, Brian G. “Nobody Knows.” Jazz Report [USA] 1, no. 9 (May 1961): 19–20.

A528.

Demêtre, Jacques; Chauvard, Marcel. “Blues et Gospel.” Jazz Hot no. 194 (1964): 32–33.

A513.

Davis, Francis. The History of the Blues. New York: Hyperion, 1995. 309 pp.; London: Secker & War-

A529.

Demêtre, Jacques; Chauvard, Marcel. “Blues dans les Prisons.” Jazz Hot no. 156 (Jul/Aug 1960): 12–15.

18

A Blues Bibliography, Second Edition

A530.

Demêtre, Jacques; Chauvard, Marcel. “Le Blues est Revenu cet Automne.” Jazz Hot no. 192 (Nov 1963): 16–18.

A531.

Demêtre, Jacques. “Le Blues il y a 40 Ans.” Jazz Hot no. 314 (Mar 1975): 18–19.

A543.

Demeuldre, Michel. Sentiments Doux-amers dans les Musiques du Monde: Délectations Moroses ands le Blues, Fado, Tango, Flamenco, Rebetiko, P’ansori, Ghazal. Paris: Harmattan, 2004. 333 pp.

A544.

DeMichael, Don (ed.). Down Beat’s Music ‘63. Chicago: Maher, 1963. Down Beat’s Music ‘64. Chicago: Maher, 1964. Down Beat’s Music ‘65. Chicago: Maher, 1965. Down Beat’s Music ‘66. Chicago: Maher, 1966. Down Beat’s Music ‘69. Chicago: Maher, 1969. Down Beat’s Music ‘70. Chicago: Maher, 1970. Down Beat’s Music ‘71. Chicago: Maher, 1971. Down Beat’s Music ‘73. Chicago: Maher, 1973.

A532.

Demêtre, Jacques. “Le Blues Traditionnel.” Jazz Hot no. 322 (Dec 1975): 14–15.

A533.

Demêtre, Jacques. “Des Bluesmen Français.” Jazz Hot no. 188 (Jun 1963): 15–16.

A534.

Demêtre, Jacques; Chauvard, Marcel. “L’Eroticisme dans le Blues.” Jazz Hot no. 186 (Apr 1963): 26–27.

A535.

Demêtre, Jacques. “Histoire du Blues.” Jazz Hot no. 115 (1956): 15–18.

A545.

Denberg, ‘Curly’ Dave. “The Death of the Blues.” R&B Monthly no. 20 (Sep 1965): 2.

A536.

Demêtre, Jacques. “Il y a Soixante ans: Le Premier Disque de Blues.” Jazz Hot no. 382 (Mar 1981): 38.

A546.

Dennison, Tim. The American Negro and His Amazing Music. New York: Vantage, 1963. 76 pp.

A537.

Demêtre, Jacques; Chauvard, Marcel. “Les Jeunes du Blues.” Jazz Hot no. 172 (Jan 1962): 22–23; Jazz Hot no. 173 (Feb 1962): 24–25; Jazz Hot no. 174 (Mar 1962): 24–25; Jazz Hot no. 176 (May 1962): 27–28.

A547.

Denselow, Robin. “Blues for the Eighties,” in Rhythms of the World, ed. F. Hanly; T. May, pp. 108–117. London: BBC, 1989.

A538.

Demêtre, Jacques; Levet, Jean-Paul. “Katrina Blues, ou, Un Siecle de Catastrophes Naturelles dans le Blues = Katrina Blues, or, A Century of Natural Disasters in the Blues.” Soul Bag no. 181 (Dec 2005): 10–15.

A548.

Dessy, Raymond D. “Mapping the Blues Genes: Technological, Economic, and Social Strands, a Spectral Analysis,” in Perspectives on American Music, 1900–1950, ed. M. Benton Saffle. New York: Garland, 1999.

A539.

Demêtre, Jacques. “Un Livre Centenaire: La Musique Chez les People Indigenes de l’Amerique du Nord.” Soul Bag no. 180 (Sep 2005): 54–56. (NOTE: A Reprint of excerpts from item A2181.)

A549.

Determeyer, Eddy. Backbeat: De Gouden Jaren van de Rhythm & Blues = The Golden Years of Rhythm & Blues. Alphen Aan den Rijn: De Hoeve, 1991. 176 pp.

A540.

Demêtre, Jacques. “La Mythologie Noire.” Jazz Hot no. 104 (1955): 20–21, 25.

A550.

Dexter, Dave. Jazz Cavalcade: The Inside Story of Jazz. New York: Criterion, 1946.

A541.

Demêtre, Jacques; Chauvard, Marcel. “Pour une Discothèque de Blues.” Jazz Hot no. 183 (1963): 24–25; Jazz Hot no. 184 (1963): 22–23.

A551.

Dexter, Dave. The Jazz Story: FromThe ‘90s to the 60s. Englewood Cliffs: Prentice Hall, 1964.

A552.

Dexter, Dave. Jazzy Jugs and Washboards. USA: MCA MCA-1372, 1983.

A553.

Dietrich, Hermann; Hahmann, Charly. “British Blues.” Blues Life no. 17 (1982): 25–28.

A554.

Dixon, Robert. “Blues on My Mind.” Storyville no. 34 (Apr/May 1971): 124–125.

A555.

Dixon, Robert M.W.; Godrich, John. Recording the Blues. London: Studio Vista, 1970. 109 pp.; New York: Stein and Day, 1970. 109 pp. Reprinted in Yonder Come the Blues. New York: Cambridge University Press, 2001.

A556.

Dixon, Robert M.W.; Godrich, John. Recording the Blues. UK: CBS 52797, 1970.

A557.

DjeDje, Jacqueline Cogdell. “African American Cries, Calls and Hollers,” in The United States and

A542.

Demêtre, Jacques; Chauvard, Marcel. “Voyage au Pays du Blues. I: New York.” Jazz Hot no. 149 (Dec 1959); “II: Detroit.” Jazz Hot no. 150 (Jan 1960): 12–15; “III: Chicago.” Jazz Hot no. 151 (Feb 1960): 16–19; “IV: Chicago.” Jazz Hot no. 152 (Mar 1960): 42–45; “V: Chicago.” Jazz Hot no. 153 (Apr 1960): 14–17; “VI: Chicago.” Jazz Hot no. 154 (May 1960): 14–17. Translated into English as “Land of the Blues.” Jazz Journal 13, no. 3 (Mar 1960): 8–11; Jazz Journal 13, no. 5 (May 1960): 4–7; Jazz Journal 13, no. 7 (Jul 1960): 5–8; Jazz Journal 13, no. 8 (Aug 1960): 17–19; Jazz Journal 13, no. 9 (Sep 1960): 9–11; Jazz Journal 13, no. 10 (Oct 1960): 8–10. Reprinted in an edited form as Voyage au Pays du Blues = Land of the Blues. Levallois-Perret: CLARB/Soul Bag, 1994. 176 pp.

History and Background

A558.

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A574.

Dobie, J. Frank. Publications of the Texas Folklore Society. No. 2. Austin: Texas Folk-Lore Society, 1923. 110 pp.

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A575.

Dowd, Timothy J. “Structural Power and the Construction of Markets: The Case of Rhythm and Blues,” in Comparative Studies of Culture and Power, ed. F. Engelstad, pp. 147–201. Amsterdam; Boston: JAI, 2003.

A576.

Doyle, John. “Million Selling ‘Race’ Records.” Alley Music 1, no. 2 (1968): 14; Alley Music 1, no. 3 (1968): 11.

A577.

Doyle, Peter. Echo and Reverb: Fabricating Space in Popular Music, 1900–1960. Middletown: Wesleyan University Press, 2005. 293 pp.

A578.

Droixhe, Daniel (ed.); Kiefer, Klaus H. (ed.); Riesz, Janos (intro.). Images de l’Africain de l’Antiquite Au XXe Siecle /Images of the African from Antiquity to the 20th Century/Bilder des Afrikaners Von Der Antike Bis Zur Gegenwart. Gegenwart. Frankfurt: Peter Lang, 1987. 222 pp.

A579.

Dugan, James; Hammond, John. “An Early BlackMusic Concert from Spirituals to Swing.” Black Perspective in Music 2, no. 2 (Fall 1974): 191–207.

A580.

Duncan, Robert. Only the Good Die Young: The Rock ‘n’ Roll Book of the Dead. New York: Harmony, 1986. 192 pp.

A581.

Dundes, Alan (comp.). Mother Wit from the Laughing Barrel: Readings in the Interpretation of AfroAmerican Folklore. Englewood Cliffs: Prentice-Hall, 1972. 673 pp.; New York: Garland, 1981. 674 pp.; Jackson: University Press of Mississippi, 1990. 674 pp.

A582.

Dunham, Rodney A. “Born with the Blues: Musicians in Blues Magazines as ‘Just Musicians’ or ‘Women Musicians’.” Tezukayama University Bulletin of Humanities 17 (2005): 39–63.

A559.

Doering, Teddy. “Blues und Gospel.” Jazz Podium 48, no. 9 (Sep 1999): 3–4+.

A560.

Doering, Teddy. “Weisser Blues.” Blues Life no. 12 (1980): 19–24; Blues Life no. 13 (1981): 8–12; Blues Life no. 14 (1981): 10–14; Blues Life no. 15 (1981): 12–16; Blues Life no. 16 (1981): 10–13; Blues Life no. 17 (1982): 16–19.

A561.

19

Dolan, Mark K. Cathartic Uplift: A Cultural History of Blues and Jazz in the Chicago Defender, 1920–1929. Ph.D. Dissertation, University of South Carolina, 2003. 179 pp.

A562.

Dollard, John. “The Dozens: Dialectics of Insult.” American Image 1 (1939): 3–25. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 277–294 (Item A582).

A563.

Domnauer, Teresa. Rock, Rag, and Swing. Columbus: School Specialty Pub., 2006. 32 pp.

A564.

Doorn, Fred van. Lost Heroes: De Vergeten Helden van de Jazz. Amsterdam: Van Gennep, 1986. 126 pp.

A565.

Dormon, James (ed.). Creoles of Color of the Gulf South. Memphis: University of Tennessee Press, 1996.

A566.

Dorsey, Brian. Spirituality, Sensuality, Literality: Blues, Jazz, and Rap as Music and Poetry. Wien: Braumüller, 2000. 472 pp.

A567.

Dorson, Richard M. American Folklore. Chicago: University of Chicago Press, 1959.

A568.

Dorson, Richard M. American Negro Folktales. Greenwich: Fawcett, 1967. 378 pp.

A569.

Dorson, Richard Mercer. “The Career of John Henry.” Western Folklore 24, no. 3 (Jul 1965): 155–163.

A583.

A570.

Dorson, Richard M. (ed.). Folklore and Folktales. Chicago: University of Chicago Press, 1972.

Eagle, Bob. “Controversies of the Blues. Pt 1.” Crazy Music no. 10 (Jun 1977): 11, 13–14.

A584.

A571.

Dorson, Richard M. (ed.). Handbook of American Folklore. Bloomington: Indiana University Press, 1983. 584 pp.

Early, Gerald; Monson, Ingrid; Hardy, Ernest. Say It Loud!: A Celebration of Black Music in America. USA: Rhino R2 76660, 2001.

A585.

Eastman, Ralph. “Country Blues Performance and the Oral Tradition.” Black Music Research Journal 8, no. 2 (Fall 1988): 161–176.

A586.

Eberhart, George M. “Stack Lee: The Man, the Music, and the Myth.” Popular Music and Society 20, no. 1 (1996): 1–70. Reprinted in A Question of Manhood. Vol. 2: A Reader in U.S. Black Men’s History and Masculinity in the United States, the 19th Century: From Emancipation to Jim Crow, ed. D.

A572.

A573.

Dougan, John M. Two Steps from the Blues: Creating Discourse and Constructing Canons in Blues Criticism. Ph.D. Dissertation, College of William and Mary, 2001. 324 pp. Douglas, Frederick. “The Negro in America: His Life and Times. Blues 1860?: As a Slave Saw It.” Blues Unlimited no. 64 (Jul 1969): 7–8.

20

A Blues Bibliography, Second Edition

A600.

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A601.

Engleberg, Isa N.; Linville, Lyle E. The Blues Project 1993. Largo: Prince George’s Community College. Humanities Resource Center, 1993. 28 pp.

A602.

Epstein, Dena J. Sinful Tunes and Spirituals: Black Folk Music to the Civil War. Urbana: University of Illinois Press, 1977. 433 pp.

A603.

Epstein, Dena J. “Slave Music in the United States Before 1860; a Survey of Sources.” Notes 20, no. 2 (Spring 1963): 195–212.

A604.

Erbsen, Wayne. Singing Rails: Railroadin’ Songs, Jokes, & Stories. Pacific: Mel Bay, 1999. 79 pp.

A605.

Ersdown, Nick. Show Me What You Got: Blue Blues from the Thirties. Bluetime BT 2016, 1989.

A606.

Erskine, Gilbert M. “Where the Blues Were Born.” Second Line 28 (Summer 1976): 28–33.

A607.

Escott, Colin (ed.). All Roots Lead to Rock: Legends of Early Rock ‘n’ Roll: A Bear Family Reader. New York: Schirmer, 1999. 257 pp.

A608.

Ekweune, Lazarus E.N. “African-Music Retentions in the New World.” Black Perspective in Music 2, no. 2 (Fall 1974): 128–144.

Escott, Colin; Evans, David. Poor Man’s Heaven. USA: Bluebird 82876-50958-2, 2003.

A609.

Escott, Colin. Rhythm & Blues, 1959. USA: TimeLife RHD-03, 1990.

A593.

Elgart, Lee. “R&B Boom Won’t Stick: Elgart.” Down Beat 22 (23 Mar 1955): 1+.

A610.

A594.

Ellis, Richard R.; Dick, Lois C. “When Our Clients Sing Their Blues.” Omega 24, no. 4 (1991/92): 289–300.

Escott, Colin. Tattooed on Their Tongues: A Journey Through the Backrooms of American Music. New York: Schirmer, 1996. 243 pp.

A611.

Ellison, Mary. Extensions of the Blues. London: John Calder, 1989. 307 pp.; New York: Riverrun, 1989. 400 pp.

Estell, Kenneth. “Blues and Jazz,” in African America: Portrait of a People. Detroit: Visible Ink Press, 1994.

A612.

Estell, Kenneth (ed.). Reference Library of Black America. Vol. 4. New York: Gale, 1990; Detroit: Gale, 1994.

A613.

Eudeline, Patrick; Raynal, Patrick. “Sur les Traces du Blues Mythique: Dossier.” Best no. 304 (Nov 1993): 55–64.

A614.

Evans, David. “Africa and the Blues.” Living Blues no. 10 (Autumn 1972): 27–29. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 63-68 (Item A2216).

Clark Hines; E. Jenkins. Bloomington: Indiana University Press, 2001. A587.

Eck, Helmut J. “Der Pre-War Blues: Vorformen, Frühformen, Wichtige Entwicklungsabschnitte und Interpretern.” German Blues Circle Info no. 61 (Sep/ Oct 1982): 16–23; German Blues Circle Info no. 62 (Nov/Dec 1982): 26–35; German Blues Circle Info no. 63 (Jan/Feb 1983): 24–32; German Blues Circle Info no. 64 (Mar/Apr 1983): 17–26.

A588.

Edet, Edna. “One Hundred Years of Black Protest Music.” Black Scholar 7, no. 10 (Jul/Aug 1976): 38–48.

A589.

Edlund, Mårten (ed.). Jazz Historier: Fran Blues Till Bop. Stockholm: Folket I Bilds Forlag, 1960. 316 pp.

A590.

Edmondson, Brad. “Long-Way-From-Home Blues: Down-And-Dirty Music is Good for Business.” American Demographics 10, no. 11 (Nov 1988): 49+.

A591.

A592.

A595.

A596.

Ekweume, Laz E.N. “The African Heritage in American Music,” in Other Voices, Other Views: An International Collection of Essays from the Bicentennial, ed. R.W. Winks, pp. 376–392. Westport: Greenwood, 1978.

Ellison, Ralph. “Blues People.” New York Review (6 Feb 1964). Reprinted in Shadow and Act, pp. 247–248. New York: Random House, 1964. 317 pp. Reprinted in Living with Music, ed. R.G. O’Meally, pp. 120–132. New York: Modern Library, 2001. Reprinted in The Collected Essays of Ralph Ellison, ed. J.F. Callahan, pp. 278–287. New York: Modern Library, 2003.

A597.

Ellison, Ralph; O’Meally, Robert G. (ed.). Living with Music: Ralph Ellison’s Jazz Writings. New York: Modern Library, 2001. 290 pp.

A615.

A598.

Elson, Howard. Early Rockers. New York: Proteus, 1982.

Evans, David. “African Contributions to America’s Musical Heritage.” The World & I 5, no. 1 (Jan 1990): 628–639.

A616.

A599.

Engbarth, Gerhard. Der Blues Vom Blues: Begenungen. Russelsheim: Edition Venceremos, 1977. 99 pp.

Evans, David. “African Elements in the Blues,” in The Blues Project, ed. I.N. Engleberg; L.E. Linville, pp. 13–15. Largo: Prince George’s Community College, 1993.

History and Background

21

A617.

Evans, David. “African Elements in Twentieth-Century United States Black Folk Music.” Jazzforschung/Jazz Research 10 (1978): 85–110.

A631.

Evans, David. “Chronological Overview,” in African American Music: An Introdction, ed. M.V. Burnim; P.K. Maultsby. New York: Routledge, 2006.

A618.

Evans, David. “Afro-American Music: Early Commercial and Field Recordings.” Journal of American Folklore 91, no. 360 (Apr/Jun 1978): 728–747.

A632.

Evans, David. “Composing Folk Blues for Live Performance and Records.” The Southern Quarterly 26, no. 2 (Winter 1988): 39–50.

A619.

Evans, David. “Ain’t Nothin’ But the Blues,” in The Eighth San Diego State Folk Festival, ed. D. Brade; J. Bruce, pp. 33–36. San Diego Friends of Old Time Music, 1974.

A633.

Evans, David. Deep South Blues. USA: HMG 6513, 1999.

A634.

Evans, David. “Demythologizing the Blues.” Institute for Studies in American Music Newsletter 29, no. 1 (Fall 1999): 8–9, 13.

A635.

Evans, David. “The Development of the Blues,” in The Cambridge Companion to Blues and Gospel Music, ed. A. Moore, pp. 20–43. Cambridge: Cambridge University Press, 2002.

A636.

Evans, David. “Few Scholars are Involved in Studying and Preserving the Music We Call the Blues.” Chronicle of Higher Education 35, no. 11 (9 Nov 1988): B4.

A620.

A621.

Evans, David. “The Art of Country Blues-Singing. Pt 1.” Blues Unlimited no. 67 (Nov 1969): 8–9; “Pt 2.” Blues Unlimited no. 68 (Dec 1969): 9–10. Evans, David. “The Birth of the Blues,” in American Roots Music, ed. R. Santelli; H. George-Warren; J. Brown, pp. 34–55. New York: H.N. Abrams, 2001.

A622.

Evans, David. “Bitchin’ Boogie: Response to Calt & Wardlow’s Open Letter to Blues Fans.” Blues Unlimited no. 141 (Autumn/Winter 1981): 12–13.

A623.

Evans, David. “Black American Music as a Symbol of Identity.” Jazz forschung/Jazz Research 13 (1981): 105-116.

A637.

Evans, David. “Field Recording with the Phonograph Record in Mind.” JEMF Quarterly 14, no. 50 (1978): 89–93.

A624.

Evans, David. “Blues,” in American Folklore: An Encyclopedia, ed. J.H. Brunvand, pp. 90–94. New York: Garland, 1996.

A638.

Evans, David. “Fieldwork with Blues Singers: The Unintentionally Induced Natural Context.” Southern Folklore Quarterly 42, no. 1 (1978): 9–16.

A625.

Evans, David. “Blues,” in Encyclopedia of Southern Culture, ed. C.R. Wilson; W.R. Ferris, pp. 995-998. Chapel Hill: University of North Carolina Press, 1989.

A639.

Evans, David. “Folk & Popular Blues,” in Big Road Blues, pp. 41–48. Berkeley: University of California Press, 1982. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 119–126 (Item A2216).

A626.

Evans, David. “Blues,” in Garland Encyclopaedia of World Music. Vol. 3: United States and Canada, ed. E. Koskoff, pp. 637–649. New York: Garland, 2001.

A640.

Evans, David. “Folk, Commercial and Folkloristic Aesthetics in the Blues.” Jazzforschung/Jazz Research 5 (1973): 11–32.

A641.

Evans, David. “Form, Imagery and Style in Blues and African-American Folk Art.” River City 15, no. 2 (Summer 1995): 100–110.

A642.

Evans, David (ed.). “Folk Music and the Phonograph Record: A Symposium.” JEMF Quarterly no. 14 (1978): 118–125, 144–150, 156.

A643.

Evans, David. “Folk Singers and Musicians,” in Handbook of American Folklore, ed. R.M. Dorson, pp. 282–286. Bloomington: Indiana University Press, 1983.

A644.

Evans, David. “The Future of the Blues.” Living Blues no. 90 (Mar/Apr 1990): 12–13.

A645.

Evans, David. Goin’ Up the Country. UK: Decca LK 4931, c1968 ; USA: Rounder 2012, 1975.

A646.

Evans, David. Good Time Blues. USA: Columbia/ Legacy CK 46780, 1991.

A627.

Evans, David. “Blues and Modern Sound: Past, Present, and Future,” in Folk Music and Modern Sound, ed. W. Ferris; M.L. Hart, pp. 163-176. Jackson: University Press of Mississippi, 1982.

A628.

Evans, David. “Blues: Chronological Overview,” in African American Music: An Introduction, ed. M.V. Burnim; P.K. Maultsby, pp. 79–96. New York: Routledge, 2006.

A629.

Evans, David. “The Blues from Country to Urban Styles,” in 100 Years of Jazz and Blues, ed. L. Goines, pp. 35–43. Brooklyn: 651/Kings Majestic Corp., 1992.

A630.

Evans, David. “Blues Traditions,” in Musical Roots of the South, ed. P.A. Bulger, pp. 14–17. Atlanta: Southern Arts Federation, 1991.

22

A Blues Bibliography, Second Edition

A661.

Evans, David. “Introduction.” American Music 14, no. 4 (Winter 1996): 397–401.

Evans, David. The Spirit Lives On: Deep South Country Blues and Spirituals in the 1990s. Germany: Hot Fox HF-CD-005, 1994.

A662.

Evans, David. “Introduction,” in American Musical Traditions. Vol. 2: African American Music, ed. J.T. Titon; B. Carlin, pp. 1–5. New York: Schirmer, 2002.

Evans, David. “Structure and Meaning in the Folk Blues,” in The Study of American Folklore: An Introduction, ed. J.H. Brunvand, pp. 421–47. New York: W.W. Norton, 1978.

A663.

Evans, David. “Isolement, Individualisme et Origines du Blues,”, in Sentiments Doux-amers dans les Musiques du Monde, ed. M. Demeuldre, pp. 261– 271. Paris: L’Harmattan, 2004.

Evans, David. “Techniques of Blues Composition Among Black Folksingers.” Journal of American Folklore 87, no. 345 (Jul/Sep 1974): 240–249.

A664.

Evans, David. Let’s Get Loose: Folk and Popular Blues Styles from the Beginning to the Early 1940s. USA: New World NW 290, 1978.

Evans, David. “Tradition and Creativity in the Folk Blues.” Jazzforschung/Jazz Research 8 (1976): 205–207.

A665.

Evans, David. Let’s Go Riding: Guitar! Rags! Blues! Hokum! All the Good-Time Music for the Good Old Days! USA: Origin OJL-18, c1969.

Evans, David Huhn, Jr. Tradition and Creativity in the Folk Blues. Ph.D. Dissertation, University of California, Los Angeles, 1976. 610 pp.

A666.

Evans, David. “The Music of the Blues,” in The Blues: A Bibliographical Guide, ed. M.L. Hart; B.M. Eagles; L.N. Howorth, pp. 31–96. New York: Garland, 1989.

Evans, David. “Traditional Blues Lyrics and Myth: Some Correspondences,” in The Lyrics in African American Popular Music, ed. R. Springer, pp. 17– 40. Bern: Peter Lang, 2001.

A667.

Evans, David. “What is the Blues?: An ‘Overview’ and ‘Folk Blues from the Rural South’, Broadsheets I and II,” in Blues in America: A Social History, ed. M. Smith. Amawalk, NY: Golden Owl, 1994.

A668.

Evans McGinty, Doris. “Black Scholars on Black Music: The Past, the Present and the Future.” Black Music Research Journal 13, no. 1 (Spring 1993): 1+.

A669.

Evans, Simon. “‘Kroonin’ with the Kool Kwintets’: The Story of ‘Rhythm and Blues’ Magazine.” Blues & Rhythm no. 186 (Feb 2004): 10–11.

A670.

Ewen, David. “Blues,” in Encyclopedia Americana. Danbury: Grolier, 1982.

A671.

Ewen, David. Great Men of American Popular Song; the History of the American Popular Song Told Through the Lives, Careers, Achievements, and Personalities of Its Foremost Composers and LyricistsFrom William Billings of the Revolutionary War to the ‘Folk-Rock’ of Bob Dylan. Englewood Cliffs: Prentice-Hall, 1970. 387 pp.; rev. ed. Englewood Cliffs: Prentice-Hall, 1972. 404 pp.

A672.

Ewen, David. Men of Popular Music. Chicago; New York: Ziff-Davis, 1944. 213 pp.; New York: Editions for the Armed Services, 1944. 191 pp.; New York: Prentice-Hall, 1949. 207 pp.; 2nd ed. Chicago: ZiffDavis, 1949. 188 pp.; New York: Prentice-Hall, 1952. 207 pp.; Freeport: Books for Libraries Press, 1972. 213 pp.

A673.

Experience Music Project. Around the Sound: Popular Music in Performance, Education, and Scholar-

A647.

Evans, David. Harmonicas, Kazoos, Washboards & Cowbells. USA: Columbia/Legacy CK 46780, 1991.

A648. A649.

A650.

A651.

A652.

A653.

A654.

Evans, David. National Downhome Blues Festival. Vol. 1. USA: Southland SLP-21, 1986.

A655.

Evans, David. “Notes & Queries: The Singing Stammer Motif in Black Tradition.” Western Folklore 35, no. 2 (Apr 1976): 157–160.

A656.

Evans, David. The NPR Curious Listener’s Guide to Blues. New York: Perigee, 2005. 266 pp.

A657.

Evans, David. “The Origins of Blues and Its Relationship to African Music,” in Images de l’Africain de l’Antiquite au XXe Siecle/Images of the African from Antiquity to the 20th Century/Bilder des Afrikaners von der Antike bis zur Gegenwart, ed. D. Droixhe; K.H. Kiefer, pp. 129–141. Frankfurt: Peter Lang, 1987.

A658.

Evans, David. “Race Records,” in The Greenwood Encyclopedia of African American Folklore. Vol. 3, ed. A. Prahlad, pp. 1049–1051. Westport: Greenwood, 2006.

A659.

Evans, David. “The Reinterpretation of African Musical Instruments in the United States,” in The African Diaspora: African Origins and New World Identities, ed. I. Okpewho; C.B. Davies; A.A. Mazrui, pp. 379–390. Bloomington: Indiana University Press, 1999.

A660.

Evans, David. Sorrow Come Pass Me Around. USA: Advent 2805, 1975.

History and Background

23

ship. Seattle: University of Washington, 2000. 102 pp.

A689.

Federighi, Luciano. “La Storia del Rhythm & Blues.” Musica Jazz 37, no. 11 (Nov 1981): 12–23.

A674.

Faderman, Lillian. “Lesbian Chic,” in Odd Girls and Twilight Lovers, pp. 62–92. New York: Columbia University Press, 1991.

A690.

A675.

Fancourt, Les. The Blues Ladies. UK: Indigo IGO CD 2042, 1995.

Ferlingere, Robert D. “R&B and Rock ‘n’ Roll Vocal Groups,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 2, ed. J. Shepherd; D. Horn; D. Laing; P. Oliver; P. Wicke, pp. 55–57 (Item E205).

A676.

Fancourt, Les. Good Morning Blues: A Classic Blues Anthology, 1920–1942. UK: Charly CD DIG 18, 1995.

A691.

Ferris, William. “Afro-American Folk Arts and Crafts.” Southern Folklore Quarterly 42, no. 2/3 (1978): 9–16. Reprinted in Afro-American Folk Arts and Crafts. Boston: G. K. Hall & Co., 1982.

A677.

Fancourt, Les. 1942–45, the R&B Hits. UK: Indigo IGODCD 100, 1997. 1946, the R&B Hits. UK: Indigo IGO CD 2060, 1997. 1947, the R&B Hits. UK: Indigo IGODCD 2081, 1997.

A692.

Ferris, William. “The Blues: A Photographic Essay,” in New Perspectives on Music: Essays in Honor of Eileen Southern, ed. E. Southern; J. Wright; S.A. Floyd. Warren: Harmonie Park, 1992.

A678.

Fanelli, André. Blues. Paris: Editions de l’Instant, 1989. 143 pp.

A693.

A679.

Fanelli, André. Rhythm’N Blues. Paris: Editions de l’Instant, 1990. 105 pp.

Ferris, William R. Jr. “The Blues Aesthetic. Pt 1.” Blues World no. 42 (Spring 1972): 6–7; “Pt 2.” Blues World no. 43 (Summer 1972): 13.

A694.

Ferris, William R., Jr. “The Blues: Africa to America.” Close-Up 6, no. 10 (Mar/Apr 1971): 14–15, 23, 25.

A695.

Ferris, William R. “The Blues Family.” Southern Exposure 5, no. 2/3 (1977): 21–24.

A696.

Ferris, William R., Jr. “Blues Roots and Development.” Black Perspective in Music 2, no. 2 (Fall 1974): 122–127.

A697.

Ferris, William; Hart, Mary L. (eds.). Folk Music and Modern Sound. Jackson: University Press of Mississippi, 1982. 215 pp.

A698.

Ferris, William R. Jr. “Gut Bucket Blues: Sacred and Profane.” Jazzforschung/Jazz Research 5 (1973): 68–85.

A699.

Ferris, William; McCallum, Brenda (ed.). Local Color: A Sense of Place in Folk Art. New York: McGraw-Hill, 1982. 241 pp.; New York: Anchor Books, 1992. 241 pp.

A700.

Ferris, William R. “Local Color: Fostering an American Sense of Place.” Museum News 75, no. 5 (Sep/Oct 1996): 42–79.

A701.

Ferris, William R. Jr. “Racial Repertoires Among Blues Performers.” Ethnomusicology 14, no. 3 (Sep 1970): 439–449.

A702.

Filene, Benjamin Peter. Romancing the Folk: Public Memory and American Roots Music. Chapel Hill: University of North Carolina Press, 2000. 325 pp.

A703.

Filene, Benjamin Peter. Romancing the Folk: Public Memory and American Vernacular Music in the Twentieth Century. Ph.D. Dissertation, Yale University, 1994. 394 pp.

A680.

Farmer, Paul. Ragtime & Blues. London: Longman, 1979. 24 pp.

A681.

Federighi, Luciano. Blues on My Mind: Temi e Poesia del Blues. Palermo: L’Epos, 2001. 365 pp.

A682.

Federighi, Luciano. Le Grandi Voci della Musica Americana. Milano: Oscar Mondadori, 2001. 480 pp.

A683.

Feather, Leonard. “Feather’s Nest.” Down Beat 24 (11 Jul 1957): 7. (NOTE: This is a reply to Berta Wood’s article in Ebony 12, no. 7 (1957): 64–68.)

A684.

Feather, Leonard. “Not Ashamed of the Blues.” Ebony 12, no. 11 (Sep 1957): 118–120. Reprinted in Jazz Monthly 3, no. 12 (Feb 1958): 9–10. Reprinted in White on Black: The Views of Twenty-Two White Americans on the Negro, ed. E. Bell Thompson; H. Nipson, pp. 107–112. Chicago: Johnson, 1963. (NOTE: This is a reply to Berta Wood’s article in Ebony 12, no. 7 (1957): 64–68.)

A685.

Feather, Leonard; Kernfeld, Barry. “Singing,” in The New Grove Dictionary of Jazz. Vol. 2: L–Z, ed. B. Kernfeld, pp. 455–462 (Item E159).

A686.

Federighi, Luciano. “Amore e Morte nel Blues.” Musica Jazz 35, no. 4 (Apr 1979): 2–9, 56.

A687.

Federighi, Luciano. Blues nel Mio Animo: Temi e Poesia del Blues. Milan: Mondadori, 1981. 231 pp.; Palermo: L’Epos, 2001. 365 pp. (as Blues on My Mind: Temi e Poesia del Blues).

A688.

Federighi, Luciano. “Il Mondo del Blues.” Musica Jazz 39, no. 2 (Feb 1983): 35–50.

24

A Blues Bibliography, Second Edition

A704.

Fine, Eric. “Unsung Heroes: The Tradition of Blues Sidemen.” Blues Revue no. 64 (Jan/Feb 2001): 11, 13, 19, 25.

A705.

Finkelstein, Sidney. Jazz: A People’s Music. New York: Citadel, 1948. 278 pp.; London: Jazz Book Club, 1964. 278 pp.; New York: Da Capo, 1975. 278 pp.

A706.

A707.

A708.

States. New York: Oxford University Press, 1995. 316 pp. A720.

Finkelstein, Sidney Walter. “The Relation of the Blues to Bop.” Record Changer 8, no. 11 (Nov 1949): 15–16.

Floyd, Samuel A., Jr. “‘Ring Shout’: Literary Studies, Historical Studies, and Black Music Inquiry,” in Signifyin(g): Sanctifyin’, and Slam Dunking: A Reader in African American Expressive Culture, ed. G.D. Caponi, pp. 135–156. Amherst: University of Massachusetts, 1999.

A721.

Finn, Julio. The Bluesman: The Musical Heritage of Black Men and Women in the Americas. London: Quartet, 1986. 256 pp.; New York: Interlink, 1992. 256 pp.

Floyd, Samuel A., Jr. “Troping the Blues: From Spirituals to the Concert Hall.” Black Music Research Journal 13, no. 1 (Spring 1993): 31–51.

A722.

Fong-Torres, Ben (ed.). The Rolling Stone Rock ‘n’ Roll Reader. New York: Bantam, 1974.

A723.

Fonteyne, André. “Blues is Coming Back.” Point du Jazz no. 11 (Jun 1975): 79–86.

A724.

Ford, Larry. “Geographic Factors in the Origin, Evolution, and Diffusion of Rock and Roll Music.” Journal of Geography no. 70 (Nov 1971): 455–464. Reprinted in The Sounds of People and Places: Readings in the Geography of Music, ed. G.O. Carney, pp. 212–232. Washington, DC: University Press of America, 1978.

A725.

Foreman, Ronald C., Jr. Jazz and Race Records, 1920–32: Their Origins and their Significance for the Record Industry and Society. Ph.D. Dissertation, University of Illinois, 1968. 301 pp.

A726.

Foskett, Brian. A Jazz Pictorial: A Collection of Photographs Capturing Some of the Greats of the Jazz & Blues World. Cambridge: Foskett, 1997. 80 pp.

A727.

Fox, Charles. “The Beginnings,” in Jazz in Perspective, pp. 12–20. London: BBC, 1969.

Finney, Theodore M. (ed.). Volume of Proceedings of the Music Teachers National Association, Fortieth Series. Pittsburgh: The Association, 1946.

A709.

Fischlin, Daniel. “The Blues: A Discourse of Resistance,” in Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. Montréal: Black Rose, 2003.

A710.

Fishel, Jim. “Blame Labels for Fall-Off of the Blues.” Billboard 88 (27 Mar 1976): 5, 18.

A711.

Fisher, Bob. “Sounds of the 70s: Blues Hits of the R&B Charts.” Blues-Link no. 4 (1974): 23–28.

A712.

Fisher, Bob. “Sounds of the Sixties. Pt 1.” Talking Blues no. 2 (Jul/Aug/Sep 1976): 9–13; “Pt 2.” Talking Blues no. 3 (Oct/Nov/Dec 1976): 2–5; “Pt 3.” Talking Blues no. 4 (Jan/Feb/Mar 1977): 7–10.

A713.

Fisher, Miles Mark. Negro Slave Songs in the United States. Ithaca: Cornell University Press, 1953. 223 pp.

A714.

Flaherty, Ed. The Blues Alive: The Timeless Tradition. Prescott: Hohm, 1999. 199 pp.

A728.

Fox, Charles. The Jazz Scene. Middlesex: Hamlyn, 1972.

A715.

Flanders, Julian (ed.). Gospel, Blues, and Jazz. Danbury: Grolier, 2001. 80 pp.; London: Brown, 2001. 80 pp.

A729.

Fraher, James. The Blues is a Feeling: Voices and Visions of African-American Blues Musicians. Mount Horeb: Face to Face, 1998.

A716.

Fleming, Gordon. Honkin’ ‘n’ Hollerin’: R&B from the Radio Corporation. Vol. 1. UK: Westside WESA 828, 1998.

A730.

Freeland, Tom. “The Days Before the Blues.” Blues & Rhythm no. 111 (Aug 1996): 16.

A731.

A717.

Fletcher, Tom. “The Blues,” in 100 Years of the Negro in Show Business, pp. 213–217. New York: Da Capo, 1984.

Freyer, Winfried. “Blues Trip Me This Morning: Kenttä-äänitysten Historia 1922….” Blues News [Finland] no. 100 (1986): 62–67.

A732.

Freyer, Winfried. “The Blues Will Never Die: Katsaus Bluesin Historian.” Blues News [Finland] no. 46 (1977): 4–7, 14.

A733.

Fried, Anne. “On the Background of the Blues — Bluesin Taustasta.” Blues News [Finland] no. 22 (1973): 24–25.

A718.

Fletcher, Thomas. 100 Years of the Negro in ShowBusiness! New York: Burdge & Co. Ltd., 1954; New York: Da Capo, 1984.

A719.

Floyd, Samuel A., Jr. The Power of Black Music: Interpreting Its History from Africa to the United

History and Background

25

A734.

Fried, Stephen. “White Knight or Opportunist?” Blues & Rhythm no. 53 (Jul 1990): 9.

A750.

Garon, Paul. “Blues and the Church: Revolt and Resignation.” Living Blues no. 1 (Spring 1970): 18–23.

A735.

Friedlander, Paul David. A Characteristics Profile of Eight ‘Classic Rock and Roll’ Artists, 1954–1959 as Measured by the ‘Rock Window’. Ph.D. Dissertation, University of Oregon, 1987. 229 pp.

A751.

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A752.

A736.

Friedlander, Paul. “Classic Rockers: The First Generation: Just Give Me Some of That Rock and Roll Music,” in Rock and Roll: A Social History, pp. 25– 40. Boulder: Westview, 1996.

Garon, Paul. “Blues and the Poetry of Revolt.” Arsenal: Surrealist Subversion no. 1 (Autumn 1970): 24–30.

A753.

Garon, Paul A. “Blues Ev’ry Evenin’. No. 4: DoorKnockers Blues.” Blues Unlimited no. 31 (Mar 1966): 12–13.

A754.

Garon, Paul. “The Dialectics of Despair and Love.” Living Blues no. 25 (Jan/Feb 1976): 28–30.

A755.

Garon, Paul. “The Dirty Dozens.” Living Blues no. 97 (May/Jun 1991): 33–35.

A756.

Garon, Paul. “Historiography,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 438–446 (Item E162).

A737.

A738.

Friedlander, Paul. “Classic Rockers: The Second Generation: There’s Good Rockin’ Tonigh,” in Rock and Roll: A Social History, pp. 41–61. Boulder: Westview, 1996. Friedlander, Paul. “The Roots of Rock and Roll: I Went Down to the Crossroads,” in Rock and Roll: A Social History, pp. 15–23. Boulder: Westview, 1996.

A739.

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A757.

A740.

Friedman, Jerry. “Indies Top R and B Field Despite Added Pressure from Majors.” Billboard 65 (24 Oct 1953): 14+.

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A758.

A741.

Frith, Simon. Popular Music: Critical Concepts in Media and Cultural Studies. London; New York: Routledge, 2004. 4 vols.

Garon, Paul. “John Henry,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 524–525 (Item E162).

A759.

Garon, Paul. “Magic and Voodoo in the Blues.” Cultural Correspondence 10, no. 10 (Fall 1979): 80–81.

A742.

Frolich, Alain; Bisceglia, Jacques. Early Male Blues Singers. France: Monkey MY 40.026, c1973.

A760.

A743.

Fruitman, Steve. “The Original Blues Bands.” Toronto Blues Society Newsletter 5, no. 3 (Mar 1989): 4–5.

Garon, Paul. “The Police & the Church,” in Blues & the Poetic Spirit, pp. 130–136. London: Eddison, 1975. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 252–257 (Item A2216).

A761.

Garon, Paul. “Speak My Mind.” Living Blues no. 109 (May/Jun 1993): 53.

A762.

Garon, Paul; Rosemont, Franklin; Klapheck, Konrad; Dauben, Jean-Jacques Jack; Burns, Thom; Jablonski, Joseph. “Surrealism and Blues.” Living Blues no. 25 (Jan/Feb 1976): 19–34.

A763.

Garon, Paul; Tomko, Gene. What’s the Use of Walking If There’s a Freight Train Going Your Way?: Black Hoboes & Their Songs. USA: Charles H. Kerr, 2005. 296 pp.

A764.

Garon, Paul. “White Blues.” Race Traitor no. 4 (Winter 1995): 57–66.

A765.

Garon, Paul. “Whites versus Blacks,” in Blues & the Poetic Spirit, pp. 54–61. London: Eddison, 1975. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 540–545 (Item A2216).

A766.

Garon, Paul. “Work.” Living Blues no. 24 (Nov/Dec 1975): 9–11.

A744.

Fryer, Paul. Standing at the Crossroads: Politics and the Hero in Black Popular Music. Ph.D. Dissertation, University of Keele, 1981.

A745.

Fryer, Paul. “It Hurts Me Too: This is Blues and the Late 1960s British Blues Boom.” Popular Music and Society 9, no. 2 (1983): 45–53.

A746.

Fulmer, Doug. “String Band Traditions.” American Visions 10 (Apr/May 1995): 46.

A747.

Gammond, Peter (ed.). The Decca Book of Jazz. London: Muller, 1958. 431 pp.; London: Jazz Book Club, 1960.

A748.

Garland, Phyl. “No More Blues.” Essence 16 (May 1985): 138–140, 142, 199–200.

A749.

Garland, Phyl. The Sound of Soul. New York: Regnery Co., 1969. 246 pp.; New York: Pocket Books, 1971. 212 pp.

26

A767.

A768.

A Blues Bibliography, Second Edition

Garon, Paul. “‘You Don’t See Into the Blues Like Me’: Houston Baker’s Blues Position.” Socialist Review 28, no. 1/2 (2001): 93–101. Also published in Race Traitor no. 13/14 (Summer 2001): 95–103. Garst, John. “Blues Ballad,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 129 (Item E162).

The Auditory Culture Reader, ed. M. Bull; L. Back, pp. 381–396. Oxford; New York: Berg, 2003. A784.

Girdler, D.A.; Woodley, B.E. “The Importance of the Blues Form in Jazz,” in Pieces of Jazz. No. 7, ed. P.I. Webb, pp. 29–31. Canterbury: Pete I. Webb, 1969.

A785.

Gitler, Ira. Jazz Masters of the Forties. London: Collier Macmillan, 1975. 290 pp.

A786.

Glass, Paul. Songs and Stories of Afro-Americans. New York: Grosset & Dunlap, 1971. 61 pp.

A787.

Gleason, Ralph J. “Can the White Man Sing the Blues?” Jazz & Pop 7, no. 8 (Aug 1968): 28–29.

A788.

Gleason, Ralph J. (ed.). Celebrating the Duke and Louis, Bessie, Billie, Bird, Carmen, Miles, Dizzy, and Other Heroes. Boston: Little, Brown, 1975. 280 pp. New York: Dell, 1975. 280 pp.; New York: Da Capo, 1995. 280 pp.

A769.

Garst, John. “Casey Jones,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 187 (Item E162).

A770.

Garst, John. “Delia.” Blues & Rhythm no. 189 (May 2004): 8–10.

A771.

Garst, John. “Frankie and Johnny,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 344–345 (Item E162).

A772.

Gart, Galen. R&B Stars of 1953. Milford: Big Nickel, 1987. 16 pp.

A789.

Gates, David. “The Roots of Rock.” Newsweek 129 (2 Jun 1997): 72+.

Gleason, Ralph. “Let’s Spread the Goodies Around.” Rolling Stone no. 32 (3 May 1969): 22.

A790.

Gayle, Addison, Jr. (ed.). The Black Aesthetic. Garden City: Anchor/Doubleday, 1971. 432 pp.

Gleason, Ralph. “Like a Rolling Stone.” Jazz & Pop 8 (Jun 1969): 12.

A791.

Genovese, Carmelo. La Storia del Rock. Vol. 1: Be Bop a Lula. Roma: Editori Riuniti, 2006.

Gleason, Ralph. “Like a Rolling Stone.” Jazz & Pop 9 (Mar 1970): 12.

A792.

Gleason, Ralph J. “Perspectives (Blues Genesis of Jazz).” Down Beat 23, no. 11 (30 May 1956): 35+.

A793.

Gleason, Ralph J. “Perspectives: The Rediscovery of the Blues.” Rolling Stone no. 22 (23 Nov 1968): 24.

A794.

Gleason, Ralph. “Recognition to the Elders.” Rolling Stone no. 62 (9 Jul 1970): 19.

A795.

Gleason, Ralph J. “Rhythm and Blues Makes the Grade,” in The Afro-American in Music and Art, ed. L. Patterson, pp. 115–130. Cornwells Heights: Horizon, 1978.

A796.

Gleason, Ralph J. “Rhythm and Blues (And Rock ‘n’ Roll),” in Jam Session: An Anthology of Jazz, ed. R.J. Gleason, pp. 273–283. New York: G.P. Putnam’s Sons, 1958.

A797.

Glover, Tony. “The Groovy Boom in R&B.” Sing Out! 16, no. 3 (Jun/Jul 1966): 37–43.

A798.

Gobello, Marcelo. La Poesía del Rock: Las Mejores Canciones en Inglés y en Castellano. Buenos Aires: Planeta, 1996. 205 pp.

A799.

Godin, J.M. “Rhythm and Blues.” Jazz Magazine [France] no. 49 (Jun 1959): 26–31.

A773. A774. A775. A776.

A777.

George, Nelson. The Death of Rhythm & Blues. New York: Plume, 1988. 222 pp.; London: Omnibus, 1988. 222 pp.; New York: Penguin, 2004. 222 pp. George, Zelma. “Negro Music in American Life,” in The American Negro Reference Book, ed. J. Preston Davis, pp. 731–758. Englewood Cliffs: Prentice-Hall, 1966.

A778.

George-Warren, Holly; Levine, Laura. Shake, Rattle & Roll: The Founders of Rock & Roll. Boston: Houghton Mifflin, 2001.

A779.

Giddins, Gary. Riding on a Blue Note. New York: Oxford University Press, 1981. 330 pp.

A780.

Gilbert, Jeremy. “The Blues Importers.” Melody Maker (3 Jan 1970): 10.

A781.

Gillett, Charles. The Sound of the City: The Rise of Rock and Roll. New York: Outerbridge and Dienstfrey, 1970. 375 pp.; London: Souvenir, 1971. 389 pp.; London: Sphere, 1971. 389 pp.; New York: Dell, 1972. 343 pp.; New York: Pantheon, 1984. 515 pp.; 2nd ed. New York: Da Capo, 1996. 535 pp.

A782.

Gilmore, Martha Sanders. “Twenty-Two Shades of Blues.” Arts in Society no. 9 (1972): 419–422.

A800.

Godrich, John. “Introduction,”,in Blues Lexicon, ed. K. Bogaert (Item E110).

A783.

Gilroy, Paul. “Between the Blues and the Blues Dance: Some Soundscapes of the Black Atlantic,” in

A801.

Godrich, John. “Reminiscences.” Blues Unlimited no. 100 (Apr 1973): 44–45.

History and Background

27

A802.

Godrich, John. Vaudeville Blues. UK: VJM VLP-30, 1970.

A820.

Goodwin, Michael. “They’re Still Singing the Blues.” New York Times Magazine (8 Apr 1979): 38–40.

A803.

Goff, Yann Le. “Blues et Gospel: Freres Ennemis.” Jazz Hot no. 531 (Jun 1996): 32–33.

A821.

A804.

Goffin, Robert. Histoire du Jazz. Montreal: L. Parizeau, 1945. 337 pp.

Goosman, Stuart L. Group Harmony: The Black Urban Roots of Rhythm & Blues. Philadelphia: University of Pennsylvania Press, 2005. 291 pp.

A822.

Gorman, Paul; Smith, Brian (photos). “Blues Explosion!” Mojo no. 107 (Oct 2002): 18–19.

A823.

Gottlieb, Louis. “A Question of Degree.” Jazz: A Quarterly of American Music no. 1 (Oct 1958): 43–46.

A824.

Gourgues, Maurice. “Le Chant Interieuer.” Jazz Magazine [France] no. 200 (May 1972): 32–33.

A825.

Gourse, Leslie. Louis’ Children: American Jazz Singers. New York: W. Morrow, 1984. 366 pp.; New York: Quill, 1984. 366 pp.

A826.

Govenar, Alan. “L’Enregistrement du Blues: Critallisation d’un Genre.” Cahiers de Musiques Traditionnelles 7 (1994): 141–156.

A827.

Gracyk, Tim; Hoffmann, Frank W. Popular American Recording Pioneers, 1895–1925. New York: Haworth, 2000. 444 pp.

A828.

Graham, James D. “Rhythms in Rock Music.” Popular Music and Society 1, no. 1 (1971): 33–43.

A829.

Grandi, Marino. Blues. Rome: Ed. Lakota, 1979. 138 pp.

A830.

Graves, Bill. “Convict Labor,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 223–224 (Item E162).

A831.

Graves, Bill. “11–29,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 301–302 (Item E162).

A832.

Graves, Bill. “Gandy Dancers,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 358 (Item E162).

A833.

Graves, Bill. “Highways,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 427–429 (Item E162).

A834.

Graves, Bill. “House-Rent Parties,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 467–469 (Item E162).

A835.

Graves, Bill. “Levee Blues,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, p. 596 (Item E162).

A836.

Graves, Bill. “Lumber Camp,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 639–640 (Item E162).

A837.

Graves, Bill. “Lynching and the Blues,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 641–642 (Item E162).

A805.

A806. A807.

A808.

Goffin, Robert. Jazz: From the Congo to the Metropolitan. Garden City: Doubleday, Doran & Co., 1944. 254 pp.; New York: Da Capo, 1975. 254 pp. Goines, Leonard. “The Blues: An Overview.” Allegro (Oct 1971): 4. Goines, Leonard. “The Blues as Black Therapy: A Thematic Study.” Black World 23, no. 1 (Nov 1973): 28–40. Goines, Leonard. “The Classic Blues.” Allegro (Dec 1971): 7.

A809.

Goines, Leonard. “The Country Blues.” Allegro (Nov 1971): 4.

A810.

Goines, Leonard. “Early Afro-American Music in the United States: Sacred and Secular.” Allegro (Jul 1971): 11, 15.

A811.

Goines, Leonard. “Jazz,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 509–518 (Item E162).

A812.

Goines, Leonard. “‘Walk Over!’: Music in the Slave Narratives.” Sing Out! 24, no. 6 (1976): 6–11.

A813.

Goldfarb, Delmark (ed.). History of the Blues. Portland: Artstigo, 1992. 58 pp.

A814.

Goldhahn, Harald. Blues, 1920–1940. Offenbach: Goldhahn, 1989. 16 pp.

A815.

Goldstein, Kenneth S. “Folklore Recordings as Bibliographical Entries.” Midwest Folklore 9 (1959): 110–113.

A816.

Goldstein, Rhoda L. (ed.). Black Life and Culture in the United States. New York: Crowell, 1971. 400 pp.

A817.

Goldstein, W. “The Natural Harmonic and Rhythmic Sense of the Negro,” in Papers and Proceedings of the Music Teachers’ National Association at Its 39th Annual Meeting, New Orleans, December 27– 29, 1917, pp. 29–39. Hartford: Music Teachers’ National Association, 1917. 248 pp.

A818.

Gombosi, Otto. “The Pedigree of the Blues,” in Volume of Proceedings of the Music Teachers National Association, Fortieth Series, ed. T.M. Finney, pp. 382–389. Pittsburgh: The Association, 1946.

A819.

Gomelsky, Giorgio. “Is There a Rhythm & Blues Boom?” Jazz Beat 1, no. 1 (Jan 1964): 6, 30.

28

A Blues Bibliography, Second Edition

A838.

Graves, Bill. “Racial Issues and the Blues,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 794–796 (Item E162).

A839.

Graves, Bill. “Railroads,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 799–802 (Item E162).

A840.

A841.

A842.

Graves, James (ed.). Die Konige des Blues; Eine Bildchronik mit Texten von W.C. Handy, T-Bone Walker, Fred Kiefer, Sidney Bechet, Billie Holiday, Mezz Mezzrow, Leadbelly U.A. Zurich: Sanssouci Verlag, 1961. 82 pp. Gray, Michael. “Dylan und der Vorkriegs-Blues,” in Bob Dylan: Funfzig Jahre..., pp. 78–146. Bochum: Germinal, 1993. Reprinted in an edited form as “The Bluessinger: Bob Dylan und the Never Ending Text. Ein Essay über Vor-und Nachkriegsblues, Computerkonkordanzen, Memphis Minnie und McLuhan.” Die Tageszeitung [Berlin] (7 Jan 1994): 15–17. Gray, Michael. “Even Post-Structuralists Oughta Have the Pre-War Blues,” in Song & Dance Man III: The Art of Bob Dylan, pp. 268–379. UK: Cassell Academic, 1999; USA: Continuum, 2000.

A843.

Gray, Michael. “Rail Good Lesson in the Blues.” Daily Telegraph (Travel) [UK] (25 Sep 2004): 8.

A844.

Green, Archie. “Miguel Covarrabias’ Jazz and Blues Musicians.” JEMF Quarterly 13, no. 48 (Winter 1977): 183–195.

A845.

Green, Benny. The Reluctant Art: Five Studies in the Growth of Jazz. Rev. ed. New York: Da Capo, 1991. 208 pp.

A846.

Greene, Kevin Douglas. A Social History of the Blues. Master’s Thesis, East Carolina University, 2003. 159 pp.

A847.

Greensmith, Bill; Leadbitter, Mike. “Once Upon a Time.” Blues Unlimited no. 105 (Dec 1973/Jan 1974): 17–22.

A848.

Greenway, John. Bawdy Blues. USA: Bluesville BV1055, c1962; USA: Original Blues Classics OBCCD 54402, 1991.

A849.

Gregor, Carl; Scheck, Waldemar. Die Theorie des Blues im Modernen Jazz. Strausbourg, Germany: Heitz, 1963. 131 pp.; Baden-Baden, Germany: Koerner, 1971. 131 pp.

A850.

Gregory, Hugh. The Real Rhythm and Blues. London: Blandford/Cassell, 1998. 224 pp.

A851.

Greig, Charlotte. Icons of Black Music. San Diego: Thunder Bay, 1999. 176 pp.; Enderby: Brown, 1999. 176 pp.

A852.

Grendysa, Peter. Blues Masters: The Essential Blues Collection. Vol. 5: Jump Blues Classics. USA: Rhino R2 71125, 1992. Vol. 14: More Jump Blues. USA: Rhino R2 71133, 1993.

A853.

Grevatt, Ren. “Biggest Wax Trend on March; a Great Day for the Blues.” Billboard 69 (18 Nov 1957): 1+.

A854.

Gridley, Mark. Jazz Styles. Englewood Cliffs: Prentice-Hall, 1978. 410 pp.

A855.

Grier, Gene. “Blues.” Choral Journal 20, no. 1 (Sep 1979): 26–27.

A856.

Griffin, Clive D. Afro-American Music. London: Dryad, 1987. 64 pp.

A857.

Griffin, Marie P. “Jazz: An Afro-American Art Music.” Drexel Library Quarterly 19, no. 1 (Winter 1983): 55–57.

A858.

Grim, Melissa Marie. Crossroads of Women’s Xperience: Passages of M/otherhood in Blues and Oral Tradition. M.A. Thesis, Miami University, 1999. 53 pp.

A859.

Grime, Kitty. Jazz Voices. London: Quartet, 1983.

A860.

Groh, Claus. American Folk Blues Festival ‘81. Germany: L+R LS 42.002, 1981.

A861.

Groh, Claus. “Couldn’t Even Spell My Name: Rhetorische Mittel des Bluessängers gers.” Jazzforschung/Jazz Research no. 8 (1976): 83–99.

A862.

Groom, Bob. The Blues Revival. London: Studio Vista, 1971. 112 pp.

A863.

Groom, Bob. “Canned Heat is Killin’ Me.” Blues & Rhythm no. 191 (Aug 2004): 14–16.

A864.

Groom, Bob. “Kokomo Blues.” Blues World no. 24 (Jul 1969): 10–13.

A865.

Groom, Bob. “‘One and One is Two, Two and Two is Four-’: Frå Kokomo Blues Till Sweet Home Chicago.” Jefferson no. 74 (1986): 18–21. (NOTE: Revised version of “Kokomo Blues,” in Blues World no. 24 (1969).)

A866.

Groom, Bob. “The Railroad in Blues.” Blues World no. 17 (Nov 1967): 18–19.

A867.

Groom, Bob. “Red Indian Blues.” Blues World no. 34 (Sep 1970): 8–9.

A868.

Groom, Bob. “Sidelights on the Blues.” Blues & Rhythm no. 162 (Sep 2001): 15.

A869.

Groom, Bob. “Sidelights on the Blues: ‘If You See My Milk Cow’ ... The Mystery of the Missing Milk Cow — a Case for Sherlock Holmes?” Blues & Rhythm no. 173 (Oct 2002): 12–13.

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A870.

Groom, Bob. “Sidelights on the Blues: Santy Claus, Santy Claus.” Blues & Rhythm no. 205 (Christmas 2005): 15.

A871.

Groom, Bob. “Sidelights on the Blues: The Devil at the Crossroads.” Blues & Rhythm no. 178 (Apr 2003): 8.

29

Reprinted in Blues World no. 43 (Summer 1972): 6–9. A885.

Gruver, Rod. “Sex, Sound, Cows and the Blues.” JEMF Quarterly 7 (1971): 37–39.

A886.

Gruver, Rod. “Towards a Criticism of the Blues.” Jazz Monthly no. 155 (Jan 1968): 2–5.

A872.

Groom, Bob. “Standing on the Border.” Blues & Rhythm no. 195 (Dec 2004): 19.

A887.

A873.

Groom, Bob. “Tiger in the Night.” Blues & Rhythm no. 66 (Jan 1992): 12–15.

Guerin, A. “Le Blues, Vous Connaissiez?” Jazz Magazine [France] no. 113 (Dec 1964): 78–80.

A888.

A874.

Groom, Bob. “‘Who Killed Lula?’: Notes on a Memphis Blues Ballad.” JEMF Quarterly 17, no. 63 (Fall 1981): 155–158.

A875.

Gruver, Rod. “The Autobiographical Theory ReExamined.” JEMF Quarterly 6, no. 19 (Autumn 1970): 129–131.

Guerry, Jean; Niquét, Bernard; Périn, Jacques; Petard, Gilles; Veinante, Roger; Dufour, Joël. “Un Dossier ‘Soul Bag’: Debat. Theme: La Soul Music et le R ‘n’ B, à la Mode il y a un au en France, Sont Actuellement Délaissés au Profit du Blues Anglais.” Soul Bag no. 8 (Jan/Feb 1970): 19–20.

A889.

Gulla, Bob. “Blues Styles by Region.” Guitar 15, no. 10 (Aug 1998): 57.

A876.

Gruver, Rod. “The Blues as Drama.” Second Line 15, no. 7/8 (Jul/Aug 1964): 5–7, 18.

A890.

A877.

Gruver, Rod. “The Blues as Poetry,” in Down Beat’s Music ‘69, pp. 38–43. Chicago: Maher, 1969.

Gumley, Roger. “The Blues: Unexpectedly Joyous, Uniquely American: From Backwoods to Nightclubs, It Thrives.” Christian Science Monitor (30 Aug 1985): 18–19, 26.

A878.

Gruver, Rod. “The Blues as a Secular Religion,” in Down Beat’s Music ‘70, pp. 24–29. Chicago: Maher, 1970. Reprinted in Blues World no. 29 (Apr 1970): 3–6; Blues World no. 30 (May 1970): 4–7; Blues World no. 31 (Jun 1970): 5–7; Blues World no. 32 (Jul 1970): 7–9. Reprinted in Sacred Music of the Secular City: From Blues to Rap, ed. J.M. Spencer. Durham: Duke University Press, 1992. 309 pp. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 222–230 (Item A2216).

A891.

Guralnick, Peter. “Blues in History: A Quick Sketch,” in Feel Like Going Home, pp. 36–61. London: Omnibus, 1978.

A892.

Guralnick, Peter. “Earliest of Note,” in History of the Blues, ed. D. Goldfarb. Portland: Artstigo, 1992.

A893.

Guralnick, Peter. Feel Like Going Home: Portraits in Blues and Rock ‘n’ Roll. New York: Outerbridge and Dienstfrey, 1971. 224 pp.; London: Omnibus, 1978. 256 pp. New York: Vintage Books, 1981. 260 pp.; New York: E.P. Dutton, 1971. 224 pp.; HarperCollins, 1989. 272 pp.; rev ed. London: Penguin, 1992. 261 pp.; Cambridge: HarperPerennial, 1994. 261 pp.; Boston: Little, Brown, 1999. 261 pp.; Edinburgh: Canongate, 2003. 216 pp.

A894.

Guralnick, Peter. Lost Highway: Journeys and Arrivals of American Musicians. Boston: David R. Godine, 1979. 362 pp.; New York: Vintage Books, 1982. 362 pp.; New York: HarperPerennial, 1994. 364 pp.; Boston: Little, Brown, 1999. 364 pp.; Edinburgh: Mojo, 2002. 384 pp.

A895.

Guralnick, Peter; Santelli, Robert; George-Warren, Holly; Farley, Christopher John. Martin Scorsese Presents the Blues: A Musical Journey. New York: Amistad, 2003. 288 pp.; GTaibei Shi: Da Kuai Wen Hua Chu Ban Gu Fen You Xian Gong Si, 2004. 292 pp.; New York: HarperCollins, 2005. 288 pp.

A896.

Guralnick, Peter. “Presenting the Blues.” Musician no. 114 (Apr 1988): 14+.

A879.

Gruver, Rod. “The Blues as Dramatic Monologue.” JEMF Newsletter 6, no. 17 (Spring 1970): 28–31.

A880.

Gruver, Rod. “Blues Poets, Interviewers and Literary Critics.” Coda 2, no. 8 (Apr 1974): 12–14.

A881.

Gruver, Rod. “A Closer Look at the Blues,” in Down Beat’s Music ‘70, pp. 50–53. Chicago: Maher, 1970. Reprinted in Blues World no. 26 (Jan 1970): 4–10.

A882.

Gruver, Rod. “Country Blues: A Poetry of Black Power.” Alley Music 1 (1st Quarter 1971): 10–11.

A883.

Gruver, Rod. “The Funny Blues: Cryin’ Just to Keep from Laughing,” in Down Beat Music ‘68, pp. 52–55. Chicago: Maher, 1968. Reprinted in Blues World no. 33 (Autumn 1970): 19–20; Blues World no. 34 (Sep 1970): 19–21; Blues World no. 35 (Oct 1970): 20–21.

A884.

Gruver, Rod. “The Origin of the Blues.” Jazz Report [USA] 1, no. 3 (Nov 1960): 7–8. Reprinted in Down Beat’s Music ‘71, pp. 16–21. Chicago: Maher, 1970.

30

A897.

A898.

A899.

A900.

A901.

A Blues Bibliography, Second Edition

Guralnick, Peter. Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom. New York: Harper & Row, 1986. 438 pp.; Harmondsworth: Penguin, 1991. 448 pp.; New York: HarperPerennial, 1994. 438 pp.; London: Virgin, 1986. 438 pp.; Boston: Little, Brown, 1999. 438 pp.; Edinburgh: Mojo, 2002, 1986. 438 pp.

A913.

Hannusch, Jeff. “The Legend of Jody: Ain’t No Sense in Going Home, Jody’s Got Your Girl and Gone.” Goldmine no. 358 (15 Apr 1994): 68, 194.

A914.

Hannusch, Jeff. “The Legend of Jody Ryder.” Living Blues no. 163 (May/Jun 2002): 21–22.

A915.

Gurevitch, Harry. “The Blues ... The Fusion of AfroAmerican Rhythm.” Traditional Music Maker no. 37 (Aug/Sep 2002): 11.

Hansen, Barrett. “Blues Business.” Hit Parader no. 54 (Jan 1969): 25–28.

A916.

Gushee, Lawrence. “The Nineteenth-Century Origins of Jazz.” Black Music Research Journal 14, no. 1 (Spring 1994): 1+.

Hansen, Barry. Heavy, Man: A Cruise Through the Blues. Los Angeles: General Pub., 1998. 192 pp.; San Francisco: Miller Freeman, 2000. 208 pp.

A917.

Gussow, Adam. Seems Like Murder Here: Southern Violence and the Blues Texts, 1890–1996. Ph.D. Dissertation, Princeton University, 2000. 478 pp.

Hansen, Barry. Rock ‘n’ Roll Era: Roots of Rock, 1945–1956. USA: Time-Life Music 2RNR-30, 1990.

A918.

Gussow, Adam. Seems Like Murder Here: Southern Violence and the Blues Tradition. Chicago: University of Chicago Press, 2002. 336 pp.

Hansen, Eugene Barret. Negro Popular Music, 1945–1953. Master’s Thesis, University of California, 1967. 169 pp.

A919.

Hanson, Mark. “‘The Blues Was Here When the World Began’: Discussing America’s Most Influential Music with Some of Its Leading Lights.” Frets 11 (Jan 1989): 28–29, 67.

A920.

Haralambos, Michael. Right On: From Blues to Soul in Black America. Cambridge: Eddison, 1974. 187 pp.; New York: Drake, 1975. 187 pp.; New York: Da Capo, 1979. 187 pp.; rev. ed. Ormskirk: Causeway Press, 1994. 183 pp.

A921.

Haralambos, Michael. “Soul Music and Blues: Their Meaning and Relevance in Northern United States Black Ghettos,” in Afro-American Anthropology: Contemporary Perspectives, ed. N.E. Whitten; J.F. Szwed; S.W. Mintz, pp. 367–384. London: CollierMacmillan, 1970; New York: Free Press, 1970.

A902.

Haa, Erikka. Electric Blues. New York: Friedman/ Fairfax, 1996. 64 pp.

A903.

Hadley, Frank-John. Full Spectrum Blues. USA: Star Sounds SS3711-2, 1996.

A904.

Hadlock, Dick. “An Open Letter to ‘Ebony’.” Record Changer 15, no. 2 (1957): 5+. (NOTE: This is a reply to Berta Wood’s article in Ebony 12, no. 7 (1957): 64–68.)

A905.

Haesler, Bill. The Blues, 1923 to 1933. UK: BBC REB 683, 1988.

A906.

Hager, Andrew G. Satin Dolls: The Women of Jazz. New York: Friedman/Fairfax, 1994. 72 pp.

A907.

Haller, Charlotte A. ‘Ain’t Gonna Play No Second Fiddle, I’m Used to Playing Lead’: The Gendered Experiences of the Blues and Black Migration, 1920–1930. Master’s Thesis, University of Wisconsin – Madison, 1992. 130 pp.

A922.

Harder, Kelsie B. “The Jake Leg.” Tennessee Folklore Society Bulletin 27, no. 3 (Sep 1961): 45–47.

A923.

Harding, John Ralph. A Survey of the Evolution of Jazz for the General Reader. Master’s Thesis, University of Miami, 1981. 453 pp.

A908.

Halley, Pat. “All These Blues.” Fifth Estate 8, no. 10 (18 Aug 1973): 14, 18.

A924.

Harp, Cornelius. “Biscuits & Blues.” Big City Blues 7, no. 2 (Apr/May 2001).

A909.

Hammond, Peter. “Folklore,” in Dictionary of American History. Vol. 3, ed. S.I. Kutler, pp. 393–397. 3rd ed. New York: Charles Scribner’s Sons, 2003.

A925.

Harrington, Richard. “The Poetry of the Blues: Trying to Define the Passions of the Black American Legacy.” Washington Post (8 Feb 1982): 1, 6.

A910.

Handy, D. Antoinette. “The Concept of Black Music: A Survey Analysis.” Western Journal of Black Studies 2, no. 1 (Mar 1978): 44–53.

A926.

Hariss, Sidney. “Yes, Really the Blues.” Musical Digest no. 29 (Jan 1947): 9,18.

A927.

A911.

Handyside, Chris. A History of Blues. Chicago: Heinemann, 2006.

Harris, Jeff. Blues, Blues Christmas, 1925–1955: In the Blues, Jazz, Boogie-Woogie and Gospel Spirit. UK: Document DOCD-32-20-9, 2005.

A912.

Handyside, Chris. A History of Soul and R&B. Chicago: Heinemann, 2006.

A928.

Harris, L.R. “Song of the Negro Railroader.” Music Journal 16 (Mar 1958): 44+.

History and Background

31

A929.

Harris, Rex. Jazz. Harmondsworth: Penguin, 1952. 272 pp.

A945.

Hasted, Nick. “White Men Sing the Blues.” Independent (Review) [UK] (8 Mar 2002): 14.

A930.

Harris, Rex; Scherman, Thomas (ed.). The Story of Jazz. Westport: Greenwood, 1980. 280 pp.

A946.

A931.

Harris, Sheldon. Ladies Sing the Blues. USA: Savoy SJL 2233, 1979.

Hatch, David; Williams, John. “The Country Blues: A Musical Analysis.” Blues Unlimited no. 21 (Apr 1965): 8.

A947.

Hatch, David; Millward, Stephen. From Blues to Rock: An Analytical History of Pop Music. Manchester: Manchester University Press, 1987. 217 pp.

A948.

Hatch, D.J.; Watson, D.R. “Hearing the Blues: An Essay in the Sociology of Music.” Acta Sociologica 17, no. 2 (1974): 162–178.

A949.

Hauck, Udo R. “R + B Auf ... Austroton.” Jazz Podium 3, no. 4 (1954): 18.

A950.

Hay, Fred J. “Blues What I Am: Blues Consciousness and Social Protest,” in America’s Musical Pulse: Popular Music in Twentieth-Century Society, ed. K.J. Bindas, pp. 13–21. Westport: Greenwood, 1992.

A951.

Hay, Fred J. “Fattening Frogs for Snakes,” in Encyclopedia of the Blues. Vol. 1: A-J, ed. E. Komara, pp. 313–314 (Item E162).

A952.

Hayakawa, S.I. “Popular Songs vs. the Facts of Life.” Etc.: A Review of General Semantics 12, no. 2 (Winter 1955): 83–95. Reprinted in Mass Culture: The Popular Arts in America, ed. B. Rosenburg; D.M. White, pp. 393–403. Glencoe: Free Press, 1957. Reprinted in Our Language and Our World, ed. S.I. Hayakawa, pp. 279–292. New York: Harper and Brothers, 1959. Reprinted in The Use and Misuse of Language, ed. S.I. Hayakawa, pp. 150–163. Greenwich: Fawcett, 1962. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 434–444 (Item A2216).

A953.

Hayakawa, S.I. “35th and State.” Jazz Report 10, no. 3 (1982): 11–13.

A932.

A933.

Harrison, Daphne Duval. “Aesthetics of Blues Women’s Lyrics and Performances,” in Such Sweet Thunder, ed. M. Baszak; E. Cohen, pp. 47–53. Amherst: University of Massachusetts, 2003. Harrison, Daphne Duval. Black Pearls: Blues Queens of the 1920s. New Brunswick: Rutgers University Press, 1987. 285 pp.; New Brunswick: Rutgers University Press, 1990. 299 pp.

A934.

Harrison, Daphne Duval. “Black Women in the Blues Tradition,” in The Afro-American Woman: Struggles and Images, ed. S. Harley; R. Terborg-Penn, pp. 58– 73. Port Washington: Kennikat, 1978.

A935.

Harrison, Daphne Duval. “The Blues from the Black Woman’s Perspective.” Sagala no. 3 (1983): 20–29.

A936.

Harrison, Daphne Duval. “Wild Women Don’t Have the Blues. Pt 1.” Living Blues no. 79 (Mar/Apr 1988): 25–30; “Pt 2.” Living Blues no. 80 (May/Jun 1988): 28–30; “Pt 3.” Living Blues no. 81 (Jul/Aug 1988): 27–31.

A937.

Harrison, Daphne Duval. “Women In African American Music: Blues,” in African American Music: An Introduction, ed. M.V. Burnim; P.K. Maultsby. New York: Routledge, 2006.

A938.

Harrison, David. Blues: A Pictorial Documentary. New York: Crescent, 1997. 144 pp.

A939.

Harrison, David. Those Cakewalkin’ Babies from Home. Vol. 1. UK: Matchbox/Saydisc SDR-182, 1969.

A940.

Harrison, David. The World of Blues. Secaucus: Chartwell Books, 1993. 144 pp.; London: Studio Editions, 1993.144 pp.

A954.

Haydon, Geoffrey; Marks, Dennis (eds.). Repercussions: A Celebration of Afro-American Music. London: Century, 1985. 192 pp.

A941.

Hart, Howard. “Blues and their Lesson for Modern Poetry.” Jazz Review [USA] 2, no. 4 (May 1959): 15.

A955.

Hayes, Malcolm. 1900–20: New Horizons. Milwaukee: Gareth Stevens, 2002. 32 pp.

A942.

Haskins, James. Black Music in America: A History Through Its People. New York: HarperCollins, 1987. 198 pp.; New York: Welcome Rain, 2000. 198 pp.

A956.

Hayes, Malcolm. 1960s: The Age of Rock. Milwaukee: Gareth Stevens, 2002. 32 pp.

A957.

A943.

Haskins, James. Scott Joplin: The Man Who Made Ragtime. London: Robson, 1979. 248 pp.

A944.

Hassard, Andrew James. The Cultural Diffusion of Blues Music and the Migration of Its Performers. Master’s Thesis, University of South Carolina, 1992. 66 pp.

Headlam, Dave. “Appropriations of Blues and Gospel in Popular Music,” in The Cambridge Companion to Blues and Gospel Music, ed. A. Moore, pp. 158–187. Cambridge: Cambridge University Press, 2002.

A958.

Heartz, Daniel; Wade, Bonnie (eds.). International Musicological Society Report of the Twelfth Con-

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gress, Berkeley, 1977. Basel: Barenreiter Kassel, 1981.

A975.

Hentoff, Nat. “Final Chorus: Diggin’ for Roots.” JazzTimes 30, no. 1 (Feb 2000): 158.

Heatley, Michael. “From Cotton Field to Coffee Bar: The Importance of Black Music to White Students.” The History of Rock 3, no. 10 (c1981–c1984): 678–680.

A976.

Hentoff, Nat. “Indigenous Music.” The Nation 230 (12 Apr 1980): 444–445.

A977.

Hentoff, Nat; McCarthy, Albert J. (eds.). Jazz: New Perspectives on the History of Jazz by Twelve of the World’s Foremost Jazz Critics and Scholars. New York: Rinehart & Co., 1959. 387 pp.; London: Cassell, 1959. 387 pp.; New York: Grove, 1961. 387 pp.; London: Jazz Book Club, 1962 [under title “Jazz”]; New York: Da Capo, 1975. 387 pp.; London: Quartet, 1977. 387 pp.

978.

Hentoff, Nat; McCarthy, Albert J. (eds.). The Jazz Life. New York: Dial, 1961.

A979.

Hentoff, Nat. “Only in America.” Progressive 49, no. 6 (Jun 1985): 37.

A980.

Hepworth, David. “Happy Birthday the Blues!” Word no. 11 (Jan 2004) 74–83.

A981.

Herbert, Bob. “Keeping the Blues Alive.” New York Times (20 Jan 2003): A19.

A982.

Herbert, Sharnine S. Rhythm and Blues, 1968–1972: An African-Centered Rhetorical Analysis. Ph.D. Dissertation, Howard University, 2000. 175 pp.

A983.

Herring, Lori. “The Blues is More Than Music: ‘It Has a Spirit’.” Clarion-Ledger [Jackson, Mississippi] (9 Jun 2002): F1.

A984.

Herron, Joe Craig. The Reach of the African Art Sound. Masters Thesis, California State University, 1996. 46 pp.

A960.

Heble, Ajay; Fischlin, Daniel. Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. Montréal: Black Rose, 2003. 254 pp.

A961.

Hecke, Dirk. “Zur Problematik der Blueskritik.” German Blues Circle Info no. 50 (Nov 1980): 24–28.

A962.

Heckman, Don. “Black America and White America,” in Black America, ed. J.F. Szwed, pp. 158–170. New York: Basic, 1970. 303 pp.

A963.

Heckman, Don. “Five Decades of Rhythm and Blues.” B.M.I.: The Many Worlds of Music (1969): 4–31.

A964.

Hedman, Claes. “Evil Woman: Kritik av en Okritisk Installning till Bluesens Kvinnosyn.” Jefferson no. 43 (Spring 1979): 19–21.

A965.

Heilbut, Anthony. The Gospel Sound: Good News and Bad Times. New York: Simon and Schuster, 1971. 350 pp.; New York: Anchor Press/Doubleday, 1971. 364 pp.; rev. ed. New York: Limelight Editions, 1985. 370 pp.

A966.

Heim, Chris. “They Lived Jazzy Lives, Those Queens of the Blues.” Chicago Tribune (24 Feb 1989): 1.

A967.

Heist, Jerry. “Ann Arbor Blues.” Rolling Stone no. 66 (17 Sep 1970): 28–29.

A985.

Heist, Jerry. “A2 Blues.” Rolling Stone no. 45 (1 Nov 1969): 20–21.

Hertwig, Robert. The Blues Box: Country Blues. USA: MCA Coral PCCOX-7526-1-4, 1975.

A986.

Helander, Olle. Jazzens Väg: En Bok om Blues och Stomps, Deras Upphovsmän Och Utövare. Stockholm: Nordiska Musikförlaget, 1947. 347 pp.

Herzhaft, Gérard. “American Folk Blues Festival,” in Encyclopedia of the Blues, pp. 5–9 (E150).

A987.

Henderson, Stephen E. “The Blues as Black Poetry.” Callaloo: A Journal of African-American and African Arts and Letters 5, no. 3 (5 Oct 1982): 22–30.

Herzhaft, Gérard. “Autour du Blues: Le Blues dans la Musique Sudiste.” Soul Bag no. 134 (Spring 1994): 28–31.

A988.

Herzhaft, Gérard. “Blues,” in Encyclopedia of the Blues, pp. 25–27 (E150).

A989.

Herzhaft, Gérard. Le Blues. Paris: Presses Universitaires de France, 1981. 127 pp.; 2e ed. mise a jour. Paris: Presses Universitaires de France, 1986. 125 pp.; 3e ed. mise a jour. Paris: Presses Universitaires de France, 1994. 127 pp.; 4e ed. corr. Paris: Presses Universitaires de France, 1999. 127 pp.

A990.

Herzhaft, Gérard. “Blues d’Hier, Blues d’Aujourd’hui.” Jazz Hot no. 490 (Jun 1992): 31.

A991.

Herzhaft, Gérard. “Blues Revival,” in Encyclopedia of the Blues, pp. 27–29 (E150).

A968. A969.

A970.

A971.

Hennessey, Mike. “Les Francais Aiment le Blues.” Billboard 79 (24 Jun 1967): 42–44.

A972.

Hentoff, Nat. American Music Is. Cambridge: Da Capo, 2004, 1988. 318 pp.

A973.

Hentoff, Nat. “The Blues,” in American Music Is, pp. 35–52. Cambridge: Da Capo, 2004, 1988.

A974.

Hentoff, Nat. “Blues, Rock, Jazz, Country: The Endless River of Our Music.” Words and Music 2, no. 2 (1972): 20–25.

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A992.

Herzhaft, Gérard. “Blues Shouters,” in Encyclopedia of the Blues, pp. 29–31 (E150).

A993.

Herzhaft, Gérard. “Downhome Blues: Postwar Downhome Blues from the Western States.” Soul Bag no. 104 (Sep/Oct 1985): 5–14.

A994.

Herzhaft, Gérard. “Female Blues Singers,” in Encyclopedia of the Blues, pp. 110–115 (E150).

A995.

Herzhaft, Gérard; Brémond, Jacques. Le Guide de la Country Music et du Folk. France: Fayard, 1999.

A996.

Herzhaft, Gérard. “Les Labels Phonographiques.” Les Cahiers du Jazz no. 3 (1994): 25–34.

A997.

Herzhaft, Gérard. “Living Blues,” in Encyclopedia of the Blues, pp. 209–210 (E150).

A998.

Herzhaft, Gérard. “Les Origines du Blues III: L’Emergence du Bluesman.” Soul Bag no. 133 (Winter 1993/94): 29–31.

A999.

Herzhaft, Gérard. “Panorama Contemporain du Blues.” Ecouter Voir no. 37 (Jan 1995): 4–12.

A1016. Hirshey, Gerri. Women Who Rock: Journeys with the Blues Mamas, Motown Angels, Fierce MCs, Hippie Chicks, and Funky Divas of Rock. New York: Grove Atlantic, 2000. 288 pp.; London: Hi Marketing, 2000. 288 pp.

A1000. Herzhaft, Gérard. “Réalités et Mythes de la Musique de l’Ouest Américain.” Ecouter Voir no. 39 (Mar 1995): 4–9.

A1017. Hitchcock, H. Wiley. “City Blues and Jazz,” in Music in the United States: A Historical Introduction, pp. 189–192. Englewood Cliffs: Prentice-Hall, 1969.

A1001. Herzhaft, Gérard. “La Saga de l’American Folk Blues Festival.” Soul Bag no. 170 (Mar 2003): 34–37.

A1018. Hitchcock, H. Wiley (ed.). The Phonograph and Our Musical Life. New York: Brooklyn College, 1980. 91 pp.

A1002. Herzhaft, Gérard. “White Blues,” in Encyclopedia of the Blues, pp. 363–375 (E150). A1003. Herzog, George. “The Study of Folksong in America.” Southern Folklore Quarterly 2 (1938): 59–64. A1004. Hess, Norbert. “On the Road Again.” Blues Life (2nd series) no. 9 (1979): 17–23. A1005. Hess, Norbert. “Tips für Trips.” Blues Forum no. 6 (2nd Quarter 1982): 22–27. A1006. Hess, Norbert. “Weihnachts-Blues: Alle Jahre Weider ... Christmas Blues.” Blues Forum no. 5 (1st Quarter 1982): 14–17.

A1011. Hilgart, John. “‘Leaving All the Time’: Signifying Departure in the Early Blues.” Symploke 10, no. 1/2 (2002): 173–185. A1012. Hill, Keli D. The Mainstream Americanization of Rhythm and Blues. B.A. Thesis, Lake Forest College, 2000. 71 pp. A1013. Hill, Nathan. “Hot Biscuits: Food as Sexual Metaphor in the Blues.” Proteus 17, no. 1 (2000): 37–40. A1014. Hille, Waldemar. “Notes on Today’s Folk, Rock ‘n’ Blues and Pop Music: Suggesting a Need for Perspective.” Broadside no. 96 (Jan/Feb 1969): 8–10. A1015. Hirshey, Gerri. Nowhere to Run: The Story of Soul Music. New York: Times, 1984. 384 pp.; London: Macmillan, 1984. 384 pp.; New York: Penguin, 1985. 384 pp.

A1019. Hoagland, Alison K.; Breisch, Kenneth A. Constructing Image, Identity, and Place. Knoxville: University of Tennessee, 2003. 292 pp. A1020. Hobsbawn, Eric. “Jazz and Folk Music.” Recorded Folk Music 1, no. 2 (Mar/Apr 1958): 21–23. A1021. Hobson, Wilder. American Jazz Music. New York: Norton & Co. Inc., 1939. A1022. Hobson, Wilder. “Reflections on the Blues.” Saturday Review 44 (15 Jul 1961): 41. A1023. Hobus, André. “Le Blues est Mort … Vive le Blues!” Jazz Hot no. 490 (Jun 1992): 38–39.

A1007. Heuvelmans, Bernard. De la Bamboula au Be-Bop: Esquisse de l’Evolution de la Musique de Jazz. Paris: Editions de la Main Jetee, 1951. 193 pp.

A1024. Hobus, André. “Sweet Home Chicago ou un Regard Impertinent sur un Mythe.” Soul Bag no. 169 (Dec 2002): 23–25.

A1008. Hewitt, Norman. “Legenda e Realta Appunta e Contrappunti.” Il Blues no. 10 (Mar 1985): 11–13.

A1025. Hodeir, André. “Blues and Military Marches,” in Jazz: Its Evolution and Essence. Rev. ed. New York: Grove, 1979.

A1009. Higurashi, Yasufumi. “Japan,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 506–507 (Item E162). A1010. Hilf, Robert. “Belting the Blues.” Clavier [USA] 11, no. 6 (Sep 1972): 38–41.

A1026. Hodeir, André. Hommes et Problèmes du Jazz. Paris, Portulan, 1954. 412 pp.; Roquevaire: Parenthèses, 1981. 260 pp. Translated into English as Jazz: Its Evolution and Essence. New York, Grove Press, 1956. 295 pp.; London: Secker & Warburg,

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1956. 295 pp.; London: Jazz Book Club, 1958. 295 pp.; New York: Da Capo, 1975; rev. ed. New York: Grove, 1979. 279 pp.

A1041. Hoskyns, Barney. Say It One Time for the Brokenhearted: The Country Side of Southern Soul. London: Fontana/Collins, 1987. 239 pp.

A1027. Hodes, Art; Hansen, Chadwick (eds.). Selections from the Gutter: Jazz Portraits from ‘The Jazz Record’. Berkeley: University of California Press, 1977. 233 pp.

A1042. Elmer, Howard. Blues: Its Birth and Growth. New York: Rosen, 1999. 64 pp.

A1028. Hoffmann, Franz; Buckley, Ian. Jazz Advertised, 1910–1967: A Documentation. Berlin: F. Hoffmann, 1997. 8 vols.

A1044. Howe, Martin. Blues Jazz. Bristol: Perpetua, 1934. 33 pp.

A1029. Hoffman, Larry. Mean Old World: The Blues from 1940–1994. USA: Smithsonian RD 110 MSD435974, 1996. A1030. Hofstein, Francis. Le Rhythm and Blues. Paris: Presses Universitaires de France, 1991. 126 pp.

A1043. Howe, M.A. DeWolfe. “Song of Charleston.” The Atlantic 146 (Jul 1930): 108–111.

A1045. Hudson, Arthur Palmer (ed.). Specimens of Mississippi Folklore. Ann Arbor: Mississippi Folklore Society, 1928. 6 pp. A1046. Hughes, Langston; Meltzer, Milton. Black Magic: A Pictorial History of the Negro in American Entertainment. Englewood Cliffs: Prentice-Hall, 1967.

A1031. Holbrook, Hal. “Blues the World Forgot.” Playback 2, no. 5 (May 1949): 17.

A1047. Hughes, Langston; Bontemps, Arna. (eds.). The Book of Negro Folklore. New York: Dodd, Mead, 1958. 624 pp.

A1032. Holtzberg-Call, Maggie. “The Gandy Dancer Speaks: Voices from Southern Black Railroad Gangs,” in Alabama Folklife: Collected Essays, ed. S.H. Martin, pp. 64–71. Tuscaloosa: University of Alabama, 1989.

A1048. Hughes, Langston. “A Note on Blues.” The Peachite 2, no. 2 (Mar 1944): 20. (NOTE: From “The Dream Keeper and Other Poems,”, p. 30. New York: A.A. Knopf. 1935.)

A1033. Horn, David; Laing, Dave; Hamm, Charles. “Blues, Soul and Civil Rights,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 3, ed. J. Shepherd; D. Horn; D. Laing, p. 94 (Item E205). A1034. Horn, David. “Musical America,” in Modern American Culture: An Introduction, ed. M. Gidley, pp. 239–261. London; New York: Longman, 1993. A1035. Horn, David. “Signifying,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 1, ed. J. Shepherd; D. Horn; D. Laing; P. Oliver; P. Wicke, pp. 411–413 (Item E205). A1036. Horn, David. “The South,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 3, ed. J. Shepherd; D. Horn; D. Laing, pp. 133–145 (Item E205). A1037. Hortig, Michael. “Bluesfrauen?” Blues Life no. 32 (1985): 24–25. A1038. Hortig, Michael. “Country Blues Today?” Blues Life no. 17 (1982): 4–7. A1039. Hoscher, Dietmar. Blues: Bluesphilosophie in Wort und Bild. Wien: Peter Müller, 2002. 160 pp. A1040. Hoskyns, Barney. From a Whisper to a Scream: The Great Voices of Popular Music. London: HarperCollins, 1991. 176 pp.; London: Fontana, 1991. 164 pp.

A1049. Hughes, Langston. “Songs Called the Blues.” Phylon 2, no. 2 (Summer 1941): 143–145. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 391–393 (Item A2216). A1050. Humphrey, Mark A. Booze & the Blues. USA: Columbia/Legacy CK 67002, 1996. A1051. Humphrey, Mark A. “Bright Lights, Big City: Urban Blues,” in Nothing But the Blues, ed. L. Cohn, pp. 150–203 (Item A432). A1052. Humphrey, Mark A. “Holy Blues: The Gospel Tradition,” in Nothing But the Blues, ed. L. Cohn, pp. 106–149 (Item A432). A1053. Humphrey, Mark A. Messed Up in Love and Other Tales of Woe. USA: Columbia/Legacy CK 52831, 1986. A1054. Hunkemöller, Jürgen. “Blues.” German Blues Circle Info no. 56 (Nov/Dec 1981): 6–11. A1055. Hunter, Nigel. “Britons Dig the Blues.” Billboard 79 (24 Jun 1967): 46. A1056. Hunter, Tera W. “Sexual Pantomimes: The Blues Aesthetic and Black Women in the New South,” in Music and the Racial Imagination, ed. R.M. Radano; P.V. Bohlman, pp. 145–164. Chicago: University of Chicago Press, 2000. A1057. Hurston, Zora Neale. Mules and Men. Philadelphia: Lippincot, 1935. 342 pp.

History and Background

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A1058. Huyton, Trevor. Decade of the Blues — The 1950s. UK: Highway 51 H100, 1966.

Music, Rhythm and Blues. Master’s Thesis, University of Illinois at Chicago, 1969. 146 pp.

A1059. Hyatt, Harry M. Hoodoo/Conjuration/Witchcraft/ Rootwork: Beliefs Accepted by Many Negroes and White Persons, These Being Orally Recorded Among Blacks and Whites. Hannibal: Alma Egan Hyatt Foundation, 1970–78.

A1073. Jahn, Janheinz; Dauer, Alfons Michael. “Blues: Dichtung und Gesang.” Der Monat 16, no. 186 (1963/64): 52–64.

A1060. Ingram, Susan; Reisenleitner, Markus; Szabo-Knotik, Cornelia. Reverberations: Representations of Modernity, Tradition, and Cultural Value inbetween Central Europe and North America. Berlin; New York: P. Lang, 2002. 293 pp. A1061. Ives, Edward D. The Tape-Recorded Interview: A Manual for Field Workers in Folklore and Oral History. Knoxville: University of Tennessee Press, 1980. 130 pp. A1062. Izzo, Carlo. Blues e Spirituals. Milan: Ed. Nuova Accademia, 1963. 143 pp. A1063. Jablonski, Joseph. “Blues Dream, and Millenial Vision.” Living Blues no. 25 (Jan/Feb 1976): 32–33. A1064. Jackson, Bruce (ed.). The Negro and His Folklore in Nineteeth Century Periodicals. Austin: American Folklore Society, 1967. 374 pp. A1065. Jackson, Buzzy. A Bad Woman Feeling Good: Blues and the Women Who Sing Them. New York: W.W. Norton, 2005. 319 pp. A1066. Jackson, Irene V. “Black Women and Music: A Survey from Africa to the New World.” Minority Voices 2, no. 2 (Fall 1978): 15–27. A1067. Jackson, Irene V. “Black Women and the AfroAmerican Song Tradition.” Sing Out! 25, no. 2 (Jul/ Aug 1976): 10–13. A1068. Jackson, Irene V. (ed.). More Than Dancing: Essays on Afro-American Music and Musicians. Westport: Greenwood, 1985. 281 pp. A1069. Jackson, Jeffrey H.; Pelkey, Stanley C. Music and History: Bridging the Disciplines. Jackson: University Press of Mississippi, 2005. 268 pp. A1070. Jackson, Sarah Rachel. A Bad Woman Feeling Good: Blues and the Women Who Sing Them. Ph.D. Dissertation, University of California, 2004. 322 pp. A1071. Jackson, Travis A. “Jazz Performance as Ritual: The Blues Aesthetic and the African Diaspora,” in The African Diaspora: A Musical Perspective, ed. I.T. Monson, pp. 23–82. New York: Garland, 2000. A1072. Jacobs, Michael William. Different Strokes for Different Folks: An Analysis of the Urban Lower Class Negro’s Personality and Culture as Revealed in His

A1074. Jahn, Janheinz. “Blues Form and Blues Logic, Blues and Folksong,” in a History of Neo-African Literature: Writings in Two Continents, pp. 166–181. London: Faber and Faber, 1968. A1075. Jahn, Janheinz. “Blues: The Conflict of Cultures,” in Muntu, pp. 220–225. New York: Grove, 1961. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 28–31 (Item A2216). A1076. Jahn, Janheinz. Muntu: An Outline of the New African Culture. New York: Grove, 1961. 267 pp.; London: Faber & Faber, 1961. 267 pp. A1077. Jahn, Janheinz. “Residual African Elements in the Blues,” in Muntu. New York: Grove, 1961. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 95–103 (Item A582). A1078. Jahn, Mike. “The Rock Blues.” Saturday Review 51, no. 28 (13 Jul 1968): 47, 50. A1079. Jakubowski, Marek. Maly Leksykon Bluesa. Torun: Comer & Fundacja Buchnera, 1992. 235 pp. A1080. Jakubs, John F. “Great Migration,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 374–375 (Item E162). A1081. James, Willis Laurence. “The Romance of the Negro Folk Cry in America.” Phylon 16, no. 1 (1st Quarter 1955): 15–30. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 430–444 (Item A582). A1082. James, Willis; Spencer, Jon Michael (ed.). Stars in de Elements: A Study of Negro Folk Music. Durham: Duke University Press, 1995. 350 pp. A1083. Janson, Esbjörn. “Bluesen som Socialt Uttrycksmedel.” Orkester Journalen 22, no. 8 (Aug 1954): 8–9. A1084. Japenga, Ann. “Women of the Blues.” Paid My Dues 2, no. 5 (Oct 1975): 12–14. A1085. Jarrett, Dennis Lane. The Poetry of the Blues. Ph.D. Dissertation, University of California, 1972. A1086. Jarrett, Dennis. “Pragmatic Coherence in an Oral Formulaic Tradition: I Can Read Your Letters, Sure Can’t Read Your Mind,” in Coherence in Spoken and Written Discourse, ed. D. Tannen, pp. 155–171. Norwood: Ablex, 1984.

36

A1087. Jarrett, Dennis. “The Singer and the Bluesman: Formulations of Personality in the Lyrics of the Blues.” Southern Folklore Quarterly 42, no. 1 (1978): 31–37. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 195–200 (Item A2216). A1088. Jasen, David A.; Jones, Gene. Spreadin’ Rhythm Around: Black Popular Music, 1880–1930. New York: Schirmer, 1998. 435 pp.; London: Prentice Hall, 1998. 435 pp.

A Blues Bibliography, Second Edition

A1101. Johnson, Jeff. “‘A Terrible Year’.” Chicago SunTimes (5 Apr 2002): 44. Reprinted in an edited form in Blues & Rhythm no. 189 (May 2004): 15. A1102. Johnson, Maria V. “Dance: Audience Participation,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 247–248 (Item E162). A1103. Johnson, Phil. “The Complete Guide to Travels with Soul.” Independent (Traveller) [UK] (3 May 2003): 6–7.

A1089. Jefferson, Margo. “Recalling the Musical Matriarchs Who Gave Birth to the Blues.” New York Times (28 Oct 1997): 1.

A1104. Jones, A.M. “Blue Notes and Hot Rhythm.” African Music Society Newsletter 1, no. 4 (1951): 9–12.

A1090. Jefferson, Margo. “Who Says Wild Women Don’t Sing the Blues?” Ms 7, no. 10 (Apr 1979): 28, 30, 37–38.

A1105. Jones, Ferdinand; Jones, Arthur C. The Triumph of the Soul: Cultural and Psychological Aspects of African American Music. Westport: Praeger, 2001. 228 pp.

A1091. Jepsen, Jørgen Grunnet. “Blues av idag: Kända och Okända Namn Inom ett Välkänt Gebit.” Orkester Journalen 26, no. 2 (Feb 1958): 12–13.

A1106. Jones, Harry L. “An Essay on the Blues.” CLA Journal 13, no. 1 (Sep 1969): 62–67.

A1092. Jepsen, Jørgen Grunnet. “Blues 1959.” Orkester Journalen 27, no. 12 (Dec 1959): 14–15. A1093. Jepsen, Jørgen Grunnet. “Rhythm & Blues.” Orkester Journalen 22, no. 7 (Jul 1954): 8–9. A1094. Jerrentrup, Ansgar. Entwicklung der Rockmusik von den Anfangen bis zum Beat = the Development of Rock Music from Its Beginnings to Beat. Ph.D. Dissertation, University of Koln, 1980. 278 pp. A1095. Jessen, Willers. “Die Großstadt im Blues und in der Schwarzen Dicchtung.” German Blues Circle Info no. 48 (Oct 1980): 1–45. A1096. Jimoh, A. Yemisi. Spiritual, Blues, and Jazz People in African American Fiction: Living in Paradox. Knoxville: University of Tennessee Press, 2002. 284 pp. A1097. Johnson, David. “Black Nationalism and AfricanAmerican Music.” Black Books Bulletin 5, no. 1 (Spring 1977): 14–19. A1098. Johnson, Guy B. “Double Meaning in the Popular Negro Blues.” Journal of Abnormal and Social Psychology 22, no. 1 (Apr/Jun 1927): 12–20. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 258–266 (Item A582). Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 172– 179 (Item A2216). A1099. Johnson, Guy B. “Negro Folk Songs in the South,” in Culture in the South, ed. W.T. Couch, pp. 547–569. Chapel Hill: University of North Carolina Press, 1935. A1100. Johnson, James Weldon. “Negro Folk Songs and Spirituals.” Mentor 17, no. 1 (Feb 1929): 50–52.

A1107. Jones, Hettie. Big Star Fallin’ Mama: Five Women in Black Music. New York: Dell, 1974. 127 pp.; New York: Viking, 1974. 150 pp.; New York: Viking, 1995. 147 pp. A1108. Jones, LeRoi. “Blues, Black & White America.” Metronome 78, no. 3 (Mar 1961): 11–15. A1109. Jones, LeRoi. “Blues, Jazz and the Negro,” in The American Negro Reference Book, ed. J. Preston Davis, pp. 759–765. Englewood Cliffs: PrenticeHall, 1966. 969 pp. A1110. Jones, LeRoi. “Classic Blues,” in Popular Music: Critical Concepts in Media and Cultural Studies, ed. S. Frith. New York: Routledge, 2004. Reprinted as “Blues People and the Classic Blues,” in The Pop, Rock, and Soul Reader: Histories and Debates, ed. D. Brackett. New York: Oxford University Press, 2005. (NOTE: This is a chapter from Blues People: Negro People in White America. New York: Morrow, 1963.) A1111. Jones, LeRoi. Blues People: Negro Music in White America. New York: Morrow, 1963. 244 pp.; Budapest: Europa Konyvkiado, 1963. 299 pp.; Darmstadt: Melzer, 1963. 320 pp.; London: MacGibbon & Kees, 1965. 244 pp.; London: Jazz Book Club, 1966; New York: W. Morrow, 1967. 244 pp.; New York: Morrow, 1968; Torino: Einaudi, 1968. 232 pp.; Paris: Gallimard, 1968. 253 pp.; Darmstadt: Melzer, 1969. 320 pp.; Barcelona: Lumen, 1969. 301 pp.; London: MacGibbon & Kee, 1969; New York: Morrow, 1971. 244 pp.; Stockholm: Raben & Sjoren, 1974. 246 pp.; Darmstadt: Buchdienst, 1975. 319 pp.; Westport: Greenwood, 1980. 244 pp.; Edinburgh: Payback, 1995. 244 pp.; New York: Morrow, 1999. 256 pp.;

History and Background

37

London: Hi Marketing, 1999. 256 pp.; New York: Quill, 1999; New York: Perennial, 2002. 244 pp.

A1129. Jopling, Norman. “Is Chart Success Killing Rhythm & Blues.” Jazz Beat no. 8 (1964): 15.

A1112. Jones, LeRoi. “The Changing Same: (R&B and New Black Music),” in The Black Aesthetic, ed. A. Gayle, Jr., pp. 118–131. Garden City: Anchor/Doubleday, 1971.

A1130. Jordan, Wilbert C. “The History of Blues ... Bluesmen ... and Blueswomen.” Los Angeles Sentinel (27 Feb 1992): 5.

A1113. Jones, LeRoi. “Primitive Blues & Primitive Jazz,” in Blues People, pp. 89–94. New York: Morrow, 1963. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 83–94 (Item A2216). A1114. Jones, LeRoi. “Slave & Post-Slave,” in Blues People, pp. 50–59. New York: Morrow, 1963. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 83–94 (Item A2216). A1115. Jones, Malcolm; Rosenberg, Debra; et al. “The Blues in High Cotton.” Newsweek 122, no. 3 (19 Jul 1993): 50– 51. A1116. Jones, Max. “An ABC of the Blues.” Melody Maker (14 Sep 1968): 7. A1117. Jones, Max; Traill, Sinclair. “Blues Singers.” Melody Maker (27 Jul 1957): 7; Melody Maker (10 Aug 1957): 6; Melody Maker (17 Aug 1957): 6. A1118. Jones, Max. “Britain Digs the Real Blues More Than the U.S.A.” Melody Maker (23 Nov 1968): 13. A1119. Jones, Max. Dealing with the Devil: The Devil’s Music. UK: EMI OU 2164, 1978. Vol. 2. UK: EMI OU 2192, 1978. A1120. Jones, Max. “Legendary Masters.” Melody Maker (10 Feb 1973): 38. A1121. Jones, Max. “The Magnificent Seven.” Melody Maker (13 Jan 1968): 8–9. A1122. Jones, Max. “Now It’s the South’s Turn at the Blues.” Melody Maker (12 Oct 1963): 9. A1123. Jones, Max. “Oldtimers on Top: The Year of the Blues.” Melody Maker (29 Dec 1973): 35. A1124. Jones, Max. “On Blues,” in Jazz Yearbook, 1946, pp. 72–107. London: PL Editions Poetry, 1946. A1125. Jones, Max; Henshaw, Laurie (eds.). “Really the Blues.” Melody Maker (23 Mar 1968): 12–15. A1126. Jones, Max. “Trying to Keep the Blues Scene True . . .” Melody Maker (11 Jan 1969): 10. A1127. Jones, Max. “When the Blind Men Stood on the Corner: Blind Men Who Sang the Blues.” Melody Maker (7 Apr 1951): 9. A1128. Jones, Zeb. Blues: An Illustrated History. London: Caxton, 2004. 127 pp.

A1131. Josephs, Norman. “Second American Music Conference: Blues, Country, Rock: Influences and Interactions.” Popular Music and Society 6, no. 3 (1979): 252–255. A1132. Joyner, Charles W. Shared Traditions: Southern History and Folk Culture. Urbana: University of Illinois Press, 1999. 361 pp. A1133. Joyner, Christopher B. ‘Music is My Business’: The Professionalization of the Blues Music Industry. Master’s Thesis, University of Southern Mississippi, 1994. A1134. Joyner, David Lee. Southern Ragtime and Its Transition to Published Blues. Ph.D. Dissertation, Memphis State University, 1986. 202 pp. A1135. Jungr, Barb. “Vocal Expression in the Blues and Gospel,” in The Cambridge Companion to Blues and Gospel Music, ed. A. Moore, pp. 102–115. Cambridge: Cambridge University Press, 2002. A1136. Kahn, Ashley. “Stagolee.” Wavelength no. 85 (Nov 1987): 22–23. A1137. Kahn, Hamilton. The New Blues: American Blues Today & Tomorrow. New York: St. Martin’s Press, 1989. 272 pp. A1138. Kallen, Stuart A. The History of Rock and Roll. San Diego: Lucent, 2003. 128 pp. A1139. Kantokorpi, Otso. Sarjassa Bluesin Lähteitä: Hollerit eli Hoilotukset.” Blues News [Finland] no. 48 (1977): 7. A1140. Katz, Bernard (ed.). The Social Implications of Early Negro Music in the United States. New York: Arno, 1969. A1141. Kaufman, Helen Loeb. “Blacks and Blues and Ragtime: The Missing Link,” in from Jehovah to Jazz: Music in America from Psalmody to the Present Day, pp. 240–254. New York: Dodd, Mead, 1937. A1142. Kaufmann, Helen Loeb. From Jehovah to Jazz: Music in America from Psalmody to the Present Day. New York: Dodd, Mead, 1937. 303 pp.; Freeport: Books for Libraries, 1968. 303 pp.; Port Washington: Kennikat, 1969. 303 pp. A1143. Kaye, Andrew L. Southern Journey. Vol. 6: Sheep, Sheep Don’tcha Know the Road?: Southern Music, Sacred and Sinful. USA: Rounder CD 1706, 1997.

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A1144. Kearns-White, Rakisha. “Living Blues.” Life 21, no. 4 (Apr 1998): 88+. A1145. Kebede, Ashenafi. Roots of Black Music: The Vocal, Instrumental, and Dance Heritage of Africa and Black America. Englewood Cliffs: Prentice-Hall, 1992. 162 pp.; Tallahassee: Ethius, 1989. 162 pp.; Trenton: Africa World Press, 1995. 162 pp. A1146. Keepnews, Orrin; Grauer, Bill. A Pictorial History of Jazz: People and Places from New Orleans to Modern Jazz. New York: Crown, 1955. 282 pp.; London: Spring, 1955. 282 pp.; rev. ed. New York: Crown, 1966. 297 pp.; rev. ed. London: Spring, 1968. 297 pp.; rev. ed. London: Hamlyn, 1968. 297 pp.; 2nd rev. ed. New York: Bonanza, 1981. A1147. Keepnews, Orrin; Grauer, Bill. “Yonder Comes the Blues,” in a Pictorial History of Jazz. New York: Crown, 1955. A1148. Keil, Charles. “People’s Music Comparatively: Style and Stereotype, Class and Hegemony.” Dialectical Anthropology 10 (1985): 119–130. A1149. Keil, Charles. “‘Role & Response’,” in Urban Blues, pp. 143–163. Chicago: University of Chicago Press, 1966. Partially reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 218–221 (Item A2216). A1150. Keil, Charles. Urban Blues. Chicago: University of Chicago Press, 1966. 231 pp.; Tokyo: Ongakunotomosha, 1968. 350 pp.; Chicago: University of Chicago Press, 1991. 255 pp.; Tokyo: Burusuintaakushonzu, 2000. 419 pp. A1151. Kelley, Norman. R&B, Rhythm and Business: The Political Economy of Black Music. New York: Akashic, 2002. 334 pp. A1152. Kempf, Paul, Jr. “Striking the Blues Note in Music.” Musician 34, no. 8 (Aug 1929): 29. A1153. Kendziora, Carl, Jr. Rare and Hot!, 1923–1926: Female Vocals. USA: Historical 5829–14, 1966. A1154. Kennedy, Deborah Willis. “Coda: Imaging the Blues,” in Visualizing the Blues: Images of the American South, ed. Wendy McDaris, pp. 74–101. Memphis: Dixon Gallery and Gardens, 2000. A1155. Kenney, William Howland. “African American Blues and the Phonograph: From Race Records to Rhythm and Blues,” in Recorded Music in American Life, pp. 109–134. New York: Oxford University Press, 1999. A1156. Kenney, William Howland. Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945. New York: Oxford University Press, 1999. 258 pp.

A Blues Bibliography, Second Edition

A1157. Kent, Don. I Can’t Be Satisfied: Early American Women Blues Singers: Town & Country. Vol. 1. Country. USA: Yazoo 2026, 1997. Vol. 2. Town. USA: Yazoo 2027, 1997. A1158. Kent, Don. “The Post-War Blues. Pt 1.” Blues Unlimited no. 16 (Oct 1964): 6–7; “Pt 2.” Blues Unlimited no. 17 (Nov/Dec 1964): 7; “Pt 3.” Blues Unlimited no. 18 (Jan 1965): 16; “Pt 4.” Blues Unlimited no. 19 (Feb 1965): 16; “Pt 5.” Blues Unlimited no. 20 (Mar 1965): 7; “Pt 6.” Blues Unlimited no. 21 (Apr 1965): 8–9; “Pt 7.” Blues Unlimited no. 22 (May 1965): 9; “Pt 8.” Blues Unlimited no. 23 (Jun 1965): 8; “Pt 9.” Blues Unlimited no. 24 (Jul/Aug 1965): 5; “Pt 10.” Blues Unlimited no. 25 (Sep 1965): 12–13; “Pt 11.” Blues Unlimited no. 26 (Oct 1965): 9; “Pt 12.” Blues Unlimited no. 27 (Nov 1965): 10; “Pt 13.” Blues Unlimited no. 28 (Dec 1965): 9; “Pt 14.” Blues Unlimited no. 29 (Jan 1966): 11–12; “Pt 15.” Blues Unlimited no. 30 (Feb 1966): 12; “Pt 16.” Blues Unlimited no. 31 (Mar 1966): 9–10. Blues Unlimited no. 33 (May/Jun 1966): 9–10; “Pt 17.” Blues Unlimited no. 34 (Jul 1966): 7; “Pt 18.” Blues Unlimited no. 36 (Sep 1966): 8–9. A1159. Keren, Zvi. “Variants of the Blues Progression.” Israel Studies in Musicology no. 2 (1980): 157–169. A1160. Kernfeld, Barry. “Blues,” in The New Grove Dictionary of Jazz. Vol. 1: A–K, ed. B. Kernfeld, pp. 128–129 (Item E159). A1161. Kernfeld, Barry. “Blues Progression,” in The New Grove Dictionary of American Music. Vol. 1, ed. H.W. Hitchcock; S. Sadie, pp. 248–249 (Item E154). Reprinted in The New Grove Dictionary of Jazz. Vol. 1: A–K, ed. B. Kernfeld, pp. 129–130 (Item E159). A1162. Kernfeld, Barry; Moore, Allan F. “Blues Progression,” in The New Grove Dictionary of Music and Musicians. Vol. 3. 2nd ed., ed. S. Sadie, pp. 736–737. New York: Grove, 2001. A1163. Kerridge, Roy. In the Deep South. London: Michael Joseph, 1989. 339 pp. A1164. Kienzle, Rich. “The Whiteface Connection,” in History of the Blues, ed. D. Goldfarb. Portland: Artstigo, 1992. A1165. Killmeier, Matthew A. “Race Music,” in St. James Encyclopedia of Popular Culture. Vol. 4, ed. S. Pendergast; T. Pendergast, pp. 155–156 (Item E185). A1166. Kinder, Bob. The Best of the First: The Early Days of Rock and Roll. St Joseph: Adams, 1986. 156 pp. A1167. King, George. “Rhythm and Blues: An Apologia.” Jazz Journal 10, no. 2 (Feb 1957): 9.

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A1168. King, Woodie, Jr. “Searching for Brothers Kindred: Rhythm & Blues of the 1950s.” Black Scholar 6, no. 3 (Nov 1974): 19–30.

A1183. Koch, Rainer. “Rhythm & Blues Hits: Corrine Corrina.” German Blues Circle Info no. 59 (May/Jun 1982): 59.

A1169. Kingman, Daniel. American Music: A Panorama. New York: Schirmer, 1979. 577 pp.; London: Collier Macmillan, 1979. 577 pp.; 2nd ed. Belmont: Thomson, 2003. 484 pp.; New York: Schirmer, 2003. 484 pp.

A1184. Kochan, Thomas. Den Blues Haben: Momente Einer Jugendlichen Subkultur in der DDR. Münster: Lit, 2002. 109 pp.

A1170. Kingman, Daniel. “Blues and Soul: From Country to City,” in American Music: A Panorama, pp. 100– 113. New York: Schirmer, 2003. A1171. Kirchner, Bill (ed.). “The Blues in Jazz,” in The Oxford Companion to Jazz, pp. 64–77. Oxford: Oxford University Press, 2000. A1172. Kitamura, Jonathan R. Hope and Hopelessness: Representations of Blues Music in Black Literature. Master’s Thesis, San Francisco State University, 2005. 87 pp.

A1185. Kochan, Thomas (comp.). Rappin’ and Stylin’ Out: Communication in Urban Black America. Urbana: University of Illinois Press, 1972. 424 pp. A1186. Koda, Cub. Blues Masters: The Essential Blues Collection. Vol. 6: Blues Originals. USA: Rhino R2 71127, 1993. A1187. Koechlin, Philippe. “Au Fil du Blues.” Rock & Folk no. 46 (1970): 28–34. A1188. Koechlin, Philippe. “Le Blues.” Musica [Chaix, France] no. 126 (Sep 1964): 62–63. A1189. Koechlin, Stéphane. Le Blues. Paris: E.J.L., 2000. 89 pp.

A1173. Kittredge, Kevin. “Where Have All the Bluesmen Gone?” Commercial Appeal [Memphis] (9 Dec 1984): 1.

A1190. Koenig, Karl (ed.). Jazz in Print (1856–1929): An Anthology of Selected Early Readings in Jazz History. Hillsdale: New York, 2002. 594 pp.

A1174. Klaasse, Piet; Gardner, Mark; Berncef, J. “Close-Up on the Blues,” in Jamsession, pp. 44–61. New York: Limelight, 1985.

A1191. Koenig, Karl. Words of Mouth: Jazz Oral History Interviewing. Covington: Basin Street, 1989. 28 pp.

A1175. Klaasse, Piet; Gardner, Mark; Berncef, J. Jamsession: Portraits of Jazz and Blues Musicians Drawn on the Scene. New York: Limelight, 1985. 192 pp.; Newton Abbott: David & Charles, 1985. 192 pp. A1176. Klatzko, Bernard. Fillin’ in Blues: Rare Country Blues, 1928–1930. USA: Herwin H 205, 1975. A1177. Klatzko, Bernard; Welding, Pete. In the Spirit. Vol. 1. USA: Origin OJL-12, 1966. Vol. 2. USA: Origin OJL-13, 1966. A1178. Klatzko, Bernard. The Rural Blues, Sacred Tradition, 1927–1930. USA: Herwin H 206, 1977. A1179. Klatzko, Bernard. Sic ‘Em Dogs on Me. USA: Herwin H 201, 1972. A1180. Klima, Stefan. Non-Classic Blues and the Recording Industry, 1923–1942. Ph.D. Dissertation, University of Keele, 1980.

A1192. Kofsky, Frank. Black Nationalism and the Revolution in Music. New York: Pathfinder, 1970. 280 pp. A1193. Kofsky, Frank. Superblack Blues. USA: Flying Dutchman/Bluestime BT-9009, 1970. A1194. Kohl, Paul Robert. Who Stole the Soul?: Rock and Roll, Race, and Rebellion. Ph.D. Dissertation, University of Utah, 1994. 254 pp. A1195. Kohn, Werner; Pils, Richard. Blues in My Eyes: Jazzfotografien aus Sechs Jahrzehnten. Weitra: Bibliothek der Provinz, 2004. 203 pp. A1196. Komara, Edward; Washburn, Robert. “Africa,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 10–13 (Item E162). A1197. Komara, Edward. “Blues,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 105–129 (Item E162).

A1181. Klotter, James C. The Human Tradition in the New South. Lanham: Rowman & Littlefield, 2005. 215 pp.

A1198. Komara, Edward. “One Time Blues/Kokomo Blues (Sweet Home Chicago),” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 735–736 (Item E162).

A1182. Knight, Arthur. Disintegrating the Musical: Black Performance and American Musical Film. Durham: Duke University Press, 2002. 338 pp.

A1199. Komara, Edward. “Roll and Tumble Blues,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 845–846 (Item E162).

40

A Blues Bibliography, Second Edition

A1200. Komara, Edward. “Catfish Blues,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 188–189 (Item E162).

A1218. Kuhn, Elisabeth D. “‘I Just Want to Make Love to You’: Seductive Strategies in Blues Lyrics.” Journal of Pragmatics 31, no. 4 (Apr 1999): 525–534.

A1201. Komara, Edward; Farley, Michael. “United States,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 1022–1027 (Item E162).

A1219. Kunkler, Edwin. “Commentary.” Blues World no. 18 (Jan 1968): 16–17.

A1202. Komorowski, Adam. The Roots of Rock ‘n’ Roll. Vol. 5: Adam Blew His Hat. UK: President PLCD 561, 1997. A1203. Konen, Valentina D. The Birth of Jazz. Moscow: Soviet Publishing Institute, 1984. 310 pp. A1204. Konen, Valentina D. Blyuzy i XX Vek. Moscow: Sovetsky Kompositor, 1980. 80 pp. A1205. Koopmans, Andy. The History of the Blues. San Diego: Lucent, 2005. A1206. Korner, Alexis. “Alexis Warns: ‘There’s a Lot More to Blues’.” Melody Maker (8 Mar 1969): 11. A1207. Korner, Alexis. “Backwoods Blues.” Jazz Journal 8, no. 2 (Feb 1955): 6–7. A1208. Korner, Alexis. “It’s Booming — and There is a British Style.” Melody Maker (23 Mar 1968): 13. A1209. Korner, Alexis. “Ragtime, Ringshouts and Hollers: A Study of Pre-Jazz Forms,” in Jazz Book, 1955, ed. A.J. McCarthy, pp. 65–83. London: Cassell & Co, 1955. A1210. Koskoff, Ellen. The United States and Canada. New York: Garland, 2001. 1378 pp. A1211. Kot, Greg. “Rebirth of the Blues.” Chicago Tribune (4 Nov 1990): 6. A1212. Kramer, Gary. “On the Beat (Original Negro Market No Longer Prime Target of Rhythm and Blues Recordings).” Billboard 69 (9 Mar 1957): 26+. A1213. Kramer, Lawrence. “Powers of Blackness: Jazz and the Blues in Modern Concert Music,” in Musical Meaning: Toward a Critical History, pp. 194–215. Berkeley: University of California Press, 2002. A1214. Kraus, Egon. “Jazz-Blues-Worksong-Spiritual-Gospelsong.” Musik und Bildung 5 (1973): 198–202. A1215. Kraus, Peter J. Blues-Highway: Musik-Geschichten Zwischen New Orleans und Chicago. Berlin: Ch. Links Verlag, 1998. 318 pp. A1216. Kubik, Gerhard. Africa and the Blues. Jackson: University Press of Mississippi, 1999. 240 pp. A1217. Kubik, Gerhard. “Spruren des Blues: Ein Bericht aus Nigerien.” Jazz Podium 10 (1961): 157–160.

A1220. Kuntz, Tom. “Down at the Crossroads, There’s a Devil of a Debate.” New York Times (5 Mar 1995): 7. A1221. Kurth, Ulrich. Aus Der Neuen Welt: Untersuchungen Zur Rezeption Afro-Amerikanischer Musik in Europaischer Kunstmusik des 19. und Fruhen 20. Jahrhunderts. Goppingen: Kummerle Verlag, 1982. 398 pp. A1222. Küstner, Axel. Blues, 1976–1997: A Collection of 30 Postcards. Bremen: Crosscut Books, 1998. 33 pp. A1223. Lacava, Jacques D. “The Theatricality of the Blues.” Black Music Research Journal 12, no. 1 (Spring 1992): 127–139. A1224. Lamar, Lawrence F. “Where Did the ‘Blues’ Originate is Question.” Chicago Defender (1 Nov 1941): 21. A1225. Lamb, Ernest. “From Coon to Gangsta: The African American Identity Crisis Represented in Popular Music,” in The Lyrics in African American Popular Music, ed. R. Springer, pp. 139–160. Bern: Peter Lang, 2001. A1226. Landeck, Beatrice. Echoes of Africa in Folksongs of the Americas. New York: David McKay, 1961. 184 pp. A1227. Lands, David. “The First Jazz and Blues Hits.” Jazz Journal 51, no. 10 (Oct 1998): 10–11. A1228. Lang, Iain. “The Background of the Blues,” in The Saturday Book, 1941–42, ed. L. Russell, pp. 330–357. London: Hutchinson, 1941. Reprinted in an expanded form as Background of the Blues. London: Workers’ Music Association, 1943. 55 pp. Reprinted in an expanded form as Jazz in Perspective: The Background of the Blues. London: Hutchinson, 1947. 148 pp.; Milan: Monadore, 1951. 166 pp.; London: Jazz Book Club, 1957; Stockholm: Bonnier, 1957. 156 pp.; New York: Da Capo, 1977. 148 pp. A1229. Lang, Paul Henry (ed.). One Hundred Years of Music in America. New York: Schirmer, 1961. 322 pp. A1230. Lanker, Brian. I Dream a World: Portraits of Black Women Who Changed America. New York: Stewart, Tabori & Chang, 1989. 167 pp.; rev. ed. New York: Stewart, Tabori & Chang, 1999. 171 pp.

History and Background

41

A1231. Larkin, Colin. “Introduction,” in The Guinness Encyclopedia of Popular Music. Vol. 1: AACM FARGO, DONNA, pp. 9–15 (E165).

A1247. Lees, Gene. Cats of Any Color: Jazz Black and White. Oxford: Oxford University Press, 1994. 246 pp.

A1232. Larkin, Colin. “T.O.B.A,” in The Guinness Who’s Who of Blues. 2nd ed., p. 338 (E166).

A1248. Lees, Graham. “A Glimpse at the Blues.” Traditional Music Maker no. 37 (Nov 2000): 18–19.

A1233. LaRose, Joseph A. “Bands,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 45–52 (Item E162).

A1249. Lefever, Harry G. “‘Playing the Dozens’: A Mechanism for Social Control.” Phylon 42, no. 1 (1st Quarter 1981): 73–85.

A1234. Latour, Robert. Les Blues, le Swing et le Beat. Brussels: La Gouttiere, 1954. 38 pp.

A1250. Lehman, Jeffrey. “Blues and Jazz,” in The African American Almanac. Detroit: Gale, 2003.

A1235. Laubenstein, Paul F. “Race Values in Afro-American Music.” The Musical Quarterly 16, no. 3 (Jul 1930): 378–403.

A1251. Lehman, R.J. “The Blues or the Unending Search.” Second Line 31, no. 4 (Fall 1979): 41–43.

A1236. LaVere, Steve. The Blues: A Book of Postcards. San Francisco: Pomegranate Artbooks, 1989. A1237. Laws, G. Malcolm, Jr. Native American Balladry: A Descriptive Study and a Bibliographical Syllabus. Philadelphia: The American Folklore Society, 1950; rev ed. Philadelphia: The American Folklore Society, 1964. A1238. Leadbitter, Mike. “Finnish Blues.” Blues Unlimited no. 83 (Jul 1971): 5. A1239. Leadbitter, Mike. “I Wanna Tell You People.” IT: The International Times no. 144 (14 Dec 1972–10 Jan 1973): 18–19. A1240. Leadbitter, Mike. Nothing But the Blues. UK: CBS 66278, 1971. A1241. Leadbitter, Mike (ed.). Nothing But the Blues: An Illustrated Documentary. London: Hanover, 1971. 261 pp.; New York: Music Sales, 1972. 261 pp. A1242. Le Jeune, Emilie. “Creole Songs,” in Papers and Proceedings of the Music Teachers’ National Association at Its 39th Annual Meeting, New Orleans, December 27– 29, 1917, pp. 23–28. Hartford: Music Teachers’ National Association, 1917. 248 pp. A1243. Lee, Ed. “A Note on Conventions of Notation in Afro-American Music,” in Pop Music in School, ed. G. Vulliamy; E. Lee, pp. 62–73. New York: Cambridge University Press, 1976.

A1252. Lehmann, Theodore. Blues and Trouble. Berlin: Henschel, 1966. 190 pp.; 2. verandert aufl. Berlin: VEB Lied der Zeit Musikverlag, 1980. 151 pp. A1253. Leiser, Willy. I’m a Road Runner Baby. Bexhill-onSea: Blues Unlimited, 1969. 38 pp. A1254. Leiser, Willy. Touch Me Lord Jesus. Bexhill-on-Sea: Blues Unlimited, 1966. A1255. Leland, John. Hip: The History. New York: Ecco, 2004. 405 pp.; New York: HarperCollins, 2004. 405 pp. A1256. Lemann, Nicholas. The Promised Land: The Great Black Migration and How It Changed America. London: Macmillan, 1993. 410 pp. A1257. Lemmermann, Karl. “Improvised Negro Songs.” New Republic 13 (22 Dec 1917): 214–215. A1258. Lerma, Dominique-René de (ed.). Blues and Gospel Music, the Seminar Program: The Black Music Center Seminar 1972, Indiana University, Bloomington, Indiana, July 5–8, 1972. Bloomington: The Black Music Center, 1972. 46 pp. A1259. Lerma, Dominique-René de (ed.). Black Music in Our Culture. Kent: Kent State University Press, 1970. A1260. Lerma, Dominique-René de (ed.). Reflections on Afro-American Music. Kent: Kent State University Press, 1973. A1261. Leroux, Benoit. “Blues Rural. Pt 1.” Jazz Hot no. 246 (1969): 31–33; “Pt 2.” Jazz Hot no. 247 (1969): 34–35; “Pt 3.” Jazz Hot no. 249 (1969).

A1244. Lee, Robert Charles. “The Afro-American Foundations of the Jazz Idiom. Pt 3: The American Echo.” Jazz Forum [USA] no. 13/14 (Autumn/Winter 1971): 86–92.

A1262. Leroux, Benoit. “Vers un Blues Revival?” Jazz Hot no. 244 (Nov 1968): 20–23.

A1245. Lee, Robert Charles. “The American Negro Work Songs.” Jazz Forum [USA] no. 6 (1969): 63–64.

A1263. LeRoux, Charles. “American Odyssey: Seeking the Roots of Our Music.” Miami Herald (2 Jul 1972).

A1246. Lees, Gene. “Rock-And-Rollers Latch on to the Blues.” House & Garden 136, no. 4 (Oct 1969): 90, 92, 196.

A1264. Less, David; Dorian, Carleen. “Minding the Blues: Notes on the Lives and Times.” City of Memphis 2, no. 9 (Dec 1977): 39–49.

42

A1265. Lester, Julius. The Blues Singers: Ten Who Rocked the World. New York: Jump at the Sun/Hyperion Books for Children, 2001. 47 pp. A1266. Letoit, Andre. Die Bar Op de Aar: Ballades, Blues en Bevliegings. Kaapstad: Tafelberg, 1988. 88 pp.; 2. Druk. Kaapstad: Tafelberg, 1989. 88 pp. A1267. Levet, Jean Paul. Rire pour ne pas Pleurer: Le Noir dans l’Amérique Blanche = Laughin’ Just to Keep from Cryin’: Blacks in White America. Marseille: Parenthèses, 2002, 2002. 175 pp. A1268. Levet, Jean-Paul. “Stones in My Passway: Les Pratiques Magiques dans le Blues. I.” Soul Bag no. 156 (Fall 1999): 32–35; “II.” Soul Bag no. 157 (Winter 2000): 30–34. A1269. Levet, Jean Paul. Talkin’ that Talk. Levallois-Perret: Soul Bag/CLARB, 1986. 368 pp.; Paris: Hatier, 1992. 310 pp.; Paris: Kargo/Eclat, 2003. 604 pp. A1270. Levet, Jean-Paul. “We Can’t Buy It No More: L’Amerique de la Prohibition.” Soul Bag no. 160 (Fall 2000): 36–39. A1271. Levine, Lawrence W. “The Rise of Secular Song,” in Black Culture and Black Consciousness: AfroAmerican Folk Thought from Slavery to Freedom, pp. 190–297. New York: Oxford University Press, 1977. A1272. Lewis, Barrie; Marsh, Graham. The Blues Album Cover Art. San Francisco: Chronicle Books, 1996; London: Collins & Brown, 1996. 110 pp. A1273. Lewis, Paul. “Blues on the Silver Screen: A Scenario.” Blueprint no. 53 (Jul 1993): 13. A1274. Lewis, Paul. “Blues on the Silver Screen: All God’s Chillun Got Rhythm: The Early Black Musical Film.” Blueprint no. 54 (Aug 1993): 16–17. A1275. Lewis, Paul. “Blues on the Silver Screen: Along the Old Man River (1971).” Blueprint no. 62 (May 1994): 18. A1276. Lewis, Paul. “Blues on the Silver Screen: Reel Music ‘93: Recent R&B Soundtracks.” Blueprint no. 58 (Dec 1993/Jan 1994): 31. A1277. Leyh, Teddy. “Blues Monologe. 1–5.” Jazz Podium 19 (1970): 208–209, 270–273, 313–317, 348–352; Jazz Podium 20 (1971): 63–65, 68. A1278. Lieberfeld, Daniel. “Million-Dollar Juke Joint: Commodifying Blues Culture.” African American Review 29, no. 2 (1995): 217–221. A1279. Lim, Harry. Folk Blues. USA: Continental CLP16003, 1960s.

A Blues Bibliography, Second Edition

A1280. Lindahl, Erik. “The Photos of Erik Lindahl.” Living Blues no. 146 (Jul/Aug 1999): 38–45. A1281. Lindsay, Martin. “How Jazz Developed,” in Teach Yourself Jazz, pp. 10–18. London: English Universities Press, 1958. A1282. Ling, Peter J.; Monteith, Sharon. Gender and the Civil Rights Movement. New Brunswick: Rutgers University Press, 2004. 276 pp. A1283. Linnemann, Russell J. “Country Blues: Mirror of Southern Society.” Western Journal of Black Studies 9, no. 3 (Fall 1985): 183–187. A1284. Linnemann, Russell J. “The Historian and the Country Blues.” Griot: Official Journal of the Southern Conference on Afro-American Studies 3, no. 1 (Winter 1984): 27–40. A1285. Lipsitz, George. “Land of a Thousand Dances: Youth, Minorities, and the Rise of Rock and Roll,” in Recasting America: Culture and Politics in the Age of Cold War, ed. L. May, pp. 267–84. Chicago: University of Chicago Press, 1989. A1286. Litwack, Leon F. “Blues Falling Down Like Hail: The Ordeal of Black Freedom,” in New Perspectives on Race and Slavery in America, ed. R.H. Abzug; S.E. Maizlish, pp. 109–127 (Item A7). A1287. Litwack, Leon F. “The Blues Keep Falling,” in Ethnic Notions: Black Images in the White Mind, ed. J. Faulkner et al. Berkeley: Berkeley Art Center, 1982. A1288. Litwack, Leon F. “The Making of a Historian,” in Historians and Race: Autobiography and the Writing of History, ed. P.A. Cimbala; R.F. Himmelberg. Bloomington: Indiana University Press, 1996. A1289. Litweiler, John. “The Soul of the New White Blues.” Sounds & Fury 2, no. 2 (Aug 1966): 28–29. A1290. Lloyd, A.L. “American Folk Song: The Present Situation.” Recorded Folk Music 1, no. 2 (Mar/Apr 1958): 13–17. A1291. Lloyd, A.L. “Background to St James Infirmary Blues.” Keynote: The Music Magazine (Jan 1947): 10–14. A1292. Locke, Alain. The Negro and His Music. Washington, DC: Associates in Negro Folk Education, 1936. 142 pp.; Port Washington: Kennikat, 1968. 142 pp.; New York: Arno, 1969. 142 pp. A1293. Locke, Alain (ed.). The New Negro: An Interpretation. New York: A. and C. Boni, 1925. 446 pp. A1294. Locke, Alain LeRoy. “Secular Folk Songs: The Blues and Work-Songs,” in The Negro and His Music, pp. 28–35. Washington, DC: Associates in Negro Folk Education, 1936.

History and Background

43

A1295. Lodetti, Antonio. Guida Alla Musica del Diavolo. Milano: Kaosi, 1988. 219 pp.; Milano: Gammalibri, 1988. 219 pp.; Milano: Blues Brothers, c1998. 274 pp.

DC: Library of Congress, 1940. Reprinted in Alan Lomax: Selected Writings, 1934–1997, ed. R.D. Cohen, pp. 69–76. New York: Routledge, 2003.

A1296. Logan, Nick; Woffinden, Bob. “Blues - American,” in The Illustrated New Musical Express Encyclopedia of Rock, pp. 34–36 (Item E173).

A1310. Lomax, Alan. The Roots of the Blues. USA: New World NW 252, 1977; USA: New World CD 802522, 1994.

A1297. Loman, Bengt. “Country Blues och City Blues.” Finsk Tidskrift no. 2 (1991): 112–125.

A1311. Lomax, Alan. “‘Sinful’ Songs of the Southern Negro.” Southwest Review 19 (Winter 1934): 105– 131. Reprinted in Alan Lomax: Selected Writings, 1934–1997, ed. R.D. Cohen, pp. 9–31. New York: Routledge, 2003.

A1298. Lomax, Alan. Afro-American Blues and Game Songs. USA: Library of Congress AFS-14, 1956. A1299. Lomax, Alan. “Auf der Straße des Blues: Aus dem Amerikanischen von Rolf Düdder.” Jazz Podium 11 (1962): 170–171.

A1312. Lomax, Alan. “Skiffle; Where is It Going?” Melody Maker (7 Sep 1957): 5.

A1300. Lomax, Alan. Black Musical Style. New York: Cantometrics Project, 1969. 171 pp.

A1313. Lomax, Alan. “Skiffle; Why is It So Popular?” Melody Maker (31 Aug 1957): 3.

A1301. Lomax, Alan. “Blues,” in Folk Songs of North America in the English Language, pp. 573–595. Garden City: Doubleday, 1960. 623 pp.; London: Cassell, 1960. 623 pp.

A1314. Lomax, Alan. “Song Structure and Social Structure.” Ethnology 1, no. 4 (1962): 425–451. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 32–56 (Item A2216).

A1302. Lomax, Alan. Blues in the Mississippi Night: Authentic Field Recordings of Negro Folk Music. USA: United Artists UAL 4027, 1959; UK: Pye-Nixa NJL 8, c1959; USA: Rykodisc RCD 90155, 1990; UK: Castle CMETD 648, 2003.

A1315. Lomax, Alan; Kramer, Gary. Southern Folk Heritage Series. USA: Atlantic SD 1346-SD 1352, 1961. Reissued on CD as Sounds of the South. USA: Atlantic 82496-2, 1993.

A1303. Lomax, Alan. “Folk Song Traditions are All Around Us.” Sing Out! 11, no. 1 (Feb/Mar 1961): 17–18.

A1316. Lomax, Alan. Southern Journey: A Collection of Field Recordings from the South. USA: Prestige NTDS-25000-25012, 1960s.

A1304. Lomax, Alan. Folksong Style and Culture. Washington, DC: American Association for the Advancement of Science, 1968; New Jersey: Transaction Books, 1968. 363 pp.

A1317. Lomax, John A. “Field Experience with Recording Machines.” Southern Folklore Quarterly 1 (1937): 57.

A1305. Lomax, Alan. “The Good and the Beautiful in Folksong.” Journal of American Folklore 80, no. 317 (Jul/Sep 1967): 213–235.

A1319. Lomax, John A. “‘Sinful Songs’ of the Southern Negro.” Musical Quarterly 20, no. 2 (Apr 1934): 177–187.

A1306. Lomax, Alan. “I Got the Blues.” Common Ground 8, no. 4 (1948): 38–52. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 469–486 (Item A582). Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 180–194 (Item A2216). A1307. Lomax, Alan. “The Levee-Camp Holler,” in Martin Scorsese Presents the Blues, ed. P. Guralnick; et al, pp. 76–78 (Item A895). (NOTE: This is an extract from item BL1614.) A1308. Lomax, Alan. Negro Work Songs and Calls from the Archive of Folk Song. USA: Library of Congress AFS L8, 1970s. A1309. Lomax, Alan. “Reels and Work Songs,” in 75 Years of Freedom: Commemoration of the 75th Anniversary of the Proclamation of the 13th Amendment to the Constitution of the U.S., pp. 27–36. Washington,

A1318. Lomax, John A. “Self Pity in Negro Folk Songs.” The Nation 105, no. 1719 (9 Aug 1917): 141–145.

A1320. Lomax, John A. “Some Types of American FolkSong.” Journal of American Folklore 28, no. 107 (Jan/Feb/Mar 1915): 1–17. A1321. Lombardi, John. “The Truth Will Never Die!” Rolling Stone no. 57 (30 Apr 1970): 10. A1322. Lommel, Cookie. The History of the Blues. Broomall: Chelsea House, 2003. 112 pp.; Northam: Roundhouse, 2003. 112 pp. A1323. Lord, Arthur E. “An Observation Concerning a Possible Relationship Between a Certain Blues Beat and African Drumming.” Massachusetts Music News 24, no. 1 (Fall 1975): 32, 34. A1324. Lornell, Kip. “Blues,” in Encyclopedia of American Gospel Music, ed. W.K. McNeil, p. 44. New York: Routledge, 2005.

44

A1325. Lornell, Kip. “The Cultural and Musical Implications of the Dixieland Jazz and Blues Revivals.” Arkansas Review 29, no. 1 (Apr 1998): 11–21. A1326. Lornell, Kip. “The Effects of Social and Economic Changes on the Uses of Blues.” JEMF Quarterly 11, no. 37 (1975): 43–48. A1327. Lornell, Kip. Introducing American Folk Music. New York: McGraw-Hill College, 1993. A1328. Lotz, Rainer E.; Pegg, Ian (eds.). Under the Imperial Carpet: Essays in Black History. Crawley: Rabbit Press, 1986. 346 pp. A1329. Lowe, Allen. That Devilin’ Tune: A Jazz History, 1900–1950. Berkeley: Music and Arts Programs of America, 2001. 312 pp. A1330. Lowe, Donna. “Rhythm and Blues,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, p. 829 (Item E162).

A Blues Bibliography, Second Edition

A1341. Malone, Bill C. Southern Music, American Music. Lexington: University Press of Kentucky, 1979. 203 pp.; rev. ed. Lexington: University Press of Kentucky, 2003. 236 pp. A1342. Malone, Bill C. “Writing the History of Southern Music: A Review Essay.” Mississippi Quarterly 45, no. 4 (Fall 1992): 385–405. A1343. Malone, Jacqui. Steppin’ on the Blues: The Visible Rhythms of African American Dance. Chicago: University of Illinois Press, 1986. A1344. Malone, Janice. “Female Blues Singers Have Long History.” Chicago Defender (24 Feb 1994): 5. A1345. Mancuso, Chuck. Popular Music and the Underground: Foundations of Jazz, Blues, Country, and Rock, 1900–1950. Dubuque: Kendall/Hunt, 1996. 626 pp.

A1331. Lowry, Pete. Southern Blues. USA: Savoy/Arista SJL 2255, 1981.

A1346. Marco, Guy A.; Andrews, Frank (eds.). “Folk Music Recordings,” in Encyclopedia of Recorded Sound in the United States, pp. 265–270 (Item E176).

A1332. Lutz, Gretchen Kay. “From Country Recording to a Georgia Chain Gang: The Evolution of the Ballad ‘Frank Dupree’.” Mid-America Folklore 17, no. 1 (Spring 1989): 1–8.

A1347. Marco, Guy A.; Andrews, Frank (eds.). “Race Records,” in Encyclopedia of Recorded Sound in the United States, pp. 561–562 (Item E176).

A1333. Lydon, Michael. Boogie Lightning. New York: Dial, 1974. 229 pp.; New York: Da Capo, 1980. 229 pp. A1334. Lydon, Michael. Rock Folk: Portraits from the Rock ‘n’ Roll Pantheon. New York: Dial Press, 1971. 200 pp.; New York: Dell, 1973. 199 pp.; New York: Citadel Underground, 1990. 200 pp.; New York: Carol, 1990. 200 pp. A1335. Lyons, Leonard; Perlo, Don. Jazz Portraits: The Lives and Music of the Jazz Masters. New York: Quill, 1989. 610 pp. A1336. Lyttelton, Humphrey. “How the Blues Were Born, and Who Makes the Blue Notes Now.” Nova (May 1974): 16–17. A1337. Mahar, William J. “Music, Black,” in Encyclopedia of Southern Culture, ed. C.R. Wilson; W.R. Ferris, pp. 179–181. Chapel Hill: University of North Carolina Press, 1989. A1338. Malm, Krister. “Hypoteser om Bluesskalen.” Orkester Journalen 32, no. 7/8 (Jul/Aug 1964): 20. A1339. Malnarick, Aaron. Blue Road: What is a Music Museum. Master’s Thesis, Massachusetts Institute of Technology, 2004. 111 pp. A1340. Malone, Bill C. “The Nationalisation of Southern Music.” Journal of Country Music 8, no. 2 (1980): 29–42.

A1348. Marco, Guy A.; Andrews, Frank (eds.). “Rhythm and Blues Recordings,” in Encyclopedia of Recorded Sound in the United States, pp. 587–591 (Item E176). A1349. Marcus, Greil; Brown, Cecil; Cave, Nick. “The Murder Mystery [Story of Stagger Lee].” Mojo no. 26 (Jan 1996): 72–82. A1350. Marcus, Greil. Mystery Train: Images of America in Rock ‘n’ Roll Music. London: Omnibus, 1977. 279 pp.; 2nd ed. New York: E.P. Dutton, 1982. 275 pp.; 3rd ed. USA: Obelisk/Dutton, 1990; Canada: Fitzhenry & Whiteside Ltd., 1990; 4th ed. London: Penguin, 1991. 287 pp. A1351. Marcus, Greil. “The Myth of Staggerlee,” in The Pop, Rock, and Soul Reader: Histories and Debates, ed. D. Brackett. New York: Oxford University Press, 2005. (NOTE: Extract from item A1350.) A1352. Margolin, Bob. “Steady Rollin’: Those Same ‘Old’ Blues.” Blues Revue no. 88 (Jun/July 2004): 43–44. A1353. Silvano Marini. Il Colore del Blues?: Black & White. Varzi: Luna Nera, c1999. 500 pp. A1354. Marmande, Francis. “Le Sens en Process.” Jazz Magazine [France] no. 200 (May 1972): 34–35. A1355. Marschall, Fritz. “The Country Gospel Artists.” Storyville no. 16 (Apr/May 1968): 8–10.

History and Background

A1356. Marschall, Fritz. “Report Aus Dem USA.” German Blues Circle Info no. 28 (Dec 1978/Jan 1979): 22; German Blues Circle Info no. 30 (Mar 1979): 21–23. A1357. Marshall, James. “Let’s Get Drunk and Truck,” in Martin Scorsese Presents the Blues, ed. P. Guralnick; et al, pp. 119–122 (Item A895). A1358. Martin, Florence. “Les Drôleries du Blues.” Les Cahiers du Jazz no. 3 (1994): 41–50. A1359. Marx, Joe. “Laura Petaway Talks to Joe Marx: Risque Lyrics in Your Blues Could Get You Hauled Away.” Washington Post (28 Jul 1985): B3. A1360. Matheja, Bernd. Thank You for the Days: The 60s Picture Book: Beat, Pop, Blues, Rock, Beat Club, Stars, Legenden, Raritäten. Hambergen: Bear Family, 2002. 243 pp. A1361. Matzner, Antonin. Rhythm & Blues. Praha: Panton, 1985. 271 pp. A1362. Maultsby, Portia K. “Influences and Retentions of West African Musical Concepts in U.S. Black Music.” Western Journal of Black Studies 3, no. 3 (Fall 1979): 197–215. A1363. Maultsby, Portia K. “Rhythm and Blues,” in African American Music: An Introduction, ed. M.V. Burnim; P.K. Maultsby. New York: Routledge, 2006. A1364. May, Phyllis M.; Singer, Roberta L. “Philosophical Approaches to Transcription,” in Discourse in Ethnomusicology, ed. C. Card, pp. 53–64. Bloomington: Ethnomusicology Publications Group, Indiana University, 1978. A1365. Mayes, Joseph. “I Believe I’m Sinkin’ Down: An Analysis of the Folklore Surrounding the Crossroads,” in Utah Folklore Annual: Selected Student Papers Presented at the 2003 Meetings of the Folklore Society of Utah. Salt Lake City: Folklore Society of Utah, 2005. A1366. McCarthy, Albert. Louis and the Blues Singers, 1924–1929. UK: Parlophone PMC 7144, 1972. A1367. McCarthy, Albert J. “Rhythm and Blues,” in Jazz Book 1955, pp. 84–93. London: Cassell & Co, 1955. A1368. McCarthy, S. Margaret. “The Afro-American Sermon and the Blues: Some Parallels.” Black Perspective in Music 4, no. 3 (Fall 1976): 269–277. A1369. McClary, Susan. “Thinking Blues,” in Conventional Wisdom: The Content of Musical Form, pp. 32–61. USA: University of California Press, 2001. A1370. McCormick, Mack. “The Damn Tinkers.” American Folk Music Occasional no. 1 (1964): 5–13.

45

A1371. McCormick, Mack. “Tradition Rediscovered.” Rhythm and Blues: Covering the Blues and Jazz Scene [USA] (May 1964): 15–16. A1372. McCormick, Mack. A Treasury of Field Recordings. Vol. 2. UK: 77 Records LA 12/3, 1960. A1373. McCormick, Mack. The Unexpurgated Folk Songs of Men. USA: Raglan R-51, 1960. A1374. McCourt, Tom. “Bright Lights, Big City: A Brief History of Rhythm and Blues, 1945–1957.” Popular Music & Society 9, no. 2 (1983): 1–18. A1375. McCutcheon, Lynn Ellis. Rhythm and Blues: An Experience and Adventure in Its Origin and Development. Arlington: Beatty, 1971. 305 pp. A1376. McDaris, Wendy. “Visualizing the Blues,” in Visualizing the Blues: Images of the American South, ed. Wendy McDaris, pp. 16–49. Memphis: Dixon Gallery and Gardens, 2000. A1377. McDaris, Wendy. Visualizing the Blues: Images of the American South. Memphis: Dixon Gallery & Gardens, 2000. 159 pp. A1378. McDevitt, Sean; Perlah, Jeffrey L. “100 Years of the Blues: Prewar Vets.” Guitar 15, no. 10 (Aug 1998): 34, 39, 43, 112. A1379. McDonagh, Don. “The Blues.” Dance Magazine 72 (Jan 1998): 88. A1380. McDonough, Jerome. Blues. Amarillo: McDonough, 1987. 30 pp. A1381. McGeachy, Margaret G. Lonesome Words: The Vocal Poetics of the Old English Lament and the African-American Blues Song. Basingstoke: Palgrave Macmillan, 2006. 182 pp. A1382. McGeachy, Margaret Gillian. Lonesome Words: The Vocal Poetics of the Old English Lament and the African-American Blues Song. Ph.D. Dissertation, University of Toronto, 1999. 281 pp. A1383. McGraw-Beauchamp, L. Blues Stories. Chicago: Straight Ahead International/Literati Internazionale, 1992. 99 pp. A1384. McGuire, Phillip. “Black Music Critics and the Classic Blues Singers.” Black Perspective in Music 14, no. 2 (Spring 1986): 103–125. A1385. McKinney, Harold. “‘Negro Music’: A Definitive American Expression.” Negro History Bulletin 27, no. 5 (Feb 1964): 120–121, 126–127. A1386. McMillen, N.R. Dark Journey: Black Mississippians in the Age of Jim Crow. Urbana: University of Illinois Press, 1989. 464 pp.

46

A1387. McNeil, W.K. The Blues: A Smithsonian Collection of Classic Blues Singers. USA: Smithsonian RD 101, 1993. A1388. McNeil, W.K. “Syncopated Slander: The Coon Song 1890–1900.” Keystone Folklore Quarterly 17 (1972): 63–82. A1389. McNulty, Michael. Oral Expression in Urban Blues and Greek Rebetika: Products of Similar Socioeconomic Experience. Columbus: Ohio State University, 2000. 58 pp. A1390. McNutt, Randy. Too Hot to Handle: An Illustrated Encyclopedia of American Recording Studios of the 20th Century. Hamilton: HHP, 2001. 223 pp. A1391. McNutt, Randy. Guitar Towns: A Journey to the Crossroads of Rock ‘n’ Roll. Bloomington: Indiana University Press, 2002. 226 pp. A1392. McStravick, Summer; Roos, John. The Blues-Rock Explosion. Mission Viejo: Old Goat Pub., 2000. 286 pp. A1393. Meadows, Eddie S. “African Retentions in Blues and Jazz.” Western Journal of Black Studies 3, no. 3 (Fall 1979): 180–185. A1394. Meadows, Eddie S. “African World View in Blues: A Prefatory Analysis.” Blues Unlimited no. 148/149 (Winter 1987): 18–20. A1395. Meadows, Eddie S. “Blues: A Musical and Sociological Analysis.” Freedomways 16, no. 1 (1976): 60–64. A1396. Meadows, Eddie S. “A Preliminary Analysis of Early Rhythm and Blues Musical Practices.” Western Journal of Black Studies 7, no. 3 (Fall 1983): 172–182. A1397. Mecklenburg, Carl Gregor Herzog; Scheck, Waldemar. Die Theorie des Blues im Modernen Jazz. Baden-Baden: Heitz, 1963. A1398. Megill, Donald D.; Demory, Richard S. Introduction to Jazz History. Englewood Cliffs: Prentice-Hall, 1984. 259 pp.; 2nd ed. Englewood Cliffs: Prentice Hall, 1989. 292 pp.; 3rd ed. Englewood Cliffs: Prentice Hall, 1993. 337 pp.; 4th ed. Upper Saddle River: Prentice Hall, 1996. 350 pp.; 5th ed. Upper Saddle River: Pearson Prentice Hall, 2001. 349 pp.; 6th ed. Upper Saddle River: Pearson Prentice Hall, 2004. 348 pp.

A Blues Bibliography, Second Edition

A1401. Mellers, Wilfrid. Music in a New Found Land: Themes and Developments in the History of American Music. London: Barrie & Rockcliff, 1964. 543 pp.; New York: Knopf, 1965. 543 pp.; New York: Hillstone, 1975. 545 pp. A1402. Mellers, Wilfrid. “The Rockbottom Reality of the Blues,” in Angels of the Night: Popular Female Singers of Our Time, pp. 16–38. Oxford: Basil Blackwell, 1986. A1403. Mellers, Wilfrid. “Orgy and Alienation: Country Blues, Barrelhouse Piano, and Piano Rag,” in Music in a New Found Land: Themes and Developments in the History of American Music. London: Barrie and Rockcliff, 1964. A1404. Melly, George. “Honey, Where You Been So Long?” The Observer Magazine [UK] (27 Jul 1969): 25–26. A1405. Melnick, Jeffrey Paul. A Right to Sing the Blues: African Americans, Jews, and American Popular Song. Cambridge: Harvard University Press, 1999. 277 pp. A1406. Melnick, Mimi C. “I Can Peep Through Muddy Water and Spy Dry Land: Boasts in the Blues,” in Folklore International: Essays in Traditional Literature, Belief, and Custom in Honor of Wayland Debs Hand, Professor of German and Folklore, University of California, Los Angeles, pp. 139–149, ed. D.K. Wilgus; C. Sommer. Hatboro: Folklore Associates, 1967. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 267–276 (Item A582). A1407. Melville, Charles. “The Blues Is.…” Crescendo 32, no. 6 (Dec 1995/Jan 1996): 10–11. A1408. Menabo, Roberto. “La Chitarra Acustica Nel Blues: I Titani.” Il Blues no. 12/13 (Sep/Dec 1985): 50–55. A1409. Merriam, Alan. “African Music,” in Continuity & Change in African Culture, ed. W.R. Bascom; M.J. Herskovits. Chicago: Phoenix, 1968. A1410. Merrill, Hugh. The Blues Route. New York: Morrow, 1990. 236 pp. A1411. Merwe, Peter van der. “The Blues,” in Origins of the Popular Style: The Antecedents of TwentiethCentury Popular Music. Oxford: Oxford University Press, 1989.

A1399. Meier, Erwin. “Talk to Me Brother.” German Blues Circle Info no. 30 (Mar 1979): 24.

A1412. Metfessel, Milton Franklin. Phonophotography in Folk Music: American Negro Songs in New Notation. Chapel Hill: University of North Carolina Press, 1928.

A1400. Meis, Ron. “Jingle Bells Boogie & Christmas Time Blues.” Block no. 96 (1995): 21–24.

A1413. Middleton, Richard. “Blues Form,” in The Continuum Encyclopedia of Popular Music of the World.

History and Background

47

Vol. 2, ed. J. Shepherd; D. Horn; D. Laing; P. Oliver; P. Wicke, pp. 503–505 (Item E205).

Helsinki: Academia Scientiarum Fennica, 2001. (Folklore Fellows Communications, no. 277).

A1414. Middleton, Richard. Pop Music and the Blues: A Study of the Relationship and Its Significance. London: Gollancz, 1972. 271 pp.

A1429. Minton, John. “‘Our Goodman’ in Blackface and ‘The Maid’ at the Sookey Jump: Two Afro-American Variants of Child Ballads on Commercial Disc.” JEMF Quarterly no. 65/66 (1982): 31–40.

A1415. Middleton, Richard (ed.). Reading Pop: Approaches to Textual Analysis in Popular Music. Oxford; New York: Oxford University Press, 2000. 399 pp. A1416. Middleton, Richard. A Study of the Relationship Between Pop Music and the Blues. Ph.D. Dissertation, York University, 1970. A1417. Milhaud, Darius. “Jazz Band and Negro Music.” Living Age no. 323 (18 Oct 1924): 169–173. A1418. Milkowski, Bill. Swing It: An Annotated History of Jive. New York: Billboard, 2001. A1419. Millar, Bill. Let the Good Times Rock!: A Fan’s Notes on Post-War American Roots Music. York: Music Mentor, 2004. 360 pp. A1420. Millar, Bill. “Music Unlimited: The Exploitation of Black Music Across the USA.” The History of Rock 2, no. 5 (c1981–c1984): 338–340.

A1430. Minton, John Stephen. Phonograph Blues: Folksong and Media in the Southern United States Before the Second World War. Ph.D. Dissertation, University of Texas, 1990. 878 pp. A1431. Minutaglio, Bill. “Highway 61 Revisited.” Dallas Morning News (13 Oct 1985): 1–3. A1432. Minutaglio, Bill. “The State of the Blues.” Dallas Morning News (26 Aug 1984): C1. A1433. Mitchell, George. “G M’s Blues.” Blues Unlimited no. 85 (Oct 1971): 19. A1434. Mitsui, Toru. Eikei Amrika Minzoku-Ongaku No Gakki = the Instruments of American Traditional Music. Kanazawa: Traditional Song Society, 1970. A1435. Mitsui, Toru. Kokujin Burusu No Gendai. Tokyo: Ongaku No Tomosha, 1977. 221 pp.

A1421. Millar, Bill. “Rhythm and Blues.” The History of Rock 1, no. 2 (c1981–c1984): 29–32.

A1436. Mohr, Kurt. The Prewar Vocal Jazz Story [1923– 1945]. France: Best of Jazz DK 013, 1996.

A1422. Miller, Doug. “The Moan Within the Tone: African Retentions in Rhythm and Blues Saxophone Style in Afro-American Popular Music with Discography.” Popular Music 14 (May 1995): 155–174.

A1437. Mohr, Kurt. “Rock Story.” Rock & Folk (Jul 1966). Reprinted in Soul Bag no. 61 (Jun 1977): 5–8.

A1423. Miller, Gene. “Blacks, Creoles and the Roots of Jazz.” Mississippi Rag 17 (Jul 1990): 1+. A1424. Miller, Jim. Flowers in the Dust Bin: The Rise of Rock and Roll, 1947–1977. New York: Simon and Schuster, 1999. A1425. Miller, Jim (ed.). The Rolling Stone Illustrated History of Rock ‘n’ Roll. New York: Random House, 1976. 382 pp.; rev. ed. New York: Rolling Stone, 1980. 474 pp. A1426. Miller, Manfred. “Blues,” in Die Story des Jazz: Vom New Orleans zum Rock Jazz, ed. J.E. Berendt, pp. 30–45 (Item A216).

A1438. Moisala, Pirkko; Diamod, Beverley (eds.). Music and Gender. Urbana: University of Illinois Press, 2000. 376 pp. A1439. Moll, Dieter. Das Buch des Blues. Konigswinter: Heel, 1989. 245 pp. A1440. Monge, Luigi. “Blindness Blues: Visual References in the Lyrics of Blind Pre-War Blues and Gospel Musicians,” in The Lyrics in African American Popular Music, ed. R. Springer, pp. 91–119. Bern: Peter Lang, 2001. A1441. Monge, Luigi. La Lingua Inglese dei Negri d’America e i Blues: Analisi Critica di Alcuni Testi. Thesis Degree, University of Genoa, Italy, 1985, 538 pp. A1442. Monge, Luigi. “Topical Blues: Disasters,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 995-1002 (Item E162).

A1427. Miller, Manfred. “Everyday I Have the Blues: Notizen zu Geschichte und Funktion des Blues,” in That’s Jazz: Der Sound des 20. Jahrhunderts: Eine Musik-, Personen-, Sozial- und Medien- Geschichte des Jazz von den Anfängen bis zur Gegenwart, ed. K. Wolbert, pp. 63–76. Darmstadt, 1988.

A1443. Monson, Ingrid T. (ed.). The African Diaspora: A Musical Perspective. New York: Garland, 2000. 366 pp.; London: Routledge, 2003. 366 pp.

A1428. Minton, John; Evans, David. ‘The Coon in the Box’: A Global Folktale in African-American Tradition.

A1444. Moody, Pete. Little Rock Blues: Country Girls. UK: Indigo IGOCD 2124, 2000.

48

A1445. Moody, William J. The Jazz Exiles: American Musicians in Europe. Master’s Thesis, University of Nevada, 1987. 95 pp. A1446. Moon, Bucklin. “The Horn Behind the Blues.” Record Changer 9, no. 6/7 (Jul/Aug 1950): 14. A1447. Moonoogian, George A. “Ain’t Nothin’ But a Hound Dog.” Whiskey, Women and ... no. 14 (Jun 1984): 4–10. A1448. Moonoogian, George. “The Answer Record in R&B.” Record Exchanger no. 22 (1976): 24–25, 28. A1449. Moore, Allan F. (ed.). The Cambridge Companion to Blues and Gospel Music. Cambridge: Cambridge University Press, 2002. 228 pp. A1450. Moore, Allan F. “Surveying the Field: Our Knowledge of Blues and Gospel Music,” in The Cambridge Companion to Blues and Gospel Music, ed. A. Moore, pp. 1–12. Cambridge: Cambridge University Press, 2002. A1451. Moore, Thurston W. (ed.). Rhythm and Blues Scrapbook. Cincinnati: Artist Publications, 1952; Denver: Heather Publications, 1963. A1452. Moore, Thurston (ed.). Rock ‘n Roll Rhythm ‘n Blues Scrapbook. Verona: Thurston Moore, 1957. A1453. Morgan, John P. Jake Walk Blues. USA: Stash ST110, 1977. A1454. Morgan, John P.; Tulloss, Thomas C. “The Jake Walk Blues: A Toxicologic Tragedy Mirrored in American Popular Music.” Annals of Internal Medicine 85, no. 6 (Dec 1976): 804–808. Reprinted in JEMF Quarterly 13, no. 47 (Autumn 1977): 122–126. Reprinted in Old Time Music 28 (1978): 17–24. A1455. Morgan, Thomas I.; Barlow, William. From Cakewalks to Concert Halls: An Illustrated History of African American Popular Music from 1895 to 1930. Washington, DC: Elliott & Clark, 1992. 132 pp.

A Blues Bibliography, Second Edition

A1462. Morthland, John. Blues Classics, 1945–1949. USA: Universal Music R859-10, 1997. A1463. Morthland, John. “Music.” Texas Monthly 22, no. 5 (May 1994): 78. A1464. Morthland, John. “A Rebirth of the Blues?” Stereo Review 43 (Dec 1979): 70, 72–73. A1465. Mosby, Rebekah Presson; Hast, Dorothea E.; Cullen, David O’Donald. “Music,” in Dictionary of American History. Vol. 3, ed. S.I. Kutler, pp. 489–501. 3rd ed. New York: Charles Scribner’s Sons, 2003. A1466. Mossel, Eric. “Every Day I Heard the Blues.” Blues World no. 8 (May 1966): 11–18. A1467. Muir, Peter C. Before ‘Crazy Blues’: Commercial Blues in America 1850–1920. Ph.D. Dissertation, City University of New York, 2004. 611 pp. A1468. Muir, Peter. “Careless Love,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 181–182 (Item E162). A1469. Muir, Peter. “Dirty Dozens,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 270–271 (Item E162). A1470. Muir, Peter. “Make Me a Pallet on Your Floor,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 648–649 (Item E162). A1471. Mullarkey, Maureen. “Claiming the Blues for Blacks Only: Or, Pinning the Tail on White Folks.” Commonweal 117, no. 21 (7 Dec 1990): 717+. A1472. Muller, Torsten. Baby Please Don’t Go: Blues-Geschichten. Hamburg: Luchterhand Literaturverlag, 1993. 230 pp. A1473. Munnery, Paul. “The Blues Form and its Influence on Early Jazz.” Jazz Journal 20, no. 9 (Sep 1967): 29, 40.

A1457. Morgenstern, Dan. “The Blues Comes to Ann Arbor.” Down Beat 36, no. 20 (2 Oct 1969): 14–15, 29–30.

A1474. Murphy, Jeanette R. “The Survival of African Music in America.” Popular Science Monthly 55 (Sep 1899): 660–772. Reprinted in The Negro and His Folklore in Nineteeth Century Periodicals, ed. B. Jackson. Austin: American Folklore Society, 1967.

A1458. Morris, Chris. “Messin’ with the Blues.” Billboard 108, no. 24 (15 Jun 1996): 31+.

A1475. Murphy, Robert. “Penitentiary Blues.” Living Blues no. 80 (May/Jun 1988): 56.

A1459. Morris, Chris. “Young Black Blues Artists on the Fringes.” Billboard 112, no. 25 (17 Jun 2000): 5+.

A1476. Murray, Albert. “The Blues as Dance Music,” in Stomping the Blues. New York: McGraw-Hill, 1976. Reprinted in an edited form in Black Music Research Newsletter 4, no. 3 (Spring 1981): 1–3. Reprinted in Black Music Research Journal 10, no. 1 (Spring 1990): 67–72. Reprinted in Reading Jazz, ed. Robert Gottlieb, pp. 992–996. London: Bloomsbury, 1997.

A1456. Morgantini, Jacques. Blues History. France: Black & Blue 33.375, 1970s.

A1460. Morrison, Craig. “Rock ‘n’ Roll,” in Encyclopedia of the Blues. Vol. 1: K–Z, ed. E. Komara, pp. 838–842 (Item E162). A1461. Morse, David. Motown and the Arrival of Black Music. London: Studio Vista, 1971.

History and Background

A1477. Murray, Albert. The Hero and the Blues. Columbia: University of Missouri Press, 1973. 107 pp.; New York: Vintage Books, 1993. 107 pp. A1478. Murray, Albert. The Omni-Americans: New Perspectives on Black Experience and American Culture. New York: Outerbridge and Dienstfrey, 1970. 227 pp. A1479. Murray, Albert. “Playing the Blues,” in Stomping the Blues, pp. 91–128. New York: McGraw-Hill, 1976. Reprinted in Signifyin(g): Sanctifyin’ & Slam Dunking, ed. G.D. Caponi, pp. 96–109. Amherst: University of Massachusetts Press, 1999.

49

A1491. Napier, Simon A. “Those Blues of Long Ago.” Jazz Monthly 10, no. 11 (Jan 1965): 5–8. A1492. Nardone, Jennifer. “Juke Joints,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 552–555 (Item E162). A1493. Narine, Dalton. “Blue-Eyed Soul: Are Whites Taking Over Rhythm & Blues?” Ebony 44, no. 9 (Jul 1989): 90–93. A1494. Narváez, Peter. “Hispanic Influences on the Blues,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 432–438 (Item E162).

A1480. Murray, Albert. Stomping the Blues. New York: McGraw-Hill, 1976. 264 pp.; London: Quartet, 1978. 264 pp.; New York: Da Capo, 1981. 264 pp.; New York: Vintage, 1982. 264 pp.; New York: Da Capo, 1989. 264 pp.

A1495. Narváez, Peter. “Living Blues Journal: The Paradoxical Aesthetics of the Blues Revival,” in Transforming Tradition: Folk Music Revivals Examined, ed. N. Rosenberg, pp. 241–257. Urbana: University of Illinois Press, 1993.

A1481. Murray, Charles Shaar. “Blue are the Life-Giving Waters Taken for Granted: Jimi Hendrix as Bluesman,” in Crosstown Traffic: Jimi Hendrix and PostWar Pop, pp. 129–152. London: Faber and Faber, 1989.

A1496. Nash, William R. Stereotyping the Blues: The Role of Scholarship in the Perpetuation of the Blues Myth. Master’s Thesis, University of North Carolina, 1989. 81 pp.

A1482. Murray, Charles Shaar. “Cryin’ the Blues. Pt 1.” Observer Magazine Music Monthly [UK] no. 3 (16 Nov 2003): 22–23, 25, 27, 29. A1483. Muyumba, Walton. Trouble No More: Blues Philosophy and Twentieth Century African-American Experience. Ph.D. Dissertation, Indiana University, 2001. 224 pp. A1484. Myers, Amina Claudine. “Is There Jazz Without the Blues?”, in Such Sweet Thunder, ed. M. Baszak; E. Cohen, pp. 114–117. Amherst: University of Massachusetts, 2003. A1485. Myrdal, Gunnar. An American Dilemma: The Negro Problem and American Democracy. New York: Harper and Brothers, 1944. 1483 pp. A1486. Myrus, Donald. Ballads, Blues, and the Big Beat. New York: Macmillan, 1966. 136 pp. A1487. Nall, Hiram. “From Down South to Up South: An Examination of Geography in the Blues.” Midwest Quarterly 42, no. 3 (Spring 2001): 306–319. A1488. Nanry, Charles. The Jazz Text. New York: D. Van Nostrand, 1979. 276 pp. A1489. Napier, Simon A. Back Woods Blues: Selected Reprints from Blues Unlimited and Elsewhere. Oxford: Blues Unlimited, 1968. 55 pp. A1490. Napier, Simon A. “The ‘New Deal’.” Blues Unlimited no. 81 (Apr 1971): 16–17.

A1497. National Portrait Gallery. Smithsonian Institute. A Glimmer of their Own Beauty: Black Sounds of the Twenties. Washington, DC: Smithsonian, 1971. 32 pp. A1498. Naud, Jacques. “Regard sur le Rhythm & Blues.” Jazz, Blues & Co no. 38 (Mar 1980): 10–12. A1499. Neal, Larry. “Any Day Now: Black Art & Black Liberalism,” in Black Poets & Prophets: The Theory, Practice, & Esthetics of the Pan-Africanist Revolution, ed. W. King; E. Anthony, pp. 148–165. New York: Mentor, 1972. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 422–433 (Item A2216). A1500. Neal, Larry. “The Ethos of the Blues.” Black Scholar 3, no. 10 (Summer 1972): 42–48. Reprinted in Visions of a Liberated Future: Black Arts Movement Writings, ed. Michael Schwartz. New York: Thunder’s Mouth Press, 1989. Reprinted in Sacred Music of the Secular City: From Blues to Rap, ed. J.M. Spencer. Durham: Duke University Press, 1992. A1501. Neal, Mark Anthony. “Another Man is Beating My Time: Gender and Sexuality in Rhythm and Blues,” in American Popular Music: New Approaches to the Twentieth Century, ed. R. Rubin; J.P. Melnick, pp. 127–140. Amherst: University of Massachusetts Press, 2001. A1502. Neal, Mark Anthony. Songs in the Key of Black Life: A Nation of Rhythm and Blues. New York: Taylor & Francis, 2003. 214 pp.

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A Blues Bibliography, Second Edition

A1503. Neal, Mark Anthony. What the Music Said: Black Popular Music and Black Public Culture. New York: State University of New York Press, 1999. 198 pp.

A1519. Niles, Abbe. “Ballads, Songs and Snatches.” The Bookman 67 (1928): 422–424, 565–567, 687–689; The Bookman 68 (1928/29): 75–77, 213–215.

A1504. Neff, Robert; Connor, Anthony. Blues. London: Latimer New Directions, 1976. 141 pp.; Boston: David R. Godine, 1975. 141 pp.; Ivrea: Priuli & Verlucca, 1977. 141 pp. Republished as The Blues: In Images and Interviews. New York: Cooper Square, 1999. 152 pp.; Hemel Hempstead: Datum, 1999. 152 pp.

A1520. Niles, Abbe. “Blue Notes.” New Republic 45 (3 Feb 1926): 292–293. Reprinted as “The Blues,” in Frontiers of Jazz, ed. R. de Toledano, pp. 32–57. New York: Durrell, 1947. Reprinted as “The Story of the Blues,” in a Treasury of the Blues, ed. W.C. Handy, pp. 9–32. New York: Boni, 1949.

A1505. Nelson, Paul. “Adopting a Tradition,” in History of the Blues, ed. D. Goldfarb. Portland: Artstigo, 1992.

A1521. Niquét, Bernard. “Comédiennes et Chanteuses de Jazz. Pt 1.” Rhythm & Blues Panorama no. 7 (1960); “Pt 2.” Rhythm & Blues Panorama no. 8 (1960).

A1506. Nelson, Paul. “Country Blues Comes to Town.” Sing Out! 14, no. 3 (Jul 1964): 14–15, 17, 19–20, 23–24. A1507. Nestor, Curt. “Down the Dirt Roads ... and Highways, Too.” Jefferson no. 40 (Summer 1978): 24–29.

A1522. Niquét, Bernard. “N’Oublions pas les Chanteuses!” Jazz Hot no. 239 (Mar 1968): 14–16. A1523. Niquét, Bernard. “R’n’B ou New Thing.” Jazz Hot no. 260 (1970): 24–25.

A1508. Nettl, Bruno. “Afro-American Music,” in Folk Music in the United States: An Introduction, pp. 88–102. Detroit: Wayne State University Press, 1976.

A1524. Noble-Nesbitt, R. “What is Rhythm and Blues?” Rhythm and Blues Gazette no. 1 (Jun 1963): 7.

A1509. Nettl, Bruno. Music in Primitive Culture. Cambridge: Harvard University Press, 1956.

A1525. Noblett, Richard A. “American Blues Festival 1968: Interviews.” Blues World no. 23 (Apr 1969): 8–11.

A1510. Nevins, Richard; Kent, Don. Before the Blues. Vol. 1. USA: Yazoo 2015, 1996. Vol. 2. USA: Yazoo 2016, 1996. Vol. 3. USA: Yazoo 2017, 1996.

A1526. Noblett, Richard A. “Stavin’ Chain.” Blues World no. 31 (Jun 1970): 20–21.

A1511. Newman, Richard. African American Quotations. New York: Checkmark, 2000. 504 pp. A1512. Newman, Richard. “Blues,” in African American Quotations, pp. 65–66. New York: Checkmark, 2000. A1513. Newman, Richard. “Blues in the Air.” Blues World no. 4 (Sep 1965): 9. A1514. Newton, Francis. The Jazz Scene. London: MacGibbon and Kee, 1959. 303 pp.; New York: Monthly Review, 1960. 303 pp.; London: Jazz Book Club, 1960. 303 pp.; Harmondsworth: Penguin, 1961. 295 pp. A1515. Newton, Francis. “Trouble is a Man: (The Classic Blues Singers),” in The Decca Book of Jazz, ed. P. Gammond, pp. 62–74. London: Muller, 1958. A1516. Nickell, E.; Mull, B. “Blues and Skiffle.” Record Changer 8, no. 11 (Nov 1949): 25; 9 (Jan 1950): 15; Record Changer 9 (Feb 1950): 13–14; Record Changer 9 (Mar 1950): 19+; Record Changer 9 (May 1950): 19+. A1517. Nicklawske, Mark. “The Rise of the American Blues Festival.” Living Blues no. 91 (May/Jun 1990): 6–9. A1518. Niemoeller, A.F. Sex Ideas in Popular Songs. Girard: Haldeman-Julius, 1946. 32 pp.

A1527. Noblett, Richard A. “Stavin’ Chain: A Study of a Folk Hero. Pt 1.” Blues Unlimited no. 131/132 (Sep/ Dec 1978): 31–33; “Pt 2.” Blues Unlimited no. 134 (Mar/Jun 1979): 14–15; “Pt 3.” Blues Unlimited no. 139 (Autumn 1980): 31–33; “Pt 4.” Blues Unlimited no. 142 (Summer 1982): 24–26. A1528. Norberg, Marc. “Behind ‘Black & White Blues’: Photography of Marc Norberg.” Blues Revue no. 32 (Nov 1997): 33–36. A1529. Norberg, Marc. Black & White Blues. Zurich: Graphis, 1995. 211 pp. A1530. Nordenborg, Björn Svante. “Blues för de Fängslade.” Orkester Journalen 27, no. 7/8 (Jul/Aug 1959): 14–15. A1531. Norman, Philip. The Road Goes on Forever: Portraits from a Journey Through Contemporary Music. London: Elm Tree Books, 1982; New York: Simon & Schuster, 1982. 206 pp.; London: Corgi, 1984. 269 pp. A1532. Nurmi, Pertti. “Kuka, Missä, Milloin: ‘Suuri’ Lukijakilpailu.” Blues News [Finland] no. 100 (1986): 74–77. A1533. Nyström, Peter. “It Takes a Nation of Millions to Hold Us Back: Reflektioner över Blues och HipHop.” Jefferson no. 133 (2002): 9–10.

History and Background

A1534. Oakley, Giles. The Devil’s Music: A History of the Blues. London: BBC, 1976. 287 pp.; New York: Taplinger, 1977. 287 pp.; Milan: Mazzotta Editore, 1978. 324 pp (as La Musica del Diavolo: Storia del Blues); New York: Harcourt, Brace, Jovanovich, 1978. 287 pp.; Bergisch-Gladbach: Bastei Lübbe, 1981. 414 pp (as Blues: Die Schwarze Musik); London: Ariel, 1983. 287 pp.; Paris: Denoël, 1985. 348 pp (as Devil’s Music: Une Histoire du Blues); Istanbul: Ayrinti, 2004. 364 pp. A1535. Oakley, Giles. The Devil’s Music. UK: Red Lightnin RL 0033, 1981. A1536. Oakley, Giles. More Devil’s Music. UK: Red Lightnin RL 0038, 1983. A1537. Obrecht, Jas. “African American Recording Pioneers.” Victrola and 78 Journal no. 4 (1995): 10–16. A1538. Obrecht, Jas. “Transatlantic Blues: How American Blues Inspired British Rock and Pop.” Guitar Player 32, no. 3 (Mar 1998): 67, 69, 71–72, 74.

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A1548. Odum, Howard W.; Johnson, Guy B. Negro Workaday Songs. Chapel Hill: University of North Carolina Press, 1926. 278 pp. A1549. Odum, Howard W.; Johnson, Guy B. The Negro and His Songs: A Study of Typical Negro Songs in the South. Chapel Hill: University of North Carolina Press, 1925. 306 pp.; Hatboro: Folklore Associates, 1964; New York: New American Llibrary, 1969. A1550. Odum, Howard W. “Religious Folk Songs of the Southern Negro.” American Journal of Religious Psychology and Education 3, no. 3 (Jul 1909): 265–365. Also issued as Religious Folk-Songs of the Southern Negroes. Ph.D. Dissertation, Clark University, c1910. 101 pp. A1551. Oehler, Susan E. Aesthetics and Meaning in Professional Blues Performances: An Ethnographic Examination of an African-American Music in Intercultural Context. Ph. D Dissertation, Indiana University, 2001. 361 pp.

A1539. O’Brien, Lucy. She Bop II: The Definitive History of Women in Rock, Pop, and Soul. London ; New York: Continuum, 2002. 530 pp.

A1552. Oehler, Susan. “The Blues In Transcultural Contexts,” in African American Music: An Introduction, ed. M.V. Burnim; P.K. Maultsby. New York: Routledge, 2006.

A1540. Ochs, Ed. “‘Blues Power’ in Comeback.” Billboard 81 (29 Mar 1969): 1+.

A1553. Oess, Attila. “White Blues - Black Blues.” German Blues Circle Info no. 47 (Sep 1980): 5–9.

A1541. Ochs, Ed. “R&B Comes of Age as Musical Culture.” Billboard 80 (14 Dec 1968): 34. A1542. Ochs, Ed. “Tomorrow.” Billboard 81, no. 40 (4 Oct 1969): 26. A1543. Ochs, Michael. Rock Archives: A Photographic Journey Through the First Two Decades of Rock and Roll. Dorset: Blandford, 1985. A1544. O’Connor, Patrick Joseph. “Cowboy Blues: Early Black Music in the West.” Studies in Popular Culture 16, no. 2 (Apr 1994): 95–103.

A1554. The Office of Elementary and Secondary Education, Smithsonian Institution. Blues in America: A Social History. Amawalk: Golden Owl, 1994. 17 pp. A1555. Oliver, Paul. “African Influence on the Blues.” Living Blues no. 8 (Spring 1972): 13–17. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 57– 62 (Item A2216). A1556. Oliver, Paul. “Apropos: ‘Blues Fell This Morning’.” Jazz Monthly 7, no. 1 (Mar 1961): 12, 20.

A1545. O’Connor, Patrick Joseph. “Discovering the Rich Differences in the Blues: The Rural and Urban Genres.” Midwest Quarterly 33, no. 1 (Autumn 1991): 28–42.

A1557. Oliver, Paul. “Been All Through the Nation…,” in Popular Music: Intercultural Interpretations, ed. T. Mitsui, pp. 193–197. Kanazawa: Kanazawa University. (NOTE: A paper presented at the 9th Biennial Conference of the International Association for the Study of Popular Music (IASPM) held in Kanazawa, Japan, on 27–31 July, 1997.).

A1546. Odum, Howard W. “Down That Lonesome Road.” Country Gentleman 91 (May 1926): 18–19, 79.

A1558. Oliver, Paul. The Best of the Blues. USA: Storyville SC 44023, 1981.

A1547. Odum, Howard W. “Folk-Song and Folk-Poetry as Found in the Secular Songs of the Southern Negroes. Pt 1.” Journal of American Folklore 24, no. 93 (Jul/ Sep 1911): 255–294; “Pt 2.” Journal of American Folklore 24, no. 94 (Oct/Dec 1911): 351–396. Part 1 reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 133–171 (Item A2216).

A1559. Oliver, Paul. “Black and Blue.” The Observer (Colour Supplement) [UK] (27 Jul 1969): 7–20. A1560. Oliver, Paul. “Black, Red and Blues Power.” Melody Maker (3 Oct 1970): 24. A1561. Oliver, Paul. “Blue-Eyed Blues: The Impact of Blues on European Popular Culture,” in Approaches to

52

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Popular Culture, ed. C.W.E. Bigsby, pp. 227–239. Bowling Green: Bowling Green University Popular Press, 1976.

A1574. Oliver, Paul. “Blues Folk in Britain: Witnessing a Folk Music as It is Created.” New Musical Express (15 Aug 1970): 10.

A1562. Oliver, Paul. Il Blues. Prima. Italy: Fratelli Fabbri Editori 54, 1968.

A1575. Oliver, Paul. “Blues in the Bran-Tub.” Jazz Beat 2, no. 4 (Apr 1965): 12–13.

A1563. Oliver, Paul. Il Blues. Secondo. Italy: Fratelli Fabbri Editori 95, 1968.

A1576. Oliver, Paul. “Blues Miscellanies, Collections and Anthologies,” in Jazz on Record, ed. A.J. McCarthy, pp. 322–323 (Item E378).

A1564. Oliver, Paul. “The Blues.” Jazz Monthly 11, no. 7 (Sep 1965). A1565. Oliver, Paul. “Blues,” in The New Grove Dictionary of Jazz. Vol. 1: A–K, ed. B. Kernfeld, pp. 121–128 (Item E159). A1566. Oliver, Paul. “Blues,” in The New Grove Dictionary of Music and Musicians. Vol. 2, ed. S. Sadie, pp. 812–819. London: Macmillan, 1980. Reprinted in The New Grove Dictionary of American Music. Vol. 1, ed. H. Wiley Hitchcock; S. Sadie, pp. 242–247 (Item E154). Reprinted in The New Grove Dictionary of Music and Musicians. Vol. 3. 2nd ed., ed. S. Sadie, pp. 730–736. New York: Grove, 2001. A1567. Oliver, Paul. “Blues,” in The New Grove Gospel, Blues, and Jazz, by Paul Oliver; M. Harrison; W. Bolcom, pp. 36–188. New York: Norton, 1986. A1568. Oliver, Paul. “Blues and the Binary Principle,” in Popular Music Perspectives: Papers from the First International Conference on Popular Music Research, Amsterdam, June 1981, ed. D. Horn; P. Tagg, pp. 163–173. Göteborg; Exeter: International Association for the Study of Popular Music, 1982. A1569. Oliver, Paul. “Blues and the Folk Revival.” International Musician 62, no. 10 (Apr 1964): 12–13, 19–20. A1570. Oliver, Paul. “Blues as an Art Form.” Blues World no. 21 (Oct 1968): 1–7. A1571. Oliver, Paul. Blues Fell This Morning: Rare Recordings of Southern Blues Singers. UK: Philips BBL 7369, 1960.

A1577. Oliver, Paul. Blues Off the Record: Thirty Years of Blues Commentary. Tunbridge Wells: Baton, 1984. 297 pp.; New York: Hippocrene, 1984. 197 pp.; New York: Da Capo, 1988. 297 pp. A1578. Oliver, Paul. “Blues Research: Problems and Possibilities.” Journal of Musicology 2, no. 4 (1983): 377–390. A1579. Oliver, Paul. “Blues ‘65.” Jazz [USA] 4, no. 7 (Jul 1965): 26–29. A1580. Oliver, Paul. “Blues to Drive the Blues Away,” in Jazz, ed. N. Hentoff; A.J. McCarthy, pp. 83–103, 357–359. New York: Rinehart, 1959. A1581. Oliver, Paul. Blues with a Message. USA: Arhoolie CD 510, 2005. A1582. Oliver, Paul. Broadcasting the Blues: Black Blues in the Segregation Era. New York: Routledge, 2006. 191 pp. A1583. Oliver, Paul. “Can’t Even Write: The Blues and Ethnic Literature.” MELUS 10, no. 1 (Spring 1983): 7–14. A1584. Oliver, Paul. “Classic Blues Anthologies,” in Jazz on Record, ed. A.J. McCarthy, pp. 323–324 (Item E378). A1585. Oliver, Paul. Conversation with the Blues. London: Cassell, 1965. 217 pp.; New York: Horizon, 1965. 217 pp.; London: Jazz Book Club, 1967. 217 pp.; Cambridge: Cambridge University Press, 1997. 208 pp. A1586. Oliver, Paul. Conversation with the Blues. UK: Decca LK 4664, 1965.

A1572. Oliver, Paul. Blues Fell This Morning: The Meaning of the Blues. London: Cassell, 1960. 355 pp.; New York: Horizon, 1960. 355 pp.; Paris: Arthaud, 1962. 334 pp.; New York: Collier, 1963. 383 pp.; London: Jazz Book Club, 1963. 336 pp.; New York: Horizon Press, 1983. 355 pp.; 2nd ed. New York: Da Capo, 1990. 355 pp.; Canto ed. Cambridge: Cambridge University Press, 1994. 348 pp.; Paris: 10–18, 2002. 342 pp.

A1588. Oliver, Paul. “Crossroads Blues.” Jazz Beat 2, no. 2 (Feb 1965): 20–21.

A1573. Oliver, Paul. “Blues Festivals and Concerts,” in Jazz on Record, ed. A.J. McCarthy, pp. 321–322 (Item E378).

A1589. Oliver, Paul. “A Dead Cat on the Line,” in Saints and Sinners, ed. R. Sacré, pp. 197–212. Liège: Society of Musicology, 1996.

A1587. Oliver, Paul. “Creoles, Cajuns & Confusion.” Blues Unlimited no. 4 (Aug 1963): 5–7. Reprinted in Back Woods Blues, ed. S.A. Napier, pp. 45–47. Oxford: Blues Unlimited, 1968.

History and Background

A1590. Oliver, Paul. “Deep River: (Blues and Negro FolkMusic),” in The Decca Book of Jazz, ed. P. Gammond, pp. 15–28. London: Muller, 1958. A1591. Oliver, Paul. “Digging the Archive: Put Together for to Sing.” European Blues Association Newsletter no. 2 (2002): 3. A1592. Oliver, Paul. “Do the Bombashay,” in Songsters & Saints, pp. 18–46, 292. Cambridge: Cambridge University Press, 1984. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 95–118 (Item A2216). A1593. Oliver, Paul. “Eagles on the Half.” American Folk Music Occasional no. 1 (1964): 91–94.

53

A1604. Oliver, Paul. “Jive,” in The New Grove Dictionary of Music and Musicians. Vol. 9, ed. S. Sadie, p. 652. London: Macmillan, 1980. Reprinted in The New Grove Dictionary of American Music. Vol. 2, ed. H.W. Hitchcock; S. Sadie, p. 574 (Item E154). A1605. Oliver, Paul. “‘Land of California, Sweet Home, Chicago’,” in Changing Sounds: New Directions and Configurations in Popular Music, ed. T. Mitchell; P. Doyle, pp. 157–161. Sydney: University of Technology, 2000. A1606. Oliver, Paul. “Lookin’ for the Bully: An Enquiry into a Song and its Story,” in Nobody Knows Where the Blues Come From, ed. R. Springer. Jackson: University Press of Mississippi, 2006.

A1594. Oliver, Paul. “Echoes of the Jungle?” Living Blues no. 13 (Summer 1973): 29–32. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 69–75 (Item A2216).

A1607. Oliver, Paul. “Mining ‘The True Folk Vein’: Some Directions for Research in Black Music.” Black Music Research Journal (1985): 21–31.

A1595. Oliver, Paul. “Field Holler,” in The New Grove Dictionary of American Music. Vol. 2, ed. H.W. Hitchcock; S. Sadie, p. 116 (Item E154).

A1608. Oliver, Paul. “Miscellaneous Blues Issues and Documentary Collections,” in Jazz on Record, ed. A.J. McCarthy, pp. 335–337 (Item E378).

A1596. Oliver, Paul. “Field Recording,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 1, ed. J. Shepherd; D. Horn; D. Laing; P. Oliver; P. Wicke, pp. 25–26 (Item E205).

A1609. Oliver, Paul; Harrison, Max; Bolcom, William. The New Grove Gospel, Blues, and Jazz, with Spirituals and Ragtime. New York: Norton, 1986. 395 pp.; London: Macmillan, 1986. 395 pp.; London: Macmillan, 1997. 395 pp.

A1597. Oliver, Paul. “Forgotten Men.” Music Mirror 3, no. 5 (Jun 1956): 8–9. A1598. Oliver, Paul. “The Future of the Blues: Looking Back at Looking Forward.” New Contact [UK] (Autumn 1966). Reprinted in Blues off the Record, pp. 285– 289 (Item A1577). A1599. Oliver, Paul. “Good Evening Gentlemen.” Jazz [USA] 2, no. 8 (Oct 1963): 14–16. A1600. Oliver, Paul. “‘Greasy Greens’: A Slippery Problem in Popular Music History,” in Music on Show: Issues of Performance, ed. T. Hautamäki; H. Järviluoma, pp. 256–259. Tampere: Tampere University, 1998. (NOTE: A paper presented at the International Association for the Study of Popular Music Eighth International Conference held in Glasgow in July 1995). A1601. Oliver, Paul. “Hollers/Hollering,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 2, ed. J. Shepherd; D. Horn; D. Laing; P. Oliver; P. Wicke, pp. 137–138 (Item E205). A1602. Oliver, Paul. The Greatest in Country Blues. Austria: Story of Blues 3521-2/3522-2/3523-2, c1992. A1603. Oliver, Paul. “If You Haven’t Got Any Hay, Get on Down the Road: Some Suggestions on Harvesting.” Jazz Monthly no. 155 (Jan 1968): 13–14.

A1610. Oliver, Paul. “Northern Blues,” in Jazz on Record, ed. A.J. McCarthy, pp. 337–340 (Item E378). A1611. Oliver, Paul. “The Numbers Runners.” Jazz Beat 3, no. 4 (Apr 1966): 10–11. A1612. Oliver, Paul. “One-Man Band,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 2, ed. J. Shepherd; D. Horn; D. Laing; P. Oliver; P. Wicke, pp. 48–49 (Item E205). A1613. Oliver, Paul. “Overseas Blues: Europeans and the Blues,” in Sounds of the South, ed. D.W. Patterson, pp. 57–72. Durham: Duke UP, 1991. A1614. Oliver, Paul. “Policy Blues.” Jazz [USA] 2, no. 3 (Mar 1963): 8–10. (NOTE: Reprinted in edited form in Screening the Blues: Aspects of the Blues Tradition. London: Cassell, 1968.) A1615. Oliver, Paul. “Policy Blues.” Sing Out! 16, no. 3 (Jun/ Jul 1966): 16–19. A1616. Oliver, Paul H. “Prisoners’ Song.” Music Mirror (Jazz edition) 5, no. 1 (Jan 1958): 6–7. A1617. Oliver, Paul. “Race Record,” in The New Grove Dictionary of Music and Musicians. Vol. 15, ed. S. Sadie, p. 525. London: Macmillan, 1980. Reprinted in The New Grove Dictionary of American Music. Vol. 4, ed. H.W. Hitchcock; S. Sadie, pp. 1–2 (Item E154).

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Reprinted in The New Grove Dictionary of Jazz. Vol. 2: L–Z, ed. B. Kernfeld, p. 343 (Item E159).

A1632. Oliver, Paul. “Screening the Blues.” Music Mirror 3, no. 8 (Sep 1956): 4–6.

A1618. Oliver, Paul. “Railroad Bill.” Music Mirror 3, no. 11 (Dec 1956): 8–10.

A1633. Oliver, Paul. Screening the Blues: Aspects of the Blues Tradition. London: Cassell, 1968. 294 pp.; New York: Oak, 1968. 294 pp.; New York: Da Capo, 1989. 294 pp.

A1619. Oliver, Paul. “Railroad Bill: Paul Oliver Gathers Strands of an Earlier Tradition in Black Music.” Jazz & Blues 1, no. 2 (May 1971): 12–14. A1620. Oliver, Paul. Raunchy Business: Hot Nuts & Lollypops. USA: Columbia CT46783, 1991. A1621. Oliver, Paul. “Really the Blues.” Weekend Telegraph (Colour Supplement) [UK] (16 Oct 1964): 22–26. A1622. Oliver, Paul. “Remember and Forget Blues,” in Looking Back, Looking Ahead: Popular Music Studies, 20 Years Later, ed. K. Kärki; R. Leydon; H. Terho, pp. 565–571. Turku: IASPM-Norden, 2002. (NOTE: A paper presented at the eleventh biannual IASPM Conference, July 6–10, 2001, Turku, Finland.) A1623. Oliver, Paul. “Ring Shout/Ring Shouting,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 2, ed. J. Shepherd; D. Horn; D. Laing; P. Oliver; P. Wicke, pp. 158–159 (Item E205). A1624. Oliver, Paul. “Rock Island Line.” Music Mirror 4, no. 1 (Jan 1957): 6–8. A1625. Oliver, Paul. “Roots of the Blues.” Melody Maker (23 Mar 1968): 12. A1626. Oliver, Paul. “Sales Tax on It: Race Records in the New Deal Years,” in Nothing Else to Fear: New Perspectives on America in the Thirties, ed. S. Baskerville; R. Willett. Manchester: Manchester University Press, 1985. A1627. Oliver, Paul H. “The Santy Claus ‘Crave.” Music Mirror 2, no. 12 (Dec 1955): 26–27. (NOTE: Reprinted in an edited form in Screening the Blues. London: Cassell, 1968.) A1628. Oliver, Paul. Savannah Syncopators. UK: CBS 52799, 1970. A1629. Oliver, Paul. Savannah Syncopators: African Retentions in the Blues. London: Studio Vista, 1970. 112 pp.; New York: Stein and Day, 1970. 112 pp.; Tokyo: Shobunsha, 1981. 193 pp. Reprinted in Yonder Come the Blues. New York: Cambridge University Press, 2001. A1630. Oliver, Paul. Screening the Blues. UK: CBS 66288, 1968. A1631. Oliver, Paul. “Screening the Blues.” Jazz Monthly 7, no. 2 (Apr 1961): 14–15. Reprinted as “The Jax Matrices: Location Speculation,” in Blues off the Record, pp. 276–278 (Item A1577).

A1634. Oliver, Paul. “Some Comments: African Influence and the Blues.” Living Blues no. 8 (Spring 1972): 13–17. A1635. Oliver, Paul. “Songster,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 2, ed. J. Shepherd; D. Horn; D. Laing; P. Oliver; P. Wicke, pp. 112–113 (Item E205). A1636. Oliver, Paul. “Songster,” in The New Grove Dictionary of Music and Musicians. Vol. 17, ed. S. Sadie, p. 524. London: Macmillan, 1980. Reprinted in The New Grove Dictionary of American Music. Vol. 4, ed. H.W. Hitchcock; S. Sadie, p. 261 (Item E154). A1637. Oliver, Paul. Songsters and Saints: Vocal Traditions on Race Records. Vol. 1. UK: Matchbox MSEX 2001/MSEX 2002, 1984. Vol. 2. UK: Matchbox MSEX 2003–2004, 1984. A1638. Oliver, Paul. Songsters and Saints: Vocal Traditions on Race Records. Cambridge: Cambridge University Press, 1984. 339 pp. A1639. Oliver, Paul. “Sources of Afro-American Folk Song. 1: Down the Line.” Music Mirror 1, no. 1 (May 1954): 40–42. Reprinted as “Backwater Blues: On the River Levees,” in Blues off the Record, pp. 17–20 (Item A1577). A1640. Oliver, Paul. “Sources of Afro-American Folk Song. 2: Down the Line.” Music Mirror 1, no. 2 (Jun 1954): 41–43. Reprinted as “Down the Line: The Railroad as Symbol,” in Blues off the Record, pp. 21–25 (Item A1577). A1641. Oliver, Paul. “Sources of Afro-American Folk Song. 3: Boll Weevil Blues.” Music Mirror 1no. 3 (Jul 1954): 35–37. A1642. Oliver, Paul. “Sources of Afro-American Folk Song. 4: Another Man Done Gone.” Music Mirror 1, no. 4 (Aug 1954): 26–28. Reprinted in Blues off the Record: Thirty Years of Blues Commentary, pp. 159–161 (Item A1577). A1643. Oliver, Paul. “Sources of Afro-American Folk Song. 5: Rowdy Man Blues.” Music Mirror 1no. 5 (Sep 1954): 41–43. A1644. Oliver, Paul. “Sources of Afro-American Folk Song. 6: Jailhouse Bound.” Music Mirror 1, no. 6 (Oct 1954): 39–41.

History and Background

55

A1645. Oliver, Paul. “Sources of Afro-American Folk Song. 7: Chocolate to the Bone.” Music Mirror 1, no. 7 (Nov 1954): 38–41.

A1659. Oliver, Paul. “‘Twixt Midnight and Day: Binarism, Blues and Black Culture.” Popular Music 2 (1982): 179–200.

A1646. Oliver, Paul. “Sources of Afro-American Folk Song. 8: Jack O’ Diamonds.” Music Mirror 2, no. 1 (Jan 1955): 34–37.

A1660. Oliver, Paul. “Work Songs and Field Hollers,” in Jazz on Record, ed. A.J. McCarthy, pp. 392–393 (Item E378).

A1647. Oliver, Paul. “Sources of Afro-American Folk Song. 9: House Rent Rag.” Music Mirror 2, no. 2 (Feb 1955): 4–7.

A1661. Oliver, Paul. Yonder Come the Blues. UK: Document/32-20 32201, 2001.

A1648. Oliver, Paul. “Sources of Afro-American Folk Song. 10: Strut Yo’ Stuff, Boy!” Music Mirror 2, no. 3 (Mar 1955): 4–7. Reprinted in Blues off the Record, pp. 26–30 (Item A1577). A1649. Oliver, Paul. “Sources of Afro-American Folk Song. 11: In the Sticks.” Music Mirror 2, no. 4 (Apr 1955): 4–6. Reprinted in Blues off the Record, pp. 127–130 (Item A1577). A1650. Oliver, Paul. “Sources of Afro-American Folk Song. 12: Got the Blues.” Music Mirror 2, no. 5 (May 1955): 8–10. A1651. Oliver, Paul. “Southern Blues,” in Jazz on Record, ed. A.J. McCarthy, pp. 367–372 (Item E378). A1652. Oliver, Paul. The Story of the Blues. London: Penguin, 1969. 176 pp.; London: Barrie & Rockcliff, 1969. 176 pp.; Philadelphia: Chilton, 1969. 176 pp.; London: Book Club Associates, 1972. 176 pp.; Harmondsworth: Penguin, 1972. 180 pp.; Harmondsworth: Penguin, 1972. 180 pp.; 3rd ed. Philadelphia: Chilton, 1975.176 pp.; Madrid: Nostromo Editores, 1976. 336 pp.; Tokyo: Shobunsha, 1978. 334 pp.; Radnor: Chilton, 1982.176 pp.; London: Pimlico, 1997. 212 pp.; Boston: Northeastern University Press, 1998. A1653. Oliver, Paul. “The Story of the Blues.” Soundpost [UK] no. 6 (May 1972): 1–3. A1654. Oliver, Paul. The Story of the Blues. USA: Sony 86334, 2003. A1655. Oliver, Paul. The Story of the Blues. Vol. 1. UK: CBS 66218, 1970; USA: Columbia G 30008, 1970. Vol. 2. UK: CBS 66232, 1970. A1656. Oliver, Paul. “String Ticklers and Skillet Lickers.” Jazz Monthly 8, no. 12 (Feb 1963): 8–10. A1657. Oliver, Paul. Tub Jug Washboard Bands. USA: Riverside RM 8802, c1964. A1658. Oliver, Paul. “Tub, Jug, Washboard Bands: Music on Improvised Instruments,” in Blues off the Record: Thirty Years of Blues Commentary, pp. 31–38 (Item A1577). (NOTE: Originally notes to Riverside RM 8802, & Blues Classics 10.)

A1662. Oliver, Paul; Russell, Tony; Dixon, Robert M.W.; Godrich, John; Rye, Howard. Yonder Come the Blues: The Evolution of a Genre. New York: Cambridge University Press, 2001. 340 pp. (NOTE: This is a reprint of three titles previously published by Studio Vista: Savannah Syncopators, Blacks, Whites and Blues, and Recording the Blues.) A1663. Oliver, Paul. “‘You Have Another Thought Coming to You’: Vaudeville Duets and the Blues,” in The Lyrics in African American Popular Music, ed. R. Springer, pp. 41–58. Bern: Peter Lang, 2001. A1664. Olsson, Bengt. “And the Niggers Uptown Giving Cocaine Hell.” Jefferson no. 16 (1972): 27–28. A1665. Olsson, Olof T. “New Deal: Den Nya Given i Depressionens U.S.A.” Jefferson no. 26 (Summer 1974): 18–25. A1666. O’Meally, Robert G. The Jazz Cadence of American Culture. Columbia University Press, 1998. 665 pp. A1667. O’Neal, Amy. “Behind the Blues Bar Biz.” Living Blues no. 17 (Summer 1974): 9–12. A1668. O’Neal, Jim. “Ann Arbor ‘70: The Real Blues.” Down Beat 37, no. 19 (1 Oct 1970): 16–17, 30, 34. A1669. O’Neal, Jim. “The Blues: A Hidden Culture.” Living Blues no. 90 (Mar/Apr 1990): 10–11. A1670. O’Neal, Jim. Blues Masters: The Essential Blues Collection. Vol. 7: Blues Revival. USA: Rhino R2 71128, 1993. A1671. O’Neal, Jim. Blues with the Girls. France: Blues Collection 157582, 1992. A1672. O’Neal, Jim. “I Once Was Lost, But Now I’m Found: The Blues Revival of the 1960s,” in Nothing But the Blues, ed. L. Cohn, pp. 346–387 (Item A432). A1673. O’Neal, Jim. “Opening the Door ... Even Wider.” Blues & Rhythm no. 22 (Sep 1986): 14–15. A1674. O’Neal, Jim. “State of the Blues.” Down Beat 50, no. 6 (Jun 1983): 62. A1675. O’Neal, Jim. “Uncle Sam Gonna Take Me Away. Pt 1.” Living Blues no. 1 (Spring 1970): 11–12; “Pt 2.” Living Blues no. 2 (Summer 1970): 10–13.

56

A1676. O’Neal, Jim; Van Singel, Amy. The Voice of the Blues: Classic Interview from Living Blues Magazine. New York: Routledge, 2002. 427 pp. A1677. Orgill, Roxane. Shout, Sister, Shout!: Ten Girl Singers Who Shaped a Century. New York: Margaret K. McElderry, 2001. 148 pp. A1678. Ortiz Oderigo, Nestor R. “Los Blues,” in Historia del Jazz. Buenos Aires: Ricordi Americana, 1952. A1679. Ortiz Oderigo, Nestor R. “Una Expression Genuina del Folklore Negro: Los Blues.” Vea y Lea 4 (17 Mar 1949): 41–43, 60. A1680. Ortiz Oderigo, Nestor R. “Las Grandes Orquestas Interpretes de Blues.” Ritono y Melodia 5 (May 1949). A1681. Ortiz Oderigo, Nestor R. “Musicos Blancos Interpretes de Blues.” Ritono y Melodia 5 (Feb 1949). A1682. Ortiz Oderigo, Nestor R. Panorama Se La Musica Afroamericana. Buenos Aires: Editorial Claridad, 1944. 298 pp. A1683. Ortizano, Giacomo L. On Your Radio: A Descriptive History of Rhythm-And-Blues Radio During the 1950s. Ph.D. Dissertation, Ohio University, 1993. 632 pp. A1684. Osgood, Henry Osborne. “The Blooey Blues.” Musical Courier no. 93 (19 Aug 1926): 7–33. Reprinted in So This is Jazz, pp. 63–75. Boston: Little, Brown, 1926. A1685. Osgood, Henry Osborne. “The Blues.” Modern Music 4, no. 1 (Nov/Dec 1926): 25–28.

A Blues Bibliography, Second Edition

1981. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 549–560 (Item A582). A1691. Ottenheimer, Harriet J. “The Bardic Origins of the Blues.” The World and I (Nov 1987): 492–503. A1692. Ottenheimer, Harriet J. Emotional Release in Blues Singing: A Case Study. Ph.D. Thesis, Tulane University, 1973. 165 pp. A1693. Ottley, Roi. Black Odyssey: The Story of the Negro in America. London: John Murray, 1949. A1694. Ottley, Roi. New World A-Coming: Inside Black America. Boston: Houghton Mifflin Co., 1943. A1695. Otto, John S.; Burns, Augustus M. “Black and White Cultural Interaction in the Early Twentieth Century South: Race and Hillbilly Music.” Phylon 35, no. 4 (4th Quarter 1974): 407–417. A1696. Otto, John Solomon. “Hard Times Blues (1929–40): Downhome Blues Recordings as Oral Documentation.” Oral History Review 8 (1980): 73–80. A1697. Otto, John Solomon; Burns, Augustus M. “‘Tough Times’: Downhome Blues Recordings as Folk History.” The Southern Quarterly 21, no. 3 (Spring 1983): 27–43. A1698. Otto, John S.; Burns, Augustus M. “The Use of Race and Hillbilly Recordings as Sources for Historical Research: The Problem of Color Hierarchy Among Afro-Americans in the Early Twentieth Century.” Journal of American Folklore 85, no. 338 (Oct 1972): 344–345. A1699. Otto, John S.; Burns, Augustus M. “‘Welfare Store Blues’: Blues Recordings and the Great Depression.” Popular Music & Society 7, no. 2 (1980): 95–102.

A1686. Ostendorf, Bernhard. “Black Poetry, Blues, and Folklore: Double Consciousness in Afro-American Oral Culture.” Jahrbuch für Amerikastudien/American Studies 20, no. 2 (1975): 209–259.

A1700. Owen, Frank. “Blues: The Name’s Not the Same.” Storyville no. 1 (Oct 1965): 25–26.

A1687. Oster, Harry. “Background of the Blues,” in Black America, ed. J.F. Szwed, pp. 143–157. New York: Basic, 1970.

A1701. Ozeke-Ezigbo, Emeka. “The Alleged ‘Self-Pity’ in Afro-American Folk Songs.” Western Journal of Black Studies 6, no. 2 (Summer 1982): 108–115.

A1688. Oster, Harry. “The Blues as a Genre.” Genre 2, no. 3 (Sep 1969): 259–274. Reprinted in Folklore Genres, ed. D. Ben-Amos, pp. 59–75. Austin: University of Texas Press, 1976.

A1702. Packard, Donald Wheeler. The Blues, 1912–1927. Master’s Thesis, University of Rochester, 1947. 100 pp.

A1689. Oster, Harry. Living Country Blues. Detroit: Folklore Associates, 1969. 464 pp.; New York: Minerva Press, 1975. 464 pp. A1690. Oster, Harry. “Negro Humor: John and Old Marster.” Journal of the Folklore Institute 5, no. 1 (1968): 42–57. Reprinted in booklet with Jim Daniels, Emmanuel Dunn & Son House: John and Old Marster: Negro Folk Tales. UK: Flyright EP 01,

A1703. Padel, Ruth. I’m a Man: Sex, Gods and Rock ‘n’ Roll. London: Faber, 2000. 409 pp. A1704. Paige, Earl. “Trying to Put Blues Into the Popular Bag.” Billboard 85, no. 32 (11 Aug 1973): 16. A1705. Palm, Reinhard. “A Strange and Bitter Cry.” Blues Notes 9, no. 31 (Jun 1977): 60–73. A1706. Palmer, Robert. “At the Core of Pop.” Portland Scribe 7, no. 4 (9 Mar 1978): 8.

History and Background

A1707. Palmer, Robert. Dancing in the Street: A Rock and Roll History. London: BBC, 1996. 322 pp. A1708. Palmer, Robert. Deep Blues. New York: Viking, 1981. 310 pp.; London: Macmillan, 1982. 310 pp.; Harmondsworth: Penguin, 1982. 310 pp.

57

A1724. Pasteur, Alfred B.; Toldson, Ivory L. Roots of Soul: The Psychology of Black Expressiveness: An Unprecendented Intensive Examination of Black Folk Expressions in the Enrichment of Life. Garden City: Anchor/Doubleday, 1982. 323 pp.

A1709. Palmer, Robert. “Early Blues Lyrics Were Often Blue.” New York Times (7 Nov 1985): 33.

A1725. Peabody, Charles. “Notes on Negro Music.” Journal of American Folklore 16, no. 60 (Apr/Jun 1903): 148–152.

A1710. Palmer, Robert. The Finest of Folk Bluesmen. USA: Bethlehem BCP 6017, 1976.

A1726. Peabody, Dave. “Folk Blues Festival DVDs.” Folk Roots no. 250 (Apr 2004): 37, 39.

A1711. Palmer, Robert. Honkers & Screamers. USA: Savoy SJL 2234, 1979.

A1727. Peabody, Dave. “Living Country Blues.” Folk Roots no. 25 (Jul 1985): 21, 54.

A1712. Palmer, Robert. Rock & Roll: An Unruly History. New York: Harmony, 1995. 325 pp.

A1728. Pearson, Barry Lee. “An Excerpt From: ‘Juke Right On: Blues Stories and Blues Storytellers’.” Living Blues no. 181 (Nov/Dec 2005): 80–85. (NOTE: See also item A1729.)

A1713. Palmer, Tony. “Who’s That Comin?”, in All You Need is Love: The Story of Popular Music, pp. 55–73. New York: Grossman, 1976. A1714. Palmer, Tony. All You Need is Love: The Story of Popular Music. New York: Grossman, 1976. 323 pp.; London: Weidenfeld & Nicholson, 1976; London: Futura, 1976. 286 pp. A1715. Panassié, Hugues; Gautier, Madeleine. “Blues,” in Dictionary of Jazz, pp. 31–34 (Item E182). A1716. Panassié, Hugues. “The Blues Singers.” Melody Maker (17 May 1952): 9; Melody Maker (31 May 1952): 9. A1717. Paredes, Americo; Stekert, Ellen J. (eds.). The Urban Experience and Folk Tradition. Austin: University of Texas Press, 1971. 207 pp. A1718. Parker, David Lee. Storia Fotografica del Blues: Dai Work Songs all’electric Sound. Napoli: Pagano, 2001. 109 pp. A1719. Parker, John W. “Lemon, Jelly, and All That Jazz,” in Fools and Weary Blues: The Great Escape of the Twenties, ed. L.R. Broer; J.D. Walther, pp. 140–159. Bowling Green: Popular, 1990. A1720. Parrish, Tim. Walking Blues: Making Americans from Emerson to Elvis. Amherst: University of Massachusetts Press, 2001. 288 pp. A1721. Parth, Johnny. “Country Blues Reg. Pt 1.” Blues Notes 2, no. 4 (Mar 1970): 32–35; “Pt 2.” Blues Notes 2, no. 5/6 (Jun 1970): 45–47; “Pt 3.” Blues Notes 2, no. 7 (1970): 26–31.

A1729. Pearson, Barry Lee. Jook Right on: Blues Stories and Blues Storytellers. Knoxville: University of Tennessee Press, 2005. 228 pp. (NOTE: See also item A1728.) A1730. Pearson, Barry Lee; Steber, Bill. “Jook Women.” Living Blues no. 169 (Sep/Oct 2003): 102–113. A1731. Pearson, Barry. “Jump Steady: The Roots of R&B,” in Nothing But the Blues, ed. L. Cohn, pp. 312–345 (Item A432). A1732. Pearson, Barry Lee. The Life Story of the Blues Musician: An Analysis of the Traditions of Oral Self-Portrayal. Ph.D. Dissertation, Indiana University, 1977. 287 pp. A1733. Pearson, Bill. “Classic and Country Blues: Entertainment and Tradition Side by Side.” Jazz & Blues 1, no. 6 (Oct 1971): 19. A1734. Pearson, Bill. “Going Down to the Crossroads: The Bluesman and Religion.” Jazz & Blues 2, no. 1 (Apr 1972): 13–15. A1735. Pease, J.H.; Pease, W.H. They Who Would Be Free: Black’s Search for Freedom. Urbana: University of Illinois Press, 1990. 339 pp. A1736. Pedler, Dominic. “Blues Fathers: Six from the Deep South.” Record Collector no. 293 (Jan 2004): 70–77. A1737. Pekar, Harvey. “From Rock to ???” Down Beat 35, no. 9 (2 May 1968): 20–21, 39.

A1722. Pascale, Ernesto de. Pistoia Blues, ‘80–’94. Firenze: Tarab, 1995.

A1738. Pendle, Karin (ed.). Women & Music: A History. Bloomington: Indiana University Press, 1991. 358 pp.; 2nd ed. Bloomington: Indiana University Press, 2001. 516 pp.

A1723. Pascall, Jeremy; Burt, Rob. The Stars & Superstars of Black Music. Secaucus: Chartwell, 1977. 128 pp.

A1739. Penny, Dave. Rock the House: The Birth of Rock ‘n’ Roll. UK: Charly CPCD 8355-2, c1998.

58

A1740. Perdue, Charles L., Jr.; Barden, Thomas E.; Phillips, Robert K. Weevils in the Wheat: Interviews with Virginia Ex-Slaves. Charlottesville: University Press of Virginia, 1976. 405 pp. A1741. Peretti, Burton William. The Creation of Jazz: Music, Race, and Culture in Urban America. Urbana: University of Illinois Press, 1994. 277 pp. A1742. Pescheux, Jacques. “L’Immense Gâchis du Blues.” Bulletin du Hot Club de France no. 284 (Dec 1980): 27–29. A1743. Pesquinne, Blaise. “Le Blues, la Musique Nègre des Villes: Naissance et Avenir du Jazz.” La Revue Musicale 15 (Nov 1934): 273–282.

A Blues Bibliography, Second Edition

A1757. Pinn, Anthony B. Why, Lord?: Suffering and Evil in Black Theology. New York: Continuum, 1999. 216 pp. A1758. Pino, Guiseppe. Black and Blues. Germany: Ear, 2005. 120 pp. A1759. Placksin, Sally. American Women in Jazz: 1900 to the Present: Their Words, Lives, and Music. New York: Wideview, 1982. 332 pp.; New York: Seaview Books, 1982. 332 pp.; London: Pluto, 1985. 332 pp. (as Jazzwomen, 1900 to the Present: Their Lives, Words and Music); Wien : Hannibal, 1989. 352 pp. (as Frauen im Jazz: Von der Jahrhundertwende bis zur Gegenwart: Ihre Worte, ihr Leben, ihre Musik).

A1744. Peterson, Jerry. “The Police in the Blues, Freedom Songs, and Rap.” The Mid-Atlantic Almanac 3 (1994): 109–125.

A1760. Player, Edith A. “How the Voice of Africa Was Made Beautiful in Song: What Kinsmen of the Darker Continent Have Done to Spread Folk Songs WorldWide.” Chicago Defender (4 May 1935): 23.

A1745. Phillips, Romeo Eldridge. “Black Folk Music: Setting the Record Straight.” Music Educators’ Journal 60, no. 4 (Dec 1973): 41–45.

A1761. Pleasants, Henry. The Great American Popular Singers. New York: Simon & Schuster, 1974. 384 pp.; London: Gollancz, 1974. 400 pp.

A1746. Phillips, Waldo. “The Therapeutics of the Blues.” Cadence 4, no. 5/6 (Jul 1978): 17–19.

A1762. Pleasants, Henry. “Re-Birth of the Blues.” Music and Musicians 17, no. 9 (May 1969): 36–37, 78–79.

A1747. Piazza, Tom. Blues Up and Down: Jazz, Race, and American Culture in Our Time. New York: St. Martin’s Press, 1997.

A1763. Pohlert, Werner. Jazz: 100 Jahre: Die Geschichte des Authentischen Jazz Vom Blues Der Schwarzen Sklaven Bis Zum Free-Jazz Der 60er Jahre. Schwetzingen: K.F. Schimper, 1989. 80 pp.; 2. Vollstandig Uberarbeitete Aufl. Schwetzingen: K.F. Schimper, 1995. 160 pp.

A1748. Pickering, Edward F. “Music Industry Analysis, 1937–63.” Blues & Rhythm no. 23 (Oct 1986): 9–11. A1749. Pidgeon, John. “UK Blues.” The History of Rock 3, no. 6 (c1981–c1984): 583–589. A1750. Pieper, Werner; Trouillet, Jean (eds.). WeltBeat: Das Jabuch für Globe-HörerInnen. Löhrbach: Pieper’s Medienexperimente, 1988. 110 pp. A1751. Pierson, Leroy. Down Behind the Rise, 1947–1953. USA: Nighthawk 106, 1970s. A1752. Pierson, Leroy J. The Great Blues Men. USA: Vanguard VMS 73104, 1972.

A1764. Poirier, Jean Louis; Aime, Bernard. Blues Graphismes. Saint-Contest: ADJ Editions, 1989. 78 pp. A1765. Polansky, Larry; Tick, Judith (eds.). The Music of American Folk Song, and Selected Other Writings on American Folk Music. Rochester: University of Rochester Press, 2001. 210 pp. A1766. Pomerance, Alan. Repeal of the Blues: How Black Entertainers Influenced Civil Rights. Secaucus: Citadel, 1988. 264 pp.; New York: Carol, 1991. 264 pp. A1767. Pomposello, Tom. “Ad Man Blues.” Living Blues no. 79 (Mar/Apr 1988): 60.

A1753. Pincheon, Bill. “‘A Deeper Territory’: Race, Gender, Historical Narrative and the Recorded Field Blues.” Western Journal of Black Studies 24, no. 1 (Spring 2000): 22–33.

A1768. Porter, Bob. “Blues is a Woman.” JazzTimes (Sep 1980): 10.

A1754. Pinfold, Mike. “Views of the Blues.” Jazz Journal 34, no. 7 (Jul 1981): 20–21.

A1769. Porter, Bob. Ladies Sing the Blues. Vol. 2. USA: Savoy SJL 2256, 1981.

A1755. Pinkney, Junette A. “Ladies Sing the Blues: A Salute at the Smithsonian.” Washington Post (5 Mar 1985): 7.

A1770. Porter, Lewis R. “Jazzwomen.” Music Educators Journal 71 (Sep 1984): 42–52.

A1756. Pinn, Anthony B. “Blues, Rap, and Nitty-gritty Hermeneutics,” in Why, Lord?: Suffering and Evil in Black Theology. New York: Continuum, 1999.

A1771. Portis, Larry. “The Cultural Dialectic of the Blues.” Canadian Journal of Political and Social Theory/ Revue Canadienne de Theorie Politique et Sociale 9, no. 3 (Fall 1985): 23–36.

History and Background

A1772. Postif, François. “That’s the Blues: Quelques Notes sur le Blues.” Jazz Hot no. 82 (1953): 15–16; Jazz Hot no. 84 (1954): 14, 33; Jazz Hot no. 91 (1954): 10. A1773. Potts, C. Brady. Signifying and Classifying: Framing ‘Authentic’ Blues for Mass Consumption. Master’s Thesis, University of Wisconsin, 2004. 60 pp. A1774. Powell, Carry Craig. “Talkin’ Blues at the ‘Living Blues’ Symposium.” Arkansas Review: A Journal of Delta Studies 35, no. 2 (Aug 2004): 121–128. A1775. Powell, Richard J. “If One is Knowledgeable About Afro-America, Then One Knows the Blues.” Chronicle of Higher Education 36, no. 14 (6 Dec 1989): 80. A1776. Pratt, Ray. “The Blues: A Discourse of Resistance,” in Rebel Musics, ed. A. Heble; D. Fischlin, pp. 120– 149. Montréal: Black Rose, 2003. A1777. Pratt, Ray. “The Politics of Authenticity in Popular Music: The Case of the Blues.” Popular Music and Society 10, no. 3 (1986): 55–78. A1778. Preston, Denis; McCarthy, Albert. “The Poetry of American Negro Folksong. 1: The Impact of Christianity.” NOW no. 3 (1944): 43–48; “2: Worksongs.” NOW no. 4 (1944): 53–59; “3: Blues.” NOW no. 5 (1945): 65–70. A1779. Preston, Denis; McCarthy, Albert J. “Poetry of AfroAmerican Folk-Song: The Impact of Christianity.” Folk: Review of People’s Music no. 1 (Feb 1945): 22–26. A1780. Preston, Denis; McCarthy, Albert. “Worksongs,” in Jazz Yearbook 1947, pp. 7–17. London: PL Editions Poetry, 1947. A1781. Prince, Valerie Sweeney. “Literature, Blues in,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 615–618 (Item E162). A1782. Prince, Valerie Sweeney. “Theater, Blues in,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 979–981 (Item E162). A1783. Puckett, Newbell Niles. Folk Beliefs of the Southern Negro. Chapel Hill: University of North Carolina Press, 1926. 644 pp.; London: H. Milford, 1926. 644 pp.

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A1787. Quill, Charles G. The History of the Blues. New York: Rosen, 2003. 24 pp. A1788. Radano, Ronald Michael; Bohlman, Philip Vilas. Music and the Racial Imagination. Chicago: University of Chicago Press, 2000. 703 pp. A1789. Radcliffe, Charles. “Blues Walking Like a Man.” Anarchy no. 51 (May 1965): 140–154. A1790. Radcliffe, Charles. “Whitewashing the Blues.” Race Traitor no. 9 (Summer 1998): 106–116. A1791. Radenac, Marc. “L’Age d’or du Rhythm & Blues. Pt 1.” Compact Disc Magazine no. 3 (Apr 1993): 12–13; “Pt 2.” Compact Disc Magazine no. 4 (May 1993): 12–13; “Pt 3.” Compact Disc Magazine no. 5 (Jun 1993): 12–13; “Pt 4.” Compact Disc Magazine no. 6 (Jul/Aug 1993): 12–13. A1792. Ramsey, Frederic. Been Here and Gone. Brunswick: Rutgers University Press, 1960. 177 pp.; London: Cassell, 1960. 177 pp.; Rutgers University Press, 1969. 177 pp.; London: Jazz Book Club, 1962. 177 pp.; Athens: University of Georgia Press, 2000. 177 pp. A1793. Ramsey, Frederic, Jr. The Blues: Records from the Collection of Frederic Ramsey, Jr. USA: Folkways FJ 2802, 1966. A1794. Ramsey, Frederic. The Blues. USA: Folkways FP 55, 1950; USA: Folkways FJ2802, 1950; USA: Smithsonian Folkways 02802, 1992. A1795. Ramsey, Frederic, Jr. “The Country Blues in Word and Song.” Saturday Review 43, no. 3 (16 Jan 1960): 78–79, 81. A1796. Ramsey, Frederic, Jr. “Elder Songsters.” Jazz Monthly 3, no. 12 (Feb 1958): 6–8, 31. A1797. Ramsey, Frederic; Smith, Charles Edward (eds.). Jazzmen. New York: Harcourt, Brace and Company, 1939. 360 pp.; London: Sidgwick & Jackson, 1957. 360 pp.; London: Jazz Book Club, 1958. 360 pp.; St. Clair Shores: Scholarly Press, 1972. 360 pp.; New York: Harcourt Brace Jovanovich, 1977. 360 pp.; New York: Limelight Editions, 1985. 360 pp. A1798. Ramsey, Frederic. “A Photographic Documentary of Jazz and Folk Backgrounds.” Record Changer 12, no. 7/8 (Jul/Aug 1953): 23–47.

A1784. Purdy, W. Randolph. “Code Blue: The Blues as Medicine.” Journal of Poetry Therapy 7, no. 4 (Summer 1994): 179–187.

A1799. Ramsey, Frederic; Smith, Charles Edward. The South. USA: Folkways FJ 2801, 1958.

A1785. Pyke, Launcelot Allen. Jazz 1920 to 1927: An Analytical Study. Ph.D. Dissertation, State University of Iowa, 1962. 155 pp.

A1800. Ramsey, Frederic. Where the Music Started: A Photographic Essay. New Brunswick: Rutgers University Institute of Jazz Studies, 1970. 34 pp.

A1786. Quay, Russell. “Worksongs and Religion.” Jazz Journal 4, no. 5 (May 1951): 5.

A1801. Ramsey, Guthrie P., Jr. “Blues and the Ethnographic Truth,” in Around the Sound: Popular Music in Per-

60

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formance, Education, and Scholarship, ed. D.G. Herbert; P.S. Campbell; R.J. Will. Seattle: University of Washington, 2000. Reprinted in Journal of Popular Music Studies 13, no. 1 (2001): 41–58. A1802. Ramsey, Guthrie P. “‘It’s Just the Blues’: Race, Entertainment, and the Blues Muse,” in Race Music, pp. 44–75. Berkeley: University of California Press, 2003. A1803. Ramsey, Guthrie P. Race Music: Black Cultures from Bebop to Hip-Hop. Berkeley: University of California Press, 2003. 281 pp. A1804. Rasmusson, Ludvig. Blues. Stockholm: AWE/Geber, 1979. 140 pp.

A1816. Rediger, Pat. Great African Americans in Music. New York: Crabtree, 1996. 64 pp. A1817. Reed, Teresa. “Elder Eatmore and Deacon Jones: Folk Religion as Humor in Black Secular Recordings, 1918–1961.” Popular Music and Society 25, no. 3/4 (2001): 25–44. A1818. Reed, Teresa L. The Holy Profane: Religion in Black Popular Music. Lexington: University Press of Kentucky, 2003. 183 pp. A1819. Reese, Jennifer. “Red-Hot Blues.” Fortune 128, no. 3 (9 Aug 1993): 11+. A1820. Reichel, Achim. Blues in Blond: Songs und Balladen. Hamburg: Luchterhand Literaturverlag, 1992. 265 pp.

A1805. Rauhut, Michael; Kochan, Thomas; Dieckmann, Christoph. Bye Bye, Lübben City: Bluesfreaks, Tramps und Hippies in der DDR. Berlin: Schwarzkopf & Schwarzkopf, 2004. 454 pp.

A1821. Reichert, Carl-Ludwig. Blues: Geschichte und Geschichten. München: Deutscher Taschenbuch Verlag, 2001. 272 pp.

A1806. Raussert, Wilfried. Negotiating Temporal Differences: Blues, Jazz and Narrativity in African American Culture. Heidelberg: C. Winter, 2000. 173 pp.

A1822. Reilly, April. “The Impact of Technology on Rhythm ‘n’ Blues.” Black Perspective in Music 1, no. 2 (Fall 1973): 134–146.

A1807. Reagon, Bernice Johnson. “The Lady Street Singer.” Southern Exposure 2, no. 1 (Spring/Summer 1974): 38–41. A1808. Reagon, Bernice. “Songs of Black America as Oral History,” in The Diffusion of the Afro-American Idiom in the Western Hemisphere. pp. 101–114. Washington, DC: Howard University Center for Ethnic Music, 1977.

A1823. Reilly, Mary Elizabeth. I Gotta Right to Sing the Blues: An Examination of Black Women’s Lyrics from the 1920s and 1930s and What They Tell Us About Black women’s Experiences with Drug and Alcohol Addiction. Master’s Thesis, Indiana University of Pennsylvania, 2002. 121 pp. A1824. Reisner, Robert George. The Jazz Titans: Including ‘The Parlance of Hip’. Garden City: Doubleday, 1960. 168 pp.; New York: Da Capo, 1977. 168 pp.

A1809. Reagon, Bernice Johnson. We’ll Understand It Better By and By: Pioneering African American Gospel Composers. Washington, DC: Smithsonian Institution Press, 1992. 384 pp.

A1825. Reitz, Rosetta. “Big Mamas.” Hot Wire: The Journal of Women’s Music and Culture 8, no. 3 (Sep 1992): 18–21.

A1810. Reck, David B. “The Minstrels.” Music Educators’ Journal 63, no. 2 (Oct 1976): 28–37.

A1826. Reitz, Rosetta. Big Mamas. USA: Rosetta RR 1306, 1982.

A1811. Reda, Jacques. “Immortel, le Blues.” Jazz Magazine [France] no. 107 (Jun 1964): 44–45.

A1827. Reitz, Rosetta. Jailhouse Blues: Women’s a Cappella Songs from the Parchman Penitentiary. USA: Rosetta RR 1316, 1987. Notes reprinted in Walking a Blues Road, ed. S.B. Charters, pp. 193–198 (Item A407).

A1812. Reda, Jacques. “La Seule Couleur.” Jazz Magazine [France] no. 200 (May 1972): 36–37. A1813. Redd, Lawrence N. “Radio,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 796–799 (Item E162). A1814. Redd, Lawrence N. Rock is Rhythm and Blues: The Impact of Mass Media. East Lansing: Michigan State University Press, 1974. 167 pp. A1815. Redd, Lawrence N. “Rock! It’s Still Rhythm and Blues.” Black Perspective in Music 13, no. 1 (Spring 1985): 31–47.

A1828. Reitz, Rosetta. Mean Mothers: Independent Women’s Blues. Vol. 1.. USA: Rosetta RR 1300, 1980. A1829. Reitz, Rosetta. “Mean Mothers: Independent Women’s Blues.” Heresies 3, no. 2 (1980): 57–60. A1830. Reitz, Rosetta. Sorry But I Can’t Take You: Women’s Railroad Blues. USA: Rosetta RR 1301, 1980. A1831. Reitz, Rosetta. Super Sisters. USA: Rosetta RR 1308, 1982.

History and Background

A1832. Reitz, Rosetta. Sweet Petunias. USA: Rosetta RR 1311, 1986. A1833. Reitz, Rosetta. Red, White & Blues: Women Sing of America. USA: Rosetta RR 1302, c1980. A1834. Renee, Robin. “Even Women Get the Blues.” Elmore no. 6 (Jan/Feb 2006): 22–24. A1835. Reuss, Richard A.; Reuss, Joanne C. American Folk Music and Left-Wing Politics, 1927–1957. Lanham: Scarecrow, 2000. 328 pp. A1836. Reuss, Richard A.; Green, Archie. Songs About Work: Essays in Occupational Culture for Richard A. Reuss. Bloomington: Folklore Institute, Indiana University, 1993. 360 pp. A1837. Reynolds, Gay. “I Am the Blues.” Arkansas Review 29, no. 1 (Apr 1998): 22–25. A1838. Richards, Pat. “American Negro Blues Festival.” Jazz Beat no. 10 (Oct 1964): 16–17. A1839. Richards, Pat. “I Hear the Blues.” Jazz Beat no. 2 (Feb 1964): 4–5. A1840. Richards, Pat. “The Blues and Gospel Train.” Jazz Beat no. 6 (Jul 1964): 4–5. A1841. Richards, Tad. “Rhythm and Blues,” in St. James Encyclopedia of Popular Culture. Vol. 4, ed. S. Pendergast; T. Pendergast, pp. 206–209 (Item E185). A1842. Richardson, Clive. “The Fifties Explosion.” Black Echoes (13 Feb 1976). A1843. Ricks, George Robinson. Some Aspects of the Religious Music of the United States Negro: An Ethnomusicological Study with Special Emphasis on the Gospel Tradition. Ph.D. Dissertation, Northwestern University, 1960. 419 pp.; Published in book form New York: Arno, 1977. 419 pp. A1844. Riis, Thomas L. “Pink Morton’s Theatre, Black Vaudeville, and the TOBA: Recovering the History, 1910–30,” in New Perspectives on Music: Essays in Honor of Eileen Southern, ed. E. Southern; J. Wright; S.A. Floyd. Warren: Harmonie Park, 1992. A1845. Rijn, Guido van. “‘Climbing the Mountain Top’: African American Blues and Gospel Songs from the Civil Rights Years,” in Media, Culture, and the Modern African American Freedom Struggle, ed. B. Ward, pp. 122–144. Gainesville: University Press of Florida, 2001. A1846. Rijn, Guido van. “Coolidge’s Blues: African American Blues from the Roaring Twenties,” in Nobody Knows Where the Blues Come From, ed. R. Springer. Jackson: University Press of Mississippi, 2006.

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A1847. Rijn, Guido van. “The Dollar Has the Blues: Deflation and Inflation in African American Blues Songs,” in The Lyrics in African American Popular Music, ed. R. Springer, pp. 77–89. Bern: Peter Lang, 2001. A1848. Rijn, Guido van. “Great Depression,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 373–374 (Item E162). A1849. Rijn, Guido van. “Imagery in the Lyrics: An Initial Approach,” in The Cambridge Companion to Blues and Gospel Music, ed. A. Moore, pp. 141–157. Cambridge: Cambridge University Press, 2002. A1850. Rijn, Guido van. “Jesus is a President Too: Actuele Blues en Gospel Songs Over de Moord op John F. Kennedy,” in Amerikanisten: Werk in Uitvoering. Nijmegen: Nijmegen Universiteitsdrukkerij, 1995. A1851. Rijn, Guido van. “De President Blues: Het Beeld van Amerikaanse Presidenten in de Blues,” in The Pursuit of Happiness en de Paradox van de Vrijheid, ed. H. Bak, pp. 120–121. Nijmegen: Nijmegen Universiteitsdrukkerij, 1994. A1852. Rijn, Guido van. Roosevelt’s Blues: African-American Blues and Gospel Artists on President Franklin D. Roosevelt; Proefschrift ter Verkrijging van de Grand van Doctor aan de Rijksuniversiteit te Lleiden .… Amsterdam: Guido van Rijn, 1996. 375 pp.; Jackson: University Press of Mississippi, 1996. 292 pp. A1853. Rijn, Guido van; Misiewicz, Roger. Too Late, Too Late: More Newly Discovered Titles and Alternate Takes. Vol. 1: 1926–1944; Austria: Document DOCD-5150, 1993. Vol 2: 1897–1935. Austria: Document DOCD-5216, 1993. Vol. 3: 1927–1950s. Austria: Document DOCD-5276, 1994. Vol. 4. Austria: Document DOCD-5321, 1995. Vol. 5. Austria: Document DOCD-5411, 1995. Vol. 6. Austria: Document DOCD-5461, 1995. Vol. 7. Austria: Document DOCD-5525, 1996. Vol. 8. Austria: Document DOCD-5574, 1997. Vol. 9. Austria: Document DOCD-5590, 1997. Vol. 10 (1926–1951). Austria: Document DOCD-5601, 1998. Vol. 11. Austria: Document DOCD-5659, 1999. Vol. 12. Austria: Document DOCD-5659, 1999. Vol. 13. Austria: Document DOCD-5660, 1999. A1854. Rijn, Guido van; Vergeer, Hans; Sliedregt, Cor van. Trouble Done Bore Me Down. Holland: Agram AB 2011, 1984. A1855. Rijn, Guido van. The Truman and Eisenhower Blues: African-American Blues and Gospel Songs, 1945–1960. London ; New York: Continuum, 2004. 215 pp.

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A1856. Ripani, Richard J. The New Blue Music: Changes in Melody, Harmony, Rhythm, and Form in Rhythm and Blues, 1950–1999. Ph.D. Dissertation, Memphis State University, 2004. 344 pp. A1857. Ritz, David. “The Blues is the Blood,” in Martin Scorsese Presents the Blues, ed. P. Guralnick; et al, pp. 276–278 (Item A895). A1858. Ro, Tano. Backstage: 15 Years on the Road with the Blues. Italy: Editrifice Arcana, c1992. A1859. Roach, Hildred. Black American Music: Past and Present. 2nd ed. Malabar: Krieger, 1994. 368 pp. A1860. Roberts, John Storm. Black Music of Two Worlds. New York: Praeger, 1972. 286 pp.; London: Lane, 1973. 286 pp.; New York: Morrow, 1974. 282 pp. A1861. Roberts, John W. From Trickster to Badman: The Black Folk Hero in Slavery and Freedom. Philadelphia: University of Pennsylvania, 1989. 233 pp. A1862. Roberts, John W. “‘Railroad Bill’ and the American Outlaw Tradition.” Western Folklore 40, no. 4 (Oct 1981): 315–328. A1863. Roberts, John W. “Stackolee and the Development of a Black Heroic Ideal.” Western Folklore 42, no. 3 (Jul 1983): 179–190. A1864. Roberts, M. “R&B Popularity Reaches New Peaks.” Billboard 79 (24 Jun 1967): suppl. 38. A1865. Robertson, Brian (ed.). The Little Blues Book. Chapel Hill: Algonquin Books of Chapel Hill, 1996. 176 pp. A1866. Robinson, Armstead L.; Foster, Craig C.; Ogilvie, Donald A. Black Studies in the University: A Symposium. New Haven: Yale University Press, 1969. A1867. Robinson, Leroy. “Jazz and Blues: The Nature of It All.” Soul Illustrated 1, no. 1 (1968): 20–23, 40. A1868. Robinson, Louie. “Blues Becoming Big Business.” Ebony 18, no. 6 (Apr 1963): 38–41. A1869. Robinson, Ruth Adkins. “A Century of Women in Music.” Performing Songwriter no. 43 (Jan/Feb 2000): 67–70, 72. A1870. Roby, Chris. Decade of the Blues: The 50s. Vol. 2. Highway 51 H-101, 1967. A1871. Roche, Jacques. “The Words: Can Blues Singers Be Traced by Their Own Lyrics?” 78 Quarterly no. 1 (Autumn 1967): 51–55.

A Blues Bibliography, Second Edition

A1874. Roffeni, Alessandro (ed.). Blues, Ballate e Canti Di Lavoro Afroamericani. Rome: Newton Compton, 1976. 318 pp. A1875. Roffeni, Alessandro. Il Blues Rurale. Italy: Albatros VPA 8187, 1974. A1876. Roffeni, Alessandro (ed.). Il Blues: Saggio Critico e Antologia Canti Dei Negri d’America. Milan: Edizioni Academia, 1973. 259 pp. A1877. Roffeni, Alessandro (ed.). Il Blues: Saggio Critico e Raccolta Di Liriche della Pin Importante Forma Di Canto Afro-Americcana. Milan: Edizioni Academia, 1973. 259 pp.; 2nd ed. Milan: Edizioni Academia, 1978. 295 pp. A1878. Roffeni, Alessandro. Il Blues Urbana. Italy: Albatros VPA 8189, 1974. A1879. Rogers, Dave. Rock ‘n’ Roll. London; Boston: Routledge & Kegan Paul, 1982. 148 pp. A1880. Röhnisch, Claus. “Take a Little Swing With.” Jefferson no. 51 (Spring 1981): 22–25. A1881. Röhnisch, Claus. “Take a Little Swing With.” Jefferson no. 73 (1986): 16. A1882. Röhnisch, Claus. “Take a Little Swing with ...: Året Är Alltså 1954.” Jefferson no. 56 (Summer 1982): 44–47. A1883. Röhnisch, Claus. “Tin Pan Alley Blues: En Liten R&B Historik. Pt 1.” Jefferson no. 17 (1972): 4–8; “Pt 2.” Jefferson no. 18 (1972): 12–16; “Pt 3.” Jefferson no. 19 (1972): 10–14. A1884. Rolontz, Bob. “The R&B Deejay: A Growing Factor.” Billboard 65 (28 Feb 1953): 57. A1885. Ronk, Dave Van; Wald, Elijah. The Mayor of MacDougal Street: A Memoir. Cambridge: Da Capo, 2005. 246 pp. A1886. Rookmaaker, Hans R. Nothin’ But the Blues. UK: Fontana 682 073 TL, 1960. A1887. Rookmaaker, Hendrik Roelof. Jazz, Blues, Spirituals. Wegeningen: Gebr. Zomer & Keuning, 1960. 219 pp. A1888. Roos, John; Watt, Jeffrey. The Sixties Blues-Rock Explosion. Old Goat Publishing, 2000.

A1872. Rockwood, John Gibbs. Witness to the Blues. Toledo: Radio Room, 1999. 45 pp.

A1889. Rosemont, Franklin. “Black Music and the Surrealist Revolution.” Arsenal: Surrealist Subversion no. 3 (Spring 1976): 17–27.

A1873. Roffeni, Alessandro. La Ballata Afro-Americana. Italy: Albatros VPA 8437, 1970s.

A1890. Rosenberg, Alfred. “Von der Blues-Renaissance zur Blues - Hysterie.” Jazz Podium 12 (1963): 16.

History and Background

63

A1891. Rosenberg, Neil V. Transforming Tradition: Folk Music Revivals Examined. Urbana: University of Illinois Press, 1993. 340 pp.

A1905. Russell, Tony. “Blues Journal: Blues My Naughty Chemist Gave to Me.” Jazz Journal 31, no. 3 (Mar 1978): 36–37.

A1892. Roxin, Charles. Aspects of the Blues. New York: Space Age, 1973. 16 pp.

A1906. Russell, Tony. “Blues Masters of the 30s.” Jazz Monthly no. 188 (Oct 1970): 23.

A1893. Rowe, Mike. The Fifties: Juke Joint Blues. UK: Ace CHA 216, 1987.

A1907. Russell, Tony. “The Blues: Revival and Survival,” in Jazz Now: The Jazz Centre Society Guide, ed. R. Cotterrell, pp. 88–94. London: Quartet, 1976.

A1894. Roxon, Lillian. “White Blues Bands,” in Lillian Roxon’s Rock Encyclopedia, pp. 524–525 (Item E192). A1895. Roy, Rob. “If ‘Jazz’ Isn’t Music to the Long Haired Gents, Then What About Blues?” Chicago Defender (1 Feb 1947): 19. A1896. Rubin, Rachel; Melnick, Jeffrey Paul (eds.). American Popular Music: New Approaches to the Twentieth Century. Amherst: University of Massachusetts Press, 2001. 280 pp. A1897. Rudd, Roswell. “The Universality of the Blues ... Some Quartertones Around the Drone.” Down Beat 35, no. 2 (25 Jan 1968): 22–23, 26. A1898. Rudinow, Joel. “Race, Ethnicity, Expressive Authenticity: Can White People Sing the Blues?” Journal of Aesthetics and Art Criticism 52, no. 1 (Winter 1994): 127–137. A1899. Rushton, Neil. “The Lone Guitar Man.” Black Echoes (13 Mar 1976). A1900. Ruspoli, Mario (ed.). Blues: Poésie de l’Amérique Noire. Paris: Les Publications Techniques et Artistiques, 1947. 140 pp. A1901. Russell, Michele. “Slave Codes and Liner Notes.” Radical Teacher 4 (Mar 1977): 1–6. Also published in Radical Religion 3, no. 2 (Winter 1977): 12–17. Reprinted in Heresies 3, no. 2 (1980): 52– 56. Reprinted in All the Women are White, All the Blacks are Men, But Some of Us are Brave, ed. G.T. Hull; P. Bell Scott; B. Smith, pp. 129–140. Old Westbury: The Feminist Press, 1982. A1902. Russell, Tony. Black, Whites, and Blues. London: CBS 52796, 1970. A1903. Russell, Tony. Blacks, Whites, and Blues. London: Studio Vista, 1970. 112 pp.; New York: Stein and Day, 1970. 112 pp. Reprinted in Yonder Come the Blues. New York: Cambridge University Press, 2001. A1904. Russell, Tony. The Blues: From Robert Johnson to Robert Cray. London: Aurum, 1997. 224 pp.; Vancouver: Raincoast, 1997. 224 pp.; New York: Schirmer, 1997. 224 pp.; rev. ed. London: Carlton, 2000. 224 pp.

A1908. Russell, Tony (ed.). “Blues Women.” The Blues Collection no. 73 (1992+). A1909. Russell, Tony. Early Folk Blues. Vol. 1: Skoodle Um Skoo. UK: Matchbox/Saydisc SDR 199, 1970. Vol. 2: Hometown Skiffle. UK: Matchbox/Saydisc SDR 206, 1970. A1910. Russell, Tony. Good Mornin’ Blues. UK: Living Era CD AJA5439, 2004. A1911. Russell, Tony (ed.). “Hillbilly Blues.” The Blues Collection no. 70 (1992+). A1912. Russell, Tony (ed.). “Jumpin’ Jazz.” Jazz Greats no. 55 (1998). A1913. Russell, Tony. “Music in the Air.” The History of Rock 1, no. 3 (c1981–c1984): pp. 55–58. A1914. Russell, Tony. “String Band,” in The Continuum Encyclopedia of Popular Music of the World. Vol. 2, ed. J. Shepherd; D. Horn; D. Laing; P. Oliver; P. Wicke, pp. 72–74 (Item E205). A1915. Russell, Tony. “Talkin’ Blues: Ballad of Stagolee.” Jazz & Blues 2, no. 4 (Jul 1972): 12–13. A1916. Russell, Tony (ed.). “Thirties’ Blues.” The Blues Collection no. 80 (1992+). A1917. Rust, Brian. Jazz Sounds of the Twenties. Vol. 4: Blues Singers and Accompanists. UK: Parlophone PMC 1177, 1962. A1918. Ryan, Marc. Catfish Blues. Japan: P-Vine PCD-2406, 1992. A1919. Ryan, Marc. Uptown Blues, 1946–1959. USA: Collectables COL-CD-5293, 1993. A1920. Rye, Howard; Wright, Laurie. “The Legacy of the Blues.” Storyville no. 60 (Aug/Sep 1975): 225–227. A1921. S., G.; P., L. “Influence Degli Indiani d’America nel Blues.” Blues Power 1, no. 4 (1974): 14–15. A1922. Saari, Jouni. “Afroamerikkalaisen Musiikin Kehitys Englannissa.” Blues News [Finland] no. 47 (1977): 4–9; Blues News [Finland] no. 48 (1977): 8–12. A1923. Sacré, Robert. “Black Music U.S.A,” in The Voice of the Delta, pp. 45–90. Liège: Presses Universitaires de Liège, 1987.

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A Blues Bibliography, Second Edition

A1924. Sacré, Robert. “O Mother, Where Art Thou?: Mother,” in The Lyrics in African American Popular Music, ed. R. Springer, pp. 121–137. Bern: Peter Lang, 2001.

A1939. Santi, Serene. ‘I Want All You Women To Listen To Me’: A Sociolinguistic Analysis of Women’s Blues. Master’s Thesis, Arizona State University, 2003. 53 pp.

A1925. Sacré, Robert. “The Origins of Afro-American Music,” in The Voice of the Delta. Liege: Presses Universitaires de Liege, 1987.

A1940. Santino, Jack. “The Spirit of American Music: ‘Nobody Ever Told Me It Was the Blues’.” Journal of American Culture 5, no. 4 (Winter 1982): 20–26.

A1926. Sacré, Robert. Saints and Sinners: Religion, Blues, and (D)evil in African-American Music and Literature: Proceedings of the Conference Held at the Universite de Liege (Oct 1991). Liege: Societe Liegeoise de Musicologie, 1996. 352 pp.

A1941. Santoro, Gene. “Confessin’ the Blues.” The Nation 254 (16 Mar 1992): 353–356.

A1927. St. Pierre, Roger. “Small Labels Kept the Flag Flying.” Melody Maker (23 Mar 1968): 15. A1928. Salaam, Kalamu Ya. “Out of a Musical Fort Knox.” In These Times 6, no. 33 (25 Aug 1982): 21. A1929. Salaam, Kalamu Ya. “It Didn’t Jes Grew: The Social and Aesthetic Significance of African American Music.” African American Review 29, no. 2 (Summer 1995): 351–375. A1930. Salem, James M. “Chitlin Circuit,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 205–206 (Item E162). A1931. Salomon, Ed. Cryin’ in the Morning: An Anthology of Post-War Blues. USA: Muse MR 5212, 1979. A1932. Sander, Ellen. “Old Bluemen Never Die: They Just Play Away.” Billboard 79 (24 Jun 1967): suppl. 56–59. A1933. Sandmel, Ben. “The Blues: Yesterday & Today.” Down Beat 56, no. 12 (Dec 1989): 45–48. A1934. Sandner, Wolfgang. “Der Blues im Rock ‘n’ Roll.” Hifi-Stereophonie 17, no. 10 (Oct 1978): 1318–1320, 1322. A1935. Sanjek, David. “Marketing,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 654–658 (Item E162). A1936. Sante, Luc. “The Birth of the Blues.” Yeti no. 2 (200?). Reprinted in This is Pop: In Search of the Elusive at Experience Music Project, ed. E. Weisbard. Cambridge: Harvard University Press, 2004.

A1942. Santoro, Gene. Dancing in Your Head: Jazz, Blues, Rock, and Beyond. New York: Oxford University Press, 1994. 308 pp.; New York: Oxford University Press, 1995. 308 pp. A1943. Santoro, Gene. Highway 61 Revisited: The Common Roots of American Jazz, Blues, Folk, Rock, and Country Music. New York: Oxford University Press, 2004. 312 pp.; Osceola: Sparkford Haynes, 2004. 312 pp. A1944. Sargant, Norman; Sargant, Tom. “Negro-American Music, or the Origin of Jazz. I & II.” Musical Times 72, no. 1061 (1 Jul 1931): 653–655; “III.” Musical Times 72, no. 1062 (1 Aug 1931): 751–752; “IV.” Musical Times 72, no. 1063 (1 Sep 1931): 847–848. A1945. Sargeant, Winthrop. Jazz Hot and Hybrid. New York: Arrow, 1938. 234 pp.; rev. ed. New York: E.P. Dutton, 1946. 287 pp.; London: Jazz Book Club, 1959. 287 pp. Republished as Jazz: A History. New York: McGraw-Hill, 1964. 286 pp.; 3rd. ed. New York: Da Capo, 1975. 302 pp. A1946. Savage-Wiseman, Phoenix. “Hoodoo,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 454–458 (Item E162). A1947. Savage-Wiseman, Phoenix. “Sex as Lyric Concept,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, pp. 871–872 (Item E162). A1948. Sawyer, Charles. “The Folk-Rock Frenzy,” in History of the Blues, ed. D. Goldfarb. Portland: Artstigo, 1992. A1949. Scanlon, Ann. “Story of the Blues.” Vox no. 28 (Jan 1993): 18.

A1937. Santelli, Robert; George-Warren, Holly; Brown, Jim; Raitt, Bonnie. American Roots Music. USA: Harry N. Abrams, 2001. 232 pp.

A1950. Scarborough, Dorothy. “The ‘Blues’ as Folk Songs,” in Publications of the Texas Folklore Society. Vol. 2, ed. J.F. Dobie, pp. 52–66. Austin: Texas Folk-Lore Society, 1923.

A1938. Santelli, Robert. “Mojo Working: The Blues Explosion,” in American Roots Music, ed. R. Santelli; H. George-Warren; J. Brown, pp. 184–209. New York: H.N. Abrams, 2001.

A1951. Scarborough, Dorothy. On the Trail of Negro FolkSongs. Cambridge: Harvard University Press, 1925. 289 pp.; Hatboro: Folklore Associates, 1963. 295 pp.

History and Background

A1952. Scarborough, Dorothy. “Work Songs,” in On the Trail of Negro Folk Songs, pp. 206–237. Cambridge: Harvard University Press, 1925.

65

A1968. Scott, Frank. Packin’ Up My Blues: Blues from the Deep South, 1950–61. USA: Muskadine 102, c1973.

A1953. Scarlett-Streatfield, John. “Yes - Really the Blues.” Blues World no. 18 (Jan 1968): 26.

A1969. Scott, Michael. “Meditations on Blues and Rap Music.” Mississippi Folklore Register 24 (1990): 17–33.

A1954. Schalkwyk, Christina Linsenmeyer van. “Blues,” in Dictionary of American History. Vol. 1, ed. S.I. Kutler, pp. 491–492. 3rd ed. New York: Charles Scribner’s Sons, 2003.

A1970. Seay, Davin; Neely, Mary. Stairway to Heaven: The Spiritual Roots of Rock ‘n’ Roll, from the King and Little Richard to Prince and Amy Grant. New York: Ballantine, 1986. 355 pp.

A1955. Schatz, Philip. “Songs of the Negro Worker.” New Masses no. 5 (May 1930): 6–8.

A1971. Sedlacek, Paul-Michael. “Der Blues.” Spoonful Bluesmagazin no. 14 (Mar 1980): 20–26.

A1956. Schleenbecker, Wolfram. “Die Unglaubwürdige Weißmalerei des Schwarzen Blues.” Jazz Podium 20 (Mar 1971): 102–103.

A1972. Seeger, Charles. “The Afro-American Music Community,” in The New Grove Dictionary of Music and Musicians. Vol. 19, ed. S. Sadie, p. 440. London: Macmillan, 1980.

A1957. Schmidt, Eric von; Rooney, Jim. “Fixin’ to Die,” in Baby, Let Me Follow You Down: The Illustrated History of the Cambridge Folk Years, pp. 189–199. Amherst: University of Massachusetts Press, 1993. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 531–539 (Item A2216). A1958. Schmidt, Siegfried. “1st der Blues Kommerziell?: Eine Betrachtung und Umfrage.” Jazz Podium 8 (1959): 171–172. A1959. Schneider, Thomas A. Blues Cover Songs: The Intersection of Blues and Rock on the Popular Music Charts (1955–1995). Ph.D. Dissertation, University of Memphis, 2001. 445 pp. A1960. Schneider, Thomas A. Pan-African Cultural and Musical Influences in American Music and the Blues. Master’s Thesis, Memphis State University, 1993. 164 pp. A1961. Schonberg, Harold C. “Not Really the Blues.” Musical Digest no. 29 (Jan 1947): 8, 18. A1962. Schouten, Martin. Het Blues Museum. Amsterdam: Bezige Bij, 1993. 196 pp. A1963. Schouten, Martin. Billie en de President: Verhalen Uit de Tijd van de Jazz. Amsterdam: De Arbeiderspers,1977. 254 pp. A1964. Schuler, Manfred. “Vom Passamezzo Zum Blues.” Musica 16 (1962): 65–66. A1965. Schuller, Gunther. Early Jazz: Its Roots and Musical Development. New York: Oxford University Press, 1968. 416 pp.

A1973. Seeger, Pete; Schwartz, Jo Metcalf (ed.). Incompleat Folksinger. New York: Simon and Schuster, 1972. 596 pp.; Lincoln: University of Nebraska Press, 1992. 596 pp. A1974. Seitz, Don C. “Ballads of the Bad: Colored Chain Gang Chansons Collected at Chapel Hill.” Outlook 143 (4 Aug 1926): 478. A1975. Selman-Earnest, Cora. Black Owned Radio and Television Stations in the United States from 1950– 1982. Ph.D. Dissertation, Wayne State University, 1985. 207 pp. A1976. Selvin, Joel. Blues Classics. USA: Bluesway BLS6061, 1973. A1977. Seroff, Doug; Abbott, Lynn. “Black Music in the White City.” 78 Quarterly no. 9 (c1995): 47–60. A1978. Seroff, Doug. “100 Years from Today: Selected Items of Musical Matters Drawn from the Black Community. Pt 1.” 78 Quarterly no. 5 (1990): 56–62; “Pt 2.” 78 Quarterly no. 6 (1991): 51–65; “Pt 3.” 78 Quarterly no. 7 (1992): 79–95. (NOTE: See also item A1.) A1979. Seroff, Doug. “Open the Door, Richard.” Record Exchanger 4, no. 6 (Aug 1975): 10–11. A1980. Seward, Adrienne Lanier (ed.). The Role of Early Afro-American Folklore in the Teaching of the Arts and Humanities: Papers from the 3rd Annual Conference of the Association of African and African-American Folklorists. Bloomington: Indiana University Press, 1983. 352 pp.

A1966. Scott, Frank. Anthology of the Blues. Vol. 4: Blues from the Deep South. USA: Kent KST-9004, 1969.

A1981. Shank, Brad. “Blues Across America: Styles of the Blues,” in Exploring the Blues: Teacher’s Handbook. New York: Cherry Lane, 2001.

A1967. Scott, Frank; Noennig, Nancy. Easin’ In: Women Sing the Blues, 1924–1941. USA: Muskadine 105, 1983.

A1982. Shank, Bradley; Anderson, Tom. Exploring the Blues: Teacher’s Handbook. New York: Cherry Lane, 2001. 53 pp.

66

A1983. Shapiro, Linn (ed.). Black People and their Culture: Selected Writings from the African Diaspora. Washington, DC: Smithsonian Institution, Division of Performing Arts, 1976. 140 pp. A1984. Shapiro, Nat; Hentoff, Nat (eds.). The Jazz Makers. London: Peter Davies, 1957; New York: Rinehart, 1957; New York: Da Capo, 1979. 368 pp. A1985. Shaw, Arnold. Black Popular Music in America: From the Spiritual, Minstrels, and Ragtime to Soul, Disco, and Hip-Hop. New York: Schirmer, 1986. 386 pp.; London: Collier Macmillan, 1986. 386 pp. A1986. Shaw, Arnold. “Blues,” in The World of Soul: Black America’s Contribution to the Pop Music Scene, ed. A. Shaw. New York: Cowles, 1970. A1987. Shaw, Arnold J. “The Blues: A Definition.” Billboard 79 (24 Jun 1967): 6–7. A1988. Shaw, Arnold J. “Country Music and the Negro.” Billboard 79 (28 Oct 1967): suppl. 82–83. A1989. Shaw, Arnold. Honkers and Shouters: The Golden Years of Rhythm and Blues. New York: Collier, 1978. 555 pp.; New York: Macmillan, 1978. 555 pp.; New York: Collier/Macmillan, 1986. 555 pp.; New York: Collier /Macmillan, 1999, 555 pp. A1990. Shaw, Arnold J. “100 Years of the Blues.” Billboard 79 (24 Jun 1967): 10–11. A1991. Shaw, Arnold. “The Origins of the Blues,” in The Voice of the Delta: Charley Patton and the Mississippi Blues Traditions, Influences, and Comparisons. Liege: Presses Universitaires de Liege, 1987. A1992. Shaw, Arnold. “Popular Music from Minstrel Songs to Rock ‘n’ Roll,” in One Hundred Years of Music in America, ed. P.H. Lang, pp. 140–168. New York: Schirmer, 1961.

A Blues Bibliography, Second Edition

A1998. Shelton, Robert. “An Earthy Shirt-Sleeve Type of Folk Art.” New York Times (31 Jan 1960): B19. A1999. Shelton, Robert. “Southern Folk Songs from Prison.” New York Times (13 Apr 1958): B11. A2000. Sheridan, Chris. “Chapters in Jazz. Chapter 1: Sad News Blues.” Cadence 6, no. 6 (Jun 1980): 14–18. A2001. Shipp, E.R. “For Students, Rebirth of the Blues.” New York Times (30 Mar 1984): 12. A2002. Shockett, Bernard Irwin. A Stylistic Study of the Blues as Recorded by Jazz Instrumentalists, 1917– 1931. Ph.D. Dissertation, New York University, 1964. 233 pp. A2003. Shultz, Herb. Jugs, Washboards, and Kazoos. USA: RCA Victor LPV 540, 1967. A2004. Shurman, Dick. “Blues Into the 1990s.” Living Blues no. 90 (Mar/Apr 1990): 46. A2005. Shurman, Dick. Blues Masters: The Essential Blues Collection. Vol. 9: Postmodern Blues. USA: Rhino R2 71132, 1993. A2006. Shurman, Dick. “I Will Turn Your Money Green.” Juke Blues no. 51 (2002): 33. A2007. Sidran, Ben. Black Talk. New York: Holt, Rinehart and Winston, 1971. 201 pp.; New York: Da Capo, 1981. 201 pp. A2008. Silva, Orlando. “Early Blues: Considerazioni Sul Blues Pre-war Attraverso la Politica Delle Etichette Contemporanee.” Feelin’ Good no. 22 (1988): 32–34. A2009. Silvester, Mario. “30 Jaar Blues Revival.” Jazz Freak 9, no. 4 (Mar 1982): 124; Jazz Freak 9, no. 6 (Jul 1982): 206.

A1993. Shaw, Arnold. “Researching Rhythm & Blues.” Black Music Research Journal (1980): 71–79.

A2010. Simic, Charles. “No Cure for the Blues.” Antaeus no. 71/72 (Autumn 1993): 133–139.

A1994. Shaw, Arnold. The Rockin’ ‘50s: The Decade That Transformed the Pop Music Scene. New York: Hawthorn, 1974. 296 pp.; New York: Da Capo, 1984. 314 pp.

A2011. Simon, B. “Term R&B Hardly Covers Multi-Material So Grouped.” Billboard 68 (4 Feb 1956): 55.

A1995. Shaw, Arnold. The World of Soul: Black America’s Contribution to the Pop Music Scene. New York: Cowles, 1970. 306 pp.; New York: Paperback Library, 1971. 380 pp.; New York: Collier, 1978; New York: Collier Macmillan, 1986. 555 pp. A1996. Shearer, James Edward. Jazz Basics: A Brief Overview with Historical Documents and Recordings. Dubuque: Kendall/Hunt, 2002. 256 pp. A1997. Shelton, Robert. “Country Blues: Growing Field for Research.” New York Times (11 Dec 1960): B15.

A2012. Simons, David. “Women with the Blues: Then and Now,” in Exploring the Blues: Teacher’s Handbook. New York: Cherry Lane, 2001. A2013. Sinclair, John. Ann Arbor Blues & Jazz Festival, 1972. USA: Atlantic SD 2-502, 1973. A2014. Sinclair, John. “Ann Arbor Blues Festival, 1972– 1974.” Blues Access no. 34 (Summer 1998): 38–45. A2015. Singletary, Michael W. “Some Perceptions of the Lyrics of Three Types of Recorded Music: Rock, Country and Soul.” Popular Music and Society 9, no. 3 (1983): 51–63.

History and Background

A2016. Sironen, Erkki. “BN Elokuvissa.” Blues News [Finland] no. 90 (1984): 20–21, 23. A2017. Sironen, Timo. “Blues Oltre il Circolo ... Polare.” Il Blues no. 12/13 (Sep/Dec 1985): 39–40. A2018. Skipper, James K., Jr.; Leslie, Paul L. “Nicknames and Blues Singers. Pt 1: Frequency of Use 1890– 1977.” Popular Music and Society 12, no. 1 (Spring 1988): 37–47; “Pt 2: Classification and Analysis.” Popular Music and Society 13, no. 3 (Fall 1989): 29–44. A2019. Skipper, James K., Jr. “Nicknames, Folk Heroes and Jazz Musicians.” Popular Music and Society 10, no. 4 (1986): 51–62. A2020. Skipper, James K., Jr.; Leslie, Paul L. “Women, Nicknames, and Blues Singers.” Names: Journal of the American Name Society 36, no. 3/4 (Sep/Dec 1988): 193–202. A2021. Skoog, Larry. “The Negro in America: His Life and Times.” Blues Unlimited no. 63 (Jun 1969): 4–7. A2022. Slaven, Neil. Bed Spring Poker: Meat in Motion, 1926–1951. UK: Indigo IGOCD 2502, 2002. A2023. Slaven, Neil. “Bringing Out the Dead: Or ‘That Was the Year of the Blues That Was’.” Blues & Rhythm no. 186 (Feb 2004): 9. A2024. Slaven, Neil. The Devil’s Music: The Soundtrack to the 1976 BBC TV Documentary Series. UK: Indigo IGOTCD 2537, 2003. A2025. Slaven, Neil. Down Home Blues Classics, 1943– 1953. Boulevard 1003, 2004. A2026. Slaven, Neil. I Asked for Whiskey. UK: Indigo IGO CD 2028, 1995. A2027. Slaven, Neil. Rollin’ and Tumblin’. UK: Indigo IGO CD 2029, 1995. A2028. Slotkin, J.S. “Jazz and Its Forerunners as an Example of Accultaration.” American Sociological Review 8, no. 5 (Oct 1943): 570–575. A2029. Small, Christopher. Music of the Common Tongue: Survival and Celebration in Afro-American Music. New York: Riverrun, 1987. 495 pp.; London: Calder, 1987. 495 pp.; Hanover: University Press of New England, 1998. 495 pp. A2030. Smith, Ayana. “Blues, Criticism, and the Signifying Trickster.” Popular Music 24, no. 2 (May 2005): 179–191. A2031. Smith, Charles Edward. “The Blues Was the Mother.” Jazz: A Quarterly of American Music no. 5 (1960): 23–30.

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A2032. Smith, Charles Edward. “Folk Music: The Roots of Jazz.” Saturday Review of Literature 33, no. 30 (29 Jul 1950): 35–36, 48. A2033. Smith, Charles Edward. Music Down Home: An Introduction to Negro Folk Music, U.S.A. USA: Folkways FA 2691, 1965. A2034. Smith, Charles Edward. South. USA: Folkways FP 53, 1950. A2035. Smith, Chris. “African Ripples.” Blues & Rhythm no. 150 (Jun 2000): 8–9. A2036. Smith, Chris. Blues in the Mississippi Night. UK: Sequel NEX CD 122, 1990. A2037. Smith, Chris. Classic Blues, Jazz and Vaudeville Singers. Vol. 2: 1920–1926. Austria: Document DOCD-5602, 1998. A2038. Smith, Chris. “A Hangin’ Crime: A Balladic Blues and the True Story Behind It. Pt 1.” Blues & Rhythm no. 96 (Feb 1995): 4–7; “Pt 2.” Blues & Rhythm no. 97 (Mar 1995): 4–8. A2039. Smith, Chris. “Major Bob, Papa Charlie and the Bloody Twentieth: Blues and Politics in Jazz Age Chicago.” Blues & Rhythm no. 160 (Jun 2001): 4–5. A2040. Smith, Chris. “Reachin’ Pete and Johnny Nab: The Police in Commercial Blues Recordings to 1943,” in The Lyrics in African American Popular Music, ed. R. Springer, pp. 59–75. Bern: Peter Lang, 2001. A2041. Smith, Chris. “The Titanic: A Case Study of Religious and Secular Attitudes in African American Song,” in Saints and Sinners, ed. R. Sacré, pp. 213– 227. Liège: Society of Musicology, 1996. (NOTE: This is an updated version of item A2043.) A2042. Smith, Chris. “What Country Friends is This?” Blues & Rhythm no. 54 (Aug 1990): 14–15. A2043. Smith, Chris. “When That Great Ship Went Down: Black Songs About the ‘Titanic’.” Talking Blues no. 9/10 (1979): 24–31, 43. A2044. Smith, Efrem; Jackson, Phil. The Hip-Hop Church: Connecting with the Movement Shaping Our Culture. Downers Grove: InterVarsity, 2005. A2045. Smith, Eleanor. “And Black Women Made Music.” Heresies 2, no. 4 (Winter 1979): 58–64. A2046. Smith, Francis Wilford. “Blues is a Feeling ....” The Listener 103, no. 2649 (14 Feb 1980): 207. A2047. Smith, Ronald R. “Afro-American Folk Music,” in Handbook of American Folklore, ed. R.M. Dorson, pp. 24–31. Bloomington: Indiana University Press, 1983.

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A2048. Smith, S. Stephenson. “The Gayer Arts: Blues,” in The Craft of the Critic, ed. S. Stephenson Smith, pp. 284–288. New York: Crowell, 1931. A2049. Smith, Willie ‘The Lion’; Hoefer, George. Music on My Mind: The Memoirs of an American Pianist. New York: Doubleday, 1964. London: MacGibbon & Kee, 1965. 318 pp.; London: Jazz Book Club, 1966; New York: Da Capo, 1985. A2050. Smitherman, Geneva. Talkin’ and Testifyin’: The Language of Black America. Boston: Houghton Mifflin, 1977. 291 pp. A2051. Snyder, Jared. “Fife and Drums,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 322–324 (Item E162). A2052. Sobol, John. Digitopia Blues: Race, Technology, and the American Voice. Banff: Banff Centre Press, 2002. 156 pp.

A Blues Bibliography, Second Edition

American Music. Vol. 1, ed. H. Wiley Hitchcock; Stanley Sadie, pp. 13–21 (Item E154). A2065. Southern, Eileen. “Afro-American Musical Materials.” Black Perspective in Music 1, no. 1 (Spring 1973): 24–32. A2066. Southern, Eileen. The Music of Black Americans: A History. New York: Norton, 1971. 552 pp.; New York: Norton, 1980; 2nd ed. New York: Norton, 1983. 602 pp. A2067. Southern, Eileen (ed.). Readings in Black American Music. New York: Norton, 1971. 302 pp.; 2nd ed. New York: Norton, 1983. 338 pp. A2068. Spaeth, Sigmund. “Dixie, Harlem, and Tin Pan Alley: Who Writes Negro Music, and How?” Scribner’s Magazine 99 (Jan 1936): 23–26. A2069. Spall, Peter van. “Rhythm & Blues.” Jazz Podium 17 (1968): 80–81.

A2053. Solding, Staffan. The Blues in a Bottle: En Studie Over en Tid Och Dess Musik. Malmö: Booze Books, 1973. 56 pp.

A2070. Speers, Mary Walker Finley. “Negro Songs and Folk-Lore.” Journal of American Folklore 23 (1910): 435–439.

A2054. Solding, Staffan. “Bluesmunspelet: Det Lilla Instrumentet med de Sto.” Jazz Stage 4, no. 1 (1998): 24–25.

A2071. Spencer, Jon Michael. Blues and Evil. Knoxville: University of Tennessee Press, 1993. 177 pp.

A2055. Solly, Bob. “Rhythm & Blues Women.” Record Collector no. 251 (Jul 2000): 48–55.

A2072. Spencer, Jon Michael. “The Mythology of the Blues,” in Sacred Music of the Secular City, ed. J.M. Spencer. Durham: Duke University Press, 1992.

A2056. Solomon, Maynard. Great Bluesmen: Newport. USA: Vanguard VSD 77/78, 1976.

A2073. Spencer, Jon Michael. “The Prodigal Sons of Blues.” Living Blues no. 86 (May/Jun 1989): 30–32.

A2057. Sonnier, Austin, Jr. “African Influences in the Blues.” Blues Life no. 38 (1987): 27–30.

A2074. Spencer, Jon Michael. The Rhythms of Black Folk: Race, Religion, and Pan-Africanism. Trenton: Africa World Press, 1995. 206 pp.

A2058. Sonnier, Austin, Jr. “The ‘Classic’ Era.” Blues Life no. 18 (1982): 6–12. A2059. Sonnier, Austin, Jr. “Lady Blues.” Solo Blues no. 8 (1987): 27–30; Solo Blues no. 9 (1988): 24–25.

A2075. Spencer, Jon Michael (ed.). Sacred Music of the Secular City: From Blues to Rap. Durham: Duke University Press, 1992. 309 pp.

A2061. Sonnier, Austin, Jr. “Voodoo (Hoodoo): Bluesen.” Jefferson no. 63 (Winter 1983): 42–43, 46–48.

A2076. Spero, Sterling D.; Harris, Abram L. The Black Worker: The Negro and the Labor Movement. New York: Columbia University Press, 1931. 509 pp.; Port Washington: Kennikat, 1966. 509 pp.; New York: Atheneum, 1968. 509 pp.

A2062. Sosa, Samuel. Historia del Blues. Zacatecas: Universidad Autonoma de Zacatecas, 1990. 23 pp.

A2077. Spitzer, Nick. Blues Routes. USA: Smithsonian Folkways CD 40118, 1999.

A2063. Soufflet, Jean-Loup. “Plaidoyer Pour le Blues. 1.” Jazz 360° no. 52 (Oct 1982): 10–16; “2.” Jazz 360 °no. 53 (Nov 1982): 13–16; “3.” Jazz 360° no. 54 (Dec 1982): 6–7.

A2078. Spitzer, Nicholas R. “‘I Got the World in a Jug’: Reputation and Respectability in the Classic Blues.” Folklore Annual of University Folklore Association 7/8 (1977): 54–77.

A2064. Southern, Eileen. “Afro-American Music,” in The New Grove Dictionary of Music and Musicians. Vol. 19, ed. S. Sadie, pp. 448–452. London: Macmillan, 1980. Reprinted in The New Grove Dictionary of

A2079. Spottswood, Dick. “The Blues Ain’t Nothin’ But.…” Juke Blues no. 50 (2002): 53–54.

A2060. Sonnier, Austin, Jr. “Vodun Voodoo Hoodoo.” Solo Blues no. 7 (1987): 12–17.

A2080. Spottswood, Richard K. “Country Girls, Classic Blues, and Vaudeville Voices: Women and the

History and Background

Blues,” in Nothing But the Blues, ed. L. Cohn, pp. 86–105 (Item A432). A2081. Spottswood, Dick; Komara, Edward. “Country Music,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 230–233 (Item E162). A2082. Spottswood, Richard K. This Old World’s in a Hell of a Fix. USA: Biograph BLP-12027, 1971. A2083. Springer, Robert. Le Blues Authentique: Son Histoire et Ses Thèmes = Authentic Blues: Its History and Its Themes. Paris: Filipacchi, 1985. 239 pp.; Lewiston: Edwin Mellen, 1995. 199 pp. A2084. Springer, Robert. “Le Blues Classique,” in Le Blues Authentique: Son Histoire et Ses Thèmes, pp. 147– 159. Paris: Filipacchi, 1985. A2085. Springer, Robert. “Le Blues Moderne,” in Le Blues Authentique: Son Histoire et Ses Thèmes, pp. 161– 212. Paris: Filipacchi, 1985.

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A2096. Springer, Robert. “Tensions du Couple dans le Blues.” Recherches Anglaises et Americaines 11 (1978): 109–124. A2097. Springer, Robert. “Text, Context and Subtext in the Blues,” in The Lyrics in African American Popular Music, pp. 1–16. Bern: Peter Lang, 2001. A2098. Staats, Gregory R. “Sexual Imagery in Blues Music: A Basis for Black Stereotypes.” Journal of Jazz Studies 5, no. 2 (Spring/Summer 1979): 40–60. A2099. Stack, Steven. “Blues Fans and Suicide Acceptability.” Death Studies 24, no. 3 (Apr/May 2000): 223–231. A2100. Stancil, Cassandra. “The Dozens,” in Encyclopedia of African American Culture and History, ed. J. Salzman; D.L. Smith; C. West. New York: Macmillan, 1996.

A2086. Springer, Robert. “Le Blues Rural,” in Le Blues Authentique: Son Histoire et Ses Thèmes, pp. 63– 145. Paris: Filipacchi, 1985.

A2101. Standifer, James A. “Reminiscences of Black Musicians,” in Tradition Afrikanischer Blasorchester und Enstehung des Jazz, pp. 205–222. (Beiträge ZurJazzforschung/Studies in Jazz Research). Verlasanstalt, Graz-Austria: Akademische Druck-U., 1985.

A2087. Springer, Robert. “Le Blues: Une Tradition en Portea-Faux avec la Realite Noire d’Aujourd’hui?” Recherches Anglaises et Americaines 10 (1977): 336–352.

A2102. Stanfield, Peter. Body and Soul: Jazz and Blues in American Film, 1927–63. Urbana: University of Illinois Press, 2005. 213 pp.

A2088. Springer, Robert. “La Commercialisation du Blues dans les Annees 20.” Raison Presente 64 (Oct 1982): 61–72.

A2103. Starks, George L., Jr. “Ethnomusicology and the African American Tradition,” in African American Jazz and Rap, ed. JL. Conyers, pp. 224–238. Jefferson: McFarland, 2001.

A2089. Springer, Robert. “La Fonction de Contestation du Blues.” Revue Francaise d’Etudes Americaines 7 (Apr 1979): 67–78. A2090. Springer, Robert. Fonctions Sociales du Blues. Marseille: Parenthèses, 1999. 231 pp. A2091. Springer, Robert (ed.). The Lyrics in African American Popular Music. Bern: Peter Lang, 2001. 216 pp.

A2104. Starr, Larry; Waterman, Christopher Alan. American Popular Music: From Minstrelsy to MTV. Oxford; New York: Oxford University Press, 2003. 498 pp. A2105. Stansfield, Norman. Hip Shakin’ Mamas. UK: Zircon Bleu CD 511, 2000. A2106. Stashenko, Joel. “The Blues: Alive, Well and Thriving.” Los Angeles Sentinel (6 Apr 1995): 3.

A2092. Springer, Robert. Nobody Knows Where the Blues Come From: Lyrics and History. Jackson: University Press of Mississippi, 2006. 300 pp.

A2107. Stearns, Marshall W. “The Blues,” in The Story of Jazz, pp. 99–108. New York: Oxford University Press, 1956.

A2093. Springer, Robert. “On the Electronic Trail of Blues Formulas,” in Nobody Knows Where the Blues Come From, ed. R. Springer. Jackson: University Press of Mississippi, 2006.

A2108. Stearns, Marshall W. Negro Blues and Hollers. USA: Library of Congress AFS L59, 1962.

A2094. Springer, Robert. “Les Precurseurs,” in Le Blues Authentique: Son Histoire et Ses Thèmes, pp. 45–62. Paris: Filipacchi, 1985. A2095. Springer, Robert. “The Regulatory Function of the Blues.” Black Perspective in Music 4, no. 3 (Fall 1976): 278–288.

A2109. Stearns, Marshall W. “New Directions in Record Collecting.” Record Changer 13 (Jul 1954): 4. A2110. Stearns, Marshall W. The Story of Jazz. New York: Oxford University Press, 1956. 367 pp.; New York: New American Library, 1958. 272 pp.; New York: Oxford University Press, 1970.; 379 pp.; new ed. New York: Oxford University Press, 1971. 392 pp.; New York: Oxford University Press, 1976. 379 pp.

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A2111. Stearns, Marshall W. “Those Everlasting Blues.” Saturday Review 41, no. 13 (29 Mar 1958): 40.

A2126. Stewart-Baxter, Derrick. “Looking Back.” Blues Unlimited no. 100 (Apr 1973): 45–46.

A2112. Stein, Seymour. Blues ‘n’ Folk. USA: Bethlehem BCP-6071, c1957.

A2127. Stewart-Baxter, Derrick. “Talkin’ from the Heart: Words on Vocal Blues.” Jazz Journal 2, no. 1 (Jan 1949): 2–3.

A2113. Stein, Seymour. “Roots Forms: Country and Blues.” Billboard 81, no. 52 (27 Dec 1969): 96–98, 102, 105– 106, 108. Reprinted in Billboard 106, no. 44 (1 Nov 1994): 136. A2114. Steinfeld, Karl-Heinz. Die Ton-Angeber: Liebe, Blues und Blodeleien. Horb Am Neckar: Geiger-Verlag, 1987. 191 pp. A2115. Stenbeck, Lennart. “Blues som Svart Makt.” Orkester Journalen 40, no. 5 (May 1972): 10. A2116. Stephens, Robert W. “Soul: A Historical Reconstruction of Continuity and Change in Black Popular Music.” Black Perspective in Music 12, no. 1 (Spring 1984): 21–43. A2117. Stevens, Guy. Pure Blues. Vol. 1. UK: Sue ILP 919, 1963. A2118. Stevens, Guy. We Sing the Blues! UK: Sue ILP-921, 1963. A2119. Stevenson, Gordon. “Race Records: Victims of Benign Neglect in Libraries.” Wilson Library Bulletin 50, no. 3 (Nov 1975): 224–232. A2120. Stewart, Charles; Harrison, Paul Carter. Chuck Stewart’s Jazz Files. Boston: Little, Brown, 1985; London: Quartet, 1986. 144 pp.; New York: Da Capo, 1991. 144 pp. A2121. Stewart, Earl. African American Music: An Introduction. New York: Schirmer, 1998. 380 pp.; London: Prentice Hall, 1998. 380 pp. A2122. Stewart, James B. “Relationships Between Black Males and Females in Rhythm and Blues Music of the 1960s and 1970s.” Western Journal of Black Studies 3, no. 3 (1979): 186–196. Reprinted in More Than Dancing: Essays on Afro-American Music and Musicians, ed. I.V. Jackson, pp. 169–186. Westport: Greenwood, 1985.

A2128. Still, William Grant. “Negrene i Amerikansk Musik.” Dansk Musiktidsskrift 26, no. 5 (1951): 91-96. A2129. Stockmann, Doris. “Transkription in Der Musikethnologie: Geschichte, Probleme, Methoden.” Acta Musicologica 51, no. 2 (Jul/Dec 1979): 204–245. A2130. Stokes, W. Royal. “Blue Squeeze.” Washington Post (8 Jun 1984): 7. A2131. Stokes, W. Royal. Living the Jazz Life: Conversations with Forty Musicians About Their Careers in Jazz. Oxford: Oxford University Press, 2000. 278 pp. A2132. Stong, Anna M. Women’s Blues: An Analysis and Anthology. Master’s Thesis, University of Toledo, 1994. 303 pp. A2133. Strachwitz, Chris. Bad Luck ‘n’ Trouble. USA: Arhoolie F 1018, 1965. A2134. Strachwitz, Chris. Blues Classics by the Jug, Jook, and Washboard Bands. USA: Blues Classics BC-2, c1964. A2135. Strachwitz, Chris. Blues ‘n’ Trouble. [Vol. 1]. USA: Arhoolie F1006, 1961. Vol. 2. USA: Arhoolie 1012, 1964. A2136. Strachwitz, Chris. “Field Trip of Winter ‘68.” Blues Unlimited no. 61 (Apr 1969): 14. A2137. Strachwitz, Chris. “Hey, Hey, the Blues is Alright?” Juke Blues no. 50 (2002): 55. A2138. Strachwitz, Chris. “Key to the Highway.” Blues Unlimited no. 95 (Oct 1972): 16–17. A2139. Strachwitz, Chris. “Key to the Highway.” Rag Baby 1, no. 3 (1965): 9–10. A2140. Strachwitz, Chris. “Visiting the World.” Blues Unlimited no. 84 (Sep 1971): 16–17.

A2123. Stewart, Michael; Kent, Don. New Deal Blues (1933–1939). USA: Mamlish S.3801, c1971.

A2141. Strachwitz, Chris. When Women Sang the Blues. USA: Arhoolie BC-26, 1970.

A2124. Stewart, Milton Lee. “Development of Rhythm & Blues and Its Styles.” Jazzforschung/Jazz Research 20 (1988): 89–116.

A2142. Strachwitz, Chris; Welding, Pete (eds.). “The Words.” American Folk Music Occasional no. 2 (1970): 53–57.

A2125. Stewart, Milton. “Structure and Style in Country Blues: General Characteristics of Country Blues.” Musikethnologische Sammelbande 8 (1986): 103–125.

A2143. Stretton, John. Vintage Blues. France: RCA INTS 5099, 1981. A2144. Stuckenschmidt, Hans Heinz. “Blues: Anthologie Von Negersängern.” MELOS 6 (1927): 88.

History and Background

A2145. Summers, Lynn S. “African Influence and the Blues: An Interview with Richard A. Waterman.” Living Blues no. 6 (Autumn 1971): 30–36. A2146. Surge, Frank. Singers of the Blues: Brief Biographies of 17 Singers and Musicians Who Helped Develop the Blues Style and Became Legendary Performers During Their Lifetime. Minneapolis: Lerner, 1969. 63 pp. A2147. Sutton, Terry. “Really the Blues? Pt 1.” Blues World no. 16 (Sep 1967): 7–8; “Pt 2.” Blues World no. 20 (Jul 1968): 22. A2148. Swiecicki, M. “Rewizja Afrykanich Zrodel Jazzu i Hipoteza Autonomicznej Genezy Bluesa.” Ruch Muzyczny 10, no. 4 (1966): 16–17. A2149. Swinton, Paul. “The Flying Crow Blues.” Blues & Rhythm no. 83 (Oct 1993): 12–14. A2150. Szatmary, David P. “The Blues, Rock-and-Roll, and Racism,” in Rockin’ in Time, pp. 1–27. 4th ed. Upper Saddle River: Prentice Hall, 2000. A2151. Szatmary, David. Rockin’ in Time: A Social History of Rock-And-Roll. Upper Saddle River: Prentice Hall, 1987. 239 pp.; 2nd ed. Englewood Cliffs: Prentice Hall, 1991. 309 pp.; 3rd ed. New York: Schirmer, 1996. 367 pp.; London: Prentice Hall International, 1996. 367 pp.; 4th ed. Upper Saddle River: Prentice Hall, 2000. 349 pp.; 5th ed. Upper Saddle River: Prentice Hall, 2004. 382 pp. A2152. Szwed, John F. (ed.). Black America. New York: Basic Books, 1970. 303 pp. A2153. Szwed, John F. “Musical Adaptation Among AfroAmericans.” Journal of American Folklore 82 (1969): 112–121.

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A2159. Tanner, Lee E.; Hildebrand, Lee. Images of the Blues. New York: Friedman/Fairfax, 1998. 144 pp. A2160. Tate, Eleanora E.; Haskins, James. African American Musicians. New York: Wiley, 2000. 70 pp. A2161. Taylor, Clyde. “Salt Peanuts: Sound and Sense in African American Oral/Musical Creativity.” Callaloo: A Journal of African-American and African Arts and Letters 5, no. 3 (5 Oct 1982): 1–11. A2162. Tebbs, P.J. Studying the Blues as Ethnomusicology. Ph.D. Dissertation, Oxford, 1995. A2163. Templeton, Ray. “Ten Years of Blues & Rhythm.” Blues & Rhythm no. 90 (Jul 1994): 12–15. A2164. Templeton, Ray. “Urban Legends and Country Blues.” Blues & Rhythm no. 33 (Dec 1987): 14. A2165. Ténot, Frank. “Au Carrefour du Blues.” Jazz Magazine [France] no. 89 (Dec 1962): 26–35. A2166. Ténot, Frank. “Un Bain de Purete.” Jazz Magazine [France] no. 100 (Nov 1963): 13–14. A2167. Ténot, Frank; Carles, Philippe. “Le Blues,” in Le Jazz, pp. 20–29. Paris: Larousse, 1977. A2168. Ténot, Frank. “Petite Histoire du Blues.” Jazz Magazine [France] no. 200 (May 1972): 25–27. A2169. Terkel, Studs. And They All Sang: Adventures of an Eclectic Disk Jockey. New York: W.W. Norton, 2005. 301 pp. A2170. Terkel, Studs. Giants of Jazz. New York, Crowell, 1957. 215 pp.; London: Jazz Book Club, 1966. 215 pp.; rev. ed. New York: Crowell, 1975. 210 pp.; New York: Amereon House, 1990s. 215 pp.; rev. ed. New York: New Press, 2002. 214 pp.

A2154. Szwed, John F. “Musical Style and Racial Conflict.” Phylon 27, no. 4 (4th Quarter 1966): 358–366.

A2171. Terkel, Studs. “The Blues in Black and White.” New York Times (13 Oct 1991): 1.

A2155. Szwed, John F. “Negro Music: Urban Renewal,” in Our Living Traditions: An Introduction to American Folklore, ed. T.P. Coffin, pp. 272–282. New York: Basic, 1968.

A2172. Testoni, Giancarlo. “Il Mondo del Blues.” Musica Jazz 20, no. 1 (Jan 1964): 7–12; Musica Jazz 20, no. 2 (Feb 1964): 28–32; Musica Jazz 20, no. 5 (May 1964): 19–21; Musica Jazz 20, no. 6 (Jun 1964): 19– 23; Musica Jazz 20, no. 7 (Jul 1964): 16–22; Musica Jazz 20, no. 11 (Nov 1964): 30–33; Musica Jazz 20, no. 12 (Dec 1964): 19–21; Musica Jazz 21, no. 1 (Jan 1965): 19–22; Musica Jazz 21, no. 4 (Apr 1965): 22– 26; Musica Jazz 21, no. 6 (Jun 1965): 24–26; Musica Jazz 21, no. 11 (Nov 1965): 14–16.

A2156. Szwed, John F. “Some Insights Into the Blues: What are Its Functions?”, in Festival of American Folklife, p. 47. Washington: Smithsonian Institute, 1972. A2157. Taft, Michael Ernest. The Lyrics of Race Record Blues, 1920–1942: A Semantic Approach to the Structural Analysis of a Formulaic System. Ph.D. Dissertation, Memorial University of Newfoundland, Canada, 1977. 493 pp. A2158. Tanner, George. “Impressionen Aus Amerika.” Blues Life (2nd series) no. 9 (1980): 10–18.

A2173. Thatcher, Elaine; et al. Utah Folklore Annual: Selected Student Papers Presented at the 2003 Meetings of the Folklore Society of Utah. Salt Lake City: Folklore Society of Utah, 2005. 42 pp.

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A2174. Thomas, Henry. “When the War Was On: The Great War on Race Records: ‘Faced the Kaiser for You and Me’.” Blues & Rhythm no. 198 (Apr 2005): 4–10. A2175. Thomas, Lorenzo. “A Sense of Community: Blues Music as Primer for Urbanization.” Popular Music and Society 14, no. 2 (Summer 1990): 77–86.

A Blues Bibliography, Second Edition

A2190. Titon, Jeff Todd. Early Down-Home Blues: A Musical and Cultural Analysis. Urbana: University of Illinois Press, 1977. 296 pp.; Urbana: University of Illinois Press, 1979. 308 pp.; Urbana: University of Illinois Press, 1994. 296 pp.; 2nd ed. Chapel Hill: University of North Carolina Press, 1994. 318 pp.

A2176. Thomas, Roger. Jazz and Blues. Des Plaines: Heinemann, 1998. 32 pp.; Oxford: Heinemann, 1999. 32 pp.

A2191. Titon, Jeff Todd. “Early Downhome Blues Recordings,” in Martin Scorsese Presents the Blues, ed. P. Guralnick; et al, pp. 116–118 (Item A895). (NOTE: This is an excerpt from item A2190.)

A2177. Thompson, Era Bell; Nipson, Herbert (eds.). White on Black: The Views of Twenty-Two White Americans on the Negro. Chicago: Johnson, 1963.

A2192. Titon, Jeff Todd. Ethnomusicology of Downhome Blues Phonograph Records, 1926–1930. Ph.D. Dissertation, University of Minnesota, 1971. 303 pp.

A2178. Thompson, Kay C. “Ragtime vs. the Blues.” Jazz Journal 3, no. 11 (Nov 1950): 1–3. A2179. Tibbett, Teri. “The Blues,” in Listen to Learn, pp. 196–212. San Francisco: Jossey-Bass, 2004. A2180. Tibbett, Teri. Listen to Learn: Using American Music to Understand Language Arts and Social Studies (Grades 5–8). San Francisco: Jossey-Bass, 2004. 445 pp. A2181. Tiersot, Julien. Notes d’Ethnographie Musicale: La Musique Chez les Peuples Indigènes de l’Amérique du Nord (États-Unis et Canada). Paris: Fischbacher, 1910. (NOTE: See also item A539.) A2182. Tillman, Keith. “A Good Joe.” Blues Unlimited no. 56 (Sep 1968): 10. A2183. Tipaldi, Art. Children of the Blues: 49 Musicians Shaping a New Blues Tradition. San Francisco: Backbeat, 2002. 288 pp.; London: Hi, 2002. 288 pp. A2184. Tipaldi, Art. “Paying the Cost to be the Boss: Inside the World of the Bandleader.” Blues Revue no. 85 (Dec 2003/Jan 2004): 20–22, 25. A2185. Tirro, Frank. “Blues,” in Jazz: A History. New York: Norton, 1977; London: Dent, 1980. A2186. Titon, Jeff Todd; Carlin, Bob. American Musical Traditions. New York: Schirmer, 2002. A2187. Titon, Jeff Todd. “Autobiography and Blues Texts: A Reply to ‘The Blues as Dramatic Monologue’.” JEMF Quarterly 6, no. 18 (Summer 1970): 79–82. A2188. Titon, Jeff Todd. “Blues,” in Worlds of Music: An Introduction to the Music of the World’s People, ed. J.T. Titon; J.T. Koetting; D.P. McAllester; D.B. Reck; M. Slobin, pp. 105–162. New York: Schirmer, 1984. A2189. Titon, Jeff Todd. “The Blues as an Historical Phenomenon,” in Such Sweet Thunder, ed. M. Baszak; E. Cohen, pp. 44–46. Amherst: University of Massachusetts, 2003.

A2193. Titon, Jeff Todd. “Every Day I Have the Blues: Improvisation and Daily Life.” Southern Folklore Quarterly 42, no. 1 (1978): 85–98. A2194. Titon, Jeff Todd. “Labels: Identifying Categories of Blues and Gospel,” in The Cambridge Companion to Blues and Gospel Music, ed. A. Moore, pp. 13–19. Cambridge: Cambridge University Press, 2002. A2195. Titon, Jeff Todd. “The Songs: Formulaic Structures & Meaning in Early Downhome Blues,” in Early Downhome Blues, pp. 186–189. Urbana: University of Illinois, 1977. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 361–363 (Item A2216). A2196. Titon, Jeff Todd. “Introduction.” Southern Folklore Quarterly 42, no. 1 (1978): 1–8. A2197. Titon, Jeff Todd. “The New Blues Tourism.” Arkansas Review 29, no. 1 (Apr 1998): 5–10. A2198. Titon, Jeff Todd. “Reconstructing the Blues: Reflections on the 1960s Blues Revival,” in Transforming Tradition: Folk Music Revivals Examined, ed. N.V. Rosenberg, pp. 220–240. Urbana: University of Illinois Press, 1993. Reprinted in Popular Music: Critical Concepts in Media and Cultural Studies, ed. S. Frith. New York: Routledge, 2004. A2199. Titon, Jeff Todd. “Thematic Pattern in Downhome Blues Lyrics: The Evidence on Commercial Phonograph Records Since World War II.” Journal of American Folklore 90, no. 357 (1977): 316–330. A2200. Toledano, Ralph de (ed.). Frontiers of Jazz. New York: Durrell, 1947. A2201. Tomashefsky, Steve. “Blues: A Conspiracy of Feeling.” Oak Report 1, no. 3 (Winter 1981): 1, 10–11. A2202. Tonneau, Serge. “Le Blues.” Rhythm & Blues Panorama no. 2 (Mar 1960): 3–6; Rhythm & Blues Panorama no. 3 (Apr 1960): 3–5. A2203. Toshes, Nick. Unsung Heroes of Rock ‘n’ Roll. New York: Scribner’s, 1986. 245 pp.

History and Background

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A2204. Touré, Ali Farka. “And It’s Deep, Too,” in Martin Scorsese Presents the Blues, ed. P. Guralnick; et al, pp. 211–212 (Item A895).

A2222. Trübswasser, Gunther W. “Country Blues: Ein Sozialer Kampfgesang?” Blues Notes 5, no. 18 (Jul/ Aug 1973): 15–18.

A2205. Townley, Eric. “Jazz, Blues and U.S Railroads.” Storyville no. 68 (Dec 1976/Jan 1977): 55–58.

A2223. Trynka, Paul; Wilmer, Valerie. Portrait of the Blues. London: Hamlyn, 1996. 160 pp.; New York: Da Capo, 1997. 160 pp.; Tokyo: Shinkomyujikku, 1996. 160 pp.

A2206. Tracy, Steve. “‘Black Twice’: Performance Conditions for Blues and Gospel Artists,” in The Cambridge Companion to Blues and Gospel Music, ed. A. Moore, pp. 89–101. Cambridge: Cambridge University Press, 2002. A2207. Tracy, Steven C. “The Blues in Future American Literary Histories and Anthologies.” MELUS 10, no. 1 (Fall 1988): 15–28. A2208. Tracy, Steve. Classic Blues, Jazz and Vaudeville Singers. Vol. 3. Austria: Document DOCD-5626, 1998. Vol. 4. Austria: Document DOCD-5627, 1998. A2209. Tracy, Steve. Female Blues: The Remaining Titles, 1921–1928. Austria: Document DOCD-1005, 1997. A2210. Tracy, Steve. Jazzin’ the Blues. (1943–1952). Austria: Document DOCD-1019, 1999. A2211. Tracy, Steven C. Langston Hughes & the Blues. Urbana: University of Illinois Press, 1988. 305 pp. A2212. Tracy, Steve. Rare Country Blues (1928–1936). Austria: Document DOCD-5642, 1999. A2213. Tracy, Steve. Rare 1920s Blues and Jazz (1923– 1929). Austria: Document DOCD-5612, 1998. A2214. Tracy, Steve. Southern Country Blues. Vol. 1: Down in Boogie Alley. USA: Star Sounds 3712-2, c1998. A2215. Tracy, Steve. Vocal Blues and Jazz. Vol. 3. Austria: Document DOCD-1015, 1998. A2216. Tracy, Steve (ed.). Write Me a Few of Your Lines: A Blues Reader. Amherst: University of Massachusetts Press, 1999. 603 pp. A2217. Traill, Sinclair. “Blues All the Way.” Melody Maker (11 Feb 1950): 3. A2218. Traill, Sinclair; Lascelles, Gerald (eds.). Just Jazz. No. 3. London: Landsborough, 1959. 347 pp. A2219. Traum, Happy. “The Art of the Talking Blues.” Sing Out! 15, no. 6 (Jan 1966): 53–59. A2220. Trebron, Mojo. “Der ‘Weisse Blues’: Der alte Streit: Können und Dürfen Weisse Blues Spielen und Singen?” Blues Forum no. 16 (4th Quarter 1984): 15–21. A2221. Trübswasser, Gunther W. “Blues Retrospektiv.” Blues Notes 3, no. 12 (1971): 6–9.

A2224. Tullos, Allen (ed.). Long Journey Home: Folklife in the South. Chapel Hill: Institute for Southern Studies, 1977. 224 pp. A2225. Turner, Bez. All Them Blues. UK: DJM DJLMD 8005, 1975. A2226. Turner, Bez. “21 Years Ago.” Blues Unlimited no. 139 (Autumn 1980): 28–30. A2227. Ulanov, Barry. “The Blues for the Times.” Esquire 23, no. 2 (Feb 1945): 27, 93. A2228. Ulanov, Barry. A History of Jazz in America. New York: Viking, 1952. 382 pp.; Paris: Correa, 1955. 414 pp.; London: Hutchinson, 1958. 382 pp.; New York: Da Capo, 1972. 382 pp. A2229. Ullman, Magnus. “Blues is a Man’s Best Friend, en Studie i Blueslyrik.” Jefferson no. 17 (1972): 10–13, 18. A2230. Unterberger, Richie; Hicks, Samb; Dempsey, Jennifer. Music USA: The Rough Guide. London: Rough Guides, 1999. 486 pp. A2231. Urban, Michael E.; Evdokimov, Andrei. Russia Gets the Blues: Music, Culture, and Community in Unsettled Times. Ithaca: Cornell University Press, 2004. 200 pp.; Bristol: University Presses Marketing, 2004. 200 pp. A2232. Valentine, Penny. “New Blues for Post-Modernists.” Creem 12 (Sep 1980): 31. A2233. Vandelaar, M. “The Eye’s Shadow: Surrealism & Black Music.” Cultural Correspondence 10, no. 10 (Fall 1979): 75–76. A2234. Vechten, Carl van. “The Black Blues.” Vanity Fair 24, no. 6 (Aug 1925): 57, 86, 92. A2235. Vechten, Carl van. “The Folk Songs of the American Negro.” Vanity Fair 24, no. 5 (Jul 1925): 52, 92. A2236. Vechten, Carl van. “Some Cakewalks and Blues and Spirituals.” New York Herald Tribune (Books) (30 May 1937): 5. A2237. Ventura, Michael. “Hear that Long Snake Moan,” in Shadow Dancing in the U.S.A., pp. 103–162. Los Angeles: J.P. Tarcher, 1985. Reprinted in Whole Earth Review (Summer 1987). Translated into German in Vom Voodoo zum Walkman, pp 9–75.

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Löhrbach: Werner Pieter’s Medienexperimente, 1988. A2238. Venturini, Fabrizio. “Il Blues e Il Diavolo.” Musica Jazz 36, no. 5 (May 1980): 2–4. A2239. Venturini, Fabrizio. “Col Vangelo e la Chitarra: Gli ‘Evangelisti’ Delle Campagne.” Musica Jazz 37, no. 5 (May 1981): 3–7. A2240. Venturini, Fabrizio. “Il Mondo Magico del Blues.” Musica Jazz 39, no. 8/9 (Aug/Sep 1983): 14–21. A2241. Venturini, Fabrizio. Sulle Strade Sel Blues. Milan: Gammalibri, 1984. 466 pp. A2242. Vera, Billy. Blues Masters: The Essential Blues Collection. Vol. 1: Urban Blues. USA: Rhino R2 71121, 1992.

A2255. Wallace, Michele. Invisibility Blues: From Pop to Theory. London: Verso, 1990. 267 pp.; London: Verso, 2004. 384 pp. A2256. Wallin, Charlotte; Silander, Daniel. Democracy and Culture in the Transatlantic World: Third Interdisciplinary Conference, October 2004. Växjö: Växjö University, 2004. 305 pp. A2257. Walljasper, Jay. “The Age of Rediscovery.” Utne Reader no. 64 (Jul/Aug 1994): 111+. A2258. Walljasper, Jay. “Hotspot for the Blues.” Minneapolis-St. Paul 9 (Jul 1981): 73–76. A2259. Walljasper, Jay. “Rollin’ and Tumblin’: Who Plays the Blues Today.” In These Times 4, no. 13 (20–26 Feb 1980): 13.

A2243. Vera, Billy. “Chicks, Thrushes and Canaries.” Blues & Rhythm no. 86 (Feb 1994): 10–12.

A2260. Walljasper, Jay. “Seven Singers Keep Blues Fires Burning.” Rochester Patriot 8, no. 4 (1 Mar 1980): 9.

A2244. Vera, Billy. The R&B Box: 30 Years of Rhythm & Blues. USA: Rhino R2 71806, 1994.

A2261. Walsh, Alan. “True Blues?” Melody Maker (7 Oct 1967): 8.

A2245. Verlant, Gilles; Eudeline, Christian; Desvalois, Philippe. Le Rock et la Plume: Une Histoire du Rock par les Meilleurs Journalistes Français, 1960–1975. Paris: Hors Collection, 1999. 264 pp.

A2262. Walter, Michael. The Blues: Black and White. France: RCA PM 42039, c1979.

A2246. Vernon, Mike. “Blueshound on My Trail.” Melody Maker (2 Aug 1969): 12; Melody Maker (9 Aug 1969): 10; Melody Maker (23 Aug 1969): 10. A2247. Vernon, Mike. “Got Those ‘What Price $uccess?’ Blues.” Juke Blues no. 35 (Summer 1996): 11. A2248. Vernon, Mike. “Leave My Blues Alone.” Jazz Beat 3, no. 8 (Aug 1966): 22–23. A2249. Vernon, Mike. “Workin’ with Annie’s Aunt Fannie’s Baby.” Jazz Beat 3, no. 12 (Dec 1966): 16–17. A2250. Vernon, Paul. “Films,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 325–329 (Item E162). A2251. Vestine, Henry. More of That Jug Band Sound, 1927– 1939. USA: Origin Jazz Library OJL–19, 1969. A2252. Vincent, Rickey. “Rhythm and Blues,” in Funk: The Music, the People, and the Rhythm of the One, pp. 40–42. New York: St Martin’s Griffin, 1996. A2253. Vinet, Mark. Evolution of Modern Popular Music: A History of Blues, Jazz, Country, R&B, Rock and Rap. VAUDREUIL-sur-le-Lac: Wadem, 2004. 216 pp. A2254. Wald, Elijah. “Respecting The Blues Makers.” Living Blues no. 168 (Jun/Jul/Aug 2003): 124–129.

A2263. Walters, Dave. “Blues and More .…” The History of Rock 6, no. 2 (c1981–c1984): 1221–1223. A2264. Walton, Ortiz. Music: Black, White and Blue: A Sociological Survey of the Use and Misuse of AfroAmerican Music. New York: Morrow, 1972. 180 pp. A2265. Ward, Brian. Just My Soul Responding: Rhythm and Blues, Black Consciousness and Race Relations. London: University College London, 1998. 600 pp.; Berkeley: University of California Press, 1998. 600 pp. A2266. Ward, Brian (ed.). Media, Culture, and the Modern African American Freedom Struggle. Gainesville: University Press of Florida, 2001. 312 pp. A2267. Ward, Brian. Race Relations, Civil Rights and the Transformation from Rhythm and Blues to Soul, 1954 to 1965. Ph.D. Dissertation, University of Cambridge, 1995. A2268. Ward, Brian. Radio and the Struggle for Civil Rights in the South. Gainesville: University Press of Florida, 2004. 437 pp. A2269. Ward, Brian. “Sex Machines and Prisoners of Love: Male Rhythm and Blues, Sexual Politics, and the Black Freedom Struggle,” in Gender and the Civil Rights Movement, ed. P.J. Ling; S. Monteith, pp. 41–67. New Brunswick: Rutgers University Press, 2004.

History and Background

A2270. Ward, Ed. “The Blues Revival,” in The Rolling Stone Illustrated History of Rock ‘n’ Roll, ed. J. Miller, pp. 242–245. New York: Random House, 1976. A2271. Ward, Ed; Stokes, Geoffrey, Tucker, Ken. Rock of Ages: The Rolling Stone History of Rock & Roll. New York: Rolling Stone, 1986. 649 pp. A2272. Wardlow, Gayle Dean. Country Blues Encores. USA: Origin OJL-8, c1965. A2273. Wardlow, Gayle Dean. “Knocking on Doors for 78s.” Victrola and 78 Journal no. 9 (Summer 1996): 9–14. Reprinted in Chasin’ That Devil Music, pp. 10–16. San Francisco: Miller Freeman, 1998. A2274. Wardlow, Gayle Dean. Really! The Country Blues. USA: Origin Jazz Library OJL-2, c1962. A2275. Wardlow, Gayle Dean. “Six Who Made Recorded History (1926–1935).” 78 Quarterly no. 5 (Autumn 1990): 93–96. Reprinted in Chasin’ That Devil Music, pp. 70–72. San Francisco: Miller Freeman, 1998. A2276. Wardlow, Gayle Dean. “Where Were You Forty Years Ago: The Summer of 1963.” Living Blues no. 169 (Sep/Oct 2003): 16–17. A2277. Washington, Charles Gregory. A Commentary on African America Musical Style with Analysis of the Influences of African America Musical Style on the Composition ‘Simple City’. Master’s Thesis, Ohio State University, 1994. 104 pp. A2278. Waterman, Dick. Between Midnight and Day: The Last Unpublished Blues Archive. New York: Thunder Mouth, 2003. 176 pp.; San Rafael: Insight, 2004. 174 pp. A2279. Waterman, Richard A. “African Influence on the Music of the Americas,” in Acculturation in the Americas, ed. S. Tax, pp. 207–218. Chicago: University of Chicago Press, 1952. Reprinted in Mother Wit from the Laughing Barrel, ed. A. Dundes, pp. 81–94 (Item A582). Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 17–27 (Item A2216).

75

A2284. Weinstein, Robert V. “Black ‘n’ Blues.” Negro History Bulletin 32, no. 5 (May 1969): 13–15. A2285. Weisbard, Eric. This is Pop: In Search of the Elusive at Experience Music Project. Cambridge: Harvard University Press, 2004. 389 pp. A2286. Weiss, Fritz. “Die Entwicklung des Country Blues.” Blues Life (2nd series) no. 3 (1978): 25–26. A2287. Weiss, Fritz. “Vom Worksong zum Blues.” Blues Life (1st series) no. 7/8 (1977): 17–18. A2288. Weissman, Dick. Blues: The Basics. New York: Routledge, 2005. 206 pp. A2289. Welding, Pete. Blues All Around My Bed. Denmark: Storyville SLP 181, c1967; Denmark: Storyville 670 181, 1960s; Denmark: Storyville SLP 842, 1960s; Denmark: Storyville SLP 4036, 1970s. A2290. Welding, Pete. “The Blues and Folk Scene,” in The Encyclopedia of Jazz in the Sixties, ed. L. Feather, pp. 292–294 (Item E136). A2291. Welding, Pete. “The Blues are Brewing.” Saturday Review 43, no. 31 (30 Jul 1960): 44–45. A2292. Welding, Pete. Blues Uptown. USA: Liberty/Imperial LM-94002, 1968; UK: Liberty LBL 83215, 1968. A2293. Welding, Pete; Byron, Toby. Bluesland: Portraits of Twelve Major American Blues Masters. New York: Dutton, 1991. 253 pp. A2294. Welding, Pete. Can’t Keep from Crying: Topical Blues on the Death of President Kennedy. USA: Testament S-01, 1967; USA: Testament TCD 5007, 1994. A2295. Welding, Pete. Down Home Stomp. USA: Liberty/ Imperial LM-94006, 1968; UK: Liberty LBL 83329, 1968. A2296. Welding, Pete. Goin’ Up the Country. USA: Imperial LM-94001, 1968; UK: Liberty LBL 83213E, 1968. A2297. Welding, Pete. “Just Those Five Notes.” Rolling Stone no. 76 (18 Feb 1971): 30–31.

A2280. Waterman, Richard A. “On Flogging a Dead Horse: Lessons Learned from the Africanisms Controversy.” Ethnomusicology 7 (1963): 83 pp.

A2298. Welding, Pete. News & the Blues: Telling It Like It Is. USA: Columbia CK 46217, 1990.

A2281. Waterschoot, Hector. Neger’s Zingen Spirituals en Blues. Utrecht: Het Karveel, 1964. 104 pp.; Antwerp: Standaard-Boekhandel, 1964. 104 pp.

A2299. Welding, Pete. Ramblin’ on My Mind: Classic Train and Travel Blues. USA: Milestone MLP-3002, 1967; USA: Original Blues Classics OBCCD 545-2, 1990s.

A2282. Watrous, Peter. “Who’s Singing the Blues?: Just About Anyone Who Wants To.” New York Times (29 Oct 1990): 13.

A2300. Welding, Pete. Rediscovered Blues. USA: Capitol CDP 7243829376, 1995.

A2283. Watts, Tony. Gin House Blues. UK: Pavilion PAST CD 9788, 1992.

A2301. Welding, Pete. “The Rise of Folk Blues.” Down Beat 28, no. 19 (14 Sep 1961): 15–17.

76

A2302. Welding, Pete. “The Rise of the White Blues Performer,” in Down Beat’s Music ‘65, ed. D. DeMichael, pp. 55–57, 85. Chicago: Maher, 1965. A2303. Welding, Pete. The Roots of America’s Music. USA: Arhoolie R 2001/R 2002, 1968. A2304. Welding, Pete. Rural Blues. Vol. 1: Goin’ Up the Country + Vol. 2: Saturday Night Function. UK: Beat Goes on BGOCD 384, 1998. A2305. Welding, Pete. Saturday Night Function. USA: Liberty/Imperial LM-94001, 1968; UK: Liberty LBL 83214, 1968. A2306. Welding, Pete. Women of the Blues. USA: RCA Victor LPV 534, 1966. A2307. Wells, Alan. “Black Artists in American Popular Music, 1955–1985.” Phylon 48, no. 4 (4th Quarter 1987): 309–316. A2308. West, Cornel. “On Afro-American Popular Music,” in Sacred Music of the Secular City: From Blues to Rap, ed. J.M. Spencer. Durham: Duke University Press, 1992. A2309. West, Hollie I. “Can White People Sing the Blues?” Ebony 34, no. 9 (Jul 1979): 140, 142. A2310. West, Steve. “The Devil Visits the Delta: A View of His Role in the Blues.” Mississippi Folklore Register 19, no. 1 (Spring 1985): 11–23. A2311. Westcott, William W. “City Vaudeville Classic Blues: Local and Venue in Early Blues,” in Ethnomusicology in Canada: Proceedings of the First Conference on Ethnomusicology in Canada/Premier Congrès sur l’Ethnomusicologie au Canada Held in Toronto, 13–15 May 1988, ed. R. Witmer, pp. 135–141. Toronto: Institute for Canadian Music, 1990. A2312. Westerberg, Hans. “Repetitionskurs i Blues: 6 Miniatyrlektioner.” Orkester Journalen 21, no. 8 (Aug 1953): 12–13, 37.

A Blues Bibliography, Second Edition

A2317. Wheeler, Brad. “Are the Blues Fixin’ to Die?” Toronto Globe and Mail (7 Jul 2001): R3. A2318. Whisenhunt, Donald W. The Human Tradition in America Between the Wars, 1920–1945. Wilmington: SR Books, 2002. 241 pp. A2319. Whisnant, Luke. “Blues Keep Rolling On.” Seventeen 35 (Jan 1976): 16, 20. A2320. Whitaker, Charles. “Are Blacks Giving Away the Blues?”, in History of the Blues, ed. D. Goldfarb. Portland: Artstigo, 1992. A2321. Whitaker, Charles. “Are Blacks Giving Away the Blues?: White Fans Keep the Music and Its Artists Going Strong.” Ebony 45, no. 12 (Oct 1990): 46–48. A2322. White, Cliff. Jump Children. UK: Charly CRB 1060, 1984. A2323. White, Matthew B. “‘The Blues Ain’t Nothin’ But a Woman Want to Be a Man’: Male Control in Early Twentieth Century Blues Music.” Canadian Review of American Studies 24, no. 1 (Winter 1994): 19–40. A2324. White, Newman I. “Racial Traits in the Negro Song.” Sewanee Review 28 (Jul 1920): 396–404. A2325. White, Newman I. “The White Man in the Woodpile: Some Influences on Negro Secular Folk-Songs.” American Speech 4, no. 3 (Feb 1929): 207–215. A2326. Whiteis, David. “Blues on the Move: Jumpin’ the Blues.” Down Beat 61, no. 7 (Jul 1994): 42. A2327. Whittaker, A.J. “Homer Sings the Blues.” Greece & Rome 41, no. 1 (Apr 1994): 18–22. A2328. Whitton, Doug. “Inside ‘Rhythm and Blues’.” Jazz Journal 5, no. 10 (Oct 1952): 1–2. A2329. Wideman, John Edgar. “A Riff on Reading Sterling Plumpp’s Poetry,” in Martin Scorsese Presents the Blues, ed. P. Guralnick; et al, pp. 81–83 (Item A895).

A2313. Wexler, Jerry. “Mainstream of Jazz is R and B: Wexler.” Down Beat 20 (15 Jul 1953): 15.

A2330. Widgery, David. “Too Much Monkey Business: The Appeal of American Rhythm-and-Blues to British Youth Culture of the Sixties.” New Society 83, no. 1310 (5 Feb 1988): 22–24.

A2314. Wexler, Jerry. “Rhythm and Blues in 1950.” Saturday Review of Literature 33 (24 Jun 1950): 49.

A2331. Wiedamann, R., Jr. “Die Harmonischen Grundlagen des Blues.” Musikalische Jugend 8, no. 5 (1959): 10.

A2315. Wexler, Kenneth. “The Degradation of the Blues.” Missouri Journal of Research in Music Education 3, no. 4 (1975): 69–77. A2316. Whalum, Wendell; Baker, David; Long, Richard A. “Afro-American Music,” in The Black American Reference Book, ed. M.M. Smythe, pp. 791–826. Englewood Cliffs: Prentice-Hall, 1976.

A2332. Wiggins, Neville. “Blues Power: How the Blues Survived and Thrived in the Sixties on Both Sides of the Atlantic.” The History of Rock 5, no. 8 (1983): pp. 1101–1103. A2333. Wilds, Mary. Raggin’ the Blues: Legendary Country Blues and Ragtime Musicians. Greensboro: Avisson, 2001. 112 pp.

History and Background

A2334. Wilgus, D.K. “Arch and Gordon.” Kentucky Folklore Record 6 (1960): 51–56. A2335. Wilgus, D.K.; Long, Eleanor R. “The Blues Ballad and the Genesis of Style in Traditional Narrative Song,” in Narrative Folksong: New Directions, ed. C.L. Edwards; et al, pp. 435–482. Boulder: Westview, 1985. A2336. Wilgus, D.K.; Montell, Lynwood. “Clure and Joe Williams: Legend and Blues Ballad.” Journal of American Folklore 81 (1968): 295–315.

77

A2349. Williams, Martin. “Recording Limits and Blues Form,” in The Art of Jazz, ed. M.T. Williams, pp. 91–93. New York: Oxford University Press, 1959. A2350. Williams, Martin. “Rock Cast in the Sea: Some Notes on Blues Lyrics.” Metronome 78, no. 9 (Sep 1961): 18–19. A2351. Williams, Martin. “White Blues.” Down Beat 33, no. 24 (1 Dec 1966): 14. A2352. Williams, Ora. The ABC Series of Black Americans in Music: Black Women. 1982. 24 pp.

A2337. Wilkinson, Scott. A Reassessment of the Blues Revival in America, 1951–1970. Master’s Thesis, University of Mississippi, 1997. 116 pp.

A2353. Williams, Otis W. Black Cultural Perspectives: The Politics of Black Music. Master’s Thesis, University of Nevada, 1974. 84 pp.

A2338. Willeford, William. “Abandonment, Wish, and Hope in the Blues.” Chiron: A Review of Jungian Analysis (1985): 173–201.

A2354. Williams, Sherley A. “The Blues Roots of Contemporary Afro-American Poetry,” in Chant of Saints: A Gathering of Afro-American Literature, Art, & Scholarship, ed. M. Harper; R.B. Stepto, pp. 123–135. Urbana: University of Illinois Press, 1979. Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 445–455 (Item A2216).

A2339. Williams, Brett. “The South in the City.” Journal of Popular Culture 16, no. 3 (Winter 1982): 30–41. A2340. Williams, Carla. “Blues Music,” in The Queer Encyclopedia of Music, Dance, & Musical Theater, ed. C.J. Summers, pp. 27–28. San Francisco: Cleis, 2004. A2341. Williams, G.A. Legendary Pioneers of Black Radio. Westport: Praeger, 1998. 224 pp. A2342. Williams, Juan. My Soul Looks Back in Wonder: Voices of the Civil Rights Experience. New York: AARP/Sterling, 2004. 216 pp. A2343. Williams, Lance. “The Blues.” Soul Illustrated 1, no. 1 (1968): 33, 52, 62–64. A2344. Williams, Lance A. “Bluesology: Blues and the Gospel Truth.” Blues Revue 43 (Dec 1998): 62, 64–65. A2345. Williams, Martin. (ed.). The Art of Jazz: Essays on the Nature and Development of Jazz. New York: Oxford University Press, 1959. 248 pp.; London: Jazz Book Club, 1962. 248 pp.; New York: Da Capo, 1979. 248 pp. A2346. Williams, Martin. “Free Flow: Secular and Sacred Negro Music,” in Down Beat’s Music ‘64, ed. D. DeMichael, pp. 80–83. Chicago: Maher, 1964. A2347. Williams, Martin T. Jazz Panorama: From the Pages of the ‘Jazz Review’. New York: Crowell-Collier, 1962. 318 pp.; London: Jazz Book Club, 1965. 318 pp.; New York: Da Capo, 1979. 318 pp. A2348. Williams, Martin. “Jazz, the Phonograph, and Scholarship,” in The Phonograph and Our Musical Life, ed. H.W. Hitchcock, pp. 42–45. New York: Brooklyn College, 1980.

A2355. Williams, Stacey. Blues at Newport (1963). Vanguard VSD 79145, 1964. A2356. Wilmer, Valerie. “The Blues Come to Town: Photo Report.” Jazz Beat no. 5 (Jun 1964): 16–17. A2357. Wilmer, Valerie. “Blues Packages Galore.” Flamingo 4, no. 3 (Nov 1964): 38–40. A2358. Wilmer, Valerie. The Face of Black Music: Photographs. New York: Da Capo, 1976. 118 pp. A2359. Wilmer, Valerie. Jazz People. London: Allison & Busby, 1970. 167 pp.; New York: Bobbs-Merrill, 1970. 167 pp.; Da Capo, 1991. 167 pp. A2360. Wilson, Burton. Burton’s Book of the Blues. Austin: Spelco, 1971. 77 pp. A2361. Wilson, Charles Reagan. “Creativity and Southern Culture,” in Visualizing the Blues: Images of the American South, ed. Wendy McDaris. Memphis: Dixon Gallery and Gardens, 2000. A2362. Wilson, Graeme B.; MacDonald, Raymond A.R. “The Meaning of the Blues: Musical Identities in Talk About Jazz.” Qualitative Research in Psychology 2, no. 4 (2005): 341–363. A2363. Wilson, John S. Rare Blues of the Twenties, 1927– 1935. Vol. 4. USA: Historical ASC 5829-4, 1966. A2364. Wilson, John S. “Time Remembered: Blues, Jazz, and Swing.” New York Times (28 Nov 1971): 32. A2365. Wilson, William J. The Declining Significance of Race: Blacks and Changing American Institutions. Chicago: University of Chicago Press, 1978. 204 pp.

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A2366. Wilson, Olly. “The Significance of the Relationship Between Afro-American Music and West African Music.” Black Perspective in Music 2, no. 1 (Spring 1974): 3–22. A2367. Winnie, Max. “The Blues Today.” Heritage no. 16 (1970): 7–9. A2368. Winograd, Tamara Ruth. From Empresses to Foremothers: Feminist Constructions of Women Blues Artists. Masters Thesis, University of Maryland, 2001. 100 pp.

A Blues Bibliography, Second Edition

A2380. Wood, Berta. “Are Negroes Ashamed of the Blues?” Ebony 12, no. 7 (May 1957): 64–68. Reprinted in White on Black: The Views of Twenty-Two White Americans on the Negro, ed. E. Bell Thompson; H. Nipson, pp. 99–104. Chicago: Johnson, 1963. (NOTE: For ‘replies’ to this article see: Down Beat 24 (11 Jul 1957): 7; Orkester Journalen 25, no. 7/8 (1957): 3; Ebony 12, no. 11 (1957): 118– 120; Record Changer 15, no. 2 (1957): 5+.) A2381. Wood, Berta. “The Blues, the Blues ... Deeper Than the Well.” Jazz Journal 8, no. 5 (May 1955): 27–28.

A2369. Winwood, Steve. “The First Time I Met the Blues.” Word no. 11 (Jan 2004): 88.

A2382. Woodward, C. Vann. The Strange Career of Jim Crow. New York: Oxford University Press, 1957. 183 pp.

A2370. Witek, Joseph. “Blindness as a Rhetorical Trope in Blues Discourse.” Black Music Research Journal 8, no. 2 (Fall 1988): 177–193.

A2383. Wolff, Francis. “Blue Note.” Jazz Magazine [France] no. 115 (Feb 1965): 22–27.

A2371. Witmer, Robert. “Rhythm and Blues,” in The New Grove Dictionary of Music and Musicians. Vol. 15, ed. S. Sadie, p. 824. London: Macmillan, 1980. A2372. Wolfe, Charles K.; Kent, Don. Hard Times Come Again No More: Early American Rural Songs of Hard Times and Hardships. USA: Yazoo 2036/2037, 1998. A2373. Wolfe, Charles. “A Lighter Shade of Blue: White Country Blues,” in Nothing But the Blues, ed. L. Cohn, pp. 232–263 (Item A432). Reprinted in Write Me a Few of Your Lines, ed. S. Tracy, pp. 514–530 (Item A2216). A2374. Wolfe, Charles; Kent, Don. Times Ain’t Like They Used to Be: Early American Rural Music: Classic Recordings of the 1920s and 30s. Vol. 1. USA: Yazoo 2028, 1997; Vol. 2. USA: Yazoo 2029, 1997. Vol. 3. USA: Yazoo 2047, 1999. A2375. Wolfe, Charles K. “Where the Blues is At: A Survey of Recent Research.” Popular Music and Society 1, no. 3 (1972): 152–166. A2376. Wolfe, Charles K. “The White Man’s Blues, 1922– 40.” Journal of Country Music 15, no. 3 (1993): 36–44. A2377. Wolkin, Jan Mark; Keenom, Bill. Michael Bloomfield: If You Love Those Blues. San Francisco: Miller Freeman, 2000. 272 pp.; London: Hi, 2000. 272 pp. A2378. Wondraschek, Ralph. Classic Blues & Vaudeville Singers: Remaining Titles & Alternative Takes. Vol. 5: 1922–1930. Austria: Document DOCD-5654, 1999. A2379. Wondrich, David. Stomp and Swerve: American Music Gets Hot, 1843–1924. Chicago: Chicago Review Press, 2003. 258 pp.

A2384. Wolffe, D. Leon. “The Blues are Dead!” Music and Rhythm 2, no. 14 (Jan 1942): 8, 50. A2385. Work, John Wesley. “Changing Patterns in Negro Folk Song.” Journal of American Folklore 62, no. 244 (Apr/Jun 1949): 136–144. A2386. Work, John Wesley. Folk Song of the American Negro. Nashville: Press of Fisk University, 1915. 131 pp. A2387. Wright, Delane E. Poppin’ Their Thang: African American Blueswomen and Multiple Jeopardy. Master’s Thesis, University of North Texas, 1997. 148 pp. A2388. Wright, Rachel Proby. A Study of the Southern Blues Tradition in the United States Using the Parry/Lord Model for Oral Traditions. Honors Paper, Rhodes College, 2002. 44 pp. A2389. Wright, Richard. 12 Million Black Voices: A Folk History of the Negro in the United States. New York: Viking, 1941. 152 pp. A2390. Wyman, Bill; Havers, Richard. Bill Wyman’s Blues Odyssey: A Journey to Music’s Heart and Soul. London: Dorling Kindersley, 2001. 400 pp. A2391. Wyman, Bill. “One Man’s Blues Odyssey,” in Visualizing the Blues: Images of the American South, ed. W. McDaris, pp. 102–129. Memphis: Dixon Gallery and Gardens, 2000. A2392. Wynn, Neil. “Freedom and the Blues: African American Culture and Liberal Democracy in the Transatlantic World,” in Democracy and Culture in the Transatlantic World: Third Interdisciplinary Conference, October 2004, ed. C. Wallin; D. Silander. Växjö: Växjö University, 2004. A2393. Yonakuni, Claude. “A Whack at the Modern Blues.” Juke [Japan] no. 4 (Winter 1984): 8–9.

History and Background

A2394. Young, Al. Bodies & Soul. Berkeley: Creative Arts Book Company, 1981. 129 pp. A2395. Young, Alan R. “Black Sacred Music,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 88–95 (Item E162). A2396. Young, Aurelia. “Black Folk Music.” Mississippi Folklore Register 6 (1972): 1–4. A2397. Yourcenar, Marguerite; Wilson, Jerry. Blues et Gospels. Paris: Gallimard, 1984. 137 pp.

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A2401. Zimmerle, Dieter. “Good Morning Blues ... Gedanken zum Jahreswechsel.” Jazz Podium 20 (1971): 10–11, 32. A2402. Zimmerle, Dieter. “Reflexionen vom Blues bis Free.” Jazz Podium 18 (1969): 189–191. A2403. Zucker, Mark J. “Saga of Lovin’ Dan: A Study in the Iconography of Rhythm & Blues Music of the 1950s.” Journal of Popular Culture 16, no. 2 (Fall 1982): 43–51.

A2398. Yurchenco, Henrietta. “Country Blues.” Musical America 84, no. 2 (Feb 1964): 52–53.

A2404. Zwigoff, Terry. “Forgotten American Music: Black String Bands and their Rare Recordings.” Strings 1, no. 3 (Winter 1987): 16–18.

A2399. Yurchenco, Henrietta. “‘Blues Fallin’ Down Like Hail’: Recorded Blues, 1920s–1940s.” American Music 13, no. 4 (Winter 1995): 448–469.

See also: “The Blues.” Jazziz 8, no. 2 (Feb 1991): 86+. “Blues Women.” Blueprint 2, no. 8 (Feb 1999). “Electric Blues.” Jazziz 8, no. 4 (Jun 1991): 44+. “Gospel & Blues.” Big City Blues (Dec 2000/Jan 2001). “Strings Bands.” Back to the Roots no. 36 (c2001): 36–42.

A2400. Zierolf, Robert. “North America Since 1920,” in Women & Music: A History, ed. K. Pendle. Bloomington: Indiana University Press, c1991.

II Biographical Entries: A

9. Notes 57 (Jun 2001): 870. Orkester Journalen 68 (Jan 2000): 43.

KINNEY ABAIR BA1.

Gallaher, Edwin. “The Houston Scene: Kinney Abair.” Living Blues no. 131 (Jan/Feb 1997): 48.

BA8.

Barnes, Terry. “1999 - The Year in Music: Passings.” Billboard 111 (25 Dec 1999–1 Jan 2000): YE106.

BA9.

Dahl, Bill. “Herb Abramson.” Living Blues no. 150 (Mar/Apr 2000): 115.

BA10.

LeBlanc, Eric. “Herb Abramson, Atlantic Records Cofounder.” Goldmine no. 507 (31 Dec 1999): 12+.

BA11.

Russell, Tony. “Herb Abramson.” Guardian [UK] (3 Dec 1999): 24.

RASHEED ABDULLAH BA2.

Clarke, William. “Still Got Hard Times: Los Angeles Blues Today.” Blues & Rhythm no. 65 (Nov 1991): 14.

JOHN ABBEY See: CONTEMPO, ICHIBAN RECORDS MARION ABERNATHY BA3.

Anon. “Marian Abernathy is Ritz’ Main Ace.” Chicago Defender (27 Mar 1948): 9.

BA4.

Penny, Dave. Marion Abernathy, 19471949. France: Classics CD 5001, 2001.

BA12. Vera, Billy. “Herb Abramson.” Blues & Rhythm no. 146 (2000): 9. BA13. White, Adam. “Herb Abramson, Atlantic’s 1st President, Dies at 82.” Billboard 111, no. 48 (27 Nov 2000): 7, 89.

EWART ABNER

See also: ATLANTIC/ATCO/SPARK, FIRE/ ENJOY/FLAIR/FURY/RED ROBIN RECORDS

See: VEE-JAY RECORDS BERNARD ABRAMS

ABU TALIB

See: ORA NELLE RECORDS

See: FREDDY ROBINSON

HERB ABRAMSON

BUDDY ACE (James L. Land)

BA5.

Kochakian, Dan. “Quality Records: Herb Abramson’s Pre-Atlantic Career.” Whiskey, Women, and ... no. 18/19 (Fall 1989): 59–62.

BA14.

BA6.

Larkin, Colin (ed.). “Abramson, Herb,” in The Guinness Encyclopedia of Popular Music, p. 30 (E165).

BA7.

O’Neal, Jim. “In Session with Elmore and Bobby Robinson: Herb Abramson.” Living Blues no. 54 (Autumn/Winter 1982): 11. Obituaries: Blues Access no. 41 (Spring 2000): 58. Cadence 26, no. 1 (Jan 2000): 141. Discoveries no. 140 (2000): 18. Living Blues no. 149 (Jan/Feb 2000):

Govenar, Alan. “Buddy Ace,” in Meeting the Blues, p. 194 (Item F1414).

BA15. Point, Michael. “Ace, Buddy,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 5 (Item E162). BA16.

Santelli, Robert. “Ace, Buddy,” in The Big Book of Blues, p. 2 (Item E202). Obituaries: Cadence 21, no. 3 (Mar 1995): 109. Goldmine no. 382 (17 Mar 1995): 10.

BA17.

Bonner, Brett J. “Buddy Ace.” Living Blues no. 120 (Mar/Apr 1995): 92. 81

82

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BA18. Burke, Tony. “Buddy Ace.” Blues & Rhythm no. 96 (Feb 1995): 12. BA19.

Hannusch, Jeff. “Buddy Ace (1936–1994).” Blues Access no. 21 (Spring 1995): 46.

FRANK ACE

BA37.

BA38. Hardy, Phil; Laing, Dave (eds.). “Johnny Ace,” in The Encyclopedia of Rock. Vol. 1, p. 14 (Item E145). BA39.

BA20. Wight, Phil. “It’s About Time!” Blues & Rhythm no. 158 (Apr 2001): 4–5. JOHNNY ACE (John Marshall Alexander, Jr) BA21. Amos, Edward. “Johnny Ace,” in Gravesites of Southern Musicians. Jefferson: McFarland, 2002. BA22. Anon. “Ace, Johnny,” in American National Biography, pp. 51–55. New York: Oxford University Press, 1999. BA23. Anon. “Body of Johnny Ace Will Be Shipped to Memphis.” Houston Informer (1 Jan 1955): 1, 8. BA24. Anon. “Death Spun the Cylinder for Johnny Ace But for What Reason.” Tri-State Defender (5 Mar 1955): 14. (NOTE: Reprinted from the Louisville Defender.) BA25. Anon. “Johnny Ace Discs Hits.” New York Age Defender (13 Feb 1954): 9. BA26. Anon. Johnny Ace: His Greatest Hits. Ojai: Creative Concepts, 1979. 24 pp. BA27.

Anon. “The Johnny Ace Story.” Pittsburgh Courier (5 Feb 1955): 1, 5.

Grendysa, Peter. “Johnny Ace: The ‘Ace’ of Duke.” Goldmine no. 187 (25 Sep 1987): 28, 91.

Hildebrand, Lee. “Johnny Ace,” in Stars of Soul and Rhythm & Blues, pp. 1–2. New York: Billboard, 1994.

BA40. Hoekstra, Dave. “Brother Sings Hits of the Late Johnny Ace.” Chicago Sun-Times (24 Dec 1986): 30, 42. BA41.

Holland, Ted. “Johnny Ace,” in This Day in AfricanAmerican Music, pp. 73, 151 (E157).

BA42. Laisac, Dzondria. Memorial Album for Johnny Ace. USA: Duke DLP 71, c1957; USA: MCA MCA-27014, 1980; UK: Ace CH 40, 1982. BA43.

Larkin, Colin (ed.). “Ace, Johnny,” in The Guinness Encyclopedia of Popular Music, p. 32 (E165).

BA44. Mohr, Kurt. “Discographie de Johnny Ace.” Jazz Hot no. 272 (May 1971): 16–17. BA45.

Mohr, Kurt; Niquét, Bernard. “Discographie de Johnny Ace (1952–1954).” Soul Bag no. 41 (Sep 1974): 21.

BA46. Niquét, Bernard. “Johnny Ace.” Soul Bag no. 41 (Sep 1974): 20–21. BA47.

BA28. Anon. “New Acts.” Variety 192 (28 Oct 1953): 55.

Niquét, Bernard. “Johnny Ace.” Jazz Hot no. 272 (May 1971): 16–17.

BA29. Anon. “Olivia Gibbs Says Death of Johnny Ace Wasn’t Suicide.” Houston Informer (5 Feb 1955): 1.

BA48. Nite, Norm N. “Johnny Ace,” in Rock On. Vol. 1. 2nd ed., pp. 1–2 (Item E181).

BA30. Anon. “The Strange Case of Johnny Ace.” Ebony 10, no. 9 (Jul 1955): 63–68.

BA49.

BA31.

Clarke, Donald. “Ace, Johnny,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., pp. 4–5 (Item E125).

Pecoraro, Joe. “Johnny Ace Discography.” Record Exchanger no. 14 (Apr 1973): 15.

BA50. Piccarella, John. “Ace, Johnny,” in The New Grove Dictionary of American Music. Vol. 1, ed. H.W. Hitchcock; S. Sadie, pp. 2–3 (Item E154).

BA32. Collins, Willie. “Ace, Johnny (1929–1954),” in St. James Encyclopedia of Popular Culture. Vol. 1, ed. S. Pendergast; T. Pendergast, pp. 15–16 (Item E185).

BA51.

BA33. Cotten, Lee. “Johnny Ace,” in Shake Rattle & Roll. Vol. 1: 1955, pp. 61–62. Ann Arbor: Popular Culture, 1989.

BA52. Ritvanen, Juhani. “Johnny Ace.” Blues News [Finland] no. 59 (1979): 10–11, 14.

BA34. Escott, Colin. “Johnny Ace: The First Rock ‘n’ Roll Casualty.” Goldmine no. 165 (21 Nov 1986): 16–17. BA35. Feather, Leonard. “Ace, Johnny,” in The New Edition of the Encyclopedia of Jazz, p. 96 (Item E138). BA36. Fisher, Tom. “Ace, Johnny,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 6 (Item E162).

Rees, Dafydd; Crampton, Luke. “Johnny Ace,” in Q Encyclopedia of Rock Stars, pp. 22–23. London: Dorling Kindersley, 1996.

BA53. Salem, James M. “Death and the Rhythm-andBluesman: The Life and Recordings of Johnny Ace.” American Music 11, no. 3 (Fall 1993): 316–367. BA54. Salem, James M. “Johnny Ace: A Case Study in the Diffusion and Transformation of Minority Culture.” Prospects: An Annual of American Cultural Studies no. 17 (1992): 209–239.

Biographical Entries: A

83

Olsen, Ryan; Komara, Edward. “Aces, The,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 6 (Item E162).

BA55. Salem, James M. The Late Great Johnny Ace and the Transition from R&B to Rock ‘n’ Roll. Urbana: University of Illinois Press, 1999. 275 pp.

BA67.

BA56. Santelli, Robert. “Ace, Johnny,” in The Big Book of Blues, pp. 2–3 (Item E202).

BA68. Santelli, Robert. “Aces, The,” in The Big Book of Blues, pp. 1–2 (Item E202).

Smith, Patti. “Jukebox Cruci-Fix.” Creem 7, no. 1 (Jun 1975): 50–53. Reprinted in Creem (Special Issue) (Summer 1981).

See also: FRED BELOW, LOUIS MYERS, DAVE MYERS, JUNIOR WELLS

BA57.

BA58. Tosches, Nick. “Johnny Ace: Number One with a Bullet,” in Unsung Heroes of Rock ‘n’ Roll, pp. 133– 138. New York: Charles Scribner’s Sons, 1984. Obituaries: Billboard (8 Jan 1955): 14. Birmingham World (7 Jan 1955): 1. Chicago Defender (8 Jan 1955): 1. Chicago Defender (15 Jan 1955): 5. Down Beat 22 (9 Feb 1955): 17. Houston Informer (8 Jan 1955): 1. Jet (6 Jan 1955): 59. Los Angeles Sentinel (30 Dec 1954): 2. Memphis World (4 Jan 1955): 1. Memphis World (7 Jan 1955): 1, 2. New York Times (27 Dec 1954): 21. Pittsburgh Courier (1 Jan 1955): 1, 4. Pittsburgh Courier (15 Jan 1955): 1, 4. BA59.

“Juke Star Johnny Ace Kills Self.” Chicago Defender (8 Jan 1955): 1.

BA60. Matthews, Ralph. “He Gambled with Death and Lost: Johnny Ace Lived on Borrowed Time.” Cleveland Call and Post (15 Jan 1955): D1, D3. BA61.

Westbrooks, Al, Jr. “Bury Johnny Ace, Suicide Victim.” Tri-State Defender (8 Jan 1955): 1–2. See also: Goldmine no. 16 (May/Jun 1977). Goldmine no. 266 (5 Oct 1990). Pop no. 9 (1994): 908+. Paul’s Record Magazine 2, no. 5 (Nov 1975): 9. R-OC-K no. 6 (1984). Shout no. 45 (Jul 1969): 6–7. Soul [UK] no. 2 (1966): 6. Items BF108, D1031, D1059, D1060, D1061.

THE ACES/JUKES

Items A1535, BL1508. ALBERTA ADAMS (Roberta Louise Osborn) BA69.

Bonner, Brett J. “Alberta Adams: ‘Until God Calls Me, I’ll Be Singing the Blues’.” Living Blues no. 160 (Nov/Dec 2001): 22-29.

BA70.

DelGrosso, Maureen. “Alberta Adams: Reigning Queen of Detroit Blues.” Blues Revue no. 53 (Dec 1999): 24–25, 27–30.

BA71.

Ferrara, Rico. “Alberta Adams.” Maple Blues 15, no. 11 (Nov 1999): 1, 4.

BA72.

Gallert, Jim; Komara, Edward. “Adams, Alberta,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 7 (Item E162).

BA73.

Gallert, Jim. “Alberta Adams: Queen of Detroit Blues.” Blues & Rhythm no. 159 (May 2001): 4–7.

BA74.

Heisler, Steve. “The Gospel of Alberta: Enjoy Your Life, Music.” Sarasota Herald-Tribune (Florida) (11 Jan 2002): 4.

BA75.

Mazzolini, Tom; Périn, Jacques. “Alberta Adams: ‘J’ai Tojours Voulu Etre dans le Show Business’.” Soul Bag no. 165 (Winter 2001): 20–23. See also: Detroit Blues no. 7 (Fall 1996).

ARTHUR ADAMS BA76.

Anon. “The Return of Arthur Adams.” Westcoast Blues Review 1, no. 10 (Apr/May 1995): 32–34.

BA77.

BA62. Baker, Cary. “Jukes Reunite!” Blue Flame no. 11 (1970): 14.

Bock, Scott M. “Arthur Adams: I’m Workin’, I’m Sweatin’.” Juke Blues no. 49 (Spring 2001): 12–16.

BA78.

BA63. Griffith, Pat. “Ace Band.” Melody Maker (24 Feb 1973): 40.

Dahl, Bill. Arthur Adams: Back on Track. USA: Blind Pig BPCD 5055, 1999.

BA79.

Dahl, Bill. “Arthur Adams: If You Don’t Knock Somebody Down, You Ain’t Going to Work.” Living Blues no. 143 (Jan/Feb 1999): 34–41.

BA64. Larkin, Colin (ed.). “Aces,” in The Guinness Encyclopedia of Popular Music, p. 33 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 11 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 5 (E169). BA65.

Leiser, Willy. The Aces with Their Guests. France: MCM 900.293, 1976.

BA66. Leiser, Willy. Kings of Chicago Blues. Vol. 1: The Aces. France: Vogue LDM 30174, 1970s.

BA80. DelGrosso, Rich. “Arthur Adams: Back on Track.” Blues Revue no. 61 (Oct 2000): 21–22, 24–25. BA81.

Hobus, André. “Arthur Adams.” Soul Bag no. 148 (Autumn 1997): 12.

BA82. Propes, Steve; Stephenson, Mike; Irvine, Les. “Arthur Adams Interview.” Blues & Rhythm no. 183 (Oct 2003): 16–18.

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BA83. Sacré, Robert. “Adams, Arthur,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 8 (Item E162). BERLE ADAMS BA84. Shaw, Arnold. “Berle Adams,” in Honkers and Shouters, pp. 76–85. New York: Collier, 1978.

J.T. ADAMS (John Tyler Adams) BA100. Arnaudon, Jean-Claude. “J.T. Adams,” in Dictionnaire du Blues, p. 34 (E101). BA101. Bogaert, Karel. “Adams, J.T. (John Tyler Adams),” in Blues Lexicon, p. 13 (Item E110).

FAYE ADAMS

BA102. Harris, Sheldon. “Adams, John Tyler ‘JT’,” in Blues Who’s Who. 5th ed., p. 27 (E146).

BA85. Anon. “Faye Adams New Rave for Broadway Critic.” Chicago Defender (29 Aug 1953): 19.

BA103. Joyce, Mike; Rusch, Bob. “J.T. Adams.” Cadence 3 (Sep 1977): 10.

BA86. Cage, R. “Rhythm & Blues Notes.” Down Beat 21 (6 Oct 1954): 7.

BA104. Komara, Edward. “Adams, John Tyler ‘J.T.’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 8 (Item E162).

BA87.

Cotten, Lee. “Faye Adams,” in Shake Rattle & Roll. Vol. 1: 1955, pp. 126–128. Ann Arbor: Popular Culture, 1989.

BA88. Feather, Leonard. “Faye Adams Shakes a Hand, Reviews 25 Years of Singing.” Down Beat 21, no. 1 (13 Jan 1954): 28. BA89.

Gart, Galen. “Faye Adams,” in Rhythm & Blues in Cleveland, 1955 Edition. Winter Haven: Big Nickel, 2003.

BA90. Grendysa, Pete. “Faye Adams.” Goldmine no. 189 (23 Oct 1987). BA91. Hardy, Phil; Laing, Dave (eds.). “Faye Adams,” in The Encyclopedia of Rock. Vol. 1, pp. 15–16 (Item E145). BA92. Holland, Ted. “Faye Adams,” in This Day in African-American Music, p. 113 (E157). BA93. Larkin, Colin (ed.). “Adams, Faye,” in The Guinness Who’s Who of Blues. 2nd ed., p. 11 (E166). BA94. Moonoogian, George A. “Wax Fax.” Record Collector’s Monthly no. 36 (1986/87): 7. BA95. Nations, Opal Louis. Faye Adams: I’m Goin’ to Leave You. Sweden: Mr. R&B R&B-110, 1989. BA96. Nite, Norm N. “Faye Adams,” in Rock On. Vol. 1. 2nd ed., pp. 2–3 (Item E181). BA97.

Olsen, Ryan; Komara, Edward. “Adams, Faye,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 7–8 (Item E162).

BA98. Santelli, Robert. “Adams, Faye,” in The Big Book of Blues, p. 3 (Item E202). BA99. Tricker, Phillip J. “Boppin’ Belles ‘Blues’.” Roll Street Journal no. 19 (1987): 30–32; Roll Street Journal no. 22 (1987/88): 6–8. See also: Blues News [Finland] no. 125 (1990).

BA105. Larkin, Colin (ed.). “Adams, J.T,” in The Guinness Encyclopedia of Popular Music, pp. 40–41 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 11 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 5 (E169). BA106. Rosenbaum, Arthur. Indiana Avenue Blues: The Blues of J.T. Adams and Shirley Griffith. USA: Bluesville BV-1077, c1962. JO JO ADAMS BA107. Anon. “Dr. Jo Jo Adams in Local Show.” Chicago Defender (15 Dec 1945): 14. BA108. Olsen, Ryan; Komara, Edward. “Adams, Dr. Jo Jo,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 7 (Item E162). BA109. Penny, Dave. The Chronological Jo-Jo Adams, 1946–1953. France: Classics 5083, 2004. Obituaries: BA110. Josephic, Beth. “Jo Jo Adams.” Living Blues no. 87 (Jul/Aug 1989): 34. See also: Chicago Defender (23 Aug 1975): A4. MARIE ADAMS BA111. Choisnel, Emmanuel; Mohr, Kurt; Périn, Jacques. “Marie Adams Discography.” Soul Bag no. 48 (Jun 1975): 13–14; “Additions and Corrections.” Soul Bag no. 51 (Jan 1976): 32. BA112. Hardy, Phil; Laing, Dave (eds.). “Marie Adams,” in The Encyclopedia of Rock. Vol. 1, p. 16 (Item E145). BA113. Larkin, Colin (ed.). “Adams, Marie,” in The Guinness Encyclopedia of Popular Music, p. 41 (E165). BA114. Olsen, Ryan; Komara, Edward. “Adams, Marie,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 8 (Item E162).

Biographical Entries: A

85

Obituaries:

Obituaries: Block no. 110 (1999): 35. Orkester Journalen (Sep 1999): 51.

BA115. Burke, Tony. “Marie Adams.” Blues & Rhythm no. 129 (Apr 1998): 12. BA116. Radenac, Marc. “Marie Adams.” Soul Bag no. 151 (Summer 1998): 40. See also: JOHNNY OTIS Item BO64. WOODROW ADAMS BA117. Arnaudon, Jean-Claude. “Woodrow Adams,” in Dictionnaire du Blues, p. 34 (E101). BA118. Bogaert, Karel. “Adams, Woodrow,” in Blues Lexicon, p. 14 (Item E110).

BA130. Rijn, Guido van. “Georges Adins.” Blues & Rhythm no. 140 (Jun 1999): 20–21. BA131. Sacré, Robert. “Larmes: Georges Adins.” Jazz Hot no. 562 (Jul/Aug 1999): 5. BA132. Sacré, Robert. “Georges Adins.” Juke Blues no. 44 (1999): 55. BA133. Sacré, Robert. “Georges Adins.” Soul Bag no. 155 (Summer 1999): 47. BA134. Tinz, Herbert. “George Adins.” Jefferson no. 121 (1999): 23. KATHERINE ADKINS

BA119. Evans, David. “The Woodrow Adams Story.” Blues Unlimited no. 55 (Jul 1968): 7–8. Reprinted in Nothing But the Blues, ed. M. Leadbitter, pp. 142–144 (Item A1241).

BA135. Evans, David. Barrelhouse Women. Vol. 1: 1925– 1930. Austria: Document DOCD-5378, 1995.

BA120. Harris, Sheldon. “Adams, Woodrow Wilson,” in Blues Who’s Who. 5th ed., pp. 27–28 (E146).

BA136. Astbury, Ray. “Agee, Raymond Clinton ‘Ray’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 13 (Item E162).

BA121. Larkin, Colin (ed.). “Adams, Woodrow,” in The Guinness Encyclopedia of Popular Music (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., pp. 11–12 (E166). Reprinted in The Virgin Encyclopedia of the Blues, pp. 5–6 (E169). BA122. Leadbitter, Mike. “The Boogie Blues Blasters (or The Three B’s for Short),” in Delta Country Blues, p. 42. Bexhill-on-Sea: Blues Unlimited, 1968. BA123. Olsen, Ryan. “Adams, Woodrow Wilson,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 9 (Item E162). BA124. Rotante, Anthony. “Woodrow Adams.” Record Research no. 33 (Mar 1961): 14–15. BA125. Templeton, Ray. “Woodrow Adams.” Blues & Rhythm no. 20 (Jun 1986): 20–21. GEORGES ADINS (Joris Adins) BA126. Rijn, Guido van. “Adins, Joris ‘Georges’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 9 (Item E162). BA127. Sacré, Robert. “Georges Adins: A la Recherche du Blues Perdu.” Soul Bag no. 94 (May/Jun 1983): 24–27. BA128. Sacré, Robert. “Georges Adins: His Story & Series.” Pickin’ the Blues no. 16 (Jul 1983): 9–10. BA129. Sacré, Robert. “Georges Adins: Roadrunner van de Blues.” Block no. 49 (Jan/Feb/Mar 1984): 17–23.

RAY AGEE

BA137. Eagle, Bob. “Tough Competition.” Blues Unlimited no. 103 (Aug/Sep 1973): 9. BA138. Harris, Sheldon. “Agee, Raymond Clinton ‘Ray’/ ’Roy’,” in Blues Who’s Who. 5th ed., p. 28 (E146). BA139. Hanley, Bob. “Ray Agee.” Whiskey, Women and ... no. 10 (Nov 1982): 3 pp. BA140. Lange, Charlie. Ray Agee: Black Night is Gone. Sweden: Mr. R&B R&B-1005, 1983. BA141. Lange, Charlie. Ray Agee: I’m Not Looking Back. Sweden: Mr. R&B R&B-1003, 1983. BA142. Larkin, Colin (ed.). “Agee, Ray,” in The Virgin Encyclopedia of the Blues, p. 6 (E169). BA143. Santelli, Robert. “Agee, Ray,” in The Big Book of Blues, pp. 4–5 (Item E202). See also: Item D615. VINCE AGWADA BA144. Bonner, Brett J. (ed.). “40 Under 40: Vince Agwada.” Living Blues no. 120 (Mar/Apr 1995): 78. BA145. Olsen, Ryan. “Agwada, Vince,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 13 (Item E162). GARFIELD AKERS BA146. Arnaudon, Jean-Claude. “Garfield Akers,” in Dictionnaire du Blues, p. 34 (E101).

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BA147. Bogaert, Karel. “Akers, Garfield,” in Blues Lexicon, p. 14 (Item E110).

BA160. Cummings, Tony. “Young Man Blues.” Black Music 1, no. 5 (Apr 1974): 43.

BA148. Harrison, David. “Akers, Garfield,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 14 (Item E162).

BA161. Duncan, Harry C. “Dave Alexander.” Down Beat 42 (24 Apr 1975): 35.

BA149. Larkin, Colin (ed.). “Akers, Garfield,” in The Guinness Encyclopedia of Popular Music, p. 54 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 12 (E166). Reprinted in The Virgin Encyclopedia of the Blues, pp. 6–7 (E169).

BA162. Elwood, Philip. “Alexander’s Big Break.” San Francisco Chronicle (9 Mar 1973). Reprinted in Lightning Express no. 3 (1976): 40. BA163. Forte, Dan. “The Rattler: An Interview with Dave Alexander.” Whiskey, Women, and ... no. 6 (Mar 1974): 12–14.

BA150. O’Neal, Jim. “Garfield Akers: To Beale Street and the Juke Joints.” Living Blues no. 50 (Spring 1981): 27–28.

BA164. Harris, Sheldon. “Alexander, Dave,” in Blues Who’s Who. 5th ed., pp. 29–31 (E146).

BA151. Santelli, Robert. “Akers, Garfield,” in The Big Book of Blues, p. 5 (Item E202).

BA165. Herzhaft, Gérard. “Dave Alexander,” in Encyclopedia of the Blues, p. 3 (E150).

BA152. Taft, Michael. “One Singer’s Formulaic Tradition: The Repertoire of Garfield Akers,” in The Blues Lyric Formula. New York: Routledge, 2006.

BA166. Jung, Maureen. “Omar Sharriff: ‘I’d Like to Send a Message of Love and Hope’.” Living Blues no. 115 (May/Jun 1994): 55–59.

BA153. Wardlow, Gayle Dean. “Garfield Akers & Mississippi Joe Callicott: From the Hernando Cottonfields.” Living Blues no. 50 (Spring 1981): 26–27. Reprinted in Chasin’ That Devil Music, pp. 118–124. San Francisco: Miller Freeman, 1998.

BA167. Kriss, Eric. “Dave Alexander.” Living Blues no. 15 (Winter 1973/74): 4, 14.

See also: Items A1602, A2272, A2274, BH2150, F850. ALABAMA SHEIKS BA154. Zwigoff, Terry. String Bands (1926–1929): Complete Recorded Works in Chronological Order. Austria: Document DOCD-5167, 1994. See also: Item C98. MOZELLE ALDERSON BA155. Balfour, Alan. Blue Girls: Complete Recorded Works in Chronological Order. Vol. 2: 1925–30. Austria: Document DOCD-5504, 1996. See also: Matrix no. 20 (1958): 16. Items BD999, BD1038. DAVE ALEXANDER (David Alexander Elam) BA156. Aigner, Hal. “Dave Alexander.” Lightning Express no. 3 (1976): 40.

BA168. Lacava, Jacques. “Dave Alexander.” Soul Bag no. 112 (Winter 1987/88): 22–23. BA169. Larkin, Colin (ed.). “Alexander, Dave,” in The Guinness Encyclopedia of Popular Music, p. 60 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., pp. 12, 14 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 7 (E169). BA170. Mazzolini, Tom. “Dave Alexander.” Living Blues no. 26 (Mar/Apr 1976): 4. BA171. Montagne, Rochelle; Komara, Edward. “Alexander, Dave (Omar Hakim Khayyam),” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 17–18 (Item E162). BA172. Norris, John. “Dave Alexander.” Coda no. 144 (Jan/ Feb 1976): 18. BA173. Omar Shariff. Omar Shariff: The Raven. USA: Arhoolie CD-365, 1992. BA174. Ritter, Jess. “Dave Alexander: Workin’, Losin’, & Winnin’.” Lightning Express no. 3 (1976): 41.

BA157. Anon. “Bay Area Blues: Dave Alexander.” Living Blues no. 16 (Spring 1974): 9.

BA175. Russell, Tony. “Omar Sharriff (1938–),” in The Blues: From Robert Johnson to Robert Cray, p. 165 (Item A1904).

BA158. Arnaudon, Jean-Claude. “Dave Alexander,” in Dictionnaire du Blues, pp. 34–35 (E101).

BA176. Santelli, Robert. “Shariff, Omar,” in The Big Book of Blues, p. 361 (Item E202).

BA159. Choisnel, Emmanuel. “The Incredible Dave Alexander.” Soul Bag no. 22/23 (Jan/Feb 1973): 40.

BA177. Selvin, Joel. Dave Alexander: The Dirt on the Ground. USA: Arhoolie 1071, 1973.

Biographical Entries: A

See also: Soul Bag no. 41 (Sep 1974): 22. Westcoast Blues Review no. 16 (Apr/May 1996). Item BR761. DAVID ALEXANDER See: BLACK IVORY KING MEL ALEXANDER BA178. Nations, Opal Louis. “Movin’ with Kris: The Mel Alexander Story.” Blues & Rhythm no. 131 (Aug 1998): 10–13. ORA ALEXANDER BA179. Evans, David. Female Blues Singers. Vol. 1: A/B (1924–1932). Austria: Document DOCD-5505, 1996. See also: Item A1826. TEXAS ALEXANDER (Alger Alexander) BA180. Arnaudon, Jean-Claude. “Texas Alexander,” in Dictionnaire du Blues, p. 35 (E101). BA181. Bakker, Dick M. “Alger ‘Texas’ Alexander.” Micrography no. 8 (Jan 1970): 10. BA182. Bisson, Raffaele. “Il Texano Alger Alexander: Bluesman da Strada.” Il Blues no. 66 (Mar 1999): 36–38. BA183. Bogaert, Karel. “Alexander, ‘Texas’ Alger,” in Blues Lexicon, p. 15 (Item E110). BA184. Charters, Samuel B. “‘Texas’ Alexander,” in The Bluesmen, pp. 196–203 (Item A387). Reprinted in The Blues Makers. Part 1, pp. 196–203. New York: Da Capo, 1991. BA185. Clarke, Donald. “Alexander, Alger ‘Texas’,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., p. 16 (Item E125). BA186. Garon, Paul. “Texas Alexander,” in Back Woods Blues, ed. S.A. Napier, pp. 23–24. Oxford: Blues Unlimited, 1968.

87

(E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 12 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 7 (E169). BA192. McCarthy, Albert; Venables, Ralph. “Discography of Texas Alexander.” Jazz Music [UK] 3, no. 1 (1946): 20–22. BA193. Oliver, Paul. “Alexander, Alger ‘Texas’ (c. 1900– c.1955),” in Jazz on Record, ed. A.J. McCarthy (Item E378). BA194. Oliver, Paul. “Alexander, Alger(non) Texas,” in The New Grove Dictionary of American Music. Vol. 1, ed. H.W. Hitchcock; S. Sadie, p. 28 (Item E154). BA195. Oliver, Paul. Texas Alexander: Complete Recordings in Chronological Order. Vol. 1: 1927–28. UK: Matchbox MSE 206, 1982. Vol. 2: 1928–29. UK: Matchbox MSE 214, 1982. Vol. 3: 1929–1930. UK: Matchbox MSE 220, c1986. Notes reprinted with Texas Alexander: Complete Recorded Works in Chronological Order. Vol. 1. Austria: Document MBCD-2001, 1993. Vol. 2. Austria: Document MBCD-2002, 1994. Vol. 3. Austria: Document MBCD-2003, 1994. BA196. Panassié, Hugues; Gautier, Madeleine. “Alexander, ‘Texas’,” in Dictionary of Jazz, p. 2 (Item E182). BA197. Rijn, Guido van; Vergeer, Hans. Alger ‘Texas’ Alexander: Texas Troublesome Blues. Holland: Agram AB 2009, 1980s. BA198. Romanowski, Ken. Texas Alexander: 98º Blues. UK: Catfish CD 122, 1999. BA199. Rookmaaker, Dr. H.R. Texas Alexander: Treasures of North American Negro Music. Vol. 7. Holland: Fontana 467 136 TE, c1959. BA200. Russell, Tony. “Texas Alexander (1900–1954),” in The Blues: From Robert Johnson to Robert Cray, p. 88 (Item A1904). BA201. Santelli, Robert. “Alexander, Texas,” in The Big Book of Blues, pp. 5–6 (Item E202).

BA187. Garon, Paul. “Alexander, Algernon ‘Texas’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 17 (Item E162).

BA202. Shadwick, Keith. “Alger ‘Texas’ Alexander,” in Blues: Keeping the Faith, p. 9 (Item E204).

BA188. Harris, Sheldon. “Alexander, Alger ‘Texas’,” in Blues Who’s Who. 5th ed., p. 29 (E146).

BA203. Smith, Chris. “Texas Alexander on Album.” Blues & Rhythm no. 56 (Nov 1990): 7.

BA189. Herzhaft, Gérard. “Texas Alexander,” in Encyclopedia of the Blues, pp. 3–4 (E150).

BA204. Solding, Staffan. “Texas Alexander.” Jefferson no. 60 (Spring 1983): 30–31.

BA190. Holland, Ted. “Alger ‘Texas’ Alexander,” in This Day in African-American Music, p. 108 (E157).

BA205. Tonneau, Serge. “Texas Alexander.” Rhythm & Blues Panorama no. 23 (1963).

BA191. Larkin, Colin (ed.). “Alexander, Alger ‘Texas’,” in The Guinness Encyclopedia of Popular Music, p. 60

BA206. Tonneau, Serge, Gillet, André. “Texas Alexander Disco.” Rhythm & Blues Panorama no. 23 (1963).

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See also: Items A1373, A2086, BF409, BH778, F58, F1389. MAY ALIX BA207. Anon. “Alix, May,” in The New Grove Dictionary of Jazz. Vol. 1: A–K, ed. B. Kernfeld, p. 13 (Item E159). BA208. Anon. “Mae Alix is Starring at Gray’s Spot.” Chicago Defender (3 Sep 1938): 18. BA209. Chilton, John. “Alix, May,” in Who’s Who of Jazz. 4th ed., pp. 3–4 (Item E121). BA210. Clarke, Donald. “Alix, May,” in The Penguin Encyclopedia of Popular Music. New York: Viking, 1989 (Item E125). BA211. Harris, Sheldon. “Alix, May ‘Mae’,” in Blues Who’s Who. 5th ed., p. 31 (E146). BA212. Larkin, Colin (ed.). “Alix, May,” in The Guinness Encyclopedia of Popular Music, p. 62 (E165). BA213. Montagne, Rochelle; Komara, Edward. “Alix, May,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 18 (Item E162). BA214. Santelli, Robert. “Alix, May (Mae),” in The Big Book of Blues, p. 6 (Item E202). BILL “HOSS” ALLEN BA215. Hoffman, Steve. “Allen, Bill ‘Hoss’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 18 (Item E162). CORA MAE ALLEN See: BLIND BOY FULLER Item F448. ERNESTINE ALLEN (Ernestine Letitia Allen) BA216. Anon. “Broadway Eyes Anisteen Allen, 4th in Series of Millinder Vocalists.” Chicago Defender (12 Jan 1946): 14. BA217. Holland, Ted. “Annisteen Allen,” in This Day in African-American Music, p. 134 (E157). BA218. Larkin, Colin (ed.). “Allen, Annisteen,” in The Guinness Encyclopedia of Popular Music, p. 63 (E165). BA219. Montagne, Rochelle; Komara, Edward. “Allen, Annisteen,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 18 (Item E162). BA220. Mohr, Kurt. “Annisteen Allen Discography.” Soul Bag no. 107 (Autumn 1986): 9–10. BA221. Wright, Dale. Ernestine Allen: Let It Roll. USA: Tru-Sound TRU 15004, c1961; USA: Original Blues Classics OBCCD-539-2, 1991.

Obituaries: BA222. Hess, Norbert. “Ernestine Allen.” Juke Blues no. 28 (Spring 1993): 25. BA223. Penny, Dave. “Annisteen Allen.” Blues & Rhythm no. 75 (Jan 1993): 9. BA224. Radenac, Marc. “Annisteen Allen.” Soul Bag no. 129 (Winter 1993): 27. See also: Items A1832, F1152. JESSE ALLEN BA225. Hannusch, Jeff. Jesse Allen: Rockin’ and Rollin’. France: Imperial 1566351, 1986. JOHNNY ALLEN BA226. Stern, Gary. “Johnny Allen: New Blues in the Big Apple.” Living Blues no. 115 (May/Jun 1994): 38–39. LEE ALLEN BA227. Broven, John J. “Lee Allen,” in Rhythm and Blues in New Orleans, pp. 82–83, 90 (Item F1076). BA228. Broven, John. Lee Allen: Down on Bourbon Street. UK: NoLa LP 16, 1978. BA229. Clarke, Donald. “Allen, Lee,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., p. 17 (Item E125). BA230. Flanagan, Graeme. “Talkin’ with Mr. Lee: Lee Allen’s Story.” Crazy Music no. 8 (1976): 17–18. BA231. Hannusch, Jeff. “Cookin’ with Mr. Lee.” Wavelength no. 33 (Jul 1983): 9. BA232. Hannusch, Jeff. “Lee Allen: Cookin’ with Mr. Lee,” in I Hear You Knockin’, pp. 239–244 (Item F1085). BA233. Hardy, Phil; Laing, Dave (eds.). “Lee Allen,” in The Encyclopedia of Rock. Vol. 1, p. 17 (Item E145). BA234. Hoffman, Steve. “Allen, Lee,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 19 (Item E162). BA235. Holland, Ted. “Lee Allen,” in This Day in AfricanAmerican Music, p. 82 (E157). BA236. Marymount, Mark. Lee Allen: Walkin’ with Mr. Lee — Golden Classics. USA: Collectables 5083, 2003. BA237. Nite, Norm N. “Lee Allen & His Band,” in Rock On. Vol. 1. 2nd ed., pp. 4–5 (Item E181). BA238. Pentelow, N. “Lee Allen.” Saxophone Journal 29 (Mar/Apr 2005): 22–25. BA239. Poumérol, Marin. “Lee Allen.” Soul Bag no. 113 (Spring 1988): 28.

Biographical Entries: A

BA240. Santelli, Robert. “Allen, Lee,” in The Big Book of Blues, p. 7 (Item E202). BA241. Stagg, Tom. “Lee Allen Discography.” Footnote 7, no. 6 (1976): 29–30. BA242. Tollhammer, G.; et al. “Walkin’ with Mr. Lee.” Rock Revue no. 30 (Feb 1979): 9–10. Obituaries: Block no. 93 (1995): 5. Blue Suede News no. 31 (Summer 1995). Jazznu no. 190 (1995): 57. Jefferson no. 106 (1994): 23. Orkester Journalen (Jan 1995): 37. Record Collector no. 185 (1995): 5. BA243. Aiges, Scott. “Soulful Sax Man Lee Allen Dies.” Times-Picayune (20 Oct 1994): L8. BA244. Bonner, Brett J. “Lee Allen.” Living Blues no. 119 (Jan/Feb 1995): 67. BA245. Broven, John. “Lee Allen.” Juke Blues no. 32 (Winter/Spring 1995): 20. BA246. Burke, Tony. “Lee Allen.” Blues & Rhythm no. 94 (Nov 1994): 15. BA247. Hannusch, Jeff. “Lee Allen.” Goldmine no. 374 (25 Nov 1994): 8. BA248. Laplace, Michel. “Lee Allen.” Jazz Hot no. 519 (Apr 1995): 5.

89

BA254. Montagne, Rochelle. “Allen, Pete,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 19 (Item E162). BA255. Sharp, Steven. “Chicago Special: Pete Allen.” Living Blues no. 123 (Sep/Oct 1995): 41–43. RICKY ALLEN BA256. Bogaert, Karel. “Allen, Ricky,” in Blues Lexicon, p. 16 (Item E110). BA257. Dahl, Bill. “Singer Ricky Allen is Ready to Cut Loose and Clean Up Again.” Chicago Tribune (9 Jul 1993): 46. BA258. Danchin, Sebastian. “Ricky Allen: Den Glömda Artisten.” Jefferson no. 127 (2001): 4–8. BA259. Lillsunde, Anders. “En Uppföljning: Ricky Allen.” Jefferson no. 134 (2002): 18–20. BA260. Lillsunde, Anders. “Inte Längre Fullt så Okänd: Ricky Allen.” Jefferson no. 128 (2001): 4–6. BA261. Lillsunde, Anders. “Ouch!: The Return of Ricky Allen.” Blues & Rhythm no. 168 (Apr 2002): 14–17. BA262. Lillsunde, Anders. “På Jakt Efter Ricky Allen.” Jefferson no. 127 (2001): 9–11.

BA249. “Lee Allen: Saxophonist Backed Fats Domino, Little Richard.” Los Angeles Times (29 Oct 1994): 26.

BA263. Lillsunde, Anders. Ricky Allen: Live. Sweden: Jefferson/Scandinavian Blues Association SBACD 12657, 2001.

BA250. Morris, Chris. “Allen Remembered as Top Rock’n’Roll Saxophonist.” Billboard (5 Nov 1994): 16.

BA264. Paterson, Neil. “Ricky Allen,” in Nothing But the Blues, ed. M. Leadbitter, p. 92 (Item A1241). (NOTE: Previously unpublished.)

BA251. Radenac, Marc. “Lee Allen.” Soul Bag no. 137 (Winter 1994/95): 32. See also: Now Dig This no. 42 (Sep 1986). Now Dig This no. 140 (Nov 1994). Now Dig This no. 224 (Nov 2001). Offbeat (Dec 2000): 20+. Item F1079. LEONARD ALLEN See: UNITED/STATES RECORDS MELVIENA ALLEN BA252. Sharp, Steven. “Chicago Special: Melviena Allen.” Living Blues no. 115 (May/Jun 1994): 41–43. MURRAY ALLEN See: VEE-JAY RECORDS PETE ALLEN BA253. Anon. “Find Out What These Blues Means.” Jefferson no. 110 (1996): 31.

BA265. Pruter, Robert. “Allen, Ricky,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 19 (Item E162). Obituaries: Billboard 117 (2 Jul 2005): 68. In the Basement no. 39 (2005): 8. Sing Out! 49, no. 3 (Fall 2005): 193. BA266. Danchin, Sebastian. “Remembering Ricky Allen.” Soul Bag no. 180 (Sep 2005): 34–35. BA267. Lee, Jim. “Ricky Allen.” Dirty Linen no. 120 (Oct/ Nov 2005): 8. BA268. Lillsunde, Anders. “Ricky Allen.” Blues & Rhythm no. 201 (Aug 2005): 22–23. BA269. Pruter, Robert. “Ricky Allen.” Juke Blues no. 59 (Late Summer 2005): 68–69. BERNARD ALLISON BA270. Baenen, Jeff. “Young Allison Rocks the Blues, Just Like His Late Dad, Luther.” The Ottawa Citizen (31 Aug 2002): I5.

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BA271. “Bernard Allison: Playing for the People.” Blues News [Germany] no. 33 (Apr/Jun 2003): 14–17.

BA290. Svacina, Fritz. “Bernard Allison.” Blues Life no. 36 (1986): 8–9.

BA272. Bonner, Brett J. Bernard Allison: Keepin’ the Blues Alive. USA: Cannonball CD 29101, 1997.

A291.

BA273. Clark, Joe C. “Allison, Bernard,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 20 (Item E162).

BA292. Tipaldi, Art. “Bernard Allison: Here Comes the Son.” Blues Revue no. 50 (Sep 1999): 8–9, 11–12, 14.

BA274. Driancourt, Christophe. “Bernard Allison: Le Blues de Père en Fils.” Jazzman no. 15 (Jun 1996): 13.

BA293. Wisse, Rien. “Bernard Allison Sluit een Deal met een Major Niet uit.” Block no. 123 (2002): 14–17.

BA275. Endress, Gudrun. “Bernard Allison.” Jazz Podium 47, no. 2 (Feb 1998): 15–16. BA276. Frantz, Niles. “Bernard Allison: Young Boy’s Blues.” Blues Revue no. 32 (Nov 1997): 28–30. BA277. Grosman, Romain. “Bernard Allison: Haute Tension.” Jazz Hot no. 501 (Jun 1993): 15. BA278. Hutchinson, Billy. “Bernard Allison.” Blues Matters no. 13 (Mar/Apr 2003): 30. BA279. Isola, Gregory. “Bernard Allison: The Blues-Funk Rhythm Method.” Guitar Player 33, no. 5 (May 1999): 31–32. BA280. Levy, Adam. “Passing the Torch.” Guitar Player 34, no. 4 (Apr 2000): 63, 65. BA281. Molenda, Michael. “Performance Notes: Bernard Allison.” Guitar Player 36, no. 10 (Oct 2002): 23.

Tipaldi, Art. “Bernard Allison,” in Children of the Blues, pp. 18–23. San Francisco: Backbeat, 2002.

See also: LUTHER ALLISON Big City Blues 3, no. 5 (Dec 1997/Jan 1998). Blues Magazine [France] no. 26 (2002). Item A524. GENE ALLISON BA294. Dahl, Bill. The Very Best of Gene Allison: You Can Make It If You Try. USA: Collectables COL-CD7242, 2000. GEORGE ALLISON See: Item C766 (Vol. 5). LUTHER ALLISON BA295. Ahlstrand, Clas. “Luther Allison.” Jefferson no. 10 (1970): 5, 16.

BA282. Palmer, Amanda. “Don’t Start Me Talkin’.” Blues in Britain no. 2 (Feb 2002): 6–7.

BA296. Ahlstrand, Clas. “Luther Allison the First (1970).” Jefferson no. 50 (Winter 1980): 10–17; “Luther Allison the Second (1980).” Jefferson no. 50 (Winter 1980): 18–22.

BA283. Paul, Klaus B. “Bernard Allison: Born with the Blues.” Blues News [Germany] no. 14 (Aug 1998): 11–12.

BA297. Ahlstrand, Clas. “Sweet Home Chicago: En Introduktion Till Luther Allison.” Jefferson no. 50 (Winter 1980): 8–9.

BA284. Rowland, Mark. “Talents: Bernard Allison.” Musician no. 227 (Oct 1997): 14.

BA298. Allison, Luther. “I Was Born in Arkansas and Raised Up in Chicago,” in The Voice of the Delta: Charley Patton and the Mississippi Blues Traditions, Influences, and Comparisons. Liege: Presses Universitaires de Liege, 1987.

BA285. Seedorff, George. “Bernard Allison Wonders Why One Has to Go to France to Get Respect.” Michigan Chronicle (10 Dec 1997): 2. BA286. Seedorff, George. “Destiny Drives Bernard Allison to Keep His Father’s Blues Alive.” Michigan Chronicle (3 Dec 1997): 2. BA287. Shadwick, Keith. “Bernard Allison,” in Blues: Keeping the Faith, p. 10 (Item E204). BA288. Sinclair, John. “Bernard Allison: Keeping the Flame.” Living Blues no. 167 (Mar/Apr/May 2003): 34–41. BA289. Smith, Michael B. “Across the Water and Back Again: An Interview with Bernard Allison.” Goldmine no. 535 (26 Jan 2001): 17–18.

BA299. Anon. “CD Recordings: Luther Allison.” Audio 83, no. 11 (Dec 1999): 103. BA300. Anon. “Luther Allison.” Blues Life no. 13 (1981): 25–26. BA301. Anon. “Luther Allison.” Blues World no. 30 (May 1970): 14–15. BA302. Anon. “Luther Allison: Keep on Keepin’ On.” Ann Arbor Argus no. 27 (17 Aug 1970): 6–7, 17. BA303. Anon. “Luther Allison Record Book.” Blues Life no. 26 (1984): 10–11. BA304. Anon. “New Acts.” Variety (23 Apr 1975): 60.

Biographical Entries: A

BA305. Arnaudon, Jean-Claude. “Luther Allison,” in Dictionnaire du Blues, pp. 35–36 (E101). BA306. Aykroyd, Dan; Manilla, Ben. “Luther Allison,” in Elwood’s Blues, pp. 3–8 (Item A139). BA307. Baker, Cary. Luther Allison: The Motown Years. USA: Motown 31453-0612-2, 1996. BA308. Baldwin-Beneich, Sarah. “From Blues to Bleus.” Chicago Tribune (31 Mar 1991): 19. BA309. Bessman, Jim. “Alligator’s Luther Allison Has a Mean ‘Blue Streak’.” Billboard 107 (29 Jul 1995): 11, 36. BA310. Blampain, Gilles; Hermanstadt, Alain; Larousse, Jean-Pierre. “Luther Allison: Coup de Blues.” Trad’ Magazine no. 56 (Nov/Dec 1997): 70–71. BA311. Blomberg, Lennart. “Liseberg Satsar Paa Jazz.” Orkester Journalen 48, no. 6 (Jun 1980): 12–13. BA312. Bogaert, Karel. “Allison, Luther,” in Blues Lexicon, p. 16 (Item E110).

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BA324. Dregni, Michael. “Luther Allison: The Soul Fixin’ Man.” Vintage Guitar (Apr 1997). (NOTE: Reprinted online via: http://www.vintageguitar. com.) BA325. Duncan, Scott. “I’m a Musician I’m an Entertainer I’m an Artist.” Blueprint 2, no. 2 (Aug 1997): 18–22. BA326. Edmonds, Mark. “Soul Fixin’ Man: Luther Allison Shows His Blue Streak.” Blues Access no. 25 (Spring 1996): 12–21. BA327. Ellis, Andy. “Wait for the Beat! a Lesson with Luther Allison.” Guitar Player 30, no. 12 (Dec 1996): 45, 47, 51. BA328. Feenstra, Pete. “The Gospel According to Luther.” Jazz on CD/Cassette (Second Series) 1, no. 9 (Oct 1994): 64. BA329. Feenstra, Pete. “Bluesman of the Moment.” Rock ‘n’ Reel no. 20 (1995): 15. BA330. Fishel, John. Luther Allison and the Blues Nebulae: Love Me Mama. USA: Delmark DS-625, 1970.

BA313. Brasso, Paul. “Luther Allison: Blues’ens Muhammed Ali.” M.M.: Tidskrift for Rytmisk Musik 13 (Dec 1980): 21.

BA331. Freund, Steve. “Luther Allison.” Living Blues no. 125 (Jan/Feb 1996): 8–21.

BA314. Calloway, Earl. “Luther Allison’s Becoming a Superstar.” Chicago Defender (12 Sep 1996): 21.

BA332. Fulton, Doug. “Remembering Luther.” Blues Beat 12, no. 4 (1996): 12–13.

BA315. Case, Wendy. “Luther Allison Gets Set to Fire Up the Majestic.” Detroit News (15 May 1997): 2.

BA333. Gilbert, Mark. “Luther Allison.” Jazz Journal 50, no. 10 (Oct 1997): 17.

BA316. Chapman, Bob. “For Luther Allison, How Can I Say the Blues is Back: It Never Went Away!” Blueprint no. 66 (Sep 1994): 7–9. BA317. Clarke, Donald. “Allison, Luther,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., pp. 19–20 (Item E125). BA318. Clemons, Annika. “Jefferson Kollar In: Luther Allison.” Jefferson no. 82 (1988): 12–13. BA319. Cullaz, Maurice; Demêtre, Jacques; Robin, Daniel. “Le Blues Apres le Blues: Luther Allison.” Jazz Hot no. 385 (Jun/Jul 1981): 19–21. BA320. Cullaz, Maurice. “Luther Allison: Le Blues dans la Peau.” Jazz Hot no. 336 (Apr 1977): 24–25. BA321. Dahl, Bill. “Once a Local Fixture, Luther Allison Makes Rare Appearance.” Chicago Tribune (10 Jun 1994): 1. BA322. Dallas, Karl. “Young Man’s Blues.” Melody Maker (20 Sep 1980): 35. BA323. Dowlding, Bill. “Bad News is Coming: Luther Allison.” Living Blues no. 14 (Autumn 1973): 23–24.

BA334. Goldwasser, Frank; Lacava, Jacques. “Luther Allison.” Soul Bag no. 84 (Aug/Sep 1981): 5–10. BA335. Grand, Otis; Lending, Kenn; Verbeke, Patrick; Ruf, Tom ‘Curly’; Friend, Constanze. Luther Allison and Friends: Pay It Forward. Germany: Ruf 1060, 2002. BA336. Grandi, Marino; et al. “L’Intervista.” Il Blues no. 3 (Jun 1983): 7–8. BA337. Grigg, Andy. “Luther Allison: On a Tear Again.” Westcoast Blues Review no. 13 (Oct/Nov 1995): 6–7. BA338. Grosman, Romain. “Blues Life.” Jazz Hot no. 511 (Jun 1994): 27–29. BA339. Hansson, Nils. “Luther Allison.” Ritz no. 6 (1984). BA340. Harris, Sheldon. “Allison, Luther S,” in Blues Who’s Who. 5th ed., pp. 31–33 (E146). BA341. Helland, Dave. “Luther Allison: Blues Guitar Boss.” Guitar Player 10, no. 3 (Mar 1976): 14+. Excerpt reprinted as “Flashback: March ‘76: Luther Allison on Hendrix, Hooker, and Chicago Blues.” Guitar Player 33, no. 4 (Apr 1999): 147.

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BA342. Herzhaft, Gérard. “Luther Allison,” in Encyclopedia of the Blues, p. 5 (E150). BA343. Holland, Ted. “Luther Allison,” in This Day in African-American Music, p. 97 (E157). BA344. Horwitz, David. “Luther Allison’s Last Recording Session.” Blues Access no. 37 (Spring 1999): 34–39. BA345. Huggins, Cilla; Greensmith, Bill. “‘I’m Still Struggling for What I Started With’: Luther Allison Interview.” Blues Unlimited no. 139 (Autumn 1980): 4–11.

A Blues Bibliography, Second Edition

Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 14 (E166). Reprinted in an edited form in The Virgin Encyclopedia of the Blues, p. 8 (E169). BA361. Leigh, Keri. “Looking Back: The Passing of So Many.” Blues Revue no. 33 (Dec 1997): 64, 66–67. BA362. Leucinger, Dave. “Allison’s Death Comes at Peak of His Career.” Wisconsin State Journal (14 Aug 1997): 5.

BA346. Huggins, Cilla. “Luther Allison: A Tribute.” Juke Blues no. 39 (1997): 28–33.

BA363. Liberge, Luigi; Bellemain, Daniel; A.S.; C.S. “Luther Allison Disco.” Jazz, Blues & Co no. 15 (Mar 1978): 12–13. (NOTE: Additions & corrections in Jazz, Blues & Co no. 16 (1978): 14.)

BA347. Huggins, Cilla. “Luther: The Chicago Years.” Juke Blues no. 43 (Spring 1999): 14–20.

BA364. Löfgren, Tommy. “Luther Allison Spranger Ramarna.” Jefferson no. 70 (Fall 1985): 14.

BA348. Humiston, Connie ‘Crash’. “Who is James Solberg?: Life with Luther Allison.” Blues Revue no. 27 (Feb/ Mar 1997): 30–31, 33.

BA365. “Luther Allison: W.C. Handy Awards.” Blues News [Germany] no. 8 (Apr 1997): 17–21.

BA349. Ivy, Archie. “To Stay Alive, Luther Learned the Blues.” Soul [USA] 9 (2 Sep 1974): 8. BA350. Jurgeit, Ludwig. “Luther Allison.” Jazz Podium 46, no. 1 (Jan 1997): 22–23. BA351. Kening, Dan. Luther Allison: Soul Fixin’ Man. USA: Alligator ALCD 4820, 1994. BA352. Kiefer, Wolfgang. “Luther Allison: In Europa die Chance, etwas zu entwickeln.” Blues Forum no. 8 (4th Quarter 1982): 4–8. BA353. Klaasse, Piet; Gardner, Mark; Berncef, J. “Luther Allison,” in Jamsession, p. 189. New York: Limelight, 1985. BA354. Klinkowitz, Jon. “Allison, Luther (1939–1997),” in St. James Encyclopedia of Popular Culture. Vol. 1, ed. S. Pendergast; T. Pendergast, pp. 54–56 (Item E185). BA355. Koechlin, Stephane. “Luther Allison: Saga.” Soul Bag no. 135 (Summer 1994): 8–11. BA356. Koester, Bob. “Luther Allison.” Blues Unlimited no. 84 (Sep 1971): 3. BA357. Koester, Bob; Lindemann, Bill. Sweet Home Chicago: The Blues of Magic Sam, Luther Allison, Big Mojo, Eddie Shaw, Louis Myers, Lucky Lopez. USA: Delmark DS-618, 1968.

BA366. Madden, Bruce. “Luther Allison: ‘Fixin’’ Souls and Seeking Recognition.” Blues Revue no. 16 (Mar/Apr 1995): 53–60. BA367. Marcel, Joyce. “Luther Allison: ‘We are All in This Kitchen Making This Meal’.” Blues & Rhythm no. 124 (Nov 1997): 22. BA368. McConnell, Stacy A. “Luther Allison,” in Contemporary Musicians. Vol. 21 (Item E164). BA369. Morris, Chris. “Luther Allison Honored at Handy Awards.” Billboard 110 (16 May 1998): 10, 101. BA370. Neff, Robert; Connor, Anthony. “Luther Allison,” in Blues, pp. 66, 70, 114–115, 137 (Item A1504). BA371. Obrecht, Jas. “Luther Allison: Confessions of a Soul Fixing Man.” Guitar Player 30, no. 12 (Dec 1996): 42–44, 52, 54, 56, 58. BA372. Obrecht, Jas. “Luther Allison: Soul-Fixing Blues.” Guitar Player 29, no. 2 (Feb 1995): 33–36. BA373. O’Brien, Justin. Luther Allison: Serious. USA: Blind Pig BP 72287, 1994. BA374. Paul, Alan. Luther Allison: Live in Chicago. USA: Alligator ALCD 4869, 1999. BA375. Paulsson, Palle. “Luther Allison: The Bluesman of the Year, 1996.” Jefferson no. 113 (1997): 4–7.

BA358. Lacava, Jacques. Luther Allison: Love Me Papa. France: Black & Blue 33.524, 1978.

BA376. Peabody, Dave. “Reckless with the Blues.” Folk Roots no. 169 (Jul 1997): 42–43, 45, 47.

BA359. Langille, Doug. “Luther Allison.” Coda (Sep 1975): 18.

BA377. Périn, Jacques. “Luther Allison: Discographie.” Soul Bag no. 84 (Aug/Sep 1981): 11–12.

BA360. Larkin, Colin (ed.). “Allison, Luther,” in The Guinness Encyclopedia of Popular Music, p. 68 (E165).

BA378. Périn, Jacques. “Luther Allison: I’m Back.” Soul Bag no. 146 (Spring 1997): 10–20.

Biographical Entries: A

BA379. Périn, Jacques. “Leave Your Ego, Play the Music, Love the People: Luther Allison.” Soul Bag no. 148 (Autumn 1997): 4. BA380. Plath, James. “Sunnyland Slim & Luther Allison: Carrying on the Blues Tradition.” Clockwatch Review 1, no. 1 (Summer 1983): 17–19. BA381. Priestley, Brian. “Musicians Talking: Luther Allison.” Jazz & Blues 1, no. 11 (Mar 1972): 20–21. BA382. Priestley, Brian. “Young Man Blues.” Melody Maker (25 Dec 1971): 18. BA383. Radin, Bill. “Talking with Luther: Luther Allison. Pt 1.” Blues Unlimited no. 90 (Apr 1972): 9–10; “Pt 2.” Blues Unlimited no. 91 (May 1972): 12–14. BA384. Ruf, Thomas. Luther Allison Live in Montreux, 1976–1994: Where Have You Been? Germany: Ruf 51416 1342 2, 1996. BA385. Russell, Tony (ed.); Slaven, Neil. “Luther Allison.” The Blues Collection no. 44 (1992+). BA386. Russell, Tony. “Luther Allison (1939–),” in The Blues: From Robert Johnson to Robert Cray, p. 88 (Item A1904). BA387. Santelli, Robert. “Allison, Luther,” in The Big Book of Blues, pp. 7–8 (Item E202). BA388. Seedorff, George. “Blues Star Luther Allison is ‘Unstoppable’.” Michigan Chronicle (14 May 1997): 3. BA389. Seedorff, George. “Destiny Drives Bernard Allison to Keep His Father’s Blues Alive.” Michigan Chronicle (3 Dec 1997): 2. BA390. Shadwick, Keith. “Luther Allison,” in Blues: Keeping the Faith, pp. 12–13 (Item E204). BA391. Silvester, Mario. “Luther Allison en de ChicagoBlues.” Jazz Freak 8, no. 6 (Jul 1981): 15. BA392. Skelly, Richard. “Luther Allison.” Goldmine no. 435 (28 Mar 1997): 20–22, 26, 68, 70, 203. BA393. Slaven, Neil. “The Blues is Life and Life is a Bitch.” Blues & Rhythm no. 119 (May 1997): 8–9. BA394. Southern, Eileen. “Allison, Luther,” in Biographical Dictionary of Afro-American and African Musicians, p. 10 (Item E208).

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BA398. Tanner, George. “Power-Blues with Feeling: Luther Allison.” Blues Life (2nd series) no. 5 (1979): 9. BA399. Thunborg, Carl Peter. “Luther Allison, 55.” Blåtryck no. 71 (1995): 5. BA400. Tipaldi, Art. “Luther Allison,” in Children of the Blues, pp. 11–17. San Francisco: Backbeat, 2002. BA401. Verdobbio, Ottavio. “Soul Fixin’ Man: Luther Allison.” Il Blues no. 63 (Jun 1998): 10–14. (NOTE: Includes discography on p. 14.) BA402. Vietti, Randie. “Child of the Blues.” Blues Beat 12, no. 4 (1996): 6, 12. BA403. Vorel, Bob. “Luther Allison: The Newest King of the Blues.” Blues Revue no. 25 (Oct/Nov 1996): 22–24. BA404. Waterman, Dick. “Luther Allison,” in Between Midnight and Day, pp. 102–105. New York: Thunder Mouth, 2003. BA405. Weinstock, Ron. “Luther Allison at Oberlin College.” Blues World no. 30 (May 1970): 14–15. BA406. Wert, Justin. “Allison, Luther,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 20–21 (Item E162). BA407. Wisse, Rien. “Interview Met Luther Allison.” Block no. 52 (Oct/Nov 1984): 4–12. BA408. Wisse, Rien. “Luther’s Platen.” Block no. 52 (Oct/ Nov 1984): 13–15. Obituaries: Billboard 109 (27 Dec 1997–3 Jan 1998): YE6. Blues News [Germany] no. 10 (Oct 1997): 30– 31. Blues Revue no. 31 (Oct 1997): 74. Cadence 23, no. 10 (Oct 1997): 125. Coda no. 280 (Jul/Aug 1998): 8. Down Beat 64, no. 10 (Oct 1997): 12. Folk Roots no. 172 (Oct 1997): 6. Jazz Hot no. 543 (Sep 1997): 3. Jazz Magazine [France] no. 473 (Sep 1997): 12. Jazz Magazine [France] no. 476 (Dec 1997): 52. Jazz Podium 46, no. 9 (Sep 1997): 44. JazzTimes 27, no. 9 (Nov 1997): 27. Jet 92 (1 Sep 1997): 58. Living Blues no. 135 (Sep/Oct 1997): 8. Los Angeles Times (13 Aug 1997): 16. The Music Paper 37, no. 4 (Nov 1997): 6. New York Times (17 Aug 1997): 44. Notes 54 (Jun 1998): 874. Das Orchester 45, no. 11 (1997): 72. Orkester Journalen 44, no. 9 (Sep 1997): 44. Time [USA] 150 (25 Aug 1997): 25. The Times [UK] (22 Aug 1997). Washington Post (13 Aug 1997): B4.

BA395. Stenbeck, Lennart. “Luther Allison — en Bluesens George Adams.” Orkester Journalen 50, no. 4 (Apr 1982): 10.

BA409. Aldin, Mary Katherine. “Luther Allison (1939– 1997).” Sing Out! 42, no. 3 (Winter 1997): 29–30.

BA396. Svacina, Fritz. “Discographie: Luther Allison.” Blues Life (2nd series) no. 5 (1979): 9–11.

BA410. Allen, Andy. “Luther Allison.” Dirty Linen no. 73 (Dec 1997/Jan 1998): 8.

BA397. Svacina, Fritz; Svacina, Franziska. “Ein Tag mit Luther Allison.” Blues Life no. 26 (1984): 6–11.

BA411. Dahl, Bill. “Luther Allison, 57, Popular Blues Guitarist.” Chicago Tribune (13 Aug 1997): 10.

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BA412. Dawkins, Jimmy; Rush, Bobby; Koester, Bob; Soldberg, James; Ruf, Thomas; Iglauer, Bruce. “A Tribute to Luther Allison.” Living Blues no. 136 (Nov/Dec 1997): 44–47. BA413. Engel, Doug. “Final Bar: Luther Allison.” Down Beat 64, no. 11 (Nov 1997): 15.

A Blues Bibliography, Second Edition

See also: BERNARD ALLISON Big City Blues 3, no. 5 (Dec 1997/Jan 1998). Blues Etc. (later Blues Magazine) [France] no. 1 (1996). Blues Magazine [France] no. 6 (1997). Blues Magazine [France] no. 26 (2002). Goldmine no. 201 (8 Apr 1988). Goldmine no. 205 (3 Jun 1988). R-O-C-K no. 2 (1983).

BA414. Futterman, Steve. “Luther Allison, 1939–1997.” Rolling Stone no. 770 (2 Oct 1997): 20.

RAY ALLISON

BA415. Gallo, Phil. “Luther Allison.” Variety 368 (18 Aug 1997): 42.

BA431. Lazar, Helen Doob. “Ray ‘Killer’ Allison.” Living Blues no. 77 (Dec 1987): 52. Translated into Swedish in Jefferson no. 81 (1988): 26.

BA416. Gilbert, Mark. “Luther Allison.” Jazz Journal 50, no. 10 (Oct 1997): 17. BA417. Marx, Rüdiger. “Bad News is Coming: Luther Allison, 1939–1997.” German Blues Circle Info no. 264 (1997): 2. BA418. Morris, Chris. “Acclaimed Blues Guitarist Luther Allison, 57, Dies.” Billboard 109, no. 34 (23 Aug 1997): 9, 112.

BA432. Montagne, Rochelle. “Allison, Ray ‘Killer’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 22 (Item E162). JAMIE ALSTON BA433. Montagne, Rochelle; Komara, Edward. “Alston, Jamie,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 22–23 (Item E162). Obituaries: Living Blues no. 41 (Nov/Dec 1978): 40.

BA419. Obrecht, Jas. “Luther Allison: Requiem for a Bluesman.” Guitar Player 31, no. 11 (Nov 1997): 51.

JOSH ALTHEIMER

BA420. Powell, Bryan. “In Memory: Luther Allison (1939– 1997); Johnny Copeland (1937–1997).” Blues Access no. 31 (Fall 1997): 46–47.

BA434. Bruynoghe, Yannick. “Altheimer, Joshua,” in Jazz Era: The Forties, ed. S. Dance, pp. 47–48 (Item E128).

BA421. Racati, Pierre. “Larmes: Luther Allison.” Jazz Hot no. 544 (Oct 1997): 6.

BA435. Dauer, Alfons M.; Longstreet, Stephen. “Altheimer, Joshua,” in Knaurs Jazz Lexikon, p. 12. München: Th. Knaur Nachf., 1957.

BA422. Russell, Tony. “Luther Allison: Singing the Blues in Exile.” Guardian [UK] (27 Aug 1997): 15. BA423. Seedorff, George. “A Blues King Has Left Us, a New Generation Must Carry On.” Michigan Chronicle (20 Aug 1997): 3. BA424. Skelly, Richard. “Guitar Great Luther Allison Dead at 57.” Goldmine no. 447 (12 Sep 1997): 10. BA425. Skelly, Richard. “A Tribute to Luther Allison.” Goldmine no. 448 (26 Sep 1997): 142–143. BA426. Tamarkin, Jeff. “Blues Guitar Great, Dead at 57.” Discoveries no. 113 (1997): 16. BA427. Tipaldi, Art. “Farewell to the King of the Blues.” Blues Revue no. 32 (Nov 1997): 86–87. BA428. Trynka, Paul. “Luther Allison, 1939–1997.” Mojo no. 47 (Oct 1997): 29. BA429. Wight, Phil. “Luther Allison.” Blues & Rhythm no. 123 (Oct 1997): 9. BA430. Wisse, Rien. “Was Voor Luther Allison (1939–1997) Het Leven Wel Zo’n Bitch?” Block no. 104 (1997): 12–15.

BA436. Demêtre, Jacques. “Joshua Altheimer: ‘Joshua Était le Meilleur!’: Selon Big Bill Broonzy.” Soul Bag no. 161 (Winter 2001): 22–25. BA437. Larkin, Colin (ed.). “Altheimer, Joshua,” in The Guinness Encyclopedia of Popular Music, p. 74 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., pp. 15, 17 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 10 (E169). BA438. Niquét, Bernard. “Grand Piano Blues.” Rhythm & Blues Panorama no. 30 (1964): 16–20. BA439. Panassié, Hugues; Gautier, Madeleine. “Altheimer, Joshua,” in Dictionary of Jazz, pp. 3–4 (Item E182). BA440. Panassié, Hugues. “The Blues Pianists.” Melody Maker (10 Sep 1955): 6+. BA441. Riesman, Robert. “Altheimer, Joshua ‘Josh’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 23 (Item E162). BA442. Santelli, Robert. “Altheimer, Josh,” in The Big Book of Blues, p. 10 (Item E202). See also: Items C549 (Pt 5), C733.

Biographical Entries: A

AMBROSE SAM BA443. Weinstock, Ron. “Ambrose Sam.” Living Blues no. 127 (May/Jun 1996): 60–61. RICHARD AMERSON BA444. Bogaert, Karel. “Amerson, Richard,” in Blues Lexicon, pp. 16–17 (Item E110). BA445. Courlander, Harold. Negro Folk Music of Alabama. Vol. 3: Rich Amerson, I. USA: Folkways 471, 1956; USA: Folkways FE 4471, 1960. (NOTE: Folkways 471 issued as part of 6 LP box-set.) BA446. Courlander, Harold. Negro Folk Music of Alabama. Vol. 4: Rich Amerson, II. USA: Folkways 472, 1956; USA: Folkways FE 4472, c1960. (NOTE: Folkways 472 issued as part of 6 LP box-set.) BA447. Harris, Sheldon. “Amerson, Richard Manuel ‘Rich’,” in Blues Who’s Who. 5th ed., p. 33 (E146).

95

BA457. Bruynoghe, Yannick. “Ammons, Albert,” in Jazz Era: The Forties, ed. S. Dance, p. 48 (Item E128). BA458. Carr, Ian; Fairweather, Digby; Priestley, Brian. “Ammons, Albert C,” in Jazz: The Essential Companion, p. 9 (Item E118). Reprinted as “Albert Ammons,” in Jazz: The Rough Guide, pp. 11–12 (Item E119). BA459. Case, Brian; Britt, Stan. “Albert Ammons,” in The Illustrated Encyclopedia of Jazz, pp. 10–11 (Item E120). BA460. Chilton, John. “Ammons, Albert C,” in Who’s Who of Jazz. 4th ed., pp. 7–8 (Item E121). BA461. Clarke, Donald. “Ammons, Albert,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., p. 24 (Item E125). BA462. Colombé, Graham. An Introduction to Albert Ammons: His Best Recordings (1936–1947). France: Best of Jazz 4057, c1998.

BA448. Montagne, Rochelle. “Amerson, Richard,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 24 (Item E162).

BA463. Cuscuna, Michael; LaVere, Steve. “Ammons & Lewis on Mosaic.” Disc’Ribe no. 3 (Fall 1983): 31–32.

BA449. Santelli, Robert. “Amerson, Rich,” in The Big Book of Blues, p. 10 (Item E202).

BA464. Dance, Stanley. Albert Ammons: Boogie Woogie and the Blues. USA: Commodore XFL 15357, 1980.

ABIE “BOOGALOO” AMES

BA465. Dauer, Alfons M.; Longstreet, Stephen. “Ammons, Albert,” in Knaurs Jazz Lexikon, p. 13. München: Th. Knaur Nachf., 1957.

Obituaries: Cadence 28, no. 4 (Apr 2002): 141. Variety 386 (25 Feb 2002): 92. BA450. Barretta, Scott. “Abie ‘Boogaloo’ Ames.” Living Blues no. 163 (May/Jun 2002): 87. BA451. Hannusch, Jeff. “Abie ‘Boogaloo’ Ames: Jazz/Blues Pianist.” Goldmine no. 567 (19 Apr 2002): 23. See also: Item D1469. ROY C. AMES See: HOME COOKING RECORDS ALBERT AMMONS BA452. Anon. Albert Ammons: 5 Boogie Woogie Piano Solos. New York: Leeds Music, 1941. 24 pp. BA453. Anon. Albert Ammons, Pete Johnson, Jimmy Yancey: Boogie Woogie Man. France: RCA 730.561, 1972. BA454. Anon. “Who Was Who in Boogie Woogie.” Mississippi Rag 18 (Jun 1991): 4. BA455. Bogaert, Karel. “Ammons, Albert,” in Blues Lexicon, p. 17 (Item E110). BA456. Briggs, Keith. Hey! Piano Man: Selected Boogie Woogie Sides Remastered. UK: JSP JSPCD 7747, c2005.

BA466. Davey, Colin; Poloney, Frank. Learn Boogie Woogie Piano: The Artistry of Albert Ammons, Pete Johnson, and Meade Lux Lewis. Eugene: Boogie Woogie Press, 1998; 2nd ed. Eugene: Boogie Woogie Press, 2002. BA467. Ewert, Hans W. “The Albert Ammons Discography.” Jazz Bazaar no. 11 (Sep 1971): 51–52; Jazz Bazaar no. 12/13 (Dec 1971/Jan 1972): 30–32. BA468. Eyle, Willem Frederik van. Discography of Albert Ammons. Zaandam: van Eyle, 1966. 4 pp. BA469. Feather, Leonard. “Ammons, Albert,” in The New Edition of the Encyclopedia of Jazz, p. 101 (Item E138). BA470. Feather, Leonard. “Piano Giants of Jazz: Albert Ammons.” Contemporary Keyboard 7, no. 2 (Feb 1981): 70–71. BA471. Gammond, Peter. Albert Ammons and His Rhythm Kings. UK: Brunswick OE 9325, c1957. BA472. Gerber, Alain. Giants of Boogie Woogie. France: BYG 529.059, 1970s. BA473. Harris, Rex; Rust, Brian. “Albert Ammons,” in Recorded Jazz, p. 11. Middlesex: Pelican, 1958.

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BA474. Harrison, Max; Morgenstern, Dan. The Complete Blue Note Recordings of Albert Ammons and Meade Lux Lewis. USA: Mosaic MR3-103, 1983.

BA489. Olderen, Martin van. Albert Ammons: King of Blues and Boogie Woogie. Holland: Oldie Blues OL 2807, 1985. Vol. 2. Holland: Oldie Blues OL 2822, 1980s.

BA475. Hoffman, Larry. Boogie Woogie Trio. Vol. 1. Denmark: Storyville STCD 8025, 1995. Vol. 2. Denmark: Storyville STCD 8026, 1997.

BA490. Olderen, Martin van. “Discography Boogie Woogie Pianist: Albert Ammons, 1907–1949.” Boogie Woogie & Blues Collector no. 2 (Feb 1971): 2. (NOTE: Continued in Boogie Woogie & Blues Collector no. 3no.16 (and possibly in later issues).)

BA476. Holland, Ted. “Albert Ammons,” in This Day in African-American Music, p. 113 (E157). BA477. Hopes, Jimmy. “Boogie Woogie Man: A Bio-Discography of Albert Ammons.” Jazz & Blues 1, no. 6 (Oct 1971): 4–7. BA478. Hortig, Michael. “Bass Going Crazy!: Albert Ammons, 1907–1949.” Blues Life no. 14 (1981): 26–28. BA479. Irwin, Virginia. “Kings of Boogie-Woogie.” St. Louis Post-Dispatch (20 Jun 1943). Reprinted in Negro Digest 1, no. 11 (Sep 1943): 15–17. BA480. Kinkle, Roger D. “Ammons, Albert,” in The Complete Encyclopedia of Popular Music and Jazz, 1900–1950. Vol. 2: Biographies A Through K, pp. 499–500 (E160). BA481. Larkin, Colin (ed.). “Ammons, Albert,” in The Guinness Encyclopedia of Popular Music, p. 78 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 17 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 11 (E169). BA482. Marco, Guy A.; Andrews, Frank (eds.). “Ammons, Albert,” in Encyclopedia of Recorded Sound in the United States, p. 18 (Item E176).

BA491. Oliver, Paul. “Ammons, Albert (1907–1949),” in Jazz on Record, ed. A.J. McCarthy, p. 5 (Item E378). BA492. Oliver, Paul. The Boogie Woogie Trio. Denmark: Storyville SLP 184, c1966; Denmark: Storyville SLP-4006, 1976. BA493. One Arm Blind Beck. The Boogie Woogie Boys (Complete LC Rec. 1938 + Film Soundtrack 1941). Austria: Blues Document BDCD-6046, 1995. BA494. Page, Christopher I. Boogie Woogie Stomp: Albert Ammons and His Music. Cleveland: North East Ohio Jazz Society, 1997. 282 pp. BA495. Panassié, Hugues; Gautier, Madeleine. “Ammons, Albert,” in Dictionary of Jazz, p. 4 (Item E182). BA496. Pease, Sharon A. “‘Pine Top’ Smith Influenced Early Piano Style of Swingin’ Ammons.” Down Beat 4, no. 7 (1937): 28. BA497. Pilchak, Angela M. “Albert Ammons: Boogie-Woogie Jazz Pianist,” in Contemporary Musicians. Vol. 53, pp. 4–5 (Item E164). BA498. Russell, Tony. “Albert Ammons (1907–1949),” in The Blues: From Robert Johnson to Robert Cray, p. 88 (Item A1904).

BA483. Mathieson, Kenny. “Ammons, Albert,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 24 (Item E162).

BA499. Rye, Howard. “Albert Ammons.” Collectors Items no. 14 (Oct 1982): 12–14.

BA484. Millward, Steve. “Son of a Boogie Man: Gene Ammons.” Juke Blues no. 57 (Late 2004): 38–40.

BA500. Santelli, Robert. “Ammons, Albert,” in The Big Book of Blues, pp. 10–11 (Item E202).

BA485. Morgenstern, Dan. Albert Ammons & Meade Lux Lewis: The First Day. USA: Blue Note CDP 7 98450 2, 1992.

BA501. Schenker, Anatol. Albert Ammons, 1939–1946. France: Classics 927, 1997. Albert Ammons, 1946– 1948. France: Classics 1100, 2000.

BA486. Morrow, Edward; Crichton, Kyle. “Dark Magic.” Collier’s 103 (24 Jun 1939): 40–41, 78–79.

BA502. Sheridan, Chris. “Chapters in Jazz. Chapter 4: Dust Off That Old Pianna.” Cadence 6, no. 9 (Sep 1980): 19–22, 45.

BA487. Olderen, Martin van. “Albert Ammons.” Boogie Woogie & Blues Collector no. 54/55 (Jul/Aug 1975): 7–8. BA488. Olderen, Martin van. “Albert Ammons Discography.” Boogie Woogie & Blues Collector no. 14 (1972): 3; Boogie Woogie & Blues Collector no. 15 (Apr 1972): 3; Boogie Woogie & Blues Collector no. 16 (May 1972): 3.

BA503. Southern, Eileen. “Ammons, Albert C,” in Biographical Dictionary of Afro-American and African Musicians, p. 11 (Item E208). BA504. Strachwitz, Chris. Albert Ammons: The King of Boogie Woogie. USA: Blues Classics BC 27, c1981. BA505. Watts, Tony. Albert Ammons: Boogie Woogie Man. UK: Pearl CD 1067, 1990s.

Biographical Entries: A

BA506. Williams, Martin. “Ammons, Albert (C),” in The New Grove Dictionary of Music and Musicians. Vol. 1, ed. S. Sadie, p. 330. London: Macmillan, 1980. Reprinted in an edited form in The New Grove Dictionary of American Music. Vol. 1, ed. H.W. Hitchcock; S. Sadie, p. 44 (Item E154). Reprinted in an edited form in The New Grove Dictionary of Jazz. Vol. 1: A–K, ed. B. Kernfeld, pp. 20–21 (Item E159). BA507. Zwingenberger, Axel. Albert Ammons: Alternate Takes, Radio Performances, Unissued Home Recordings (1936–1946). Austria: Document DOCD-1008, 1997. Obituaries: Chicago Defender (10 Dec 1949): 1. Melody Maker (20 Jan 1951): 9. Orkester Journalen 18, no. 1 (Jan 1950): 17. Variety 176 (7 Dec 1949): 63.

97

See also: PINK ANDERSON Item BA549. “TALKING” BILLY ANDERSON BA517. Evans, David. Rare Jazz & Blues Piano. Austria: Document DOCD-5388, 1996. BOB ANDERSON BA518. Komara, Edward. “Anderson, Bob ‘Little Bobby’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 25 (Item E162). Obituaries: BA519. McDonald, Jon. “Bob Anderson.” Living Blues no. 64 (Mar/Apr 1985): 67. CHARLES ANDERSON BA520. Russell, Tony. Male Blues of the Twenties. Vol. 2: 1923–1928. Austria: Document DOCD-5532, 1997.

BA508. Hoefer, George. “Albert Ammons Left Jazz Big Legacy.” Down Beat 17 (13 Jan 1950): 11.

ELESTER ANDERSON

BA509. “Jazz Pianist Ammons Dies.” Chicago Daily News (3 Dec 1949): 6.

BA521. Arnaudon, Jean-Claude. “Lester Anderson,” in Dictionnaire du Blues, p. 36 (E101).

BA510. Jones, Max. “Boogie Pioneer Ammons Dies.” Melody Maker (10 Dec 1949): 5.

BA522. Lowry, Peter B. “Oddenda & Such …. No. 42.” Blues & Rhythm no. 181 (Aug 2003): 9.

BA511. Smith, Charles Edward. “Time Out of Hand.” Record Changer 9 (Jan 1950): 11. See also: Jazz Hot no. 105 (1955).

BA523. Montagne, Rochelle. “Anderson, Elester,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 25 (Item E162).

Items BL741, BL748, C549 (no. 22), C733, C762, E318.

BA524. Wilmer, Valerie. “It’s All Coming Back Says Lester.” Melody Maker (19 May 1973): 38.

JIMMY AMMONS See: DELTA RECORDS BLIND JOE AMOS See: BLIND JOE TAGGART ADA MAE ANDERSON

Obituaries: Living Blues no. 47 (Summer 1980): 33. JELLY ROLL ANDERSON BA525. Garon, Paul. St. Louis, 1928–1933: Complete Recorded Works in Chronological Order. Austria: Document DOCD-5181, 1993.

BA512. Mitchell, George. “Ada Mae Anderson,” in Blow My Blues Away, pp. 101–119. Baton Rouge: Louisiana State University Press, 1971.

JESSE ANDERSON

ALVIN “LITTLE PINK” ANDERSON

JIMMY ANDERSON

BA513. Carron, Linda. “Alvin Anderson: Little Pink’s Blues.” Living Blues no. 137 (Jan/Feb 1998): 26–29.

BA527. Broven, John. “Ladies and Gentlemen, Here’s Jimmy Anderson!” Juke Blues no. 25 (Spring 1992): 8–11.

BA514. Cohen, Andrew M. “Anderson, Alvin ‘Little Pink’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 24–25 (Item E162).

BA528. Coleridge, Steve. “Goin’ Crazy Over Jimmy.” Blues & Rhythm no. 84 (Nov 1993): 17.

BA515. Cooper, Peter. Little Pink Anderson: Carolina Bluesman. USA: Music Maker MMCD 24, 2002. BA516. Duffy, Timothy. “Little Pink Anderson,” in Music Makers, pp. 16–17. Athens: Hill Street, 2002.

BA526. Eagle, Bob. “Jesse Anderson.” Alley Music 1, no. 5 (May 1970): 15.

BA529. Guerry, Jean. “Jimmy Anderson.” Soul Bag no. 16 (c1971): 15. BA530. Komara, Edward. “Anderson, Jimmy,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 25 (Item E162).

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BA531. Larkin, Colin (ed.). “Anderson, Jimmy,” in The Guinness Encyclopedia of Popular Music, p. 84 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 17 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 11 (E169). BA532. Leadbitter, Mike. “‘I Wanna Boogie Woogie, Boogie Woogie All Night Long’,” in Crowley, Louisiana Blues, p. 23. Bexhill-on-Sea: Blues Unlimited, 1968.

BA543. Bogaert, Karel. “Anderson, Pink,” in Blues Lexicon, pp. 17–18 (Item E110). BA544. Bookbinder, Roy. “Pink Anderson: Carolina Songster.” Sing Out! 22, no. 3 (1973): 18. BA545. Charters, Samuel. The Blues of Pink Anderson. Vol. 3: Ballad and Folk Singer. USA: Bluesville BV-1071, c1963; USA: Original Blues Classics OBCCD-577-2, 1995.

KIP ANDERSON

BA546. Charters, Samuel B. Pink Anderson: Carolina Medicine Show Hokum and Blues with Baby Tate. USA: Folkways FS 3588, 1984.

BA533. Goggin, Martin. “Kip Anderson: South Carolina Soulman.” Juke Blues no. 52 (Winter 2002/03): 46–51.

BA547. Charters, Samuel B. Pink Anderson. Vol. 1: Carolina Blues Man. USA: Bluesville BV-1038, c1961; USA: Original Blues Classics OBCCD 504, 1992.

BA534. James, Fred. “Soulman Kip Anderson: Volhouder met Tafelmanieren.” Block no. 119 (2001): 12–15.

BA548. Charters, Samuel B. Pink Anderson. Vol. 2: Medicine Show Man. USA: Bluesville BV-1051, c1962.

See also: Item BM1718.

BA535. Komara, Edward. “Anderson, Kip,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 25 (Item E162).

BA549. Cooper, Peter. “Pink, Little Pink, Simmie, Peg and Baby,” in Hub City Music Makers: One Southern Town’s Popular Music Legacy. Spartanburg: Holocene, 1997.

BA536. Mohr, Kurt. “Jerry McCain et Kip Anderson: Au Hasard d’une Tournée.” Soul Bag no. 131 (Summer 1993): 8–9.

BA550. Goldstein, Kenneth S. Rev. Gary Davis and Pink Anderson: Gospel, Blues and Street Songs. USA: Riverside LP 12-611, c1960; USA: Riverside RLP148, 1960s; USA: Original Blues Classics OBCCD524-2, 1991.

BA537. Mohr, Kurt. “Kip Anderson Discography.” Soul Bag no. 131 (Summer 1993): 9–10. See also: Blues News [Finland] no. 144 (1993). LESTER ANDERSON See: ELESTER ANDERSON LOUISE ANDERSON See: Item BA179.

BA551. Harris, Sheldon. “Anderson, Pink,” in Blues Who’s Who. 5th ed., pp. 33–34 (E146). BA552. Larkin, Colin (ed.). “Anderson, Pinkney ‘Pink’,” in The Guinness Who’s Who of Blues. 2nd ed., p. 17 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 11 (E169).

MISSOURI ANDERSON

BA553. Lowry, Peter B. “Oddenda & Such .... No. 10.” Blues & Rhythm no. 130 (Jun 1998): 19.

BA538. Russell, Tony. Territory Singers: The Complete Recorded Works in Chronological Order. Vol. 1: 1922–1928. Austria: Document DOCD-5470, 1996.

BA554. Oliver, Paul. “Anderson, Pink (1900),” in Jazz on Record, ed. A.J. McCarthy, p. 6 (Item E378).

PINK ANDERSON BA539. Amos, Edward. “Pinkney Anderson,” in Gravesites of Southern Musicians. Jefferson: McFarland, 2002. BA540. Arnaudon, Jean-Claude. “Pink Anderson,” in Dictionnaire du Blues, p. 36 (E101). BA541. Baggelaar, Kristin; Milton, Donald. “Pink Anderson,” in Folk Music: More Than a Song, p. 10 (Item E104). BA542. Bastin, Bruce. “Up on the Road,” in Red River Blues, pp. 180–202. Urbana: University of Illinois Press, 1986.

BA555. Oliver, Paul. Sinners and Saints (1926–1931): Complete Recorded Works. Austria: Document DOCD5106, 1992. BA556. Russell, Tony. “Pink Anderson (1900–1974),” in The Blues: From Robert Johnson to Robert Cray, pp. 88–89 (Item A1904). BA557. Santelli, Robert. “Anderson, Pink,” in The Big Book of Blues, pp. 11–12 (Item E202). BA558. Shadwick, Keith. “Pinkney ‘Pink’ Anderson,” in Blues: Keeping the Faith, p. 14 (Item E204). BA559. Skala, Gianfranco. “Pink Anderson: Discografia.” Il Blues no. 1 (Dec 1982): 26.

Biographical Entries: A

BA560. Southern, Eileen. “Anderson, Pink,” in Biographical Dictionary of Afro-American and African Musicians, p. 14 (Item E208). BA561. Welker, Gaile. “Anderson, Pinkney ‘Pink’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 26 (Item E162). Obituaries: Living Blues no. 20 (Mar/Apr 1975): 57. See also: ALVIN “LITTLE PINK” ANDERSON http://www.wirz.de/music/american.htm Items A652, BA513, BP349, F459. LITTLE PINK ANDERSON See: ALVIN “LITTLE PINK” ANDERSON SAM ANDERSON See: Item BW2326. LITTLE WILLIE ANDERSON BA562. Montagne, Rochelle. “Anderson, ‘Little’ Willie,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 25 (Item E162). BA563. Santelli, Robert. “Anderson, Little Willie,” in The Big Book of Blues, p. 11 (Item E202). BA564. Shurman, Dick. Little Willie Anderson: Swinging the Blues. USA: Earwig CD4930, 1994. Obituaries: Orkester Journalen 60 (Apr 1992): 38.

99

ANDY BOY BA570. Larkin, Colin (ed.). “Boy, Andy,” in The Guinness Encyclopedia of Popular Music, p. 307 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., pp. 48, 50 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 45 (E169). See also: Items BP1062, BP1066 (Vol. 2). EDDIE ANTHONY BA571. Bogaert, Karel. “Anthony, Eddie,” in Blues Lexicon, p. 17 (Item E110). BA572. Larkin, Colin (ed.). “Anthony, Eddie,” in The Guinness Encyclopedia of Popular Music, p. 93 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 17 (E166). Reprinted in The Virgin Encyclopedia of the Blues, pp. 11–12 (E169). BA573. Oliver, Paul. Peg Leg Howell & Eddie Anthony: Complete Recordings in Chronological Order. Vol. 1: 8 November 1926 to 13 August 1928. Austria: Document MBCD-2004, 1990s. Vol. 2: 13 August 1928 to 9 December 1930. Austria: Document MBCD-2005, 1990s. See also: Item C98. CLIFFORD ANTONE See: ANTONE’S RECORDS COREY ARCENEAUX BA574. Thibeaux, Lester. Corey and the Hot Peppers: Hit and Run. USA: Jewel JCD-5053, 1995.

BA565. O’Brien, Justin. “Little Willie Anderson.” Living Blues no. 101 (Jan/Feb 1992): 31–32.

FERNEST ARCENEAUX

BA566. Radenac, Marc. “Little Willie Anderson.” Soul Bag no. 125 (Winter 1991/92): 19.

BA575. Benicewicz, Larry. “Fernest Arceneaux.” Westcoast Blues Review no. 12 (Aug/Sep 1995): 43–46.

See also: Item BB1044. ED ANDREWS

BA576. Christmann, S.A. “Fernest Arceneaux.” Blues Forum no. 3 (Jun/Aug 1981): 12–13.

BA567. Bastin, Bruce. “Goin’ to Town,” in Red River Blues, pp. 96–124. Urbana: University of Illinois Press, 1986.

BA577. Harris, Paul. “Fernest Arceneaux: Continuing the Clifton Chenier Tradition.” Juke Blues no. 57 (Late 2004): 28–30.

BA568. Russell, Tony. “Talkin’ Blues: The First Bluesman?” Jazz & Blues 2, no. 3 (Jun 1972): 15.

BA578. Larkin, Colin (ed.). “Arceneaux, Fernest,” in The Guinness Encyclopedia of Popular Music, p. 98 (E165). Reprinted in The Virgin Encyclopedia of the Blues, p. 12 (E169).

BA569. Sherman, Lonnie. Country Blues Collector’s Items (1924–1928): Complete Recorded Works in Chronological Order. Austria: Document DOCD-5169, 1993. See also: Item BJ1545, F482 (Pt 7). MOSE ANDREWS See: Item F1005 (Vol. 1).

BA579. Olsen, Ryan. “Arcenaux, Fernest,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 28 (Item E162). BA580. Sacré, Robert. “Black Zydeco Music from Louisiana: Fernest and the Thunders.” German Blues Circle Info no. 36 (Sep 1979): 7–8.

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BA581. Sacré, Robert. Fernest & the Thunders: From the Heart of the Bayous. UK: JSP 1064, 1983.

BA598. Bogaert, Karel. “Ardoin, Alponse ‘Bois-Sec’,” in Blues Lexicon, p. 19 (Item E110).

BA582. Sacré, Robert. “Some Recollections of Fernest Arceneaux.” Juke Blues no. 57 (Late 2004): 30.

BA599. Daigle, Pierre V. “Alphonse ‘Bois Sec’ Ardoin,” in Tears, Love and Laughter, pp. 102–103. Church Point: Acadian, 1972.

BA583. Sacré, Robert. “Fernest Arceneaux.” Jazz Hot no. 370 (Feb 1980): 25–27. BA584. Sacré, Robert. “Fernest Arceneaux Komt.” Block no. 28 (Sep/Oct 1979): 10. BA585. Stedman, John. Fernest & the Thunders: Zydeco Stomp. UK: JSP 1029, 1981. TOM ARCHIA BA586. Campbell, Robert L.; Bukowski, Leonard J.; Buettner, Armin. “Tom Archia: The Forgotten Texas Tenor.” Blues & Rhythm no. 140 (Jun 1999): 8–13; “Pt 2.” Blues & Rhythm no. 141 (Aug 1999): 8–12. BA587. Pruter, Robert. “Archia, Tom,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 28 (Item E162). See also: http://hubcap.clemson.edu/~campber/ rsrf.html ARCHIBALD (Leon T. Gross) BA588. Arnaudon, Jean-Claude. “Archibald,” in Dictionnaire du Blues, pp. 36–37 (E101). BA589. Bastin, Bruce. Ballin’ with Archie: Archibald, the Complete New Orleans Sessions, 1950–1952. UK: Krazy Kat KK 7409, 1983. BA590. Broven, John J. “Archibald,” in Rhythm and Blues in New Orleans, pp. 11–12 (Item F1076). BA591. Harris, Sheldon. “Gross, Leon T,” in Blues Who’s Who. 5th ed., p. 202 (E146). BA592. Larkin, Colin (ed.). “Archibald,” in The Virgin Encyclopedia of the Blues, p. 12 (E169). BA593. Leadbitter, Mike; Broven, John. “Ballin’ with Archie.” Blues Unlimited no. 76 (Oct 1970): 9–10.

BA600. Doherty, Madeleine. “Alphonse ‘Bois-Sec’ Ardoin.” Cajun Times no. 9 (Apr/Jun 1997). BA601. Sacré, Robert. “Voyage au Pays des ‘Jolies Blondes’ avec Alphonse ‘Bois Sec’ Ardoin.” Jazz Hot no. 360 (Apr 1979): 28–31; Jazz Hot no. 361 (May 1979): 34–37, 69–70. BA602. Savoy, Ann Allen. “Bois Sec Ardoin,” in Cajun Music: A Reflection of a People, pp. 320–325. Eunice: Bluebird Press, 1984. BA603. Snyder, Jared. “Ardoin, Alphonse ‘Bois Sec’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 29 (Item E162). BA604. Spottswood, Louisa; Reed, Revon. Alphonse ‘Bois Sec’ Ardoin, with Canray Fontenot: Les Blues du Bayou. USA: Melodeon 7330, 1966; UK: Blue Moon 1.045, c1988. BA605. Strachwitz, Chris. Alphonse ‘Bois Sec’ Ardoin, with Canray Fontenot & the Ardoin Brothers: Boisec: La Musique Creole. USA: Arhoolie 1070, 1974. AMÉDÉ ARDOIN BA606. Baggelaar, Kristin; Milton, Donald. “Amadie Ardoin,” in Folk Music: More Than a Song, p. 13 (Item E104). BA607. Clarke, Donald. “Ardoin, Amadé,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., pp. 34–35 (Item E125). BA608. Daigle, Pierre V. “Amedee Ardoin,” in Tears, Love and Laughter, pp. 75–76. Church Point: Acadian, 1972.

BA594. Mohr, Kurt. Archibald. Germany: Polydor 27721, 1960.

BA609. Doucet, Michel; Snyder, Jared; Tisserand, Michael. Amedé Ardoin: I’m Never Comin’ Back - The Roots of Zydeco. USA: Arhoolie/Folklyric 7007, 1995.

BA595. Sanjek, David. “Archibald,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 28 (Item E162).

BA610. Doucet, Michael. Amedé Ardoin: The First Black Cajun Recording Artist. USA: Old Timey OT 124, 1981; USA: Arhoolie CD-9056, 1992.

BA596. Santelli, Robert. “Archibald,” in The Big Book of Blues, p. 13 (Item E202). ALPHONSE ARDOIN

BA611. Montagne, Rochelle; Komara, Edward. “Ardoin, Amédé,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 29 (Item E162).

BA597. Ancelet, Barry Jean. “The Fontenots and the Ardoins,” in The Makers of Cajun Music, pp. 72–87. Austin: University of Texas Press, 1984.

BA612. Savoy, Ann Allen. “Amédée Ardoin,” in Cajun Music: A Reflection of a People, pp. 65–79. Eunice: Bluebird Press, 1984.

Biographical Entries: A

101

BA613. Snyder, Jared. “Amédé Ardoin and Creole Blues,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 3 (Item E162).

BA630. Leach, Andrew. “Armstrong, Howard ‘Louie Bluie’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 31 (Item E162).

BA614. Sonnier, Austin, Jr. “Amedé Ardoin.” Blues Life no. 29 (1985): 27–28.

BA631. Leach, Andrew. “Armstrong, Thomas Lee ‘Tom’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 32 (Item E162).

BA615. Tisserand, Michael. “Zydeco Legend.” Times-Picayune (11 Mar 1998): 1. CHRIS ARDOIN BA616. Ardoin, Chris. Chris Ardoin and Double Clutchin’: Best Kept Secret. USA: Rounder 11661-2162-2, 2000. BA617. Ardoin, Sean. Chris Ardoin and Double Clutchin’: Lick It Up! USA: Maison de Soul MdS-1058, 1995. BA618. Harris, Paul. “Chris and the Ardoin Dynasty.” Juke Blues no. 49 (Spring 2001): 32–34. BA619. Tisserand, Michael. Chris Ardoin and Double Clutchin’: Gon’ Be Jus’ Fine. USA: Rounder CD 2127, 1997. ARKANSAS SHORTY (James McComb) BA620. Evans, David. Hokum Blues. Austria: Document DOCD-5370, 1995. BA621. Evans, David. Rare 1930s Blues. Vol. 1: 1934 to 1937. Austria: Document DOCD-5331, 1995. HOWARD ARMSTRONG BA622. Arnaudon, Jean-Claude. “Howard Armstrong,” in Dictionnaire du Blues, p. 37 (E101). BA623. Behrmann, Molly Schiever. Louie Bluie. USA: Blue Suit BS-106D, 1995. BA624. Brisbin, John Anthony. “Howard Armstrong: The Interview. Pt 1.” Living Blues no. 169 (Sep/Oct 2003): 42–47; “Pt 2.” Living Blues no. 170 (Nov/Dec 2003): 44–49; “Pt 3.” Living Blues no. 171 (Jan/Feb 2004): 34–39. BA625. Feld, David. “A Conversation with the Erstwhile Minstrel Singer Howard Armstrong.” Blues Access no. 35 (Fall 1998): 50–53. BA626. Goldstein, Patrick. “A Resurrected Mojo Man in ‘Louie Bluie’.” Los Angeles Times (2 Apr 1986): F2. BA627. Hoover, Barbara. “An Unsung Bluesman Takes the Spotlight.” Detroit News (21 Sep 1989): 3. BA628. Joyce, Mike; Rusch, Bob. “Howard Armstrong: Oral History.” Cadence 3 (Oct 1977): 3–5, 29. BA629. Kelly, Erin; Noe, Alva. “An Interview With ‘Louie Bluie’: W. Howard Armstrong.” Blues Revue Quarterly no. 7 (Winter 1992/93): 26–33.

BA632. Moore, J. Roderick; Lornell, Kip. “On Tour with a Black String Band: Howard Armstrong and Carl Martin Reminisce.” Goldenseal 2 (Oct/Dec 1976): 47. BA633. Moss, Mark D. “‘The Devil Stuck His Tail in My Ear’: An Interview with Howard Armstrong and Ted Bogan.” Sing Out! 32, no. 3 (Winter 1987): 2–11. BA634. Pahls, Marty. Louie Bluie. USA: Arhoolie 1095, 1985; USA: Arhoolie CD 470, 1998. BA635. Pender, Terry. “Howard ‘Louie Bluie’ Armstrong.” Mandolin Quarterly 7, no. 4 (2002): 9–11. BA636. Peyton, Dave. “Music Made Fiddler ‘A Prince’.” Huntington Herald Dispatch (10 Sep 1978): FI, F3. BA637. Stevens, Maryanne. “Music Man Rode the Rails of McDowell.” Bluefield Daily Telegraph (4 Sep 1981): 2. BA638. Zwigoff, Terry. “Louie Bluie: The Life and Music of William Howard Armstrong. Pt 1.” 78 Quarterly no. 5 (1990): 41–55; “Pt 2.” 78 Quarterly no. 6 (1991): 43–50. Obituaries: All About Jazz [USA ] no. 17 (2003): 31. Billboard 115 (23 Aug 2003): 69. Cadence 29, no. 9 (Sep 2003): 141. CBMR Digest 16, no. 2 (Fall 2003): 7. Chicago Tribune (4 Aug 2003): 7. Daily Variety (7 Aug 2003): 17. Folk Roots no. 244 (Oct 2003): 13. Journal of Country Music 23, no. 3 (2004): 54. Living Blues no. 169 (Sep/Oct 2003): 117. Rollin’ & Tumblin’ no. 27 (Sep 2003): 88. Strings no. 113 (Oct 2003): 21. Variety 391 (11 Aug 2003): 43. BA639. Burke, Tony. “Howard ‘Louie Bluie’ Armstrong.” Blues & Rhythm no. 183 (Oct 2003): 19. BA640. Cohen, Andy. “Last Chorus: Howard Armstrong, 1909–2003.” Sing Out 47, no. 4 (2004): 197, 199. BA641. Colby, Joy Hakanson. “A Detroit Legend Lost; ‘Louie Bluie’ Carved Out His Own Niche in Music and Art Worlds.” The Detroit News (6 Aug 2003): 1B. BA642. DelGrosso, Rich. “W. Howard ‘Louie Bluie’ Armstrong, 1929–2003.” Blues Revue no. 85 (Dec 2003/ Jan 2004): 93. BA643. Gewertz, Daniel. “‘Louie Bluie’ Leaves Sweet Old Legacy.” Boston Herald (2 Aug 2003): 27.

102

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BA644. Hedin, Mark. “Howard ‘Louie Bluie’ Armstrong, 94.” San Francisco Chronicle (3 Aug 2003): A31. BA645. LeBlanc, Eric S. “Howard Armstrong, a.k.a. ‘Louie Bluie’.” Goldmine no. 606 (17 Oct 2003): 50. BA646. Lusk, Jon. “Howard Armstrong; String-Band Fiddler Known as ‘Louie Bluie’.” Independent [UK] (12 Aug 2003): 16. BA647. Negri, Gloria. “Howard Armstrong, at 96; Legendary String-Band Fiddler.” Boston Globe (1 Aug 2003): E13. BA648. Pareles, Jon. “Howard Armstrong, 94, String-Band Fiddler and Mandolinist.” New York Times (2 Aug 2003): A13. BA649. Szlamowicz, Jean. “Tears.” Jazz Hot no. 604 (Oct 2003): Suppl. 7. See also: Items BM264, BM265, BM271, BM272, BM273, BM276, BM281, BM284, BM287, C98. JAMES ARMSTRONG BA650. Bock, Scott. “James Armstrong: ‘Things Just Happened Overnight After That…’.” Living Blues no. 152 (Jul/Aug 2000): 32–39. BA651. Fine, Eric. “Still Goin’.” Blues Revue no. 69 (Jul/Aug 2001): 39, 41. BA652. Ivey, Ed. “James Armstrong: ‘I Can Still See the Light’.” Blues Revue no. 47 (May 1999): 27–31. BA653. “James Armstrong: ‘My Blues Has Always Been Happy!’.” Blues News [Germany] no. 20 (Jan/Mar 2000): 18–19. BA654. Montagne, Rochelle; Komara, Edward. “Armstrong, James,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 32 (Item E162). MAY ARMSTRONG See: Item BG303. ROGER ARMSTRONG See: ACE (UK), STAX RECORDS TOM ARMSTRONG See: HOWARD ARMSTRONG AL ARNETT BA655. Jung, Maureen. “Sacramento Blues. Pt 1: Al Arnett.” Living Blues no. 114 (Mar/Apr 1994): 59. BA656. Olsen, Ryan. “Arnett, Al,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 32 (Item E162).

BILLY BOY ARNOLD (William Arnold) BA657. Aldin, Mary Katherine. “Billy Boy Arnold: I Had No Intention of Stopping.” Living Blues no. 113 (Jan/ Feb 1994): 20–29. BA658. Arnaudon, Jean-Claude. “Billy Boy Arnold,” in Dictionnaire du Blues, pp. 37–38 (E101). BA659. Arnold, Billy Boy. “In Search of Sonny.” Melody Maker (20 Nov 1971): 22. BA660. Arnold, Billy Boy. “The Last Time I Saw Sonny Boy.” Melody Maker (27 Nov 1971): 28. BA661. Arnold, Billy Boy. “Whiskey Headed Men & the Chicago Blues.” Juke Blues no. 51 (2002): 31. BA662. Atherton, Mick. Billy Boy Arnold: Checkin’ It Out. UK: Red Lightnin’ RL0024, 1979. BA663. Beechcroft, Ian. “Billy Boy Arnold.” Soul Bag no. 107 (Autumn 1986): 6–8. BA664. Bogaert, Karel. “Arnold, Billy Boy,” in Blues Lexicon, p. 23 (Item E110). BA665. Bossi, Matteo; Grandi, Marino. “L’Armonica Nascosta: Intervista: La Prima Volta of Billy Boy Arnold in Italia.” Il Blues no. 89 (Dec 2004): 46–47. BA666. Briggs, Keith. Billy Boy Arnold: Catfish. UK: Catfish KATCD130, 1999. BA667. Brunnbauer, Dietmar. “Der Blues Kommt über Den Grossen Teich.” Blues Life no. 29 (1985): 6. BA668. Choisnel, Emmanuel. “Billy Boy Arnold.” Soul Bag no. 38 (May 1974): 34. BA669. Clarke, Donald. “Arnold, Billy Boy,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., p. 40 (Item E125). BA670. Corbett, John. “Billy Boy Arnold.” Down Beat 60, no. 11 (Nov 1993): 12. BA671. Darwen, Norman. “From the B&R Vaults ... Norman Darwen Interviews Billy Boy Arnold.” Blues & Rhythm no. 187 (Mar 2004): 4–8. BA672. Finn, Julio. Billy Boy Arnold: Crying & Pleading. UK: Charly CRB 1016, 1981. BA673. Grahn, Thomas. “‘Blow the Back Off It’: The Billy Boy Arnold Story.” Jefferson no. 111 (1996): 4–6. BA674. Harris, Sheldon. “Arnold, William ‘Billy’/’Billy Boy’,” in Blues Who’s Who. 5th ed., pp. 35–36 (E146). BA675. Herzhaft, Gérard. “Billy Boy Arnold,” in Encyclopedia of the Blues, pp. 10–11 (E150).

Biographical Entries: A

BA676. Huggins, Cilla. “Billy Boy, Neal Pattman and a Prisoner’s Plea.” Juke Blues no. 33 (Summer 1995): 30–31. BA677. Iglauer, Bruce. Billy Boy Arnold: Eldorado Cadillac. USA: Alligator ALCD 4836, 1995. BA678. Larkin, Colin (ed.). “Arnold, Billy Boy,” in The Guinness Encyclopedia of Popular Music, p. 108 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., pp. 17, 19 (E166). Reprinted in The Virgin Encyclopedia of the Blues, pp. 12–13 (E169). BA679. Leiser, Willy. Billy Boy Arnold Session. France: Vogue LDM 30285, 1975. BA680. Mathieson, Kenny. “Arnold, Billy Boy,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 32–33 (Item E162).

103

BA693. Shertser, Peter. Billy Boy Arnold: Blow the Back Off It. UK: Red Lightnin’ RL 0012, 1975. BA694. Shurman, Dick. “Billy Boy Arnold’s Story,” in Nothing But the Blues, ed. M. Leadbitter, pp. 71–76 (Item A1241). (NOTE: Previously unpublished.) BA695. Silsbee, Kirk. Billy Boy Arnold: Back Where I Belong. USA: Alligator ALCD 4815, 1993. BA696. Trynka, Paul; Wilmer, Valerie. “Billy Boy Arnold,” in Portrait of the Blues, pp. 80, 84–85, 123, 156. London: Hamlyn, 1996. BA697. Trynka, Paul. “The Electric Sound.” Mojo no. 72 (Nov 1999): 64. BA698. Trynka, Paul. “The Great Instruments. No. 7: Billy Boy Arnold on the Hohner Marine Band Harmonica.” Mojo no. 29 (Apr 1996): 25.

BA681. Mohr, Kurt. “Discography of William ‘Billy Boy’ Arnold.” Discographical Forum no. 2 (Jul 1960): 11.

BA699. Wasserzieher, Bill. “Back Where Billy Boy Arnold Belongs.” Southland Blues (Dec 1996).

BA682. Point, Michael. Billy Boy Arnold: Ten Million Dollars. USA: Evidence ECD 26061-2, 1995.

BA700. Welding, Pete. Billy Boy Arnold: More Blues from the South Side. USA: Prestige P-7389, 1965; UK: Ace CH 253, 1989.

BA683. Reitz, Louis. “‘Billy Boy’ Arnold: I’m a Blues Singer by Choice!” Blues Forum no. 16 (4th Quarter 1984): 10–14.

BA701. Welding, Pete. “In Defence of Billy Boy Arnold.” Blues Unlimited no. 42 (Mar/Apr 1967): 11–12.

BA684. Ro, Tano. “Billy Boy Arnold.” Il Blues no. 4 (Sep 1983): 18–19.

See also: Blues News [Finland] no. 216 (2005). Jazz Hot no. 172 (Jan 1962). Rollin’ & Tumblin’ no. 19 (May 2001).

BA685. Rosenqvist, Janne. “Billy Boy Arnold.” Blåtryck no. 70 (1994): 5.

Items A1535, BJ1945.

BA686. Rowe, Mike. “‘I Was Really Dedicated’: An Interview with Billy Boy Arnold. Pt 1: A Memory of Sonny Boy.” Blues Unlimited no. 126 (Sep/Oct 1977): 4–7; “Pt 2: Very Exciting Times.” Blues Unlimited no. 127 (Nov/Dec 1977): 10–12; “Pt 3: ‘Whatever I Did It Was Me and I’m Proud of It’.” Blues Unlimited no. 128 (Jan/Feb 1978): 18–26. BA687. Rowe, Mike. “Insights: Dirty Motherfucker.” Blues Unlimited no. 130 (May/Aug 1978): 23. BA688. Russell, Tony. “Billy Boy Arnold (1935–),” in The Blues: From Robert Johnson to Robert Cray, p. 89 (Item A1904).

BYRON ARNOLD BA702. Smith, Chris. “Alabama Bound: The Field Recordings of Byron Arnold.” Blues & Rhythm no. 169 (May 2002): 12–13. JEROME ARNOLD BA703. Arnaudon, Jean-Claude. “Jerome Arnold,” in Dictionnaire du Blues, p. 38 (E101). BA704. Johnson, Greg. “Arnold, Jerome,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 33 (Item E162). BA705. Tillman, Keith. “Bringing It to Jerome.” Blues Unlimited no. 63 (Jun 1969): 12–14.

BA689. Sacré, Robert. “Billy Boy Arnold.” Jazz Hot no. 320 (1975): 16–18.

KOKOMO ARNOLD (James Arnold)

BA690. Santelli, Robert. “Arnold, Billy Boy,” in The Big Book of Blues, p. 14 (Item E202).

BA706. Arnaudon, Jean-Claude. “Kokomo Arnold,” in Dictionnaire du Blues, pp. 38–39 (E101).

BA691. Scott, Frank. Billy Boy Arnold: Goin’ to Chicago. USA: Testament CD 5018, 1995.

BA707. Bakker, Dick M. “Kokomo Arnold on Four LP.” Micrography no. 3 (May 1969): 10.

BA692. Shadwick, Keith. “Billy Boy Arnold,” in Blues: Keeping the Faith, p. 15 (Item E204).

BA708. Bisson, Raffaele. “James ‘Kokomo’ Arnold.” Il Blues no. 58 (Mar 1997): 42–44.

104

BA709. Bogaert, Karel. “Arnold, Kokomo,” in Blues Lexicon, p. 24 (Item E110). BA710. Briggs, Keith. Kokomo Arnold: Complete Recorded Works in Chronological Order. Vol. 1: 17 May 1930 to 15 March 1935. Austria: Document DOCD-5037, 1991. Vol. 2: 18 April 1935 to 21 February 1936. Austria: Document DOCD-5038, 1991. Vol. 3: 22 May 1936 to 12 March 1937. Austria: Document DOCD-5039, 1991. Vol. 4: 30 March 1937 to 12 May 1938. Austria: Document DOCD-5040, 1991. BA711. Buzelin, Jean. Kokomo Arnold: Original Kokomo Blues, 1934–1938. France: Blues Collection 159302, 1998. BA712. Calt, Stephen. Casey Bill Weldon & Kokomo Arnold: Bottleneck Guitar Trendsetters of the 1930’s. USA: Yazoo L-1049, 1975. BA713. Clarke, Donald. “Arnold, James ‘Kokomo’,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., p. 40 (Item E125). BA714. Demêtre, Jacques. “Kokomo Arnold.” Soul Bag no. 148 (Autumn 1997): 28–33. BA715. Demêtre, Jacques. “Kokomo Arnold at Home.” Sailor’s Delight no. 15 (1983): 36–38. BA716. Demêtre, Jacques. Kokomo Arnold: Bad Luck Blues (1934–1938). France: MCA 510.116, 1974. BA717. Droixhe, Daniel. “Fixin’ the Blues: Kokomo Arnold’s Variations on ‘Feels So Good’.” Blues Gazette no. 2 (1996): 18. BA718. Feather, Leonard. “Arnold, Kokomo,” in The New Edition of the Encyclopedia of Jazz, p. 105 (Item E138). BA719. Garon, Paul A. “Blues Ev’ry Evenin’: New Series. No. 1.” Blues Unlimited no. 28 (Dec 1965): 11–12. BA720. Groom, Bob. “Kokomo Arnold.” Blues World no. 19 (Apr 1968): 11–12. BA721. Groom, Bob. “Preachin’ Blues. Pt 3.” Blues World no. 19 (Apr 1968): 9–10. BA722. Harris, Sheldon. “Arnold, James ‘Kokomo’,” in Blues Who’s Who. 5th ed., pp. 34–35 (E146). BA723. Harrison, David. Kokomo Arnold. UK: Matchbox/ Saydisc SDR-163, 1969. BA724. Heatley, Michael. Kokomo Arnold: Old Original Kokomo Blues. UK: Catfish KATCD 102, 1997. BA725. Herzhaft, Gérard. “Kokomo Arnold,” in Encyclopedia of the Blues, pp. 11–12 (E150). BA726. Holland, Ted. “James ‘Kokomo’ Arnold,” in This Day in African-American Music, p. 26 (E157).

A Blues Bibliography, Second Edition

BA727. Larkin, Colin (ed.). “Arnold, James ‘Kokomo’,” in The Guinness Encyclopedia of Popular Music, p. 110 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 19 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 13 (E169). BA728. Oliver, Paul. “Arnold, James ‘Kokomo’ (1901),” in Jazz on Record, ed. A.J. McCarthy, pp. 8–9 (Item E378). BA729. Oliver, Paul. “Arnold, Kokomo,” in The New Grove Dictionary of American Music. Vol. 1, ed. H.W. Hitchcock; S. Sadie, p. 72 (Item E154). BA730. Oliver, Paul. “Milk Cow Blues: James Kokomo Arnold.” Jazz Monthly 8, no. 3 (May 1962): 10–15. Reprinted in Blues off the Record, pp. 103–110 (Item A1577). BA731. Panassié, Hugues; Gautier, Madeleine. “Arnold, Kokomo,” in Dictionary of Jazz, p. 10 (Item E182). BA732. Parsons, Jack H. “Kokomo Arnold Discography. Pt 1.” Jazz Monthly 8, no. 3 (May 1962): 15; “Pt 2.” Jazz Monthly 8, no. 4 (Jun 1962): 7. BA733. Rijn, Guido van. “Arnold, Kokomo,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 33–34 (Item E162). BA734. Rijn, Guido van; Sliedregt, Cor van; Vergeer, Hans. Kokomo Arnold: Down and Out Blues. Holland: Agram AB 2015, 1990. BA735. Russell, Tony. “Kokomo Arnold (1901–1968),” in The Blues: From Robert Johnson to Robert Cray, p. 89 (Item A1904). BA736. Santelli, Robert. “Arnold, Kokomo,” in The Big Book of Blues, pp. 14–15 (Item E202). BA737. Shadwick, Keith. “James ‘Kokomo’ Arnold,” in Blues: Keeping the Faith, p. 16 (Item E204). BA738. Strachwitz, Chris. Blues Classics by Kokomo Arnold and Peetie Wheatstraw. USA: Blues Classics BC-4, c1964. BA739. Terjanian, Leon. “Kokomo Arnold.” Blues-Link no. 2 (Oct/Nov 1973): 27–30. BA740. Walamies, Vesa. “Slidekitaran Mestareita: Kokomo Arnold.” Blues News [Finland] no. 77 (1982): 35–36. BA741. Wright, Laurie. “Pieces of the Jigsaw: Kokomo Arnold.” Storyville (1998/99): 162. (NOTE: This article analyses cuttings from the Baltimore African-American, Billboard, Chicago Defender, New York Age, and Baltimore Courier.) Obituaries: Jazz Hot no. 260 (Apr 1970): 30.

Biographical Entries: A

105

BA742. Leadbitter, Mike. “Kokomo Arnold.” Blues Unlimited no. 70 (Feb/Mar 1970): 14.

BA755. Hannusch, Jeff. “Joseph ‘Mr. Google Eyes’ August.” Juke Blues no. 28 (Spring 1993): 24–25.

BA743. Måhlin, Peter. “Kokomo Arnold.” Jefferson no. 9 (1970): 11.

BA756. Hannusch, Jeff. “Rhythm and Blues Pioneer August Found Dead at Home.” Times-Picayune (12 Oct 1992). Reprinted in German Blues Circle Info no. 205 (1992): 2.

See also: Jazz in Time no. 60 (1995): 23+. http://www.wirz.de/music/american.htm Items A542 (Pt 6), A652, D222, F458, F482 (Pt 3), F496, F1055. MANUEL ARRINGTON BA744. Olsen, Ryan. “Arrington, Manuel,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 34 (Item E162). BA745. Sharp, Steven. “Chicago Special: Manuel Arrington.” Living Blues no. 115 (May/Jun 1994): 45–46. MOSES ASCH See: FOLKWAYS/ASCH/DISC/RBF RECORDS R.T. ASHFORD BA746. Olsen, Ryan. “Ashford, R.T,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 34 (Item E162). See also: Item BT815. JOE “MR. GOOGLE EYES” AUGUST BA747. Anon. “Boogie in the Dark.” Pickin’ the Blues no. 12 (Feb 1983): 6–8. BA748. Anon. “Meet ‘Mr. Google-Eyes’ Chicago Defender (24 Jun 1950): 20. BA749. Dawson, Victoria. “Mr. Google Eyes Recalls His Glory Days.” Times-Picayune (5 May 1990): 1. BA750. Hannusch, Jeff. Joseph ‘Mr. Google Eyes’ August: Rock My Soul. Sweden: Route 66 KIX-32, 1986. BA751. Hannusch, Jeff. “Mr. Google Eyes: The Nations’ Youngest Blues Singer,” in I Hear You Knockin’, pp. 83–94 (Item F1085). BA752. Hess, Norbert. “Joe August: Fast Vergessener Sänger aus New Orleans.” Blues Forum no. 4 (Sep/Nov 1981): 17–19. BA753. Larkin, Colin (ed.). “August, Joe ‘Mr. Google Eyes’,” in The Guinness Encyclopedia of Popular Music, p. 127 (Item E165). BA754. Olsen, Ryan. “August, Joe ‘Mr. Google Eyes’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 36–37 (Item E162). Obituaries: Goldmine no. 321 (13 Nov 1992): 7. Living Blues no. 108 (Mar/Apr 1993): 51.

BA757. Penny, Dave. “Joe ‘Mr. Google Eyes’ August.” Blues & Rhythm no. 75 (Jan 1993): 9. BA758. Radenac, Marc. “Joseph ‘Mr. Google Eyes’ August.” Soul Bag no. 129 (Winter 1993): 27. See also: Wavelength no. 14 (Dec 1981). LYNN AUGUST BA759. Ancelet, Barry Jean; Benicewicz, Larry. Lynn August: Sauce Piquante. USA: Black Top CD BT1092, 1993. BA760. Benicewicz, Larry. “Lynn August Story: Beginning to See the Light.” Blues Life no. 64 (1993): 16–18. BA761. Johnson, Matthew. “Zydeco Sont Pas Sale.” Living Blues no. 98 (Jul/Aug 1991): 34–39. BA762. Olsen, Ryan. “August, Lynn,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 37 (Item E162). BA763. Santelli, Robert. “August, Lynn,” in The Big Book of Blues, pp. 15–16 (Item E202). BA764. Scott, Hammond; Hannusch, Jeff. Lynn August: Creole Cruiser. USA: Black Top CD BT-1074, 1992. JESSE AUSTIN BA765. Larkin, Colin (ed.). “Austin, Jesse ‘Wild Bill’,” in The Virgin Encyclopedia of the Blues, pp. 13–14 (E169). BA766. Olsen, Ryan. “Austin, Jesse ‘Wild Bill’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 37 (Item E162). Obituaries: Cadence 22, no. 5 (May 1996): 125. JazzTimes 26, no. 7 (Sep 1996): 20. BA767. Bonner, Brett J. “Jesse ‘Wild Bill’ Austin.” Living Blues no. 128 (Jul/Aug 1996): 54. BA768. Burke, Tony. “Jesse Austin.” Blues & Rhythm no. 110 (Jun 1996): 16. BA769. “Jesse ‘Wild Bill’ Austin, 1930–1996.” Blues Access no. 27 (Fall 1996): 58. BA770. Périn, Jacques. “Jesse ‘Wild Bill’ Austin.” Soul Bag no. 143 (Summer 1996): 31. BA771. Rainsford, Mick. “Jesse ‘Wild Bill’ Austin.” Blueprint no. 85 (Jun 1996): 18–19.

106

LOVIE AUSTIN (Cora Calhoun) BA772. Anon. “Lovie Austin: A Revision of the Section Under This Name in ‘Jazz Directory’.” Discophile no. 24 (Jun 1952): 15–16. (NOTE: With additions & corrections in Discophile no. 25 (1952): 9; no. 26 (1952): 9; no. 27 (1952): 14.) BA773. Bogaert, Karel. “Austin, Lovie (Cora Calhoun),” in Blues Lexicon, p. 25 (Item E110). BA774. Carr, Ian; Fairweather, Digby; Priestley, Brian. “Austin, Lovie,” in Jazz: The Essential Companion, p. 17 (Item E118). Reprinted as “Lovie Austin,” in Jazz: The Rough Guide, p. 21 (Item E119).

A Blues Bibliography, Second Edition

2nd ed., p. 19 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 14 (E169). BA787. Muir, Peter; Komara, Edward. “Austin, Lovie,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 37 (Item E162). BA788. Panassié, Hugues; Gautier, Madeleine. “Austin, Lovie,” in Dictionary of Jazz, p. 12 (Item E182). BA789. Porter, Lewis R. “Jazzwomen.” Music Educators Journal 71 (Sep 1984): 44. BA790. Santelli, Robert. “Austin, Lovie,” in The Big Book of Blues, p. 16 (Item E202).

BA775. Chilton, John. “Austin, Lovie,” in Who’s Who of Jazz. 4th ed., p. 14 (Item E121).

BA791. Southern, Eileen. “Austin, Lovie,” in Biographical Dictionary of Afro-American and African Musicians, p. 21 (Item E208).

BA776. Clarke, Donald. “Austin, Lovie,” in The Penguin Encyclopedia of Popular Music. New York: Viking, 1989 (Item E125).

BA792. Stevens, Norman; Webb, Ray. Lovie Austin & Her Blues Serenaders. UK: Fountain FJ-105, 1972.

BA777. Dauer, Alfons M.; Longstreet, Stephen. “Austin, Lovie (Cora Calhoun),” in Knaurs Jazz Lexikon, p. 26. München: Th. Knaur Nachf., 1957. BA778. Feather, Leonard. “Austin, Lovie,” in The New Edition of the Encyclopedia of Jazz, p. 107 (Item E138). BA779. Hillman, Christopher. “Cora Calhoun: Miss Austin to You.” Jazz Journal 26, no. 1 (Jan 1973): 19. BA780. Hillman, Chris. “Paramount Serenaders, 1923– 1926.” Storyville no. 67 (Oct/Nov 1976): 8–13; Storyville no. 68 (Dec 1976/Jan 1977): 52–54; Storyville no. 69 (Feb/Mar 1977): 91, 93–94; Storyville no. 73 (Oct/Nov 1977): 29–30. BA781. Hoefer, George. “Lovie Austin Still Active as a Pianist in Chicago.” Down Beat 17, no. 12 (16 Jun 1950): 11. BA782. Holland, Ted. “Cora Calhoun ‘Lovie’ Austin,” in This Day in African-American Music, p. 111 (E157). BA783. Jones, Max. “Introducing Lovie Austin.” Melody Maker (8 Jul 1950): 9. BA784. Jones, Max. “Lovie Austin.” Melody Maker (27 Aug 1966): 11. BA785. Kinkle, Roger D. “Austin, Lovie,” in The Complete Encyclopedia of Popular Music and Jazz, 1900–1950. Vol. 2: Biographies A Through K, p. 526 (E160). BA786. Larkin, Colin (ed.). “Austin, Lovie,” in The Guinness Encyclopedia of Popular Music, p. 129 (E165). Reprinted in The Guinness Who’s Who of Blues.

BA793. Stewart-Baxter, Derrick. “Afterthoughts on Austin.” Playback 3, no. 1 (Jan 1950): 13. BA794. Stewart-Baxter, Derrick. “Lovie Austin Discography.” Playback 2 (Aug 1949): 14–18. (NOTE: With additions & corrections in Playback 3 (1950): 13.) BA795. Wright, Laurie. “Pieces of the Jigsaw: Lovie Austin.” Storyville (1996/97): 190–191. (NOTE: This article analyses cuttings from the Baltimore African-American, Billboard, Chicago Defender, New York Age, and Baltimore Courier.) BA796. Zieff, Bob. “Austin, Lovie,” in The New Grove Dictionary of Jazz. Vol. 1: A–K, ed. B. Kernfeld, p. 45 (Item E159). Obituaries: Down Beat 39 (12 Oct 1972): 11. Jazz Journal 25, no. 10 (Oct 1972): 3. MILDRED AUSTIN See: Item BA179. CHARLES AVERY BA797. Hall, Bob. Boogie Woogie & Barrelhouse Piano: Complete Recorded Works in Chronological Order. Vol. 1: 1928–1932. Austria: Document DOCD-5102, 1992; Vol. 2: 1928–1932. Austria: Document DOCD5103, 1992. BA798. Harris, Rex; Rust, Brian. “Charles Avery,” in Recorded Jazz, p. 23. Middlesex: Pelican, 1958. See also: Item C733. ESTELLE AXTON See: STAX RECORDS

III Biographical Entries: B

MEMPHIS WILLIE B

BB11.

Groom, Bob. “Blues Forum.” Blues World no. 27 (Feb 1970): 22.

BB12.

Guralnick, Peter. “DeFord Bailey: Pan–American Blues,” in Lost Highway, pp. 49–56. Boston: David R. Godine, 1979.

BB13.

Hay, George D. A Story of the Grand Ole Opry. Nashville: G.D. Hay, 1945. 64 pp.; Nashville, G.D. Hay, 1953. 62 pp.

BB14.

Hoekstra, Dave. “Pioneer Gets His Due in Country Hall of Fame.” Chicago Sun-Times (6 Nov 2005).

BB15.

Hoskyns, Barney. “Deford Bailey,” in Say It One Time for the Brokenhearted, pp. 32–33. Glasgow: Fontana, 1987.

BB16.

Jones, Jessica Janice. “DeFord Bailey.” Black Music Research Newsletter 4, no. 1 (Spring 1980): 3, 8. Reprinted in Black Music Research Journal 10, no. 1 (Spring 1990): 29–31.

BB17.

Larkin, Colin (ed.). “Bailey, Deford,” in The Guinness Encyclopedia of Popular Music, p. 150 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 20 (E166). Reprinted in The Virgin Encyclopedia of the Blues, pp. 14–15 (E169).

See: WILLIE BORUM BABY BONNIE (Ernestine Bomburyero) See: Item BA179. BABY FACE LEROY See: LEROY FOSTER DEFORD BAILEY BB1.

Amos, Edward. “Deford Bailey,” in Gravesites of Southern Musicians. Jefferson: McFarland, 2002.

BB2.

Anon. “Grand Ole Opry Veterans Remember DeFord Bailey.” Billboard 95 (9 Jul 1983): 47.

BB3.

Anon. “Here & There.” Old-Time Herald 3, no. 1 (1991): 5.

BB4.

Arnaudon, Jean-Claude. “DeFord Bailey,” in Dictionnaire du Blues, p. 39 (E101).

BB5.

Baguley, Craig. “DeFord Bailey.” Country Music People no. 430 (Dec 2005): 56–58.

BB6.

Clarke, Donald. “Bailey, DeFord,” in The Penguin Encyclopedia of Popular Music. New York: Viking, 1989 (Item E125).

BB18.

Flippo, Chet. “Nashville Scene: DeFord Bailey Album Pays Tribute to an Obscure Pioneer; Senate Approves Ivey.” Billboard 110 (13 Jun 1998): 35.

Leach, Andrew. “Bailey, DeFord,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 40 (Item E162).

BB19.

Morton, David C. “Color Me Country: Tales from the Frontlines: DeFord Bailey.” Journal of Country Music 14 (1992): 9–12.

BB20.

Morton, David C.; Wolfe, Charles K. DeFord Bailey: A Black Star in Early Country Music. Knoxville: University of Tennessee Press, 1991. 199 pp.

BB21.

Morton, David C.; Wolfe, Charles K. “DeFord Bailey: The Rest of the Story.” Old–Time Herald 3, no. 1 (1991): 32–36+.

BB7.

BB8.

Fuchs, Walter. “DeFord Bailey.” Blues Notes 6, no. 21 (1974): 17, 51.

BB9.

Gaillard, Frye. “An Opry Star Shines On.” Country Music 3 (Mar 1975): 38–39.

BB10.

Gaillard, Frye. “Sour Notes at the Grand Old Opry.” Southern Voices (May/Jun 1974).

107

108

A Blues Bibliography, Second Edition

BB22.

Morton, David C. “Every Day’s Been Sunday.” Nashville! (Mar 1974).

BB23.

Oermann, Robert K. “Deford Bailey Day.” The Tennessean (24 Jun 1983).

BB24.

Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 20 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 15 (E169). BB39.

Oliver, Paul. Harmonica Showcase: DeFord Bailey and D.H. ‘Bert’ Bilbro, 1927–31. UK: Matchbox MSE 218, 1985.

Olsen, Ryan; Komara, Edward. “Bailey, Kid,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 40 (Item E162). See also: Items BH2150, BP266, F1008.

BB25.

Olsson, Bengt. “The Grand Ole Opry’s DeFord Bailey.” Living Blues no. 21 (May/Jun 1975): 13–15.

“RED” MIKE BAILEY

BB26.

Reddick, Paul. Harp Blowers (1925–1936): Complete Recorded Works in Chronological Order. Austria: Document DOCD-5164, 1993.

MORRIS BAILEY

BB27.

Santelli, Robert. “Bailey, DeFord,” in The Big Book of Blues, pp. 17–18 (Item E202).

BB28.

Wolfe, Charles K. “DeFord Bailey,” in Definitive Country: The Ultimate Encyclopedia of Country Music and Its Performers, ed. B. McCloud. New York: Berkley, 1995.

BB29.

Wolfe, Charles K.; Morton, David C. “DeFord Bailey: They Turned Me Loose to Root Hog or Die.” Journal of Country Music 14, no. 2 (1992): 13–17. (NOTE: This is an extract from item BB20.)

See: Item BA525.

BB40.

Bentley, Chris. “Vanity Dresser Boogie.” Roll Street Journal no. 24 (1989): 18–19.

RAY BAILEY BB41.

Bonner, Brett J. (ed.). “40 Under 40: Ray Bailey.” Living Blues no. 120 (Mar/Apr 1995): 83.

BB42.

Olsen, Ryan. “Bailey, Ray,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 41 (Item E162).

ETTA BAKER BB43.

Anon. “Etta Baker, Blues Musician.” North Carolina Folklore Journal 44, no. 1/2 (1997): 7–8.

BB44.

Bordowitz, Hank. Appalachian Breakdown. USA: Varese CD 061155, 2001.

BB45.

Obituaries: Black Perspective in Music 10, no. 2 (Fall 1982): 226. Goldmine no. 95 (16 Mar 1984).

Duffy, Timothy; Taj Mahal; Lomax, Alan. Etta Baker: Railroad Bill. USA: Cello 91006-2, 1999.

BB46.

BB32.

“DeFord Bailey Dead at 82.” Billboard 94 (17 Jul 1982): 53.

Duffy, Timothy. “Etta Baker,” in Music Makers, pp. 18–19. Athens: Hill Street, 2002.

BB47.

BB33.

Fox, J.H. “‘I Was a Humdinger’: DeFord Bailey, 1899–1982.” Bluegrass 17 (Dec 1982): 68–69.

Hoffman, Larry. “Catchin’ Up.” Living Blues no. 134 (Jul/Aug 1997): 10.

BB48.

Isola, Gregory. “Etta Baker: At Home with the Blues.” Guitar Player 33, no. 11 (Nov 1999): 41–42.

BB49.

Joyce, Mike. “Screen Test: ‘The Fingerpicking Blues of Etta Baker’.” JazzTimes 26, no. 10 (Dec 1996): 102.

BB50.

Larkin, Colin (ed.). “Baker, Etta,” in The Guinness Encyclopedia of Popular Music, pp. 154–155 (Item E165).

BB51.

Levine, Nancy J. “Women in the Blues: She Play Blues Just Like a Man.” Blues Revue Quarterly no. 7 (Winter 1992/93): 34–38.

BB52.

Liniger, Walter. “Blues Workshop in Elkins, West Virginia.” Living Blues no. 64 (Mar/Apr 1985): 47–50.

BB30.

Wolfe, Charles K. The Legendary DeFord Bailey. USA: Tennessee Folklore Society TFS-122, 1998.

BB31.

Wynn, Ron. “Pan American Blues (Why DeFord Bailey Should Be in the Country Music Hall of Fame).” No Depression no. 37 (Jan/Feb 2002): 86.

BB34.

Kaplan, Bruce. “DeFord Bailey.” Living Blues no. 53 (Summer/Autumn 1982): 47.

BB35.

Vacher, Peter. “DeFord Bailey.” Jazz Journal 36, no. 3 (Mar 1983): 15. See also: Goldmine no. 129 (5 Jul 1985). Item C429.

KID BAILEY BB36.

Cowley, John. “Kid Bailey and Copyright.” Blues & Rhythm no. 41 (Dec 1988): 16.

BB37.

Evans, David. “Ramblin’.” Blues Revue no. 8 (Spring 1993): 14–17.

BB38.

Larkin, Colin (ed.). “Bailey, Kid,” in The Guinness Encyclopedia of Popular Music, p. 151 (E165).

Biographical Entries: B

BB53.

Liniger, Walter. “Etta Baker: ‘J’ai Connu ce Que Vous Pourriez Appeler des Jours Sordides’.” Blues Notes [Belgium] no. 7 (1992): 4–7. Also published in English as “‘I Have Seen, What You Might Call, Lonely Days’.” Blues Revue Quarterly no. 3 (1992): 8–9.

BB54.

Martin, Wayne; Williams, Lesley. Etta Baker: OneDime Blues. USA: Rounder CD 2112, 1991.

BB55.

Michelson, Stephen. Etta Baker, Cora Phillips, Theopolis Lacey Phillips: Music from the Hills of Caldwell County. USA: Physical PR 12-001, 1975.

109

BB68.

Anderö, Per. “A Soul on Fire Again: LaVern Baker Story.” Jefferson no. 100 (1993): 2–6.

BB69.

Anderson, Clive. “LaVern Baker.” The History of Rock 2, no. 2 (c1981–c1984): 274.

BB70.

Anon. “Bios for Deejays.” Cash Box 24 (29 Dec 1962): 116.

BB71.

Anon. “LaVern Baker a Hit at Home and Abroad.” Billboard 70 (15 Dec 1958): 8.

BB72.

Anon. “LaVern Baker Back in USA.” Record Collector’s Monthly no. 46 (1990): 9.

BB73.

Anon. “Lavern Baker Seeks Bill to Halt Arrangement ‘Thefts’.” Billboard 67 (5 Mar 1955): 13, 18.

BB74.

Anon. “LaVern Baker Smiles Over Tune’s Success While Defying ‘Lifts’.” Chicago Defender (19 Feb 1955): 6.

BB56.

Olson, Ted. “North Carolina Blues: Etta Baker: ‘What My Daddy Gave Me’.” Living Blues no. 107 (Jan/Feb 1993): 28–30.

BB57.

Santelli, Robert. “Baker, Etta,” in The Big Book of Blues, p. 18 (Item E202).

BB58.

Signorelli, Cathy. “Piedmont Blueswoman Etta Baker: One-Diming It with the Hands of Time.” Sing Out! 41, no. 4 (Feb/Apr 1997): 34–41.

BB75.

BB59.

Thompson, Suzy Rothfield. “Etta Baker: ‘Railroad Bill’.” Old-Time Herald 8, no. 6 (Winter 2002/03): 34.

Anon. “LaVerne Baker, Born on Holiday Keeps Celebrating Record-Wise.” Chicago Defender (6 Jul 1957): 18.

BB76.

Anon. “The Tweedlee Dee Girl.” Ebony 11, no. 6 (Apr 1956): 106–108.

BB77.

Anon. “The Tweedlee-Dee Girl.” Our World (Jun 1955): 47–48.

BB78.

Bolda, Jörg. “La Vern Baker.” Rockin’ Fifties no. 27 (1988): 41–45.

BB79.

Brambilla, Silvano. “Unforgettable: LaVern Baker.” Il Blues no. 61 (Dec 1997): 40–41.

BB80.

Brennan, Luann. “Lavern Baker,” in Contemporary Musicians. Vol. 27 (Item E164).

BB81.

Clarke, Donald. “Baker, LaVern,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., p. 62 (Item E125).

BB82.

Dahl, Bill. “Coming Home: Where R&B Star LaVern Baker’s Been Keeping Warm.” Chicago Tribune (31 May 1992): 28.

BB83.

Davis, Hank. LaVern Baker: Real Gone Gal. UK: Charly CRB 1072, 1984.

BB84.

Deffaa, Chip. “Lavern Baker: ‘Where Ya Been So Long?’”, in Blue Rhythms, pp. 174–216. Urbana: University of Illinois Press, 1996.

BB85.

Ellison, Mary. “Continuity and Change: ‘Real Gone Gal’, by Lavern Baker.” Popular Music 5 (1985): 225.

BB86.

Feather, Leonard. “Baker, La Vern,” in The New Edition of the Encyclopedia of Jazz, p. 109 (Item E138).

BB60.

Urbain, Jean-Pierre. “Le Potiron, les Haricots et le Blé: Sur les Traces d’Etta Baker.” Bleu Banane no. 3 (Automne 1998): 16–17.

BB61.

Wald, Elijah. “Rural Routes.” Acoustic Guitar no. 19 (Jul/Aug 1993): 62+.

BB62.

Walker, Toby. “Women in the Blues: Etta Baker.” Blues Revue Quarterly no. 10 (Fall 1993): 37–39.

BB63.

Welker, Gaile. “Baker, Etta,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 41 (Item E162).

BB64.

Williams, Lesley. “Old Dime Blues: An Interview with Etta Baker.” Old–Time Herald 2, no. 3 (Spring 1990): 9–12. See also: Blues Access no. 7 (Fall 1991): 3. Victory Review (May 1992): 24. Item C213.

KATHERINE BAKER BB65.

Garon, Paul. St. Louis Girls, 1927–1934: Complete Recorded Works in Chronological Order. Austria: Document DOCD-5182, 1993.

LAVERN BAKER BB66.

Ackerman, Paul. LaVern Baker: La Vern. USA: Atlantic 8002, 1958.

BB67.

Ackerman, Paul. LaVern Baker: Saved. USA: Atlantic 8050, 1961.

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BB87.

Gaar, Gillian G. “Roots,” in She’s a Rebel: The History of Women in Rock & Roll. Seattle: Seal Press, 1992.

BB105. Mathieson, Kenny. “Baker, Lavern,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 41–42 (Item E162).

BB88.

George-Warren, Holly; Levine, Laura. “Lavern Baker,” in Shake, Rattle & Roll. Boston: Houghton Mifflin, 2001.

BB106. McGarvey, Seamus. “Tweedle Dee! It’s LaVern Baker!” Now Dig This no. 115 (Oct 1992): 5+.

BB89.

Goldberg, Marv. LaVern Baker: See See Rider; Blues Ballads. USA: Collectables COL-CD-6231, 1998.

BB90.

Goldberg, Marv. LaVern; LaVern Baker. USA: Collectables COL-CD-6224, 1998.

BB91.

Gollender, Walt. “Lavern Baker Enters Brooklyn Rock & Roll Hall of Fame.” Discoveries no. 65 (1993): 50.

BB92. BB93.

Grendysa, Peter. “Spotlight on Lavern Baker.” Record Collector’s Monthly no. 19 (1984): 1, 8–9. Hardy, Phil; Laing, Dave (eds.). “Lavern Baker,” in The Encyclopedia of Rock. Vol. 1, pp. 23–24 (Item E145).

BB94.

Hildebrand, Lee. “LaVern Baker,” in Stars of Soul and Rhythm & Blues, pp. 6–7. New York: Billboard, 1994.

BB95.

Himes, Geoffrey. “Baker: Still Up with the Blues.” Washington Post (19 Jan 1996): 9.

BB96.

Hinckley, David. “This Baker Still Cooks.” Los Angeles Times (24 Dec 1992): 25.

BB97.

Hinckley, David. “A Sweet Song of Strength and Faith: Lavern Baker Pits Spirit Against Physical Ills.” Daily News [New York] (19 Nov 1995): 32.

BB98.

Hinckley, David. “Twenty Years Later, the Lady’s Still Singing the Blues.” Los Angeles Times (24 Dec 1992): 25.

BB99.

Holland, Ted. “Lavern Baker,” in This Day in African-American Music, p. 134 (E157).

BB107. Milward, John. “Everything’s Just Jim Dandy.” Los Angeles Times (Calendar) (14 Apr 1991): 3, 62–63. BB108. Mohr, Kurt. “Discographie de Lavern Baker.” Soul Bag no. 35 (Feb 1974): 34–38. BB109. Moonoogian, George A. “Little Miss Sharecropper: The Early Lavern Baker.” Goldmine no. 48 (May 1980): 142–143. (NOTE: Includes discography on p. 143.) BB110. Moonoogian, George A. “Wax Fax.” Record Collector’s Monthly no. 38 (1987): 14. BB111. Morgenstern, Dan. LaVern Baker: Woke Up This Mornin’. USA: DRG 8433, 1992. BB112. Nickols, Pete. “Lavern Baker.” Record Collector no. 61 (Sep 1984): 35–39. BB113. Nite, Norm N. “La Vern Baker,” in Rock On. Vol. 1. 2nd ed., pp. 21–22 (Item E181). BB114. Olofsson, Claes–Håkan. “‘Rock My Soul’: The Story of Lavern Baker. Pt.. 1.” American Music Magazine [Sweden] no. 57 (1993): 4–9; “Pt. 2.” American Music Magazine [Sweden] no. 58 (1993): 14–17. BB115. Remark, Guy. LaVern Baker. USA: Atlantic 8007, 1958. BB116. Robins, Wayne. “LaVern Baker Back in Town.” Newsday (23 Feb 1990). BB117. Röhnisch, Claus. “Take a Little Swing with ….” Jefferson no. 58 (Autumn 1982): 42–43. BB118. Rubin, Sylvia. “La Vern’s Voice Still Dandy.” San Francisco Chronicle (4 Nov 1995): 1. BB119. Santelli, Robert. “Baker, Lavern,” in The Big Book of Blues, pp. 18–19 (Item E202).

BB100. Howard, Tony. “Everything is Fine and Jim Dandy for Lavern Baker.” Music Mirror 4, no. 5 (Jun 1957): 16–17.

BB120. Slaven, Neil. LaVern Baker: Blues Ballads. UK: Sequel RSACD911, 1997.

BB101. Kalish, Ed. LaVern Baker: See See Rider. USA: Atlantic 8071, 1962.

BB121. Slaven, Neil. LaVern Baker: Rock & Roll. UK: Sequel RSACD910, 1997.

BB102. Larkin, Colin (ed.). “Baker, Lavern,” in The Guinness Encyclopedia of Popular Music, p. 157 (Item E165).

BB122. Slaven, Neil. LaVern Baker: Precious Memories. UK: Sequel RSACD915, 1997.

BB103. Leigh, Keri. “Lavern Baker.” Blues Access no. 12 (Winter 1992): 6–13.

BB123. Smith, Charles Edward. LaVern Baker Sings Bessie Smith. USA: Atlantic 1281, 1958; USA: Atlantic 90980-4, 1988.

BB104. Lilburn, J.F. LaVern Baker: I’m Gonna Get You. UK: C5 Records C5 510, 1987.

BB124. Smith, Patricia. “LaVern Baker: Robust, Blustery Bearer of Blues.” Boston Globe (1 Mar 1991): 35.

Biographical Entries: B

BB125. Southern, Eileen. “Baker, Lavern,” in Biographical Dictionary of Afro–American and African Musicians, pp. 24–25 (Item E208). BB126. Tosches, Nick. Soul on Fire: The Best of LaVern Baker. USA: Atlantic 82311-2, 1991. BB127. Watson, Tony. “La Vern Baker on Atlantic.” Blues & Rhythm no. 121 (Aug 1997): 18–19. BB128. Whiteside, Johnny. LaVern Baker: Live in Hollywood ‘91. USA: Rhino R2 70565, 1991. Obituaries: Blues Revue no. 29 (Jun/Jul 1997): 86. Cadence 23, no. 4 (Apr 1997): 125. Daily Telegraph [UK] (13 Mar 1997): 29. Discoveries no. 108 (1997): 18. Down Beat 64, no. 7 (Jul 1997): 12. Herald [Glasgow, UK] (20 Mar 1997): 22. Music Paper 36, no. 11/12 (Jun/Jul 1997): 8. Neue Musikzeitung 46, no. 4 (Apr 1997): 2. Orkester Journalen (Apr 1997): 43. The Times [UK] (15 Mar 1997): 27. Variety (17–23 Mar 1997): 68. Washington Post (12 Mar 1997): B4. BB129. Barretta, Scott. “Lavern Baker.” Jefferson no. 114 (1997): 22. BB130. Crowther, Bruce. “Laverne Baker.” Jazz Journal 50, no. 5 (May 1997): 24. BB131. Daguerre, Pierre. “LaVern Baker: Le Dernier Voyage.” Soul Bag no. 147 (Summer 1997): 32–35. BB132. Dahl, Bill. “LaVern Baker.” Living Blues no. 133 (May/Jun 1997): 37–38. BB133. Futterman, Steve. “LaVern Baker.” Rolling Stone no. 759 (1 May 1997): 27. BB134. Gardiner, Beth. “Soulful Funeral Honors R&B Star Lavern Baker.” The Record (New York) (16 Mar 1997): N7. BB135. Gart, Galen. “Lavern Baker,” in Rhythm & Blues in Cleveland, 1955 Edition. Winter Haven: Big Nickel, 2003. BB136. Hinckley, David. “Jim Dandy & Lavern’s Music, to the Rescue Even in Death, Baker Has Far-Reaching Impact as Her Voice Summons Daughter for Harlem Funeral.” Daily News [New York] (20 Mar 1997): 63. BB137. Hinckley, David. “Lavern Baker, 1929–1997: Tears and Cheers.” Daily News [New York] (16 Mar 1997): 22. BB138. Karp, Kitty. “From the Heart II: A Tribute to Lavern Baker.” Discoveries no. 108 (1997): 32–35. BB139. “Lavern Baker, 67: Singer Topped R&B Charts in ‘50s and ‘60s.” St. Louis Post-Dispatch (12 Mar 1997): 4.

111

BB140. Leigh, Keri. “Looking Back: The Passing of So Many.” Blues Revue no. 33 (Dec 1997): 64, 66–67. BB141. Leigh, Spencer. “Lavern Baker.” The Independent (18 Mar 1997): 16. BB142. Mathieson, Kenny. “Lavern Baker.” The Scotsman (14 Mar 1997): 20. BB143. Morris, Chris. “R&B Legend, Rock Pioneer LaVern Baker, 67, Dies.” Billboard (22 Mar 1997). BB144. “A Musical Funeral for R&B’s Baker.” Newsday (16 Mar 1997): A38. BB145. Calloway, Earl. “Music Fans Mourn Death of LaVern Baker.” Chicago Defender (13 Mar 1997): 5. BB146. Oliver, Myrna. “LaVern Baker: Rhythm and Blues Singer Had 1950s Hits.” Los Angeles Times (12 Mar 1997): 18. BB147. Pareles, Jon. “LaVern Baker is Dead at 67: A Rhythm-And-Blues Veteran.” New York Times (12 Mar 1997): 23. BB148. Russell, Tony. “La Vern Baker: Battle for the Blues.” Guardian [UK] (26 Mar 1997): 19. BB149. Tapp, Richard. “LaVern Baker.” Juke Blues no. 37 (1997): 34–35. BB150. “Veteran R&B Singer LaVern Baker Dies of Heart Complications.” Jet (31 Mar 1997): 16. BB151. Watson, Tony. “LaVern Baker.” Blues & Rhythm no. 118 (Apr 1997): 10–11. See also: Blue Suede News no. 21 (1992): 6+. Goldmine no. 125 (10 May 1985). Musica Jazz (May 1992): 58+. Now Dig This no. 170 (May 1997). Item F1152. LEE BAKER Obituaries: BB152. Gordon, Robert. “Lee Baker.” Living Blues no. 130 (Nov/Dec 1996): 49. BB153. Morris, Chris. “Declarations of Independents: Legends of the Memphis Music Scene.” Billboard 109 (21 Jun 1997): 57. MICKEY BAKER BB154. Anon. “‘Love is Strange’: Song with a History.” Now Dig This no. 252 (Mar 2004): 2. BB155. Anon. “Mickey Baker.” Jazz Hot no. 283 (May 1972): 37. BB156. Anon. “New Acts [Mickey & Sylvia].” Variety 201 (15 Feb 1956): 62.

112

BB157. Arnaudon, Jean-Claude. “Mickey Baker,” in Dictionnaire du Blues, p. 40 (E101). BB158. Baker, Mickey. Complete Handbook for the Music Arranger. New York: Amsco, 1972. 128 pp.; New York : Clifford Essex, 1978. 128 pp. BB159. Baker, Mickey. Fun with Guitar Chords: Anyone Can Play, Simplified Visual Aid. New York: Colin, 1961. 17 pp. BB160. Baker, Mickey. “Jazz Guitar.” Melody Maker (21 Feb 1959): 10. BB161. Baker, Mickey. Mickey Baker’s Analysis of the Blues for Guitar. New York: Colin, 1960. BB162. Baker, Mickey. Mickey Baker’s Bottleneck and Country Blues Guitar. New York: Amsco, 1973. 56 pp. BB163. Baker, Mickey. Mickey Baker’s Easy 9-Chord Guitar System. New York: Baker, 1959. 32 pp. BB164. Baker, Mickey. Mickey Baker’s Guitar Method. Lewis, 1960. 48 pp. BB165. Baker, Mickey. Blues & Jazz Guitar. Alderpoint: Kicking Mule, 1977. 30 pp. BB166. Baker, Mickey. Mickey Baker’s Jazz and Rhythm’n Blues Guitar. New York: Amsco, 1969. 64 pp. BB167. Baker, Mickey. Mickey Baker’s Basic Blues: A Dual Method for Electric Guitar and Electric Bass…. Carlstadt: Lewis, 1976. 64 pp. BB168. Bogaert, Karel. “Baker, Mickey (Mc Houston),” in Blues Lexicon, p. 26 (Item E110). BB169. Clarke, Donald. “Mickey and Sylvia,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., p. 863 (Item E125). BB170. Dahl, Bill. “Mickey Baker: The King of the Slip and Slide Guitar.” Living Blues no. 154 (Nov/Dec 2000): 40–48. BB171. Demêtre, Jacques. “Mickey Baker a Paris.” Jazz Hot no. 174 (Mar 1962): 28. BB172. Detheridge, Dennis. “Blues.” Melody Maker (26 Feb 1972): 10.

A Blues Bibliography, Second Edition

BB176. Hardy, Phil; Laing, Dave (eds.). “Mickey and Sylvia,” in The Encyclopedia of Rock. Vol. 1, p. 222 (Item E145). BB177. Harris, Sheldon. “Baker, McHouston ‘Mickey’/ ’Guitar’,” in Blues Who’s Who. 5th ed., pp. 37–38 (E146). BB178. Hess, Norbert. Mickey & Sylvia: Love is Strange. Germany: Bear Family BCD 15438, c1991. BB179. Hess, Norbert. “Mickey Baker Interview. Pt. 1.” Crazy Music no. 6 (Sep 1975): 13–17; “Pt. 2.” Crazy Music no. 7 (Jan 1976): 6–9. BB180. Hess, Norbert. “Mickey Baker: Wildest Guitar.” Blues Notes 6, no. 23 (1974): 16–18. BB181. Holland, Ted. “Mickey ‘Guitar’ Baker,” in This Day in African–American Music, p. 124 (E157). BB182. Larkin, Colin (ed.). “Baker, Mickey,” in The Guinness Encyclopedia of Popular Music, p. 157 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., pp. 20, 22 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 15 (E169). BB183. Larkin, Colin (ed.). “Mickey and Sylvia,” in The Guinness Encyclopedia of Popular Music, pp. 1682–1683 (Item E165). BB184. Leadbitter, Mike. “Mickey & Sylvia.” R&B Monthly no. 5 (Jun 1964): 8. BB185. Leadbitter, Mike. “‘It Was All Alley Music’: Mickey Baker.” Blues Unlimited no. 93 (Jul 1972): 11–12. BB186. Mohr, Kurt. “Mickey Baker: Discographie.” Soul Bag no. 90/91 (Sep/Nov 1982): 22–30. BB187. Mohr, Kurt; Escott, Colin. Mickey Baker: Rock with a Sock. Germany: Bear Family BCD 15654, 1993. BB188. Morgantini, Jacques. Mickey Baker: The Blues and Me. France: Black & Blue 33.507, 1974. BB189. Nite, Norm N. “Mickey and Sylvia,” in Rock On. Vol. 1. 2nd ed., pp. 427–428 (Item E181). BB190. Paton, Maureen. “Up Baker’s Street.” Melody Maker (11 Feb 1978): 57+. BB191. Périn, Jacques. “Mickey Baker: Life is Strange.” Soul Bag no. 90/91 (Sep/Nov 1982): 5–22.

BB173. Feather, Leonard. “Baker, McHouston (Mickey),” in The New Edition of the Encyclopedia of Jazz, p. 109 (Item E138).

BB192. Pescheux, Jacques. “Mickey Baker.” Bulletin du Hot Club de France no. 294 (Jan 1982): 3–5.

BB174. Grossman, Stefan. “Whatever Happened to Mickey Baker?” Guitar Player 10, no. 1 (Jan 1976): 10+.

BB193. Roby, Chris. “Mickey Baker: ‘Man Behind the Scenes’.” Jazz Beat 3, no. 1 (Jan 1966): 19.

BB175. Hardy, Phil; Laing, Dave (eds.). “Mickey ‘Guitar’ Baker,” in The Encyclopedia of Rock. Vol. 1, p. 24 (Item E145).

BB194. Russell, Tony. “Mickey Baker (1925–),” in The Blues: From Robert Johnson to Robert Cray, p. 89 (Item A1904).

Biographical Entries: B

113

BB195. Rye, Howard. “Baker, Mickey,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 42 (Item E162).

BB207. Olsen, Ryan; Komara, Edward. “Ballou, Classie,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 44 (Item E162).

BB196. Sacré, Robert B. “Mickey Baker.” Living Blues no. 22 (Jul/Aug 1975): 2.

JOE BANASHAK See: MINIT RECORDS

BB197. Santelli, Robert. “Baker, Mickey,” in The Big Book of Blues, pp. 19–20 (Item E202).

BANDANNA GIRLS

BB198. Westfall, Bob. “Mickey & Sylvia Discography.” Goldmine no. 16 (May/Jun 1977): 12.

TOMMY BANKHEAD

See also: Goldmine no. 182 (17 Jul 1987). Items BD1287, C373, F1079, F1152. SAM BAKER BB199. Mohr, Kurt. “Sam Baker: Discographie.” Soul Bag no. 72/73 (Jun/Jul 1979): 4–5.

See: WINGY CARPENTER

BB208. Greensmith, Bill. “Still in the Woods: Tommy Bankhead.” Blues Unlimited no. 145 (Winter 1983/84): 9–11. BB209. Harris, Paul A. “Defining the St. Louis Blues.” St. Louis Post-Dispatch (20 Sep 1992): 3.

WILLIE BAKER

BB210. Olsen, Ryan. “Bankhead, Tommy,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 56 (Item E162).

BB200. Harrison, David. “Baker, Willie,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 42–43 (Item E162).

BB211. Slotnikoff, Joel. “Is You Ever Seen a One Eyed Woman Cry?” Blues & Rhythm no. 57 (Dec 1990): 20–21.

BB201. Larkin, Colin (ed.). “Baker, Willie,” in The Guinness Encyclopedia of Popular Music, p. 157 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 22 (E166). Reprinted in The Virgin Encyclopedia of the Blues, pp. 15–16 (E169).

Obituaries: Block no. 116 (2001): 26+. Blues Access no. 45 (Spring 2001): 59. Cadence 27, no. 2 (Feb 2001): 141. Discoveries no. 154 (2001): 16. St. Louis Post-Dispatch (19 Dec 2000): 5. Back to the Roots no. 35 (2001): 31.

BB202. Misiewicz, Roger. Charley Lincoln & Willie Baker: Complete Recordings in Chronological Order, 1927–1930. Austria: Blues Document BDCD–6027, 1992.

BB212. Doder, Keith. “Tommy Bankhead.” Blues Revue no. 66 (Apr 2001): 77.

BB203. Smith, Chris. “No No’s, Yo Yo’s and Sweet Petunias.” Blues & Rhythm no. 53 (Jul 1990): 19.

BB214. Reynard, Guy. “Tears: Tommy Bankhead.” Jazz Hot no. 577 (Feb 2001): 6.

See also: Items F446, F458, F482 (Pt. 6).

BB215. Slotnikoff, Joel. “Tommy Bankhead.” Blues & Rhythm no. 156 (Feb 2001): 9.

WILL BALDWIN BB204. Conway, Cecelia. “Griots of Piedmont North Carolina and Portrait of Songster Will Baldwin,” in African Banjo Echoes in Appalachia, pp. 1–54. Knoxville: University of Tennessee Press, 1995. IVIN BALLEN See: GOTHAM/20TH CENTURY RECORDS CLASSIE BALLOU BB205. Broven, John. Classie Ballou: All Night Man. UK: Krazy Kat KK 800, c1986. BB206. Broven, John. “‘We Were More or Less Doing Blues and Rock ‘n’ Roll’: The Story of Classie Ballou.” Juke Blues no. 1 (Jul 1985): 4–7.

BB213. Périn, Jacques. “Tommy Bankhead.” Soul Bag no. 162 (Spring 2001): 44.

BB216. Slotnikoff, Joel. “Tommy Bankhead.” Living Blues no. 156 (Mar/Apr 2001): 101. BB217. Toroian, Diane. “Musicians ‘Play’ Respects at Wake for Tommy Bankhead — Died of Emphysema.” St. Louis Post-Dispatch (22 Dec 2000): 1. BB218. Wisse, Rien. “Wereldberoemd in St. Louis: Tommy Bankhead (1931–2000).” Block no. 116 (2001): 26–27. CHICO BANKS BB219. Bonner, Brett J. (ed.). “40 Under 40: Chico Banks.” Living Blues no. 120 (Mar/Apr 1995): 77. BB220. Lacava, Jacques; Queignec, Jean. “Portraits in Blues: Diamond Jim Greene, Chico Banks, Mary

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& Lynne Lane.” Soul Bag no. 158 (Spring 2000): 12–14. BB221. Olsen, Ryan. “Banks, Chico,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 56 (Item E162). See also: Back to the Roots no. 35 (2001): 6–9. JERRY BANKS BB222. Jung, Maureen. “Sacramento Blues. Pt. 1: Jerry Banks.” Living Blues no. 114 (Mar/Apr 1994): 64. BB223. Olsen, Ryan. “Banks, Jerry,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 56 (Item E162). L.V. BANKS BB224. Jansen, Lex. “Wat Driift Chitlin King L.V. Banks Nog?” Block no. 117 (2001): 20–23. BB225. Koester, Bob. “Blues News from Chicago.” Blues Unlimited no. 40 (Jan 1967): 13–14. Reprinted as “L.V. Banks,” in Nothing But the Blues, ed. M. Leadbitter, p. 97 (Item A1241). BB226. Olsen, Ryan. “Banks, L.V,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 56 (Item E162). BB227. Sharp, Steven. “South Side Special: L.V. Banks.” Living Blues no. 110 (Jul/Aug 1993): 31–33. BB228. Steenson, Martin. “Blues News from All Parts.” Blues Unlimited no. 37 (Oct 1966): 6. Reprinted as “L.V. Banks,” in Nothing But the Blues, ed. M. Leadbitter, p. 97 (Item A1241). DICK BANKSTON BB229. Bogaert, Karel. “Bankston, Dick,” in Blues Lexicon, p. 28 (Item E110). BB230. Harris, Sheldon. “Bankston, Dick,” in Blues Who’s Who. 5th ed., pp. 38–39 (E146). BB231. Olsen, Ryan; Komara, Edward. “Bankston, Dick,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 56 (Item E162). BARBECUE BOB (Robert Hicks) BB232. Anon. “Barbecue Bob: A King of the 12 String.” Soul [UK] no. 3 (Apr 1966): 12–13. BB233. Arnaudon, Jean-Claude. “Barbecue Bob,” in Dictionnaire du Blues, pp. 40–41 (E101).

BB236. Charters, Samuel B. “The Hicks Brothers: Barbecue Bob and Laughing Charley,” in The Bluesmen. Vol. 2: Sweet as the Showers of Rain, pp. 112–120 (Item A388). Reprinted in The Blues Makers. Part 2, pp. 112–120. New York: Da Capo, 1991. BB237. Colebeck, David. “Lyric Transcript. No. 9: We Sure Got Hard Times Now.” Blues World no. 20 (Jul 1968): 23–24. BB238. Grainger, Alan. “Lyric Transcript. No. 2: [Waycross Georgia Blues].” Blues World no. 11 (Nov 1966): 26. BB239. Harris, Sheldon. “Hicks, Robert ‘Bob’,” in Blues Who’s Who. 5th ed., pp. 228–229 New York: Da Capo, 1989. BB240. Herzhaft, Gérard. “Barbecue Bob,” in Encyclopedia of the Blues, pp. 12–13 (E150). BB241. Holland, Ted. “Barbeque [sic] Bob,” in This Day in African-American Music, p. 108 (E157). BB242. Larkin, Colin (ed.). “Barbecue Bob,” in The Guinness Encyclopedia of Popular Music, p. 169 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 23 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 17 (E169). BB243. Lowry, Pete. “Some Cold Rainy Day. Pt. 4: Barbecue Bob.” Blues Unlimited no. 103 (Aug/Sep 1973): 15. BB244. Moore, Dave. Brownskin Gal: The Story of Barbecue Bob. Holland: Agram AB 2001, 1976. BB245. Oliver, Paul. “Barbecue Bob.” Music Mirror 3, no. 9 (Oct 1956): 6–8. Reprinted as “It’s Just Too Bad: Barbecue Bob,” in Blues off the Record, pp. 75–78 (Item A1577). BB246. Oliver, Paul. “Barbecue Bob,” in The New Grove Dictionary of American Music. Vol. 1, ed. H.W. Hitchcock; S. Sadie, p. 142 (Item E154). BB247. Oliver, Paul. “Barbecue Bob (Robert Hicks) (1902– 1931),” in Jazz on Record, ed. A.J. McCarthy, p. 14 (Item E378). BB248. Oliver, Paul. Barbecue Bob (Robert Hicks): 1927– 30: The Remaining Titles. UK: Matchbox MSE 1009, 1986.

BB234. Bogaert, Karel. “Barbecue Bob (Robert Hicks),” in Blues Lexicon, p. 28 (Item E110).

BB249. Panassié, Hugues; Gautier, Madeleine. “Barbecue Bob,” in Dictionary of Jazz, p. 18 (Item E182).

BB235. Calt, Stephen. Barbecue Bob: Chocolate to the Bone. USA: Mamlish S.3808, c1977; USA: Yazoo L-2005, 1992.

BB250. Rijn, Guido van. “Barbecue Bob,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 57 (Item E162).

Biographical Entries: B

BB251. Russell, Tony. “Barbecue Bob (1902–1931),” in The Blues: From Robert Johnson to Robert Cray, p. 90 (Item A1904). BB252. Santelli, Robert. “Barbecue Bob,” in The Big Book of Blues, p. 22 (Item E202). BB253. Shadwick, Keith. “Barbecue Bob,” in Blues: Keeping the Faith, p. 18 (Item E204). BB254. Silvester, Mario. “‘Barbecue’ Bob na Vijftig Jaar Weer Bekend.” Jazz Freak 8, no. 4 (Feb 1981): 9. BB255. Smith, Chris. Barbecue Bob: Complete Recorded Works in Chronological Order. Vol. 1: 25 March 1927 to 13 April 1928. Austria: Document DOCD5046, 1991. Vol. 2: 21 April 1928 to 3 November 1929. Austria: Document DOCD-5047, 1991. Vol. 3: 6 November 1929 to 8 December 1930. Austria: Document DOCD-5048, 1991. BB256. Solding, Staffan. “Dom Rev upp Damm.” Jefferson no. 43 (Spring 1979): 56–57. BB257. Swinton, Paul. Barbecue Bob and Charley Lincoln: The Hicks Brothers. UK: Catfish KATCD 120, c1999. See also: Items A341, BA567, C149, C153, D869, F458, F482 (Pts. 4 & 5), F496. JOHN HENRY BARBEE BB258. Arnaudon, Jean-Claude. “John Henry Barbee,” in Dictionnaire du Blues, p. 41 (E101). BB259. Bogaert, Karel. “Barbee, John Henry (William George Tucker),” in Blues Lexicon, p. 29–30 (Item E110). BB260. Harris, Sheldon. “Barbee, John Henry,” in Blues Who’s Who. 5th ed., p. 39 (E146). BB261. Larkin, Colin (ed.). “Barbee, John Henry,” in The Guinness Encyclopedia of Popular Music, p. 169 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 23 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 17 (E169). BB262. Montagne, Rochelle; Komara, Edward. “Barbee, John Henry,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 57 (Item E162). BB263. Oliver, Paul. “Barbee, John Henry (1905–1964),” in Jazz on Record, ed. A.J. McCarthy, p. 14 (Item E378). BB264. Oliver, Paul. John Henry Barbee: Portraits in Blues. Vol. 9. Denmark: Storyville SLP–171, 1965; Denmark: Storyville 4037, 1981. Reprinted as “Gonna Pick No More Cotton: John Henry Barbee,” in Blues off the Record, pp. 228–230 (Item A1577).

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BB265. Oliver, Paul. John Henry Barbee/Sleepy John Estes: Blues Live! Denmark: Storyville SLP 4074, c1987. BB266. Smith, Chris; Rye, Howard. “When John Henry Was a New Born Baby.” Blues & Rhythm no. 202 (Sep 2005): 14–15. BB267. Smith, Francis Wilford. “John Henry Barbee.” Blues Unlimited no. 18 (Jan 1965): 5. Reprinted in Nothing But the Blues, ed. M. Leadbitter, p. 236 (Item A1241). See also: http://www.wirz.de/music/american.htm Item BR1032. EDDIE BARCLAY See: BARCLAY/BLUE STAR RECORDS BAREFOOT BILL See: ED BELL GENE BARGE BB268. Birnbaum, Larry. “Daddy G.” Chicago Reader (24 Jun 1989). BB269. Dahl, Bill. “The Soulful Saxophone of Gene ‘Daddy G.’ Barge.” Living Blues no. 151 (May/Jun 2000): 22–31. BB270. Hardy, Phil; Laing, Dave (eds.). “Gene Barge,” in The Encyclopedia of Rock. Vol. 1, p. 27 (Item E145). BB271. Hess, Norbert. “Musiklehrer, Daddy G, U.S. Bonds, Muddy Waters ....” Blues Forum no. 5 (lst Quarter 1982): 10–13. BB272. Pruter, Robert. “A Talk with Daddy G.” Goldmine no. 70 (Mar 1982): 24–25. (NOTE: Includes discography on p. 25.) BB273. Walsh, Brian. Church Street Five: A Night with Daddy ‘G’. UK: Ace CDCHD 742, 1999. LOUISA “BLUE LU” BARKER BB274. Barker, Danny; Shipton, Alyn. A Life in Jazz. New York: Oxford University Press, 1986. 223 pp.; London: Macmillan, 1986. 223 pp. BB275. Berry, Jason. Blue Lu Barker: Blue Lu Live. USA: Orleans OR2111, 1998. BB276. Harris, Sheldon. “Barker, Louisa ‘Blue Lu’,” in Blues Who’s Who. 5th ed., pp. 39–40 (E146). BB277. Holland, Ted. “Louisa ‘Blue Lu’ Barker,” in This Day in African-American Music, p. 135 (E157). BB278. Jones, Tamarind Free. Apollo’s Lady Blues Singers: Blue Lu Barker, Wee Bea Booze, Baby Dee: Don’t You Feel My Leg. USA: Delmark DE-684, 1996.

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BB279. Larkin, Colin (ed.). “Barker, Louis ‘Blue Lu’,” in The Guinness Encyclopedia of Popular Music, p. 174 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 23 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 17 (E169). BB280. MacMurray, M.; Hall, S. “Blue Lu Barker (And a Bit About Danny Too).” Second Line 36 (Fall 1984): 26–35. BB281. Mathieson, Kenny. “Barker, Blue Lu,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 58 (Item E162). BB282. Mullener, Elizabeth. “This Lady Still Sings the Blues.” Times-Picayune (3 Mar 1991): 1. BB283. Panassié, Hugues; Gautier, Madeleine. “Barker, Blue Lu,” in Dictionary of Jazz, pp. 18–19 (Item E182). BB284. Shipton, Alyn. “Blue Lu Barker.” Footnote 17, no. 5 (1986): 18–23. BB285. Shipton, Alyn. “Barker, Blue Lu,” in The New Grove Dictionary of Jazz. Vol. 1: A–K, ed. B. Kernfeld, p. 71 (Item E159). BB286. Wyckoff, Geraldine. “Blue Lu Barker Remembers.” Offbeat 9, no. 10 (1996): 56–59. Obituaries: American Rag 10 (Jun 1998): 33. Jazz Podium 48, no. 1 (Jan 1999): 47. Living Blues no. 140 (Jul/Aug 1998): 8. Mississippi Rag 25 (Jun 1998): 19. Mississippi Rag 25 (Jul 1998): 16. New Orleans Music 7 (Jun 1998): 21. Notes 55 (Jun 1999): 860. Offbeat (Jun 1998): 55+. Orkester Journalen 66, no. 6 (Jun 1998): 45. Second Line 49 (Spring 1999): 3. The Times [UK] (27 May 1998). BB287. Aldin, Mary Katherine. “Louise ‘Blue Lu’ Barker (1913–1998).” Blues Access no. 34 (Summer 1998): 61. BB288. Hannusch, Jeff. “Blue Lu Barker.” Living Blues no. 141 (Sep/Oct 1998): 53.

BB294. Vacher, Peter. “Blue Lu Barker: Stand by Your Man.” Guardian [UK] (20 May 1998): 16. BB295. Vacher, Peter. “Bye And Bye.” New Orleans Music 7 (Sep 1998): 27–28. See also: Items A1828, A1830, A1833. DON BARKSDALE See: RHYTHM RECORDS EVERETT BARKSDALE BB296. Feather, Leonard. “Barksdale, Everett,” in The Encyclopedia of Jazz in the Sixties, ed. L. Feather, pp. 59–60 (Item E136). BB297. Kinkle, Roger D. “Barksdale, Everett,” in The Complete Encyclopedia of Popular Music and Jazz, 1900–1950. Vol. 2: Biographies A Through K, p. 547 (E160). BB298. Mongan, Norman. “Barksdale, Everett,” in The New Grove Dictionary Of Jazz. Vol. 1: A–K, ed. B. Kernfeld, p 72. London: Macmillan, 1988. BB299. Panassié, Hugues; Gautier, Madeleine. “Barksdale, Everett,” in Dictionary of Jazz, p. 19 (Item E182). Obituaries: Cadence 13, no. 11 (Nov 1987): 94. Orkester Journalen 54 (Sep 1986): 46. BB300. Penny, Dave. “Everett Barksdale.” Blues & Rhythm no. 23 (Oct 1986): 14. WILLIAM BARLOW BB301. Anon. “Barlow, William,” in Writers Directory 2005. Vol. 1, ed. M. Ferrara, pp. 84–85. Detroit: St. James Press, 2004. WILEY BARNER BB302. Eagle, Bob. “‘My Gal Treats Me Mean’: Wiley Barner’s Story.” Crazy Music no. 3 (1974): 21. BB303. Harrison, David; Komara, Edward. “Barner, Wiley,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 58 (Item E162).

BB289. Hillman, Christopher. “Blue Lu Barker.” Jazz Journal 51, no. 8 (Aug 1998): 19.

BB304. Kent, Don. “‘Take My Picture, Make It in a Frame’: (The Wiley Barner Story).” 78 Quarterly no. 9 (c1995): 61–66.

BB290. Laplace, Michel. “Larmes: Blue Lu Barker (1913– 1998).” Jazz Hot no. 553 (Sep 1998): 7.

BB305. Romanowski, Ken. Alabama: Black Secular & Religious Music (1927–1934): Complete Recorded Works in Chronological Order. Austria: Document DOCD-5165, 1993.

BB291. Mullener, Elizabeth. “Blue Lu Barker, 84, Sweet, Sassy Jazz Singer.” Times–Picayune (8 May 1998): B8. BB292. Radenac, Marc. “Blue Lu Barker.” Soul Bag no. 151 (Summer 1998): 40. BB293. Simpson, Joel. “Blue Lu Barker.” Down Beat 65, no. 10 (Oct 1998): 18.

See also: Item F27. ROOSEVELT BARNES BB306. Anon. “The Heartbroken Man: Roosevelt ‘Booba’ Barnes.” Living Blues no. 100 (Nov/Dec 1991): 10–15.

Biographical Entries: B

BB307. Brennan, Luann. “Roosevelt Barnes,” in Contemporary Musicians. Vol. 23 (Item E164). BB308. Brennan, Luann. “Roosevelt Barnes,” in Contemporary Musicians. Vol. 26 (Item E164). BB309. Grandi, Marino; Grandi, Davide. “L’Intervista: La ‘Prima Volta’ di Roosevelt ‘Booba’ Barnes.” Il Blues no. 37 (Dec 1991): 17–18. BB310. Hoffman, Larry. “Sunflower Blues Festival.” Blues Access no. 16 (Winter 1993): 16–18.

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BB323. Trynka, Paul; Wilmer, Valerie. “Booba Barnes,” in Portrait of the Blues, pp. 145–147, 156. London: Hamlyn, 1996. BB324. Urbain, Jean–Pierre. “Une Rencontre avec Roosevelt Booba Barnes.” Jazz in Time no. 48 (1993): 19. BB325. Verdobbio, Ottavio. “L’Ultimo Bluesman di Nelson Street, Greenville, Mississippi: Roosevelt ‘Booba’ Barnes.” Il Blues no. 77 (Dec 2001): 12–17. (NOTE: Includes discography on p. 17.)

BB312. Larkin, Colin (ed.). “Barnes, Roosevelt ‘Booba’, in The Guinness Encyclopedia of Popular Music, p. 177 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., pp. 23–24 (E166). Reprinted in The Virgin Encyclopedia of the Blues, pp. 17–18 (E169).

Obituaries: Billboard 108 (27 Apr 1996): 78. Cadence 22, no. 5 (May 1996): 125. Down Beat 63, no. 7 (Jul 1996): 16. Jazz Magazine [France] no. 462 (Sep 1996): 5. JazzTimes 26, no. 6 (Aug 1996): 20. Jefferson no. 111 (1996): 18. Living Blues no. 128 (Jul/Aug 1996): 55. Living Blues no. 129 (Sep/Oct 1996): 11. Los Angeles Times (14 Apr 1996): 28. Notes 53, no. 4 (1997): 1108. Washington Post (8 Apr 1996): 6.

BB313. LeBlanc, W. Patrick. “Jukin’ in Mississippi.” American Visions 11, no. 1 (Feb/Mar 1996): 46.

BB326. Benicewicz, Larry. “Roosevelt ‘Booba’ Barnes.” Blues Gazette no. 3 (1996): 72.

BB314. Lee, Peter. “‘Booba’ Barnes: Confessions of the Heartbroken Man.” Guitar Player 28, no. 7 (Jul 1994): 24–30.

BB327. DelGrosso, Rich. “Roosevelt ‘Booba’ Barnes, 1937– 1996.” Blues Revue no. 24 (Aug/Sep 1996): 96.

BB311. Lacava, Jacques. “Roosevelt Barnes.” Soul Bag no. 115 (Winter 1988/89): 21.

BB315. Miller, Rex. “Big Boss Blues: Jukin’ in Mississippi.” Guitar Player 25, no. 7 (Jul 1991): 78–84. BB316. Nicholson, Robert. “This Ain’t No Beale Street,” in Mississippi: The Blues Today!, pp. 30–37. London: Blandford, 1998. BB317. O’Neal, Jim. “Booby Barnes: Nelson Street Playboy.” Southern Magazine (Aug 1987). Translated into Swedish in Jefferson no. 89 (1990): 16–18. Reprinted as “‘I Don’t Want to Serve God and the Devil Too’: Booba Barnes.” Blues & Rhythm no. 61 (Jun 1991): 4–5. BB318. O’Neal, Jim. “Roosevelt Barnes.” Living Blues no. 57 (Autumn 1983): 31. BB319. O’Neal, Jim. Roosevelt ‘Booba’ Barnes & the Playboys: The Heartbroken Man. USA: Rooster Blues R2623, 1990. BB320. Santelli, Robert. “Barnes, Booba,” in The Big Book of Blues, pp. 22–23 (Item E202). BB321. Slotkinoff, Joel. “‘We Never Played No Rough Places’: Joel Slotkinoff Talks to Big Bad Smitty About Booba Barnes, Juke Joints and the Mississippi Blues.” Blues & Rhythm no. 66 (Jan 1992): 20–21. BB322. Tomko, Gene. “Barnes, Roosevelt Melvin ‘Booba’,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 59 (Item E162).

BB328. Dirks, Scott. “Roosevelt ‘Booba’ Barnes, 1936– 1996.” Blues Access no. 26 (Summer 1996): 55. BB329. Empson, Alan. “Roosevelt ‘Booba’ Barnes.” Juke Blues no. 35 (Summer 1996): 29. BB330. Heise, Kenan. “Roosevelt ‘Booba’ Barnes: Longtime Delta Bluesman.” Chicago Tribune (6 Apr 1996): 11. BB331. Obrecht, Jas. “Roosevelt ‘Booba’ Barnes.” Guitar Player 30, no. 8 (Aug 1996): 24. BB332. O’Neal, Jim. “Roosevelt ‘Booba’ Barnes.” Living Blues no. 132 (Mar/Apr 1997): 72–74. BB333. Pareles, Jon. “Booba Barnes is Dead at 59: Mississippi Juke-Joint Bluesman.” New York Times (6 Apr 1996): 12. BB334. Radenac, Marc. “Roosevelt ‘Booba’ Barnes.” Soul Bag no. 143 (Summer 1996): 33. BB335. Urbain, Jean-Pierre. “Roosevelt ‘Booba’ Barnes (1936–1996).” Blues Gazette no. 3 (1996): 71–72. BB336. Wight, Phil. “Roosevelt ‘Booba’ Barnes.” Blues & Rhythm no. 110 (Jun 1996): 16. BB337. Wilmer, Val. “The Blues Man from Down Nelson Street.” Guardian [UK] (29 Jul 1996): 11. BB338. Young, Alan. “Booba’s Blues.” Blues & Rhythm no. 114 (Nov 1996): 10–11. See also: Blues Life no. 59 (1992): 4+. Item F927.

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SUNPIE BARNES (Bruce Arnel Barnes) BB339. Harris, Paul. “Sunpie Barnes: More Than Just a Musician. Pt. 1.” Juke Blues no. 58 (Spring 2005): 22–24; “Pt. 2.” Juke Blues no. 59 (Late Summer 2005): 44–47. BARREL HOUSE ANNIE BB340. Smith, Chris. Any Kind a Man: Previously Unissued, 1934–1938. UK: Travelin’ Man TM 8811, 1989. See also: Item BJ1075 (Vol. 3). BARRELHOUSE BUCK See: THOMAS “BARRELHOUSE BUCK” MCFARLAND RAYMOND BARROW See: Items BA797 (Vol. 2), C582. DAVE BARTHOLOMEW BB341. Broven, John. “Behind the Sun Again.” Blues Unlimited no. 102 (Jun 1973): 4–7. BB342. Broven, John. The Big Beat of Dave Bartholomew. USA: EMI/Capitol 7245-37599-2-6, 2002. BB343. Broven, John J. “Dave Bartholomew,” in Rhythm and Blues in New Orleans, pp. 17–19, 33 (Item F1076).

BB352. Fumar, Vincent. “Dave Bartholomew.” New Orleans States-Item (5 Aug 1978): 8. BB353. Fumar, Vincent. “Dave Bartholomew.” Wavelength no. 7 (May 1981): 9. BB354. Goldsmith, Peter. “Dave Bartholomew.” Blues Forum no. 2 (Mar/Apr/May 1981): 7–12. BB355. Hannusch, Jeff. Dave Bartholomew: Shrimp and Gumbo. France: Imperial 1566311, 1986. BB356. Hannusch, Jeff. “Dave Bartholomew: The Man Behind the Big Beat,” in I Hear You Knockin’, pp. 95–104 (Item F1085). BB357. Hardy, Phil; Laing, Dave (eds.). “Dave Bartholomew,” in The Encyclopedia of Rock. Vol. 1, pp. 29–30 (Item E145). BB358. Holland, Ted. “Dave Bartholomew,” in This Day in African–American Music, p. 151 (E157). BB359. Joyce, Mike. “Intermission with Fats.” Living Blues no. 35 (Nov/Dec 1977): 16–22. BB360. Larkin, Colin (ed.). “Bartholomew, Dave,” in The Guinness Encyclopedia of Popular Music, pp. 185–186 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 24 (E166). Reprinted in The Virgin Encyclopedia of the Blues, pp. 18–19 (E169).

BB344. Broven, John. Dave Bartholomew: Jump Children. France: Imperial 154660 1, 1983.

BB361. M, M.J. “Dave Bartholomew: An Appreciation and Discography.” Roll Street Journal no. 6 (1983/84): 31–32.

BB345. Broven, John. Dave Bartholomew: The Monkey. France: Imperial 156133 1, 1985.

BB362. McGee, David. “The Spirit of New Orleans.” Pro Sound News 20, no. 7 (Jul 1998): 130, 128.

BB346. Broven, John J. “Dave Bartholomew’s Productions,” in Rhythm and Blues in New Orleans, pp. 28–29 (Item F1076).

BB363. Mohr, Kurt; Petard, Gilles. “Dave Bartholomew Disco.” Soul Bag no. 102 (Mar/Apr 1985): 8–9.

BB347. Clarke, Donald. “Bartholomew, Dave,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., p. 72 (Item E125). BB348. Courbot, Serge. “Rebound.” Roll Street Journal no. 7 (1984): 16. BB349. Cullen, Thomas J., III. “Dave Bartholomew: Crescent City Maestro.” Blues Revue no. 43 (Dec 1998): 68–69. BB350. Davis, Neil. “Rebound.” Roll Street Journal no. 17 (1986): 17. BB351. Eden, Dawn; Block, Adam. The Spirit of New Orleans: The Genius of Dave Bartholomew: A Collection of R&B Sounds by the Top Stars of New Orleans. USA: EMI 0777-7-80184-2, 1992.

BB364. Mohr, Kurt. “Discography of Dave Bartholomew.” Jazz Statistics no. 28 (Dec 1962): 4–6. BB365. Newman, Ralph M. “Whose Ding-a-Ling?” Bim Bam Boom no. 9 (Sep 1973): 16–17. BB366. Penny, Dave. Dave Bartholomew: The Chronological, 1947–1950. France: Classics 5002, 2001. The Chronological, 1950–1952. France: Classics 5055, 2003. BB367. Petard, Gilles. “Interview: Dave Bartholomew.” Soul Bag no. 102 (Mar/Apr 1985): 5–7. BB368. Porter, Charlene. Dave Bartholomew’s New Orleans Jazz Band. USA: Broadmoor BR-1201, 1981. BB369. Sacré, Robert. “Bartholomew, Dave,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 59–60 (Item E162).

Biographical Entries: B

119

BB370. Santelli, Robert. “Bartholomew, Dave,” in The Big Book of Blues, pp. 23–24 (Item E202).

BB385. Lydon, Michael. “Ralph Bass,” in Boogie Lightning, pp. 80–98. New York: Dial, 1974.

BB371. Sebastian, Kathy. “Dave Bartholomew.” New Orleans Music 3, no. 4 (Apr 1992): 14–17.

BB386. Pruter, Robert. “Bass, Ralph,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 65 (Item E162).

BB372. Tricker, Phillip J. “Bread to Booze.” Roll Street Journal no. 5 (1983): 26. BB373. Wilson, Lorraine; Rommen, Timothy. “Bartholomew, Dave Louis,” in International Dictionary of Black Composers, ed. S.A. Floyd, Jr., pp. 86–94. Chicago: Fitzroy Dearborn, 1999. See also: Goldmine no. 282 (17 May 1991). Items A440, BM324.

BB387. Shaw, Arnold. “Ralph Bass,” in Honkers and Shouters, pp. 235–247. New York: Collier, 1978. Obituaries: Jefferson no. 115 (1997): 26. Musica Jazz (Jan 1998): 59. Orkester Journalen 64, no. 10 (Oct 1997): 43. BB388. Burke, Tony. “Ralph Bass.” Blues & Rhythm no. 122 (Sep 1997): 15.

VIOLA BARTLETTE

BB389. Dahl, Bill. “Ralph Bass.” Living Blues no. 134 (Jul/ Aug 1997): 51.

BB374. Anon. “Filling in Discographically.” Record Research no. 86 (1967): 10.

BB390. Pruter, Robert. “Ralph Bass.” Goldmine no. 441 (20 Jun 1997): 187.

BB375. Bogaert, Karel. “Bartlette, Viola,” in Blues Lexicon, p. 32 (Item E110).

BB391. Pruter, Robert. “Ralph Bass.” Juke Blues no. 38 (Summer 1997): 32.

BB376. Smith, Chris. Vocal Blues and Jazz: Complete Recorded Works in Chronological Order. Vol. 2: 1921–1938. Austria: Document DOCD-1012, 1998. SLIM BARTON BB377. Briggs, Keith. Georgia Blues: The Complete Barton, Mapp, McMullen, Weaver, 1928–1933. Austria: Document DOCD-5110, 1992. RALPH BASS BB378. Brennan, Luann. “Ralph Bass,” in Contemporary Musicians. Vol. 24 (Item E164). BB379. Clarke, Donald. “Bass, Ralph,” in The Penguin Encyclopedia of Popular Music. 2nd. ed., p. 75 (Item E125). BB380. Fleming, John. “A Life Recording.” Reader (7 Mar 1980): 1, 28–32.

See also: CHESS RECORDS SID BASS Obituaries: Billboard 105 (3 Jul 1993): 61. JazzTimes 23, no. 9 (Nov 1993): 23. BB392. Penny, Dave. “Sid Bass.” Blues & Rhythm no. 82 (Sep 1993): 18. JOHNNIE BASSETT BB393. Bell, Bob. Johnnie Bassett: Cadillac Blues. USA: Cannonball CBD 29103, 1997. BB394. DelGrosso, Rich. “Johnnie Bassett: Cadillac Blues.” Blues Revue no. 40 (Sep 1998): 14–18. BB395. DelGrosso, Rich. Johnnie Bassett: Party My Blues Away. USA: Cannonball CD 29109, 1999. BB396. Fallico, Pete. Johnny Bassett: Bassett Hound. USA: Fedora CD 5004, c1997.

BB381. Hardy, Phil; Laing, Dave (eds.). “Ralph Bass,” in The Encyclopedia of Rock. Vol. 1, pp. 30–31 (Item E145).

BB397. Gallert, Jim. “Johnnie Bassett,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 65–66 (Item E162).

BB382. Hess, Norbert. “‘I Don’t Give a Damn if Whites Bought It!’: The Story of Ralph Bass.” Blues Unlimited no. 119 (May/Jun 1976): 17–24.

BB398. Gallert, Jim. “Johnnie Bassett: A Blues ‘Man for All Seasons’.” Detroit Blues no. 6 (Summer 1996): 10–14, 16–18, 20.

BB383. Larkin, Colin (ed.). “Bass, Ralph,” in The Guinness Encyclopedia of Popular Music, p. 188 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 26 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 19 (E169).

BB399. Gallert, Jim; Spangler, R.J. “Johnnie Bassett over Vislucht en de Vestapol–Methode.” Block no. 99 (1996): 7–13.

BB384. Leadbitter, Mike. “Chess & Ralph Bass.” Blues Unlimited no. 79 (Jan 1971): 8, 10.

BB400. “Johnnie Bassett & The Blues Insurgents: I Still Got the Blues, But I Got It in My Fleetwood Cadillac.” Blues News [Germany] no. 17 (Apr/May/Jun 1999): 12–13.

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BB401. Nolis, Marc. “The Johnnie Bassett Story.” Blues & Rhythm no. 115 (Christmas 1996): 8–9. BB402. Ollikainen, Aimo. “BN 30-Vuotisjuhlinnat Jatkuvat ... Johnnie Bassett & the Blues Insurgents ... Tavastia-Klubilla 12. Marraskuuta.” Blues News [Finland] no. 173 (1998): 23. BB403. Sinclair, John. “Johnnie Bassett: Cadillac Bluesman from the Motor City.” Living Blues no. 146 (Jul/Aug 1999): 20–27. BB404. Spangler, R.J. Johnnie Bassett: I Gave My Life to the Blues. Holland: Black Magic CD 9034, 1997.

JOE VON BATTLE See: JVB RECORDS BATTLERACK SCATTER See: Item BG110. ALLEN BATTS BB414. Warnick, Ruth; Queignec, Jean. “Allen Batts: Pour l’Amour du Piano.” Soul Bag no. 161 (Winter 2001): 7. WILL BATTS

See also: Blues & Co no. 24 (2003). Blues Magazine [France] no. 12 (1999).

BB415. Arnaudon, Jean-Claude. “Will Batts,” in Dictionnaire du Blues, pp. 41–42 (E101).

Item F768.

BB416. Harris, Sheldon. “Batts, Will,” in Blues Who’s Who. 5th ed., p. 40 (E146).

BRUCE BASTIN See: FLYRIGHT, MAGPIE RECORDS JUNE BATEMON BB405. Eagle, Bob. “June Bateman.” Alley Music 1, no. 3 (Winter 1968): 14–15. BB406. Kochakian, Dan. “A Noble Career: Dan Kochakian Interviews June Batemon.” Blues & Rhythm no. 185 (Christmas 2003): 7–8. BB407. Kochakian, Dan. “Noble Watts/June Batemon Discography.” Blues & Rhythm no. 185 (Christmas 2003): 9–11. LEFTY BATES (Leroy Bates) BB408. O’Neal, Jim. “Lefty Bates.” Living Blues no. 21 (May/Jun 1975): 34. BB409. Penny, Dave; Campbell, Robert L.; Gugolz, Daniel; Kochakian, Dan. “Lefty Bates Discography. Pt. 1.” Blues & Rhythm no. 183 (Oct 2003): 4–9; “Pt. 2.” Blues & Rhythm no. 184 (Nov 2003): 4–9. BB410. Pruter, Robert. “Bates, Lefty,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 66 (Item E162). Obituaries: Living Blues no. 98 (Jul/Aug 1991): 40. BB411. Darwen, Norman. “Lefty Bates.” Blues & Rhythm no. 60 (May 1991): 17. BB412. Fish, George. “Leroy ‘Lefty’ Bates.” Living Blues no. 103 (May/Jun 1992): 53. (NOTE: See also additions/corrections in LB 102 (1992): 10–11.) BB413. Radenac, Marc. “Lefty Bates.” Soul Bag no. 123 (Summer 1991): 26. HAROLD BATTISTE See: AFO RECORDS

BB417. Komara, Edward. “Batts, Will,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 67 (Item E162). BB418. Larkin, Colin (ed.). “Batts, Will,” in The Guinness Encyclopedia of Popular Music, p. 192 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 26 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 19 (E169). BB419. Olsson, Bengt. “Will Batts: A Fruitjar Full,” in Memphis Blues and Jug Bands, pp. 40–46. London: Studio Vista, 1970. See also: Item F1238. ANDREW AND JIM BAXTER BB420. Larkin, Colin (ed.). “Baxter, Andrew and Jim,” in The Guinness Encyclopedia of Popular Music, p. 193 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 26 (E166). Reprinted in The Virgin Encyclopedia of the Blues, pp. 19–20 (E169). BB421. Wiggins, Gene; Russell, Tony. “Hell Broke Loose in Gordon County, Georgia.” Old Time Music no. 25 (Summer 1977): 9–21. See also: Items BA154, C98. HELEN BAXTER See: Items A2208 (Vols 3&4), A2378, BL574 (Vols 1&2), D1081. GEORGE BAZE Obituaries: Living Blues no. 143 (Jan/Feb 1999): 17. BB422. Bays, Kenneth. “George Baze, 1942–1998.” Blues Revue no. 44 (Jan/Feb 1999): 86.

Biographical Entries: B

BB423. Lacoque, Michel. “George Baze.” Living Blues no. 144 (Mar/Apr 1999): 76. BEALE STREET BOYS See: GUS CANNON Item BM1256. BEALE STREET JUG BAND BB424. Nilsson, Charley. “Beale St. Jug Band.” Jefferson no. 53 (Fall 1981): 41, 50. See also: HAMMIE NIXON, VAN HUNT BEALE STREET ROUNDERS BB425. Rowe, Mike. Memphis Harp & Jug Blowers (1927– 1939): Complete Recorded Works in Chronological Order + 1 Alternative Take. Austria: Blues Document BDCD-6028, 1992. See also: JED DAVENPORT, TOO TIGHT HENRY BEALE STREET SHEIKS See: FRANK STOKES, DAN SANE THE BEALE STREETERS See: EARL FOREST LOTTIE BEAMAN (Lottie Kimbrough) BB426. Allen, Walter C. “Discomania.” Jazz Journal 8, no. 6 (Jun 1955): 13. (NOTE: See also Jazz Journal 8, no. 10 (1955), 10 for additional comment.) BB427. Bogaert, Karel. “Beaman, Lottie,” in Blues Lexicon, p. 32 (Item E110). BB428. Harris, Sheldon. “Beaman, Lottie,” in Blues Who’s Who. 5th ed., pp. 40–41 (E146). BB429. Larkin, Colin (ed.). “Beaman, Lottie,” in The Guinness Encyclopedia of Popular Music, p. 197 (E165). Reprinted in The Guinness Who’s Who of Blues. 2nd ed., p. 26 (E166). Reprinted in The Virgin Encyclopedia of the Blues, p. 20 (E169). BB430. Montagne, Rochelle; Komara, Edward. “Beaman, Lottie,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 68 (Item E162). BB431. Oliver, Paul. “Beaman, Lottie (date unknown),” in Jazz on Record, ed. A.J. McCarthy, pp. 17–18 (Item E378). BB432. Oliver, Paul. Kansas City Blues: The Complete Recorded Works of Lottie Beaman-Kimbrough, Winston Holmes and Charlie Turner, Sylvester Kimbrough (1924–1929). Austria: Document DOCD5152, 1993.

121

BB433. Oliver, Paul. Lottie Beaman (Kimbrough) (1924– 26): Luella Miller (1928). Austria: Wolf WSE 124, 1988. BB434. Oliver, Paul. Lottie Kimbrough and Winston Holmes: Complete Recordings in Chronological Order, 1928–29. Austria: Wolf WSE 114, 1984. BB435. Russell, Tony. “Kimbrough, Lottie,” in Encyclopedia of the Blues. Vol. 2: K–Z, ed. E. Komara, p. 566 (Item E162). BB436. Santelli, Robert. “Kimbrough, Lottie,” in The Big Book of Blues, p. 232 (Item E202). See also: Items A72, A339, F579. CHRIS BEARD BB437. Beaumont, Daniel. “Beard, Chris,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 68 (Item E162). BB438. Beaumont, Dan. “Chris Beard: Born in a House of Blues.” Living Blues no. 169 (Sep/Oct 2003): 38–41. BB439. Stedman, John. Chris Beard: Barwalkin’. UK: JSP JSPCD 288, 1997. BB440. Tipaldi, Art. Chris Beard: Born to Play the Blues. UK: JSP JSPCD 2148, 2000. JOE BEARD BB441. Beaumont, Daniel. “Beard, Joe,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, pp. 68–69 (Item E162). BB442. Beaumont, Dan. “Joe Beard: So Much Truth.” Living Blues no. 169 (Sep/Oct 2003): 28–36. BB443. Corrigan, Peter J. “Rochester Blues: Joe Beard, Sidney Blue.” Living Blues no. 43 (Summer 1979): 26–27. See also: Item F1146. HELEN BEASLEY BB444. Balfour, Alan. Blue Girls: Complete Recorded Works in Chronological Order. Vol. 1: 1924–30. Austria: Document DOCD-5503, 1996. JIMMY BEASLEY BB445. Cayer, Richard C. “Jimmy’s Back!” Blues Unlimited no. 95 (Oct 1972): 14–15. BB446. Komara, Edward. “Beasley, Jimmy,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 69 (Item E162). BB447. Rainsford, Mick. “Jimmy Beasley.” Blues Gazette no. 4 (1996): 49–50.

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WALTER BEASLEY BB448. Briggs, Keith. Sylvester Weaver: Complete Recorded Works In Chronological Order. Vol. 1. Austria: Document DOCD-5112, 1992. Vol. 2. Austria: Document DOCD-5113, 1992. See also: Item C149. BEAU JOCQUE (Andrus Espré) BB449. Amos, Edward. “Andrus Espre [Beau Jocque],” in Gravesites of Southern Musicians. Jefferson: McFarland, 2002. BB450. Anon. “Exposure.” Spin [USA] 10, no. 10 (Jan 1995): 25+. BB451. Billington, Scott. Beau Jocque & the Zydeco Hi– Rollers: Pick Up on This! USA: Rounder CD 2129, 1994. BB452. Himes, Geoffrey. Beau Jocque & the Zydeco HiRollers: Gonna Take You Downtown. USA: Rounder CD 2150, 1996. BB453. Pilchak, Angela M. “Beau Jocque,” in Contemporary Musicians. Vol. 51 (Item E164). BB454. Sandmel, Ben. Beau Jocque and the Zydeco HiRollers: Zydeco Giant. USA: Mardi Gras MG 1043, 1999. BB455. Sinclair, John; Komara, Edward. “Jacque, Beau,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 499 (Item E162). BB456. Skelly, Richard. “Talk Talk: Beau Jocque.” Goldmine no. 444 (1 Aug 1997): 14–15. BB457. Tisserand, Michael. Beau Jocque & the Zydeco Hi– Rollers: Beau Jocque Boogie. USA: Rounder CD 2120, 1993. Obituaries: Blues News [Germany] no. 20 (Jan/Mar 2000): 4. Blues Revue no. 53 (Dec 1999): 93–94. Discoveries no. 138 (1999): 12. Folk Roots no. 197 (Nov 1999): 12. Houston Chronicle (14 Sep 1999): 3. JazzTimes 29, no. 10 (Dec 1999): 29. No Depression no. 24 (Nov/Dec 1999): 8. Global Rhythm/Rhythm Music 8 (Dec 1999): 12. BB458. Burke, Tony. “Beau Jocque.” Blues & Rhythm no. 144 (Nov 1999): 16.

BB462. Pareles, Jon. “Beau Jocque, 45, Musician Whose Band Updated Zydeco.” New York Times (13 Sep 1999): 17. BB463. Sandmel, Ben. “Beau Jocque: Grand Chef, Zydeco Nouveau.” Mojo no. 72 (Nov 1999): 35. BB464. Sauret, Philippe. “Beau Jocque.” Soul Bag no. 156 (Fall 1999): 36. BB465. Skanse, Richard. “Beau Jocque.” Rolling Stone no. 824 (28 Oct 1999): 44. BB466. Tisserand, Michael. “Sleeping Giant: Remembering Beau Jocque (1954–1999).” Blues Access no. 40 (Winter 2000): 49. BB467. Willging, Dan. “Beau Jocque.” Dirty Linen no. 85 (Dec 1999/Jan 2000): 8. NATHAN BEAUREGARD BB468. Arnaudon, Jean-Claude. “Nathan Beauregard,” in Dictionnaire du Blues, p. 42 (E101). BB469. Bogaert, Karel. “Beauregard, Nathan,” in Blues Lexicon, p. 33 (Item E110). BB470. Komara, Edward. “Beauregard, Nathan,” in Encyclopedia of the Blues. Vol. 1: A–J, ed. E. Komara, p. 69 (Item E162). BB471. Vernon, Mike. The 1968 Memphis Country Blues Festival. UK: Blue Horizon 7-63210, 1968. See also: http://www.bluesworld.com/Beauregard.html; http://www.wirz.de/music/american. htm Items A247, BB442, F1012 JOHNNY BECK BB472. Rowe, Mike. Rural Blues: Complete Recorded Works in Chronological Order. Austria: Document DOCD-5223, 1993. SON BECKY BB473. Yarrow, Julian. San Antonio Blues, 1937: Complete Recorded Works in Chronological Order. Austria: Document DOCD-5232, 1994. WILLIE BEE See: WILLIE BEE JAMES

BB459. Hannusch, Jeff. “Beau Jocque.” Living Blues no. 148 (Nov/Dec 1999): 55–56.

KID BEECHER

BB460. Hannusch, Jeff. “Beau Jocque: Zydeco Artist.” Goldmine no. 502 (22 Oct 1999): 12.

ROBERT BELFOUR

BB461. Moss, Mark D. “Beau Jocque, 1954–1999.” Sing Out! 44, no. 1 (Fall 1999): 26.

See: Items BA620, BA621.

BB474. Benicewicz, Larry; Meininger, Martin (trans.). “Robert Belfour: Le Loup Solitaire.” Soul Bag no. 175 (Jun 2004): 14–17.