2004/1 A PRIMA VISTA. a survey of reprints and of recent publications

A PRIMA VISTA a survey of reprints and of recent publications

2004/1 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: 020-6796575 CDs: 020-6751653/fax: 020-6646759 also on INTERNET: www.broekmans.com e-mail: [email protected]

2 CONTENTS A PRIMA VISTA 2004/1 PAGE

HEADING

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PIANO 2-HANDS PIANO 4-HANDS PIANO 6-HANDS, 2 AND MORE PIANOS, HARPSICHORD ORGAN KEYBOARD

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1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: VIOLIN SOLO VIOLA SOLO, CELLO SOLO DOUBLE BASS SOLO, VIOLA DA GAMBA SOLO

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1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: VIOLIN with accompaniment VIOLIN PLAY-ALONG VIOLA with accompaniment, CELLO with accompaniment CELLO PLAY-ALONG DOUBLE-BASS with accompaniment

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2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT:

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1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: FLUTE SOLO OBOE SOLO, CLARINET SOLO SAXOPHONE SOLO BASSOON SOLO, TRUMPET SOLO HORN SOLO, TROMBONE SOLO, ALTO HORN SOLO, EUPHONIUM SOLO TUBA SOLO

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1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: PICCOLO with accompaniment, FLUTE with accompaniment FLUTE PLAY-ALONG OBOE with accompaniment OBOE PLAY-ALONG COR ANGLAIS with accompaniment, CLARINET with accompaniment CLARINET PLAY-ALONG SAXOPHONE with accompaniment, SAXOPHONE PLAY-ALONG BASSOON with accompaniment, BASSOON PLAY-ALONG, TRUMPET with accompaniment, TRUMPET PLAY-ALONG CORNET PLAY-ALONG, FLUGELHORN PLAY-ALONG, HORN with accompaniment, HORN PLAY-ALONG BARITONE PLAY-ALONG, TROMBONE with accompaniment TROMBONE PLAY-ALONG, TUBA with accompaniment, TUBA PLAY-ALONG, EUPHONIUM with accompaniment, EUPHONIUM PLAYALONG

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2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 2 AND MORE WOODWIND INSTRUMENTS 2 AND MORE BRASS INSTRUMENTS COMBINATIONS OF WOODWIIND AND BRASS INSTRUMENTS

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COMBINATIONS OF WIND AND STRING INSTRUMENTS

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RECORDER GUITAR MANDOLIN, HARP PERCUSSIONMISCELLANEOUS MISCELLANEOUS ACCORDION BANDONEON, SOLO VOICE(S) SOLO VOICE(S) AND/OR CHOIR WITH INSTRUMENTAL ACCOMPANIMENT SOLO VOICE(S) AND/OR CHOIR WITH ORCHESTRAL ACCOMPANIMENT UNACCOMPANIED CHOIR VOCAL SCORES OF OPERA, OPERETTA, MUSICAL, ORATORIO, MASSES ORCHESTRA WITH AND WITHOUT INSTRUMENTAL SOLOISTS BOOKS OF MUSICAL INTEREST MORE BOOKS OF MUSICAL INTEREST CDs

compilation by Jan A. Hollanders . prices in EURO (€) subject to changes and errors

3 PIANO 2-HANDS: 157055

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ALBUM Piano Kids First Fun. Allererste Vorspielstücke und Lieder, die Spaß machen. Mit Gewinnspiel (HEUMANN: Der Spaßvogel, Tastenzauber, Seiltänzerin & Boogie-Woogie; Seemannslied: Banks of Sacramento; Volkstümlich aus Norddeutschland: Ich gehe mit meiner Laterne; HUMBERT: Die Eisenbahn; SCHNEIDER: Danke für diesen guten Morgen; ZELTER: Der Kuckuck und der Esel; TÜRK: Presto & Allegro; HOOK: Menuett; Deutsches Volkslied: Drei Chinesen mit dem Kontrabass; Spiritual: Kum Ba Yah, Nobody knows the trouble I’ve seen; Aus Frankreich: Frère Jacques; WAGNER A.: Heidi; Volkstümlich aus Schlesien: Die Vogelhochzeit; SCHEIN: Allemande; LOH: Floh-Walzer; Russische Volksweise: Schwarze Augen; HÄNDEL: Menuett; Traditional aus Israel: Hava Nagila; AQUA: Barbie Girl; Traditional: Backwater Blues; JOPLIN: The Easy Winners; LISZT: Ungarische Rhapsodie Nr. 2) (Heumann) ALBUM Les classiques pour tous. Arrangements faciles pour piano (BRAHMS: Valse Op. 39/15; MOZART: Thème de la Sonate KV.331; HAYDN: Thème de Symphonie “La Surprise”; SCHUBERT: Marche militaire Op. 51/1; STRAUSS: Le Sang Viennois; TCHAÏKOVSKY: Thème du ballet “Le lac des cygnes”; MENDELSSOHN: Chanson de printemps) (Heumann) ALBUM Piano All Sorts: Easy Pieces (WEDGWOOD: The cool wizzard!; CARPENTER: Podgy tourers; LULLY: Minuet; FUX: Almost a canon; BIRGISSON: Eenie, meenie, minie, mo; KABALEVSKY: A little tune, Marching & A sad tale; YORK: Taking it easy; SZÖNYI: Mazurka; HAYDN: Minuet; JÁRDÁNYI: Hoppity-hop; RAMEAU: Menuet en rondeau; TELEMANN: Rigaudon; MARTIN: Little song; BEYER: Study; MOZART W.A.: Klavierstück & Menuetto; KEMBER: The keys of Canterbury; BEETHOVEN: German dance; HÄNDEL: Impertinence; MOZART L.: Menuetto; TOOVEY: Hands together; WILM: To begin with; CORELLI: Badinage; NORTON: Enchanting; ATTWOOD: Andante; SZÁBO: Danza; LE COUPPEY: Andantino) (York) Initial - Grade 1 ALBUM Piano All Sorts: Easy Pieces (CARPENTER: Creepy crawlies; CLEMENTI: Vivace & Waltz; YORK: Reflected image & Will ye come back again?; SCHUMANN: Soldiers’ march; BARTÓK: Children at play; BISCHOFF: The industrious student; KING: Lullaby; RAMEAU: Double du deuxième rigaudon; HAYASHI: Twilight; PACHELBEL: Fugue in C major; BENNETT: Reflection; DUSSEK: Minuet; TOOVEY: Waterveiled; WEDGWOOD: Broomstick boogie; HAYDN: Allegro; SCARLATTI: Minuetto in C; CZERNY: Allegro; NORTON: Stamping along; BEETHOVEN: Scottish dance; FUCHS: Tristesse; KIRNBERGER: Le lutin; HELLER: Etude in D; KUHLAU: Andantino con espressione) (York) Grades 2 – 3 ALBUM Pasodobles españoles Volume II. Traditional Dance Music. An exceptional collection of the finest Pasodobles for both piano solo and piano with voice (MARQUINA: Brisas de Malaga; CHUCCA: El Bateo; LUNA: El Niño Judio; LOPE: Gerona; GUERRERO: La Blanca Doble; ALONTO: La Corsarias; LOPEZ JUARRANZ: La torre de Oro; DOMINGO: Los Dos Adolfos; GIMENEZ: Los Voluntarios; MORALEDA: Luna de España; DOMINGO: ¡Marcial eres el mas grande!; MARQUINA: ¡Solera Fina!; LOPE: Triana) ALBUM Piano 2021 Volume 2: Sept pièces contemporaines (Thérèse BRENET *1935: Tout l’or des nuits; Régis CAMPO *1968: Kinderball 1, 2 & 3; Edith CANAT de CHIZY *1950: Mobiles immobiles; Charles CHAYNES *1925: Rencontres vénitiennes; Jean-Claude HENRY *1934: Traces . . . ; Alain LOUVIER *1945: Triangle; Jean-Marie SINGIER *1954: Triés, pétris . . . pêle-mêle) (Ibanez) CD included ALBUM Piano 2021 Volume 3: Sept pièces contemporaines (Jacques CASTÉRÈDE *1926: Danses au crépuscule: 1. Tango crépuscule & 2. Danse des lucioles; Jean-Jacques DI TUCCI *1958: Prélude; Edith LEJET *1941: Fleurs d’opale; Serge NIGG *1924: Deux images de nuit: 1. L’Étang et ses secrets & 2. Oiseaux funestes; Antoine TISNÉ 19321998: Dans les clartés hyperboréennes: 1. Statique, 2. , 3. , 4. , 5. , 6. Noyé d’ombres, 7. Luminescent; TON THAT THIET *1933: Images furtives: 1. & 2.; Jean-Jacques WERNER *1935: Night Sky: 1. Winter Evening, 2. Shooting Stars & 3. Stars look without seeing me) (Ibanez) CD included

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ALBUM It’s Ragtime. 8 Ragtime Solos and Arrangerments for the Intermediate Pianist (Scott JOPLIN: The Augustan Club, The Entertainer, Maple Leaf Rag & Solace; W.T. Skye GARCIA: Ragtime Serenade, Scalawag Rag, Step Right Up! & Waltzin’ in Ragtime) (Garcia) ALBUM Anthology of Romantic Piano Music. Intermediate to Early Advanced Works by 36 Composers (Isaac ALBÉNIZ 1860-1909: Granada – Serenata Op. 47/1; Charles-Valentin ALKAN 1813-1888: First Love Letter Op. 63/46 & The Man in Clogs Op. 62/23; Amy BEACH 1867-1944: Scottish Legend Op. 54/1; Johannes BRAHMS 1833-1893: Intermezzo in Eb major Op. 117/1 & Waltz in A major Op. 39/15; Frédéric CHOPIN 1810-1849: Etude in E major Op. 10/3, Mazurka in F major Op. 68/3, Nocturne in F minor Op. 55/1, Polonaise in A major Op. 40/1, Prelude in Db major Op. 28/15, Valse mélancolique KK Anh. Ib/7, Waltz in Ab major Op. 69/1 & Waltz in C# minor Op. 64/2; Claude DEBUSSY 1862-1918: Clair de lune L.75:3 & Valse romantique L.71; Ernst von DOHNANYI 1877-1960: An Ada Op. 13/3 & Dedication Op. 13/1; Antonín DVOŘÁK 1841-1904: Merry-Go-Round & Minuet in C# minor; Gabriel FAURÉ 1845-1924: Romance sans paroles Op. 17/3; John FIELD 1782-1837: Nocturne in D minor Hopk.59A:13; César FRANCK 1822-1890: Andantino & Lento; Mikhail GLINKA 1804-1857: Nocturne in F minor; Louis Moreau GOTTSCHALK 1829-1869: The Hen – Cuban Dance Op. 53; Enrique GRANADOS 1867-1916: Añoranza & Rondalia aragoneta – Spanish Dance Op. 5/6; Edvard GRIEG 1843-1907: DanceCaprice Op. 28/2 & To Spring Op. 43/6; Stephen HELLER 1813-1886: Barcarolle Op. 138/5 & The Chimes of Love Op. 47/23; Fanny MENDELSSOHN-HENSEL 1805-1847: Bagatelle No. 1 & Song without Words Op. 8/2; Leoš JANÁČEK 1854-1928: Moravian Dance; Scott JOPLIN 1868-1917: Maple Leaf Rag; Franz LISZT 1811-1886: Consolation No. 3 S.172:3 & Liebestraum S.541:3; Edward MACDOWELL 1861-1908: Hungarian Op. 39/12, Of a Tailor and a Bear Op. 4/2 & Witch Op. 38/4; Felix MENDELSSOHNBARTHOLDY 1809-1847: Duet Op. 38/6, Scherzo in E minor Op. 16/2 & Venetian Boat Song Op. 30/6; Moritz MOSZKOWSKI 1845-1925: Spanish Dance Op. 12/1; Modest MUSSORGSKY 1839-1881: A Tear Op. 70/18; Ernesto NAZARETH 1863-1934: Romando – Tango; Carl NIELSEN 1865-1931: Good Morning! Good Morning! Op. 11/1; Ignacy PADEREWSKI 1860-1941: Minuet in G major Op. 14/1; Sergei RACHMANINOFF 18731943: Prelude in C# minor Op. 3/2 & Romance Op. 10/6; Anton RUBINSTEIN 1829-1894: Polka Op. 82/7; Clara WIECK-SCHUMANN 1819-1896: Impromptu – Le sabbat Op. 5/1; Robert SCHUMANN 1810-1856: Furchtenmachen Op. 15/11, Reiterstück Op. 68/23, Träumerei Op. 15/7, Vogel als Prophet Op. 82/7, Warum? Op. 12/5 & Wichtige Begebenheit Op. 15/6; Alexander SCRIABIN 1872-1915: Etude in C# minor Op. 2/1 & Prelude in E minor Op. 11/4; Bedřich SMETANA 1824-1884: Sketch – Souvenir Op. 4/3; Johann STRAUSS JR. 1825-1895: Tritsch-Tratsch Polka Op. 214; Peter Ilyich TCHAIKOVSKY 1840-1893: Baba Yaga Op. 39/20, Chanson populaire – Kamarinskaya Op. 39/13 & Chanson triste Op. 40/2; Richard WAGNER 1813-1883: Zurich Sweetheart Waltz) (Hinson) ALBUM Simply Classic. Orchestra and Operatic Masterworks. 18 Favorite “Simply Classics” Arrangements for Early Intermediate Pianists (Johann Sebastian BACH 1685-1750: Piano Concerto in F minor: Theme from the 2nd Movement & Sheep May Safely Graze from the Birthday Cantata; Ludwig van BEETHOVEN 1770-1827: Piano Concerto No. 3 Op. 37: Themes from the 1st Movement & Symphony No. 6 Op. 68: Themes from the 1st Movement; Georges BIZET 1838-1897: Aragonese & Habanera from Carmen; Johannes BRAHMS 1833-1893: Variations on a Theme of Haydn; César FRANCK 1822-1890: Symphony in D minor: Themes from the 1st Movement; Edvard GRIEG 1843-1907: Praeludium from the Holberg Suite; George Frederick HÄNDEL 1685-1759: He Shall Feed His Flock from The Messiah; Gustav HOLST 1874-1934: Jupiter, the Bringer of Jolity from The Planets; Wolfgang Amadeus MOZART 1756-1791: Là ci darem la mano from Don Giovanni; Jacques OFFENBACH 1819-1880: Barcarolle from Tales of Hoffman; Giacomo PUCCINI 1858-1924: Un bel di from Madame Butterfly; Camille SAINT-SAËNS 1835-1921: Danse Macabre & Egyptian Ballet Dance from Samson and Delilah; Franz SCHUBERT 1797-1828: Ballet Music from Rosamunde; Peter Ilyich TCHAIKOVSKY 1840-1893: Piano Concerto No. 1 Op. 23: Theme from the 1st Movement) (Goldston) ALBUM Discovering Piano Etudes. 9 Selections for Late Intermediate to Early Advanced Students (Johann Baptist CRAMER 1771-1858: From 84 Studies: No. 33 in D major, No. 37 in Bb major & No. 16 in F minor; Edward MACDOWELL 1861-1908: From Twelve

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Virtuoso Studies Op. 46: No. 2 in Ab major “Moto Perpetuo”; Carl CZERNY 1791-1857: From The Art of Finger Dexterity Op. 740 Book 1: No. 8 in A minor; Ignaz MOSCHELES 1794-1870: From Grand Characteristic Studies Op. 95: No. 3 in Db major “Der Widerspruch”; Moritz MOSZKOWSKI 1845-1925: From 15 Virtyuoso Etudes Op. 72: No. 2 in G minor, No. 6 in F major & No. 11 in Ab major) (Dietzer) ALBUM The Classic Spirit 1750-1820. Book 2. 19 Intermediate to Early Advanced Piano Solos Reflecting the Influence of 16 Great Composers of the Classical Period [Carl CZERNY 1791-1857: Allegretto in C major Op. 792/8; Thomas ATTWOOD 1765-1838: 1st Movement from Sonatina No. 2 in C major; Matthew CAMIDGE 1764-1844: 1st Movement from Sonatina in G major; Domenico CIMAROSA 1749-1801: 1st Movement from Sonata No. 6 in G major; Franz Joseph HAYDN 1732-1809: Sonata (Divertimento) in C major Hob.XVI:7, L.2; Friedrich KUHLAU 1786-1832: Variations on an Austrian Folk Song Op. 42/1; Carl Philipp Emanuel BACH 1714-1788: 1st Movement from Sonata in F minor; Wilhelm Friedemann BACH 1710-1784: Allegro in A major; Johann Christian BACH 17351782: Risoluto & Largo affettuoso; Daniel Gottlob TÜRK 1750-1813: Solemn and Moving & Those Broken Octaves!; Maria Theresia von PARADIES 1759-1824: Sicilienne; Wolfgang Amadeus MOZART 1756-1791: Andantino in Eb major K.236(588b) & Rondo in C major; Ludwig van BEETHOVEN 1770-1827: Minuet in Eb major WoO 82; Johann Nepomuk HUMMEL 1778-1837: Scherzo in A major; Alexander REINAGLE 1750-1809: Steer Her Up and Had Her Gawn; Muzio CLEMENTI 1752-1832: Monferrina Op. 49/7] (Bachus) ALBUM De Bach à Nos Jours Volume 5B (BARTÓK: Accorde de quintes de Mikrokosmos IV, Sons harmoniques; BEETHOVEN: Bagatelle en ut Majeur Op. 119/2; BERIO: Brin; CHABRIER: Ballabile; CHOPIN: Mazurka en sol mineur Op. 24/1; CIMAROSA: Sonate en si bémol Majeur; DEBUSSY: Danse bohémienne, Doctor Gradus ad Parnassum; GLINKA: Tarentelle; GRANADOS: Andaluza Danse espagnole No. 5; GRIEG: Sylphide Op. 62/1; HAYDN: Presto de Sonate en sol Majeur Hob.XVI:27; KODALY: Lento de Klavierstück Op. 3/1; MARTIN: 3e Prélude; MARTINU: Polka en la; MOZART: Allegro de Sonate KV 281, Allegro de Sonate en mi bémol Majeur KV 282; POULENC: 5e Improvisation en la mineur; PROKOFIEFF: Menuetto Op. 32/2; SCHUBERT: Scherzo en si bémol Majeur; SCHUMANN: Klavierstück Op. 99/1 de Bunte Blätter, L’Étranger de L’Album pour la jeunesse; SMETANA: Andante en mi bémol Majeur; TCHAIKOVSKI: Feuillets d’album) (Hervé, Pouillard) ALBUM Sinterklaasliedjes (1. Jongens heb je’t al vernomen; 2. Wie komt er al die jaren; 3. Sinterklaas is jarig; 4. Zie de maan schijnt door de bomen; 5. Zachtjes gaan de paardevoetjes; 6. Daar wordt aan de deur geklopt; 7. O, kom er eens kijken; 8. Zie ginds komt de stoomboot; 9. Sinterklaas die goede heer; 10. Sinterklaasje bonne, bonne, bonne; 11. Sinterklaas kapoentje; 12. Hoor de wind waait door de bomen; 13. Hoort wie klopt daar kinderen; 14. Sinterklaasje kom maar binne; 15. Sinterklaas, zegt moe; 16. De zak van sinterklaas; 17. Rommel de Bommel; 18. Dag Sinterklaas) (Lupa) play-along CD included ALBUM Classic Collection. Total Easy für Klavier (CLARKE: Trumpet Voluntary; BRAHMS: Wiegenlied Op. 49/4; MOZART: Eine kleine Nachtmusik G-Dur KV.525; TSCHAIKOVSKY: Walzer aus dem Ballett Dornröschen; BEETHOVEN: Thema aus dem 1. Satz der Mondscheinsonate Op. 27/1; LISZT: Liebestraum Nr.3; Walisisches Volkslied: Cancan aus der Operette Orpheus in der Unterwelt; ROSSINI: Thema aus der Ouvertüre der Oper Wilhelm Tell; BACH: Badinerie aus der Orchestersuite Nr. h-Moll; LEHAR: Walzer Gold und Silber; MOZART: Thema aus dem 3. Satz der Sonate facile Klaviersonate C-Dur KV.545; VERDI: Libiamo ne’ lieti aus der Oper La Traviata; HAYDN: 1. Thema aus dem 3. Satz des Trompetenkonzerts Es-Dur Hob.VIIe:1; TSCHAIKOVSKY: 1. Satz des Klavierkonzerts Nr. 1 Op. 23; VERDI: Di quella pira aus der Oper der Troubadour; CHOPIN: Nocturne Op. 9/2; ALBINONI: Adagio; SCHUBERT: 1. Satz der Unvollenbdete Sinfonie Nr. 7 h-Moll; WAGNER: Brautchor aus der Oper Lohengrin; VERDI: La donna è mobile aus der Oper Rigoletto; CHOPIN: Ballade Op. 23; PONCHIELLI: Tanz der Stunden aus der Oper La Gioconda; SCHUBERT: 4. Satz aus dem Forellenquintett Op. posth, 114; STRAUß Sohn: Walzer Künstlerleben Op. 316; BACH / GOUNOD: Ave Maria; GOUNOD: Walzer aus der Oper Faust) (Heumann) CD included

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ALBUM Joanna McGregor’s Piano World. Very first adventures in piano playing: A Christmas Story. Pianoworld is the only place to learn the piano. Imaginative stories. Accompanying, story-based CD. Non-stop entertainment. Original pieces in all kinds of styles. Well-known tunes. Optional accompaniments. Rhythm games and music puzzles throughout. Listen, improvise, compose and explore. Designed for the young pianist who wants to have fun . . . so get your one-way ticket to PianoWorld today! (McGregor) ALBUM Noël enchanté. Jouez et chanter les plus beaux noëls. Volume 2 (1. Le premier Noël; 2. Devant la crèche; 3. Tous en choeur; 4. Go tell it on the mountain; 5. Venez, divin Messie; 6. Le bon roi Wencelas; 7. Les choeurs angéliques; 8. Noël nouvelet; 9. Once in royal David’s city; 10. Dans cette étable; 11. Greensleeves; 12. Deckt the hall; 13. Marche des rois mages; 14. Minuit, chrétiens). En soliste ou avec accompagnement. Pièces très faciles (Veczan) CD included ALBUM Original Piano Marches pour s’amuser au clavier (SCHRAMMELL: Vienne reste Vienne; STRAUSS: Marche de Radetzky; SOUSA: The Washington Post; ALFORD: Colonel Bogey = Pont de la rivière Kwaï; VERDI: Marche des trompettes de Aïda; FUCIK: Entrée des gladiateurs; SCHUBERT: Marche militaire de Op. 51/1; BIZET: Chant du toréador de Carmen) (Le Coz) ALBUM Pianolight. Spirituals & Gospels: 24 Easy Arrangements (Amazing Grace; Down By The Riverside; Gimme That Old Time Religion; Glory, Hallelujah – John Brown’s Body; Go Down, Moses; Go, Tell It On The Mountains; He’s Got The Whole World In His Hands; Joshua Fit The Battle Of Jericho; Kum Ba Yah; Michal, Row The Boat Ashore; Nobody Knows The Trouble I’ve Seen; Oh Happy Day; Oh, When The Saints; Rock My Soul; Sometimes I Feel Like A Motherless Child; Swing Low, Sweet Chariot; Wade In The Water; and many others) (Luedemann) ALBUM Dancing Piano (Allemande; Bolero; Cake-Walk; Courante; Czardas; Galop; Gigue; Habanera; Contredanse; Krakowiak; Mazur; Minuet; Oberek; Polka; Plolonaise; Saraband; Tango; Tarantella; Waltz) (Ekier) illustrated ADAMO Daniel A. d’ Carta segreta (Bouthinon-Dumas) ALBÉNIZ Isaac 1860-1909 Sonata No. 5 Op. 82 Iberia. Erstes Heft: Evocation, El Puerto, Fête-Dieu à Séville (Gertsch) ALAIN Jehan 1911-1940 Deux courtes pièces ALKAN Charles Valentin 1813-1888 Salut, centre du pauvre! Op. 45 Three Pieces: 1. Saltarelle Op. 23; 2. Gigue et Air de Ballet Op. 24; 3. Alleluia Op. 25 Grande Sonate Op. 33 BAARS Marcel *1956 Four Moods for Piano (1981/82) BACEWICZ Grazyna 1909-1969 Concert Krakowiak (Widłak) BACH Johann Sebastian 1685-1750 Choräle der Sammlung C.P.E.Bach (nach dem Druck von 1784-1787) (Rempp) Inventionen und Sinfonien BWV 772-801 (Inventio 1 in C major BWV 772; Inventio 1 in C major BWV 722a; Inventio 2-15 respectively in C minor, D major, D minor, Eb major, E major, E minor, F major, F minor, G major, G minor, A major, A minor, Bb major B minor BWV 773-786; Sinfonia 1-5 respectively in C majior, C minor, D major, D minor Eb major BWV 787-791, Sinfonia 5 in Bb major BWV 791 ornamented version, Sinfonia 6-15 respectivelty in E major, E minor, F major, F minor, G major, G minor, A major, A minor, Bb major, B minor BWV 792-801; Appendix I Ornamented versions from P 219 and Heinrich Nikolaus Gerber’s copy: Facsimile; Sinfonia in D minor BWV 790, Sinfonia 7 in E minor BWV 793, Sinfonia 9 in F minor BWV 795, Sinfonia 11 in G minor BWV 797, Sinfonia 13 in A minor BWV 799; Appendix II Concordance of the ornamented versions: Facsimile, Sinfonia 5 in Eb major BWV 791) (von Dadelsen) Kleine Praeludien und Fughetten (Six little preludes 1-6 respectively in C major, C minor, D minor, D major, E major, E minor BWV 933-938; Little preludes from the Notebook for W.Fr. Bach respectively in D minor BWV 926, C major BWV 846a, F major BWV 927, G

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minor BWV 930, F major BWV 928, C minor BWV 847, D minor BWV 851, C major BWV 924a; Preludes and Fughettas from different traditions Prelude in C major for Lute BWV 999, Prelude from the Suite in Eb major BWV 815a; Earlier Prelude BWV 902 to Fughetta in G major; Fughetta in G major BWV 902/2; Fughetta in C minor BWV 961; Prelude and Fughetta in D minor BWV 899; Prelude and Fughetta in E minor BWV 855a; Prelude and Fughetta in A major BWV 896) (Töpel, Erényi) BARDEN Christine H / KOWALCHYK Gayle / LANCASTER E.L. Music for Little Mozarts. Performance Repertoire to Bring Out the Music in Every Young Child. Music Recital Book 2 (Clara Schumann Cat and the Piano Recital; Clara’s Surprise; Close Your Eyes; My Book; We Are Friends; Let’s Help Clara; I Had Dreams!; Friends Help Friends; The Best Plan; I Can Help You; A Good Deed; Let’s Get Started; You Must Play; Working Together; Clara’s Prgram; A Bear’s Lament; What Should I Say?; A Bear’s Hug; A Lucky Bear; You Must Rest; Clara’s Special Piece; Invitation; Challenge repertoire: Shoo, Fly; The Muffin Man; Ring Around the Rosy; Yankee Doodle; London Bridge; Twinkle, Twinkle, Little Star; The Pieces I Have Performed) BEEFTINK Herman All About Boogie Woogie – Piano-Method Book I BEETHOVEN Ludwig van 1770-1827 Piano Sonatas Op. 2/1-3, Op. 7, Op. 10/1-3, Op. 13 (Gordon) Sämtliche Klaviersonaten in drei Bänden BIRCH Sven Easy Bar Piano. Latin. Easy pieces for piano solo (Karabische Inseln:1. Un poquito canto, 2. Come back, Liza, 3. Bananaboat Song, 4. Havanna Nights, 5. Caribbean Loop; Tango: 6. Tango con passione; Brasilien: 7. Manha de Carneval, 8. Bossa Nova Novo) CD included BLET Stéphane *1969 Mélodie ottomane Op. 19 Mélodie populaire orientale Op. 22 Trente poèmes microcosmiques Op. 41 Volume I (1. Atlantis; 2. En allant à Uskudar; 3. Les tyeux d’Évelina; 4. Angoisse; 5. Nuage blanc; 6. Fantasmagorie; 7. Première valse; 8. La Toile d’araignée; 9. Schéhérezade; 10. Mon Raphaël-Sinan) (débutant/préparatoire) Sonate No. 4 “Renaissance” Sonate No. 5 “Rédemption” Op. 62 BURLEIGH Harry T. 1866-1949 From the Southland CADMAN Charles Wakefield 1881-1946 Thunderbird. Suite from the Incidental Music to an Indian Drama Op. 63 CERVANTES Ignacio 1847-1905 Anhelos (Desires). Valse-Caprice Two Cuban Dances (Gran Señora; Porque, eh?) CHOPIN Frédéric 1810-1849 Nocturne in Eb major Op. 9/2 (Clarfield) CIMAROSA Domenico 1749-1801 Album per Pianoforte / Clavicembalo: 20 Sonatas (Śliwiński) one movement sonatas! CORNICK Mike On the light track: 12 original jazz piano pieces Level 1 (1. Close to the Minimum; 2. Stepping Out; 3. Fiver; 4. Hymn; 5. Waltz in F; 6. Blue Snchor Lane; 7. Blues in Three; 8. Sixth Sense Blues; 9. Dancing Fifths; 10. Baroque Groove; 11. Discrete Syncopations; 12. Modal Moves) CD included with bass and drums accompaniment On the light track: 10 original jazz piano pieces Level 2 (1. Scaling the Rock; 2. Sunrise; 3. Ups and Downs; 4. Modal Dance; 5. Seventh Heaven; 6. Climbing; 7. Easy-Going Rag; 8. Coverging Lines; 9. In the Sun; 10. Just a Little Blue) CD included with bass and drums accompaniment DEBUSSY Claude 1862-1918 Klavierwerke Band 2. Berühmte Klavierstücke (Première Arabesque; Deuxième Arabesque; Aus Suite bergamasque: Rêverie; Aus Pour le piano: Clair de lune; Sarabande; Aus Préludes I, No. 1 Danse de delphes, No. 6 Des pas sur la neige, No. 9 La Sérénade interrompue, No. 12 Minstrels; Aus Préludes II, No. 5 Bruyères; Aus La Boîte à Joujoux: Danse de la poupée; Aus Six épigraphes antiques: Pour invoquer Pan, die du vent d’été) (Ohmen)

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710062 155885 153425

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157034 083357

DETT R. Nathaniel 1882-1943 Enchantment. A Romantic Suite FOOTE Arthur 1853-1937 Nine Piano Studies Op. 27 GRAINGER Percy Aldridge 1882-1961 Country Gardens and Other Works for Piano (Molly on the Shore – Irish Reel 1907; Mock Morris 1910; Irish Tune from County Derry 1911; The Sussex Mummer’s Christmas Carol 1911; Colonial Song 1911; Handel in the Strand – Clog Dance 1911-12; Shepherd’s Hey – English Morris Dance Tune 1908-13; Lullaby from Tribute to Foster 1913-15; One More Day, My John – Sea-Shanty 1915; March-Jig “Maguire’s Kick, No. 1 from Four Irish Dances 1916; Knight and Shepherd’s Daughter 1918; Country Gardens – English Morris Dance Tune 1918; Spoon River – American Folk-Dance 1919-22; “The Nightingale” and “The Two Sisters” 1923; Blithe Bells – A free ramble on Bach’s aria “Sheep May Safely Graze” 1931) (Smith) GRIEG Edvard 1843-1907 Ausgewählte leichte Klavierstücke. Norwegische Volksweisen und Tänze (Sechs Norwegische Gebirgsmelodien: 1. Springtanz, 2. Wiegenlied, 3. Springtanz, 4. Sjugurd und die Trollbraut, 5. Halling, 6. Der Bub und das Mädel in dem Kuhstall-Boden) (Roggenkamp) GURDJIEFF Georges 1866-1949 / HARTMANN Thomas 1885-1956 Music for the Piano. Definitive Edition Volume III: Hymnus, Prayers, and Rituals (First Series: 1. Lento religioso; 2. ; 3. Pity for One’s self; 4. Laudamus; 5. ; 6. ; 7. ; 8. ; 9. Poco vivace; 10. Hymn for Christmas Day No. 1; 11. Molto lento e liberamente; 12. Andantino; 13. Joyous Hymn; 14. As if the Stormy Years had Passed; 15. Rejoice, Beelzebub!; 16. Prayer for Mercy; 17. Holy Affirming, Holy Denying, Holy Reconciling; 18. Orthodox Hymn for a Midnight Service; Second Series: 19. Reading from a Sacred Book; 20. Prayer and Despair; 21. Religious Ceremony; 22. Prayer of Gratitude; 23. Orthodox Hymn from Asia Minor; 24. Largo; 25. Prayer and Procession; 26. Easter Hymn; 27. Lento cantabile; 28. Hymn for Good Friday; 29. ; 30. Andante con moto; 31. Tibi Cantanmus No. 2; 32. Andante; 33. Alleluia; 34. Hymn for Christmas Day No. 2; 35. ; 36. Hymn to Our Endless Creator; 37. Meditation; 38. Night Procession; Third Series: 39. Tibi Cantamus No. 1; 40. Prayer; 41. Hymn for Easter Thursday; 42. Hymn for Easter Wednesday; 43. Lento; 44. ; 45. Essene Hymne; 46. Women’s Prayer; 47. Chant from a Holy Book; 48. Vespers Hymn; 49. ; 50. The Resurrection of Christ; 51. Easter Hymn and Procession in the Holy Night; Appendix: 16a. Prayer for Mercy; 30a. Andante con moto; 31a. Tibi Cantamus No. 2) the music is available on CD HAHN Reynaldo 1875-1947 Portraits de peintres. Pièces pour piano (Albert Cuyp; Paulus Potter; Anton van Dyck; Antoine Watteau; d’aprés des poésies de Marcel Proust) HARRIS Paul Improve your scales! A workbook for examinations includes all ther scales and arpeggios for Associated Board Grade 5 HAYDN Franz Joseph 1732-1809 Joseph Haydn. Ein Streifzug durch Leben und Werk. Mit leichten Originalstücken und Bearbeitungen für Klavier (Klaviermusik: Menuett aus Menuets pour le Clavecin ou Pianoforte Hob.IX:8, Deutscher Tanz Hob.IX:12, Andante, Sonate C-Dur Hob.XVI:7 2. Satz; Sonate G-Dur Hob.XVI:8 1, Satz, Sonate F-Dur Hob.XVI:9 3.Satz, Leichte variationen, Thema und Var. I Hob.XVII:5; Sinfonien: Sinfonie Nr. 45 fis-Moll Hob.I:45 Abschiedsinfonie 4. Satz, Sinfonie Nr. 94 G-Dur Hob.I:94 Mit dem Paukenschlag 2. Satz, Sinfonie Nr. 101 D-Dur Hob.I:101 Die Uhr 2. Satz; Konzerte: Klavierkonzert D-Dur Hob.XVIII:11 1. Satz, Trompetenkonzert Es-Dur Hob.VIIe:1, 3. Satz; Cellokonzert D-Dur Hob.VIIb:2 3. Satz; Kammermusik: Streichquartett F-Dur Op. 3/5 Hob.III:17 2. Satz; Streichquartett C-Dur Op. 76/3 Hob.III:77 Kaiser-Quartett 3. Satz, Streichtrio G-Dur Op. 53/1 Hob.V:20 1. Satz; Vokalwerke: "Die Himmel erzählen die Ehre Gottes” aus dem Oratorium Die Schöpfung Hob.XXI:2, Knurre, schnurre, knurre” aus dem Oratorium Die Jahreszeiten Hob.XXI:3, Agnus Dei aus Missa in tempore belli Paukenmesse Hob.XXII:9; Bühnenwerke, Arien und Lieder: “O Augen, ihr reinen” aus der Oper Die Welt auf dem Mond Hob.XXVIII:7, “Gott erhalte Franz den Kaiser” Klavierfassung des Liedes Hob.XXVIa:43) (Heumann) Klaviersonate c-Moll Hob.XVI:20 (Feder, Theopold) HEUMANN Hans-Günter Piano-Kids. Die Klavierschule für Kinder mit Spaß und Aktion. Band 1 & Aktionsbuch zur Klavierschule Piano-Kids Band 1: Spiel-Spaß-Info plus Spielkärtchen zum Notenlernen, Musikalische Wissenskärtchen, Bastelbogen, Noten-Schreibheft method

10,45 12,65

20,55

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28,90 21,05 8,05

7,70

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9

155821 155822 155823 155836 157678 150223 710207 710205 710204 157150 157412 151936 157036 900839 156661

157879 710019

155883 155862 150275 155857 900810 900811

033347 157033 159506

HIJMANS Bram 1932-1996 Sonatine (1953) Sonate Piano Album (1. Fuga Interrupta; 2. Impromptu c-Moll; 3. Praeludium over Dies Irae; 4. Impromptu Des-Dur; 5. Thema fugitum; 6. Impromptu tempo di gigue; 7. Variaties over “Neemt mij in der hand”) Three Short Pieces KABALEVSKY Dmitri 1904-1987 30 Children’s Pieces Op. 27 (York) new complete edition KAUFMANN Otto Tempo, Tempo! Die ersten Klavier-Etüden im Anfänger-Tonraum: 22 Klavierstücke im Anfänger Tonraum zur Förderung der Geläufigkeit KIRCHNER Theodor 1823-1903 Grüße an meine Freunde: 5 Klavierstücke Op. 5 (Walton) Lieblinge der Jugend: 30 kleine Studien für Klavier Op. 66 (nach alten Volks- und Kinderliedern) (Joelson) Polonaise, Walzer und Ländler für Klavier Op. 77 (Walton) KILLMAYER Wilhelm *1927 Klavieralbum mit Sphinxen (1999): 9 Stücke LECUONA Ernesto 1896-1963 Valses de Concierto (Concert Waltzes) (Tirino) LEFELD Jerzy 1898-1980 Variations on a Folk Theme LISZT Franz 1811-1886 Funérailles (Heinemann, fingering by Liszt) La Campanella. Transcription Study on Paganini Etude No. 3 (Busoni) MACARDLE Fiona Piano Time Sports Book 1 (Session 1: Just for starters – simple 5-finger exercises; Session 2: Legato; Session 3: Staccato; Session 4: The down-up movement; Session 5: Gentle wrist rotation; Session 6: Chords; Session 7: Strengthening weak fingers; Session 8: Semitones; Session 9: Hand-crossing; Session 10: Scales up to scratch!) MARKEAS Alexandros Hypostaseis (Bouthinon-Dumas) difficult MASSON Thierry Rêveries (Petite improvisation imaginaire 4e année; Le repos du dragon 4e année; Éphémère 6e année; En Camargue 4e année; Bagatelle 4e année; Le vieux Paris 5e année; Vague à l’âme 6e année; Rêverie 6e année) MENDELSSOHN-BARTHOLDY Felix 1807-1849 Songs without words Book 2: Nos. 18-30 (Op. 38/6; Op. 53/1-6; Op. 62/1-6) (Ravel) Songs without words Book 3: Nos. 31-49 (Op. 67/1-6; Op. 85/1-6; Op. 102/1-7) (Ravel) Wie die Zeit läuft (Krämer, Kast) facsimile and transcription MESSAGER André 1853-1929 Dance-Suite MIER Martha Center Stage. 7 Sparkling Solos that Showcase the Talents of the Early Intermnediate Pianist Book 1 (American Folk Medley; Country Jamboree; Down by the Bayou; Hometown Parade; Midnight Capers; Purple Pinheads; Under the Big Top) Center Stage. 6 Sparkling Solos that Showcase the Talents of the Early Intermediate Pianist. Book 2 (Calypso Joe; Crazy ‘bout You; Daydreams; Fiesta Time; Mockingbird Rag; Songs of America) MOUSSORGSKY Modest 1839-1881 Bilder einer Ausstellung (Kreutz) MOZART Wolfgang Amadeus 1756-1791 Klaviersonate D-Dur KV 311(284c) (Herttrich, Theopold) MYETTE Willie First Adventures in Jazz. (About JazzKids and the Author; How this Book is Structured; Photocopying, Licenses & Volume Discounts; The Importance of Teaching Students by Ear; How to Incorporate Aural Teaching; Scales Covered in This Book; Swing vs. Straight; Getting Students to Compose Their Own Licks; How to Accompany Students; Accessing Special Online Content on Jazzkids.com; Hopping Rabbit / Sad Turtle; Joel’s Tune; Wacky Men; Ella Shine; Jessica’s Blues; Dustin’s Da Man; Little Willie’s Strut; Ernie Dude; Kooky Kevin; Marvelous Mikki; Blues For You!; Bluesy Accompaniments; Major Accompaniments;

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11,25 25,70

10,30 22,15 22,15 15,40 7,85

8,25 8,25 12,80 9,00

10

159507

159508

156826

710381

155461

155860 710334

157001

156051

158754 710066

More About the Accompaniments / CD Contents; Advanced Concepts; Other Offerings from Jazzkids) teacher’s manual, CD included First Adventures in Jazz (Joel’s Tune; Wacky Men; Ella Shine; Jessica’s Blues; Dustin’s Da Man; Little Willie’s Strut; Ernie Dude; Kooky Kevin; Marvelous Mikki; Blues For You!; Explanation of Rhythm; List of Rhythms Used; Straight Rhythms; Enclosed CD – Now Waht?; Other Offerings) student workbook, CD included First Adventures in Jazz (Hopping Rabbit; Sdad Trutle; Joel’s Tune; Wacky Men; Ella Shine; Jessica’s Blues; Dustin’s Da Man; Little Willie’s Strut; Ernie Dude; Kooky Kevin; Marvelous Mikki; Blues For You!) song book, CD included ORTIZ Dr. Alfredo Rolando The International Rhythmic Collection. For All Harps or Piano, Volume 3: Easy to Advanced levels (Important Instructions; The Itsy Bitsy Spider: The Spider and the Harp, The Traveling Spider; Mano a mano; Pensamientos #1; Waltz for a Birth; La Bamba Easy; Otro carnavalito - Easy; La Bamba – Advanced; A un recuerdo; Waltz for a Birth – Advanced; Ignazú; Andina; Ottro carnavalito – Advanced; Waltz for a Birth – Harp & Violin; Waltz for a Birth – Violin part; Venezolana Número 3 – for Pedal harp; Accompaniment patterns) PADEREWSKI Ignacy Jan 1860-1941 The Most Beautiful Paderewski (I. Danses polonaises Op. 5: No. 1. Krakowiak; No. 2. Mazurka; No. 3. Krakowiak; II. Chants du voyageur Op. 8: No. 3 Mélodie; III. Album de Mai Op. 10: No. 2 Chant d’amour; IV. Humoresques de Concert Op. 14, I - à l’antique: No. 1 Minuet; V. Humoresques de Concert Op. 14,II – moderne: No. 6 Cracovienne fantastique; VI. Miscellanea Op. 16: No. 1 Légende; No. 2 Mélodie; No. 3 Thème varié; No. 4 Nocturne; No. 6 Un Moment musical; VII. Tatra Album Op. 12: No. 1) (Sliwinski, Szpinalski) PAPP Lajos *1935 Le Roi des Paons. Pièces faciles d’après le comte de fées “La Princesse Rosette” de Marie Catherine d’Aulnoy Paris 1697 (Il était une fois un roi et une reine; La Princesse Rosette; La Grande Tour; Le Grand Prince et le petit prince; Belline, le petit chien vert; Le Paon à queue colorée; Le Royaume des hannetons; Le Roi des paons; La Nourrice et sa vilaine fille; Le Mauvais Projet; Le Lit de plumes de phénix de Rosette nage sur la mer; Le Carrosse tiré par six singes bleus; Le Bon Vieillard; Belline apporte rapidement le repas; De bons rôtis; La Marche nutpiale) PARRY Charles Hubert Hastings 1848-1919 Hands Across the Centuries PESSON Gérard Butterfly’s note-book: 10 petites pièces (1995) (1. Tout ce que j’ai dans ma manche; 2. Nuit sur la baie; 3. Deuxième tentative du Prince Yamador; 4. Plier le paravent; 5. Vicissitudes de la mère; 6. Autres vues de Nagasaki; 7. Vicissitudes du fils; 8. Inscrit sur le sabre; 9. Vicissitudes du père; 10. Un beau jour nous verrons) RIZZO Gene Accompanying the Jazz/Pop Vocalist. A Practical Guide for Pianists (1. Exploring Song Forms: Phrases & Periods; Ternary Form; Harmony & Cadence; Binary Forms; ThreeTheme Songs; Sinlge-Period/Strophic Form; 2. Intros And Endings: Intros: Vamps; Arpeggio on the V7; Recognizable Phrase; Sequence; For Songs Not Starting on the Tonic; Octave Displacement; Endings: Tag; Holding a Note; Pedal Point; Chromatic Repetitions; Sixths; 3. Writing A Lead Sheet: Do’s and Dont’s; 4. Accompanying Different Vocal Styles: Crooners, Storytellers, and Hybrids; Counterpoint; Voice Leading; 5. Descriptive Accompaniment: Pedal Points & Static Harmony; Sixths & Upper Neigbour Trills; Active Harmony with an independent Bass; Self-Contained Broken Chords; Thirds, Sixths, and the Beguine; 6. Tempo Rubato: Taking Turns; A Capella; Close Voicing; Keep It Simple ; 7. Transposition: Choosing a Key; Think Fast!; Two Complete Songs: “Crazy ‘Bout My Baby” for male voice, “Why?” for female voice) demonstration and playalong CD included ROOS H.A. Eenvoudig mooi. Composities en bewerkingen voor piano [a-c-e Melodie; Moldau (Smetana); Vlucht; Barcarolle (Offenbach); Thema uit wals (Chopin); Verlies; Thema uit sonate (Beethoven); Steady; Droevige dans; Thema uit wals (Brahms); Santa Lucia (Volkslied); Echo; O sole mio (Da Capua); Morgenstimmung (Grieg); Liebestraum (Liszt); Mijmering) ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 Vier Klaviersonaten Murray RWV E1-E4 (Scheck) RIMSKY-KORSAKOV Nicolai 1844-1908 Six Variations on the Theme B-A-C-H Op. 10

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21,70 21,70

26,85

27,15

11,55 14,20

10,30

21,70

9,95 18,00 8,95

11

710232 013552 157607

155723 158381

155908 155957

154180 157419

157875 157876 157877 157878

SCHUMANN Robert 1810-1856 Papillons Op. 2 (Müller, Puchelt) Papillons Op. 2 (Herttrich, Theopold) SWOBODA Maria / LINTZEN Ilse Spielend Lernen. Mit Erklärungen und 222 Trainingsfragen rund um das Klavier. Noten lesen und schreiben. Infos über Tastenintrumente. Musikalische, harmonische und rhythmische Grundbegriffe. Rätsel TURINA Joaquín 1882-1949 Música para piano 3: 1. Danzas fantásticas; 2. El Cristo de la Calavera; 3. La venta de los Gatos Música para piano 5: I. Sinfonia Sevillana Op. 23: 1. Panorama; 2. Por el rio Guadalguivir; 3. Fiesta en San Juan de Aznalfarache; II. Sonata Fantasia Op. 59; III. Linterna Mágica Op. 101 de “Ciclo Plateresco”: 1. Preludio; 2. El Misterio del Jardin; 3. Vals Romántico; IV. Fantasia Cinematografica Op. 103 de “Ciclo Plateresco” VASKS Péteris *1946 Pavasara múzika (Spring Music) quasi una sonata VLAM-VERWAAIJEN Hens The Soft Music Piano. Bridge Over The Classics And All That Volume 9 (Nocturne for the baby yet to be born; Song for the baby; Starting piano-lessons; Uncomplicated years with a happy whistle; Happy whistle II; For Granny; Twenty-five years of ups and downs; “Waltz San Rocco” or how to learn to walk again; Problems, solutions, problems, solutions?) WATERHOUSE Graham *1962 Praeludium Op. 32 WOHLWENDER Ulrike Was soll das bedeuten. Lieder rund um Weihnachten immer wieder neu begleiten. Für Kinder, Jugendliche und Erwachsene, Anfänger und Fortgeschrittene im Einzel-, Partnerund Gruppenunterricht (1. Ich geh mit meiner Laterne; 2. Laterne, Laterne; 3. Jingle Bells; 4. Schneeflöckchen, Weißröckchen; 5. Maria durch ein Dornwald ging; 6. Lasst uns froh und munter sein; 7. Es kommt ein Schiff geladen; 8. Ich brach drei dürre Reiselein; 9. Leise rieselt der Schnee; 10. Morgen kommt der Weihnachtsmann; 11. Morgen, Kinder, wird’s was geben; 12. Was soll das bedeuten; 13. Bruder, ich geh auch mit dir; 14. Kommet, ihr Hirten; 15. Go tell it on the mountain; 16. Ihr Kinderlein kommet; 17. Stille Nacht, heilige Nacht; 18. Wärst du, Kindchen, im Kaschubenlande; 19. Il est né, le divin enfant; 20. Alle Jahre wieder; 21. O Tannenbaum; 22. Joseph, lieber Joseph mein; 23. Still, still, still; 24. Inmitten der Nacht; 25. Stern über Bethlehem; 26. Hört der Engel helle Lieder; 27. Quando nascette Ninno; 28. Vom Himmel hoch, o Engel kommt; 29. Lieb Nachtigall, wach auf; 30. Es wird scho gleich dumpa; 31. Vom Himmel hoch; 32. Es ist ein Ros entsprungen; 33. O du fröhliche; 34. Fum, fum, fum; 35. We wish you a merry Christmas; 36. Mwelchior und Balthasar) colourful illustrated, very easy – easy - moderate YUASA Joji *1929 On the keyboard Melodies Cosmos haptic Projection topologic

6,35 9,00

16,05 20,30

20,30 19,20

10,95 10,90

17,35 8,35 8,35 8,35 8,35

PIANO 4-HANDS: 900795

900798

707822

ALBUM Five-Star Patriotic Duets: 8 Colourful and Late Elementary Arrangements (America, America the Beautiful, Battle Hymn of the Republic, The Caisson Song, Hail to the Chief, Simple Gifts, The Star-Spangled Banner, Yankee Doodle Boy) (Alexander) ALBUM A Star-Spangled Celebration for Two: 5 Intermediate Arrangements od Partriotic Songs (America, the Beautiful, Anchors Aweigh, Battle Hymn of the Republic, The Caisson Song & Stars and Stripes Forever) (Mier) ALBUM Christmas on the Jazzy Side: 11 Elementary to Late Elementary Piano Arrangements in 5-Finger Position with Jazz-Style Teacher Duets (Angels We Heard on High; Away in a Manger; The First Noel; God Rest Yer Merry, Gentlemen; Jingle Bells; Joy to the World; Silent Night; Up on the Housetop; We Three Kings; We Wish You a Merry Christmas; What Child Is This?) (Aaronson)

8,95

8,95

8,95

12

900797

900796

157902 153912

ALBUM Classics for Piano Duet: 7 Duet Arrangements of Student Favorites for Late Elementary to Early Intermediate Pianists Book 1 (Johann Sebastian BACH 1685-1750: Menuet in G major from the Notebook for Anna Magdalena; Ludwig van BEETHOVEN 1770-1827: Ecossaise WoO 23; Muzio CLEMENTI 1753-1823: 1st Movement from Sonatina in C major Op. 36/1; Anton DIABELLI 1781-1858: Bagatelle Op. 125/10; Franz Joseph HAYDN 1732-1809: German Dance; Scott JOPLIN 1868-1917: Maple Leaf Rag; Anton RUBINSTEIN 1829-1894: Melody in F major Op. 3/1) (Tingley) ALBUM Classics for Piano Duet: 8 Duet Arrangements of Student Favorites for Intermediate to Late Intermediate Pianists Book 2 (Ludwig van BEETHOIVEN 1770-1827: Für Elise WoO 59; Johann BURGMÜLLER 1806-1874: Arabesque Op. 100/2; Albeert ELLMENREICH 1816-1905: Spinning Song Op. 14/4; Scott JOPLIN 1868-1917: The Entertainer; Johann PACHELBEL 1653-1706: Canon in D major; Erik SATIE 1866-1925: First Gymnopedie; Robert SCHUMANN 1810-1856: Melody Op. 68/1; John Philip SOUSA 1854-1932: The Stars and Stripes Forever) (Tingley) HAYDN Franz Joseph 1732-1809 Schöpfung (Zemlinsky) PRZYSTANIAK Peter Four Hands . One Piano: 12 leichte Blues-, Jazz- und Pop-Stücke, mit 5 ImprovisationsStudien (1. Black-Beat-Blues; 2. Little-River-Rock; 3. Jumpin’-Boogie; 4. Showtime-Swing; 5. Ballade of an Angel; 6. Ready for Reggae; 7. Midnight-Bossa; 8. Twenty-Fingers-Twist; 9. Dangerous Tango; 10. Royal Rumba; 11. Coffeeshop-Rag; 12. Southern Samba; Appendix – Studies in Improvisation: 1. Back-Beat-Blues; 2. Little-River-Rock; 3. Jumpin’Boogie; 4. Showtime-Swing; 5. Ballade of an Angel)

11,25

11,95 38,50

12,60

PIANO 6-HANDS: 157814

CORNICK Mike 3 Pieces for 6 hands at 1 piano (1. Anyone for Tennis?; 2. Baroque to the Blues; 3. Bénodet Breeze)

12,20

2 AND MORE PIANOS: 158123

ESCAICH Thierry Fantaisie concertante pour piano et orchestre (1995)

piano+piano(-reduction)

48,40

HARPSICHORD: 155774

095593 144926

151564

ALBUM The “Lynar” Virginal Book. Twelve pieces by John BULL, Giles and Richard FARNABY, Orlando GIBBONS, Leonhard WOODSON and others, from The Lynar A1 Manuscript [1. John BULL: Bonni swet Robin; 2. Giles FARNABY: Kempes Moris; 3. Richard FARNABY: Flet Stret; 4. Orlando GIBBONS: [The Queenes Command]; 5. Anonymous: [Courtant]; 6. Anonymous: [Masque]; 7. Anonymous (John BULL?): O neijbour Robert; 8. Anonymous (John BULL?): Robin; 9. Anonymous (John BULL?): A toij; 10. Anonymous: [Courant]; John BULL: [My Grief]; Leonhard WOODSON: Malle Siemon] (Dirksen) CIMAROSA Domenico 1749-1801 Album per Pianoforte / Clavicembalo: 20 Sonatas (Śliwiński) one movement sonatas! FROBERGER Johann Jakob 1616-1667 Neue Ausgaben sämtlicher Werke III: Clavier- und Orgelwerke abschriftlicher Überlieferung: Partiten und Partitensätze Teil I (Rampe)

56,55

GAUTIER Louis 1733-1791 was member of a familiy of musicians and dancing masters from The Hague, Holland. Religious reasons could have influenced the decision of his Protestant family of French origin to move to The Hague. Six Sonates pour le clavecin Oeuvre Second Den Haag 1763 (Rasch)

20,00

11,75 27,15

13

158033

MARKEAS Alexander Tombeau de Louis Couperin

19,20

ORGAN: 155907

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ALBUM Wiener Orgelmusik um 1800 (Johann Georg ALBRECHTSBERGER 1736-1809: Präludium und Fuge C-Dur Op. 6/1; Drei Fugen aus Op. 11: Fuga in f-Moll Nr. 2, Fuga GDur Nr. 3, Fuga g-Moll Nr. 4; Präludium Es-Dur Op. 12/2. Lieferung/5; Zwei Präludien aMoll aus Op. 12/3. Lieferung/2 und 6; Fuga Es-Dur Op. 15/1; Zwei Fufen aus Op. 17: Fuga h-Moll Nr. 3. Galanteriefuge F-Dur “Der Lippe und der Lenz” Nr. 6; Fuga in e-Moll plagal Op. 18/6; Präludium a-Moll; Figa a-Moll; Fuga d-Moll; P. Georg PASTERWITZ 1730-1803: Fuga g-Moll “Christus ist erstanden” Op. 2/7; Fuga C-Dur “Komm, heiliger Geist, mit deiner Gnade” Op. 3/2; Abbé Maximilian STADLER 1748-1833: Zwei Praeambule: Nr. 6, 3. Ton, Nr. 8, 7. Ton; Fuga a-Moll Op. 1/3; Johann Baptist WANHAL (Jan Křtittel VAŇHAL) 17391813: Fuga B-Dur; Joseph LIPAVSKY 1772-1810: Fuga a-Moll Op. 29/4) (Benedikt) ALBUM Sorties and other Voluntaries. In the style of Louis Lefébure-Wély (Rosalie BONIGHTON: Panache; Andrew FLETCHER: Finale, Naval march; Robert JONES: Finalmarche; John JORDAN: Hornpipe-militaire; Simon LESLEY: Marche triomphale; Richard LLOYD: Ariette Sainte-Chapelle, Aubade Jardin des Tuileries, Marche Plce du Terte, Prélude Notre-Dame, Sérénade Bâteaux mouches; John MARSH: Marche pontificale; Colin MAWBY: Let the heavens resonate; Andrew MOORE: Rêverie; June NIXON: Llamarada; Martin SETCHELL: Sortie in D; Alan VINER: Sortie in Bb; Andrew WRIGHT: Final) ALBUM Leichte Orgelstücke des 19. Jahrhunderts III (Johann Christian Heinrich RINCK 17701846: 1. Andante C-Dur, 5. Alla breve c-Moll, 13. Andante d-Moll, 14. Andante d-Moll, 17. Adagio E-Dur, 18. Moderato e-Moll, 20. Adagio F-Dur, 23. Andante f-Moll, 25. Larghetto GDur, 32. Präludium a-Moll, 33. Adagio B-Dur; Johannes Barend LITZAU 1822-1893: 2. Praeludium C-Dur, 6. Praeludium c-Moll, 12. Praeludium d-Moll, 16. Praeludium E-Dur; Michael Gotthardt FISCHER 1773-1820: 3. Più Allegro C-Dur, 4, Fuga C-Dur, 9. Fuge DDur, 11. Fuge d-Moll, 36. Fuge h-Moll; Johann BERANEK 1813-1875: 7. Fuga à 4 D-Dur, 29 Fuga à 4 g-Moll, 34. Fuga à 4 B-Dur über den Namen BACH; Carl Gottlieb UMBREIT 1763-1829: 8. Andante D-Dur, 24. Commodo f-Moll, 26. Andante G-Dur, 27. Grave g-Moll, 30. Allegretto A-Dur, 35. Sostenuto h-Moll; Conrad GREVE 1820-1851: 10. Fuga D-Dur; Gustav MERKEL 1827-1885: 15. Andante Es-Dur, 22. Andante F-Dur, 28. Allegretto gMoll; Johann Ernst REMBT 1749-1810: 19. Fughette e-Moll; Johann Georg HERZOG 1822-1909: 21. Präludium F-Dur, 31. Präludium a-Moll; Gotthilf Wilhelm KÖRNER 18091865: 37. Fughette C-Dur 4-hands) (Weyer) ALAIN Jehan 1911-1940 Deux pièces (Alain) ANONYMUS Werke für Tasteninstrumente (Italien, 17. Jahrhundert) (Scarpa) 1st edition AUBER Chantal Légende AUBERTIN Valéry Le livre ouvert Op. 6 BACH Johann Sebastian 1685-1750 Choräle der Sammlung C.P.E.Bach (nach dem Druck von 1784-1787) (Rempp) DUPRÉ Marcel 1886-1971 Three Preludes and Fugues and Other Works (Trois Préludes et Fugues Op. 7; Scherzo Op. 16; 15 Cersets pour les Vêpres du Commun des Fêtes de la Sainte Vierge Op. 18: Antiphons for the Vesper Psalms, Ave Maris Stella, Magnificat) DURUFLÉ Maurice 1902-1986 Méditation FOOTE Arthur 1835-1937 Suite in D major Op. 54 FORCHHAMMER Theophil 1847-1923 Ausgewählte Orgelwerke (1. Fughette g-Moll Op. 14/6; 2. Fughette g-Moll Op. 14/2; 3. Fughette C-Dur Op. 14/4; 4. Fughette F-Dur Op. 14/1; 5. Allegretto A-Dur Op. 26/2; 6. Moderato E-Dur Op. 26/1; 7. Andantino g-Moll Op. 26/3; 8. Animato A-Dur Op. 26/4; 9.

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14

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155889 155859 710073 900857 150650 159220 156070 159775 155642 155837 155827 159774 710223 710224 156662 150652 158419 900840 900841 155373

Andante D-Dur Op. 36/6; 10. Fughette C-Dur Op. 36/7; 11. Andante F-Dur Op. 36/10; 12. Fughette F-Dur Op. 36/3; 13. Canon Op. 36/5; 14. Andante religioso Op. 36/1; 15. Allegretto e-Moll Op. 36/12; 16. Jesu, meines Lebens Leben Jesu, der du wollen büssen Op. 20/8; 17. O traurigkeit, o Herzeleid So ruhest du, o meine Ruh Op. 20/12; 18. Herr, stärke mich, dein Leiden zu bedenken Op. 20/6; 19. Valet will ich dir geben Ich geh zu deinem Grabe Op. 20/13; 20. O Welt, sieh hier dein Leben Op. 20/11; 21. Gelobet seist du, Jesu Christ Op. 33/1; 22. Komm, o komm, du Geist des Lebens Op. 33/2; 23. O Gott, du frommer Gott Op. 33/4; 24. Ich will dich lieben, meine Stärke Op. 33/3; 25. Ach wie flüchtig, ach wie nichtig Op. 33/8; 26. Kommt her zu mir, spricht Gottes Sohn Op. 34/3; 27. Es ist gewisslich an der Zeit Op. 34/4; 28. Ach Gott, vom Himmel; sieh darein Op. 34/6; 29. Nun sich der Tag geendet hat Op. 34/7; 30. Christus, der uns selig macht Op. 34/8; 31. Nun freut euch, lieben Christen g’mein Op. 34/9; 32. Orgelweihe) (Weyer) FROBERGER Johann Jakob 1616-1667 Neue Ausgaben sämtlicher Werke III: Clavier- und Orgelwerke abschriftlicher Überlieferung: Partiten und Partitensätze Teil I (Rampe) FÜSSL Karl Heinz 1924-1992 Drei Orgelwerke (1. Motetus “Victimae paschalis laudes”, 2. Fantasia, 3. Sonatine) GENZMER Harald *1909 Concerto (1952/2000) (Lehrndorfer) GIGOUT Eugène 1844-1926 Six pièces (1881) Twelve Pieces (1913) (1. Praeludium; 2. Scherzo; 3. Fughetta; 4. Andantino; 5. Intermezzo; 6. In memoriam; 7. Entrée solennelle; 8. Offertoire pour un jour de fête; 9. Élévation; 10. Communion; 11. Allegretto grazioso; 12. Cantilène) GUILMANT Alexandre 1837-1911 L’Organiste Liturgique Book 9 Op. 65 L’Organiste Liturgique Book 10 Op. 65 L’Organiste Pratique Book 1 Op. 39 L’Oganiste Pratique Book 2 Op. 41 HAKIM Naji *1955 Quatre études-caprices manuals only In Organo, Chordis et Choro. Fantasie Symphonique Le Bien-Aimé. Suite Symphonique HASSE Carl 1883-1960 Phantasie und Fugue Op. 100 (1949) Drei Fantasien mit Fugen Op. 137 (1960) HIJMANS Bram 1932-1996 Praeludium Passacaglia C-Dur KEMPFF Wilhelm 1895-1991 Sonate Op. 23 (1924) KLEINKNECHT Justin Heinrich 1752-1817 Muntre und angenehme Orgel-Stücke im eleganten Stil durch die gebräuchlichsten Durtonarten: 1-16 (Maisch) Orgelstücke im eleganten Stil durch die gebräuchlichsteb Molltonarten: 17-30 (Maisch) LEIGHTON Kenneth 1929-1989 A Leighton Organ Album [1. Fanfare; 2. Rockingham; 3. Toccata on Hanover; 4. Ode; 5. St. Columba (Erin); 6. Paean] MESSIAEN Olivier 1908-1992 Offrande au Saint-Sacrement Prélude SAINT-SAËNS Camille 1835-1921 Tollite hostias – Final chorus from the Oratorio de Noël (Gigout) STANFORD Charles Villiers 1852-1924 Sonata No. 5 Quasi una Fantasia Op. 159 WIDOR Charles-Marie 1844-1937 Marche américaine Op. 31 (Dupré)

24,40 56,55 28,90 16,65 19,00 23,95 11,05 11,05 7,45 7,45 21,05 41,85 52,95 16,70 18,00 7,50 10,00 15,40 14,70 14,70 17,35 11,90 17,15 5,95 10,45 11,90

15 KEYBOARD: 710028

157069 159644

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ALBUM Die schönsten Weihnachtslieder für Keyboard (Alle Jahre wieder; Engel lassen laut erschallen; Es ist ein Ros’ entsprungen; Fröhliche Weinacht überall; Ihr Kinder kommet; Jingle Bells; Joseph, lieber Joseph mein; Kling, Glöckchen; Kommet, ihr Hirten; Lasst uns froh und munter sein; Leise rieselt der Schnee; Lobt Gott, ihr Christen; Morgen, Kinder, wird’s was geben; Morgen kommt der Weihnachtsmann; O du fröliche, o du selige; O Heiland, reiß die Himmel auf; O Tannenbaum; Stille Nacht, heilige Nacht; Vom Himmel hoch, da komm ich her; Was soll das bedeuten) (Magolt, Magolt) ALBUM Die schönsten Weihnachtslieder für Keyboard (for contents see previous item 710028) (Magolt, Magolt) with play-along-CD ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Flute, Oboe, Keyboard, Percussion (for contents see clarinet playalong, item 159643) (Feldstein, Clark) fully correlated play-along-CD included BENTHIEN Axel Der neue Weg zum Keyboardspiel. Musik verstehen und sofort spielen Band 2. Das millionenfach bewährte Konzept für Unterricht und Selbststudium: viele Lieder, Tests/MiniLexikon, mit herausnehmbarem Tastenfinder, Stundenplaner mit Erfolgskontrolle CD included, method MERKIES Michiel / AUKEMA Willem Keyboard World. Methode voor keyboard Deel 2 (in dit deel: nieuw tonenmateriaal; nieuwe akkoorden: Am, Em en Dm; achtste noten; overbindingen; staccato en legato; fills; drummen op de toetsen; improviseren; op het gehoor spelen; en natuurlijk . . . veel nieuwe leuke liedjes!) CD included MICHAILOV Iwan / VONK Arie Keyboard Garden. Book 4 (Trumpet Voluntary, Rila, Romantic Song, Leave Me Alone, Rolling Waves, Special For You; Jimmy, Nice Memories, Happy Days Can Return, Another Planet, Big Party, The Mocking Bird, Casanova, Take II, The Rose, My Home, Latin Flowers, White Night, Blue Light, Birds In The Sky, Vision)

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1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: VIOLIN SOLO: 710377 157287 150654 155917 155944

155641

BACH Johann Sebastian 1685-1750 Sei Solo a Violino senza basso accompagnato: Three Sonatas and Three Partitas for Violin solo (Wrónski) in facsimile and modern notation DAVEY Peter / HUSSEY Christopher Abracadabra. Violin Book 1. Second edition, Fully revised and expanded. For solo and ensemble teaching method, CD included ERLIH Devy La robe de plume GALOUSTOV Dimitri 24 Gammes et exercices (Comentale) STILES Sarah Vrije improvisaties in de muziekles voor strijkdocenten en leerlingen met aanwijzingen en muziekstukken: 1. Verzinnen en naspelen van eenvoudige frasen/geluiden; 2. Vraag & Antwoord sessies; 3. Vrije Improvisatie – Vrije noten keuze; 4. Vrije Improvisatie – Ritme; 5. Vrije Improvisatie – Rust & Onrust; 6. Improvisatie over eenvoudige begeleiding – Losse snaren; 7. Improvisatie over eenvoudige begeleiding – D groot; 8. Geluiden om uit te proberen WÜSTEHUBE Bianka & NYKRIN Rudolf Geige spielen und lernen 3 [Zu Geigenheft 3: Der Spielraum des Musizierens vergrößert sich (1. Finger tief). Der Blick wird stärker auch auf überlieferte Geigenmusik aus verschiedenen Zeiten gerichtet. Interessante musikalisch-künstlerische Akzente sind Musik nach Texten und Bildern. Zusammenspiel mit anderen Instrumenten u.v.m.;.10. Stück um Stück: Auf einem Fest in alter Zeit, Der Komponist Johann Sebastian BACH, Eine große Partitur: Aria (Duetto) aus der “Bauernkantate, Kennst du das?, Wie kann ich üben? (1), Wie kann ich üben (2), Der Komponist Béla Bartók, Spielstücke und Musizieranregungen:

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16 Polster-Tanz (Béla BARTÓK); 11. Horchen, Hören, Spielen: Das “Rücken an Rücken”Spiel, Das Aufmerksamkeits-Spiel, Das verrückte Echo – zum Nachspielen auf der Geige, Neue Töne – der 1. Finger greift tief, Die F-Dur-Tonleiter, Die B-Dur-Tonleiter, Bei mir biste scheen, Der 4. Finger greift auch tief, Ein Anhang und ein Schluss – was passt dazwischen?, Ein Lied, das du auch ohne Noten auf der Geige spielen kannst, Spielstücke und Musizieranregungen: Boogie-Etüde, Abendstimmung (Bertold Hummel), Kleine Melodie für Anja (Bertold HUMMEL), 3+2=5 (Bertold HUMMEL); 12. Musik nach texten und Bildern: “Mach was aus mir!”, sagt das Haiku – oder auch: “Spiel mit mit!”,, Ein Bild von Wassily Kandinsky; 13. Der Bogen tanzt: Quer über die Saiten, Drei Melodien und viele Bogenstriche, Ein Spaziergang in zerklüftetem Gelände, Kunstschwimmer bei den Enten, Geigenbogen, tanz mit mir!, Spielstücke und Musizieranregungen: Schweizer Walzer (Sheila M. NELSON), Walzer aus “Rosen aus dem Süden” (nach Johann STRAUSS), Fröhliche Melodien für eine Polonaise; 14. Geige spielt mit anderen Instrumente: :Wir haun auf die Pauke”-Rap, Schustertanz, Die Forelle (Franz SCHUBERT), Das Thema aus dem 4. Satz des “Forellenquintetts” (nach Franz SCHUBERT); 15. Die Geige lädt ein – zu einem musikalischen Varieté: Ouvertüre (Bertold HUMMEL), Die Zauberfee Amabile Cantabile bläst bunten Zauberschnee, Musik für einen . . . . . Zauber (nach Ignaz Joseph PLEYEL), “Chinesische Etüde”, Im Kino: Dunkle Geschäfte (Bertold HUMMEL), Musikclowns – zum Spielen vor Publikum] method

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VIOLA SOLO: 710365 155944

BACH Johann Sebastian 1685-1750 Trois sonates et trois partitas BWV 1001 à 1006 (Caussé) originally violin solo STILES Sarah Vrije improvisaties in de muziekles voor strijkdocenten en leerlingen met aanwijzingen en muziekstukken: 1. Verzinnen en naspelen van eenvoudige frasen/geluiden; 2. Vraag & Antwoord sessies; 3. Vrije Improvisatie – Vrije noten keuze; 4. Vrije Improvisatie – Ritme; 5. Vrije Improvisatie – Rust & Onrust; 6. Improvisatie over eenvoudige begeleiding – Losse snaren; 7. Improvisatie over eenvoudige begeleiding – D groot; 8. Geluiden om uit te proberen

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CELLO SOLO: > 157614

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DANGEL Arthur *1931 Sonate LÖHR Christine Bühne frei fürs Cello. Neue Geschichten, Spiele, Ohren- und Fingertraining für junge Cellisten (1. Lage eng und weit; halbe Lage) Band 2 (Gleitübung; Was für ein Pech; Ludwig van Beethoven (1770-1827): Freut euch des Lebens; Die eitle Katze; Als unser Mops ein Möpschen war; Polly-Wolly-Doodle; Ottokar auf “Tour”; Eisschlecken; Tanzlied; Der Hausgeist; Die halbe Lage; Turmblasen; Kleine Melodie; Der Kunstfahrer; Wer wagt, der gewinnt; Geschicklichkeitsspiele; Il Cucú; Johann Krieger (1651-1735): Bourrée; The Sloop John B.; Der Markttag; Das Schokoladenspiel; Gleitübung; nächste Werkstatt gesucht; O weh!; Einmal du – einmal ich; Der Fussel; Der schlimme Ton; Für zwei Leckermäuler; Friedrich Kuhalu (1786-1832): Dem Freudenspender; Der Frosch; Zwiefacher; Verflixt ist denn keiner zu Hause?; Taiga-Melodie; DasPlop-Spiel; Die Spinne Hildegunde; Etwas über Klangfarben; Giovanni Giacomo Gastoldi (1556-1622): Musica a due voci; Zur Erinnerung; Einlage: Das große Tonleiterspiel) methode STILES Sarah Vrije improvisaties in de muziekles voor strijkdocenten en leerlingen met aanwijzingen en muziekstukken: 1. Verzinnen en naspelen van eenvoudige frasen/geluiden; 2. Vraag & Antwoord sessies; 3. Vrije Improvisatie – Vrije noten keuze; 4. Vrije Improvisatie – Ritme; 5. Vrije Improvisatie – Rust & Onrust; 6. Improvisatie over eenvoudige begeleiding – Losse snaren; 7. Improvisatie over eenvoudige begeleiding – D groot; 8. Geluiden om uit te proberen

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17 DOUBLE BASS SOLO: 710244 710336 155944

CHAUDRON Jean Play-Bass Volume 1. Étude de l’harmonie & du rythme pour la realisation de lignes de basse method, CD included LEVINSON Eugene The School of Agility: A Technical Method of the Scale System for String Bass method STILES Sarah Vrije improvisaties in de muziekles voor strijkdocenten en leerlingen met aanwijzingen en muziekstukken: 1. Verzinnen en naspelen van eenvoudige frasen/geluiden; 2. Vraag & Antwoord sessies; 3. Vrije Improvisatie – Vrije noten keuze; 4. Vrije Improvisatie – Ritme; 5. Vrije Improvisatie – Rust & Onrust; 6. Improvisatie over eenvoudige begeleiding – Losse snaren; 7. Improvisatie over eenvoudige begeleiding – D groot; 8. Geluiden om uit te proberen

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158163

St. COLOMBE Sieur de Zwei Suiten (Luckhardt) DUBUISON Neunzehn Stücke (Luckhardt)

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HACQUART Philippus 1645-1721 brother of Carolus Hacquart (1640-1730), who also composed for viola da gamba, was born in Brugge. Probably with his brother he travelled in 1670 to Amsterdam, where he married 1674 Lidwina Kleyn in a musical family. His family moved to Haarlem where Philippus died in 1721. Four Suites (Connelly) bass viol

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JENKINS John 1592-1678 Zwölf Stücke (Luckhardt)

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1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: VIOLIN WITH ACCOMPANIMENT: 157984

900845 155874 150653 155832

ALBUM The Accompanied Etude: 15 Famous Violin Etudes with Added Piano Accompaniment by AUER, ELMAN, HEIFETZ, KREISLER and Others. Plus Massart’s “The Art of Studying Kreutzer’s Etudes [Jakob DONT (1815-1888): Agité – Unrest etude No. 5 (Auer) and Etincelles – Sparks Etude No. 15 (Auer); Federigo FIORILLO (17531823): Air for the G-String – Etude No. 14 (Vidas); Rodolphe KREUTZER (1766-1831): Caprice-Humoresque – Etude No. 8 (Saar), Caprice-Rêverie – Etude No. 29 (Saar) and March-Caprice – Etude No. 35 (Saar); Niccolò PAGANINI (1782-1840): Caprice No. 9 – La Chasse (Thibaud), Caprice No. 14 (Brown), Caprice No. 22 (Brown) and Caprice No. 24 (Auer); Pierre RODE (1774-1824): Etude Caprice – Etude No. 17 (Elman) and Minute Caprice – Etude No. 18 (Thibaud); Giuseppe TARTINI (1692-1770): Variations on a Gavotte by Arcangelo Corelli (Léonard); Henryk WIENIAWSKI (1835-1880): Caprice in E major (Heifetz) and Caprice in Eb major (Kreisler); Lambert MASSART (1811-1892): The Art of Studying the Celebrated Exercises by Rodolphe Kreutzer in the Correct Style and Manner. 412 examples compiled and carefully marked according to the special directions of the composer] (Wren) BIRD Arthur 1856-1923 Two Pieces Op. 17 (1. Scène orientale, 2. Caprice oriental) BORODIN Alexander 1833-1887 Nocturne from String Quartet No. 2 Op. 8 (Rimsky-Korsakov/Rimsky-Korsakov) CHMOULEVITCH Vsevolod *1970 Le qu’une pluie raconte . . . : 7 esquisses CONRATH Joseph J.H. *1935 ‘Hymne’

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DANCLA Charles 1818-1907 7 Solos de concert: 1er Solo en si mineur Op. 77/1 (Comentale) 7 Solos de concert: 2e Solo en sol majeur Op. 77/2 (Comentale) 7 Solos de concert: 3e Solo en la mineur Op. 77/3 (Comentale) 7 Solos de concert: 5e Solo en ré Majeur Op. 94 (Comentale) DEBUSSY Claude 1862-1918 Il pleure dans mon coeur (Hartmann) DRDLA Franz 1868-1944 Fantasie über “Die verkaufte Braut” von Smetana Op. 142 EGK Werner 1901-1983 Konzert für Violine und Kammerorchester (1928) (Focke) ELGAR Edward 1857-1934 Offertoire (Andante religioso) (Jean) GABRIEL-MARIE 1852-1928 Sérénade Badine (Dias) GOUNOD Charles 1818-1893 Two Pieces: 1. Sérénade, 2. Larghetto HÄNDEL Georg Friedrich 1685-1759 Sämtliche Werke für Violine und Basso continuo (1. Sonata G-Dur HWV 358; 2. Sonata dMoll HWV 359a; 3. Sonata A-Dur HWV 361; 4. Sonata g-Moll HWV 364; 5. Sonata D-Dur HWV 371; 6. Sonata g-Moll HWV 368; 7. Sonata F-Dur HWV 370; 8. Sonata A-Dur HWV 372; 9. Sonata E-Dur HWV 373; 10. Allegro c-Moll HWV 408; 11. Andante a-Moll HWV 412) (Best) with continuo Sonaten Band I: A-Dur HWV 361, g-Moll HWV 368 & F-Dur HWV 370 (Davisson, Ramn) with continuo, CD included with the accompaniment to the solo part The Wonderful World of Handel for Violin and Piano (1. Air from Water Music; 2. Bourrée from Music for the Royal Fireworks; Courante; 3. He shall feed the flock from Messiah; 4. Hornpipe from Water Music; 5. I know that my Redeemer liveth from Messiah; 6. Minuet in F major; 7. Sarabande in D minor) (Moore) JOACHIM Joseph 1831-1907 Concerto in Hungarian Style Op. 11 JOPLIN Scott 1868-1917 The Easy Winners. A Ragtime Two-step (Kalil) KARŁWICZ Mieczyslaw 1876-1909 Impromptu (Greive) KHACHATURIAN Aram 1903-1978 Säbeltanz aus ‘Gajaneh’ (Heifetz) Dance No. 1 (1925) LAY Raoul L’Éloge du secret (Comentale) difficile 8-9 LUMSDEN Caroline / WEDGWOOD Pam Jackaroo. Fantastical pieces for absolute beginners with pictures into colour in (1. Jackaroo; 2. Zebraphants March; 3. Crocodillo Sdnap; 4. Lazy Chimliroo; 5. Henpecker; 6. Humming Cat; 7. Fluttering Butterworm; 8. Grunting Boarkey; 9. Pythonippotamus; 10. Jackaroo Jump; 11. Waffalo; 12. Imaginary Animals; 13. Crocodillo Snoring; 14. Jungle Footprints) Jurassic Blue. Monstrous pieces for beginners with pictures to colour in (1. Scary, scaly Spinosaurus; 2. Vicious Velociraptor; 3. Strong Iguanadon; 4. Plesiosaurus; 5. Fly high, Pterodactyl; 6. Bony Stegosaurus; 7. Clever Compsognatus; 8. Lazy Tyrannosaurus Rex; 9. Triceratops Rocks; 10. Dotty Diplodocus; 11. Jurassic Blue) MOORE Andrew *1954 Earlydayse Violin. Twelve Pieces for early grade beginners. Variety of styles. Playable and fun piano part. CD with full performance and piano backing only (A carol; A little Paganini; All at sea – a hornpipe; A mystery tale; An old dance; A shade of blue; Chilly day; Loosen up!; Scottish echos; The slippery eel; The train ride; Walk of the dinosaurs) CD included MOZART Wolfgang Amadeus 1756-1791 Violinkonzert Nr. 3 G-Dur KV 216 (Seiffert, Petrenz, Guntner) The Wonderful World of Mozart for Violin and Piano (1. Adagio from Clarinet Concerto; 2. Agnus Dei; 3. Andante from Piano Concerto No. 21; 4. Ave verum corpus; 5. La ci darem la mano from Don Giovanni; 6. Lacrymosa from Requiem; 7. Minuet in D major K.355) (Moore) NOSKOWSKI Zygmunt 1846-1909 Melody Op. 21/1 (Greive)

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PAISIELLO Giovanni 1740-1816 Sonata in E major (Cirillo) with continuo RAVEL Maurice 1875-1937 Pièce en forme de habanera (de Sousa-Antunes) with guitar ROSSIGNOL Bruno Saudade SARASATE Pablo de 1844-1908 Romance et gavotte de Mignon. Hommage à Ambroise Thomas Op. 16 SCHOENBERG Arnold 1874-1951 Stück für Violine und Klavier score SPALDING Albert 1888-1953 Etchings Op. 5 STRAUSS Richard 1864-1949 Konzert für Violine und Orchester d-Moll Op. 8 SUPPÉ Franz von 1819-1895 Die schöne Galathé. Ouverture SZÉLÉNYI István 1904-1972 Aria (1952) (Szélényi) TCHAIKOVSKY Peter I. 1840-1893 Canzonetta from the Violin Concerto Op. 35 (Oistrakh, Krantz) with guitar THARAUD Virginie Bien joué!!! Petis duos avec piano avec pour aborder la musique de chambre en souriant (1. Le furet paresseux qui se moquait de ses poursuivants!; 2. Le chat qui avait enfin “perdu” sa mère Michel!; 3. Le coquelicot timide qui rêvait . . . ; 4. Un mari, un Rousselle, un Dagobert . . . confusions!) USTVOLSKAYA Gailna *1919 Sonate VIVALDI Antonio 1678-1741 Concerto D-Dur Op. 3/9 (Morgan) WIENIAWSKI Henryk 1835-1880 Le Carneval Russe Op. 11 (Cofalik)

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ALBUM Jubilee! Play-Along Spirituals (1. Joshua Fit the Battle; 2. Down by the Riverside; 3. There is a Balm in Gilead; 4. Jacob’s Ladder; 5. Ezekiel Saw the Wheel; 6. Swing Low, Sweet Chariot; 7. Go Down, Moses; 8. Wade in the Water; 9. Great Day; 10. Kum Ba Yah) (Bulla) CD included ALBUM Sunday School Classics. Easy instrumental solos or duets for any combination of instruments (1. Onward, Christian Soldiers; 2. When We All Get To Heaven; 3. Jesus Loves Me; 4. Dan The Man; 5. He Is Lord; 6. Joyful Worship; 7. Just A Closer Walk; 8. Amazing Grace; 9. Peace Like A River; 10. Alleluia; 12. Do, Lord, Remember Me; 12. He’s Wonderful) (Curnow, Curnow) CD included ALBUM Duets for One for Violin: Film (1. Can’t Take My Eyes Off You from Bridget Jones’ Diary; 2. Clair de Lune from Ocean’s Eleven; 3. Hallelujah Chorus from Look Who’s Talking Too; 4. Just The Two of Us from Austin Powers 2; 5. Largo from “Xerxes” from Les Liasons Dangereuses; 6. Moon River from Breakfast at Tiffany’s; 7. Raider’s March from Raiders of the Lost Ark; 8. Scene from “Swan Lake” from Billy Elliot; 9. Supercalifragilisticexpialidocious from Walt Disney’s Mary Poppins; 10. The Bare Necessities from Walt Disney’s The Jungle Book; 11. The Blue Danube from 2001: A Space Odyssey; 12. Theme from Jean de Florette; 13. Waltz from “The Sleeping Beauty” from Rollerball; 14. When You Say Nothing At All from Notting Hill) (Turner) Grades 1-2+, CD included BARDFELD Sam Latin Violin. How to Play Salsa, Charanga and Latin Jazz Violin (Introduction: How to Use this Book; A Brief History of Charanga - How The Violin Was Afro-Cubanized: The Contredanza and the Danza, The Danzón, Son, Arcaño’s Nuevo Ritmo, The Cha-cha-chá, Charanga in a New Land, Charanga in Cuba After Castro, Charanga in the U.S. Since 1960, Latin Violin Is Here to Stay; How the Music Works: Playing in the Band, The Clave, Hearing the Clave, The Montuno’s Relationschip to the Clave, Clave in 3/4 and 6/8,

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Technique and Phrasing, Inventing a Montuno, Soloing: The Montuno Concept, Quotations, General Soloing Suggestions; Quotations, Montunos; Solo Transciptions and Analyses: Miguel Barbón: El Niño Prodigio: El Niño Prodigio, Este Melodia; José “Chombo” Silva: En la Felicidad, Para Ti, Para Bailar y Gozar; Félix “Pupi” Legarreta: Guajira Son, Yo Soy el Guaguancó; Alfredo De La Fé: Bongo Fiesta, Muriendome de Risa, Vengo de Frente; Eddie Drennon: Que Viva el Son Montuno, Llegó la Charanga; Lewis Kahn: Vacíla Con Tu Trago; Rob Thomas: Mofongo; Contents of the CD: Violin Solos, Sample Montunos, Play-Along Selections; Endnotes; Glossary; Bibliography; Selected Discografy) CD included COLLEDGE Katherine & Hugh Shooting Stars: 21 pieces for violin with playalong CD (1. The old oak tree; 2. Head-in-theclouds; 3. Morris dancers; 4. The carol singers; 5. Cakewalk; 6. Alla marcia; 7. The misty isle; 8. Carefree; 9. Thingummyjig!; 10. Five-a-side; 11. Chinatown; 12. Where the heather grows; 13. By candlelight; 14. Coconuts and mangos; 15. Rustic dance; 16. Far from home; 17. Winter wind; 18. Look lively; 19. Moto perpetuo; 20. Cossacks; 21. Stiffkey blues) (Nelson) CD included Stepping Stones: 26 pieces for violin with playalong CD (1. First performance; 2. Two by two; 3. Snakes and ladders; 4. Stepping stones; 5. Waltz; 6. Roundabout; 7. Lighthouse; 8. A restful tune; 9. Ice-cream van; 10. Hiding in the long grass; 11. Buttercups and daisies; 12. Musical box; 13. At a snail’s pace; 14. Kangaroo; 15. party piece; 16. Apple tree; 17. Cowboys and Indians; 18. Caterpillars; 19. Hobby horses; 20. Sea horses; 21. Circus elephants; 22. On a high wire; 23. Cockle Shells; 24. Totem pole; 25. See-saw; 26. Oompah band) CD included DEZAIRE Nico Violin Position 3: 27 pieces to play in third position [1. A Lady from Roosendaal; 2. The Chicken Cheeps; 3. Trumpet Minuet; 4. Au clair de la lune; 5. Little Red Riding-Hood; 6. Three-Tone-Rock; 7. The Chicken Cheeps Variation; 8. Chimes; 9. Trumpet Voluntary; 10. Flute and Drummer; 11. Rockin’the D String; 12. The Poor and the Rich Man; 13. By the Rivers of Babylon; 14. Feelin’Blue; 15. Old John; 16. Gipsy Waltz; 17. Ah!, vous dirai-je, maman; 18. Habanera; 19. Frère Jacques; 20. Mer hahn en neue Oberkeet; 21. Polka; 22. Canon; 23. Buffonen-Tanz; 24. Miss You; 25. Row Your Boat; 26. Largo (from New World Symphony); 27. Do Ré Mi] CD included GORP Fons van Easy Solos for Violin (1. Clog Dance; 2. My Own Rock Band; 3. Overture; 4. Warming Up; 5. Romance; 6. Blue Tulip; 7. Stoccata; 8. Dance Steps; 9. Dutch reggae; 10. On Holiday; 11. Painful; 12. Rock Duet; 13. Two Sleepy Eyes; 14. Jump & Rest; 15. Tragedy; 16. Cuban Dance) (Dezaire) CD included MOORE Andrew *1954 Earlydayze Violin. Twelve Pieces for early grade beginners. Variety of styles. Playable and fun piano part. CD with full performance and piano backing only (A carol; A little Paganini; All at sea – a hornpipe; A mystery tale; An old dance; A shade of blue; Chilly day; Loosen up!; Scottish echos; The slippery eel; The train ride; Walk of the dinosaurs) CD included NORTON Christopher Chris Norton’s Big Beats: Techno Treat. Easy violin pieces in contemporary styles with stunning CD sounds (How to use this book / Conseils d’utilisation / Wie man diese Ausgabe verwendet; 1. Urban Surfer, 2. Harmonic Space, 3. Danger, Danger, 4. Seet Incantation, 5. Static. 6. Liberated, 7. Nightmare in Anytown, 8. Don’t Touch that Dial, 9. Evil Mr X, 10. Here Come the Mysterons) CD included Chris Norton’s Big Beats: Smooth Groove. Easy violin pieces in contemporary styles with stunning CD sounds (How to use this book / Conseils d’utilisation / Wie man diese Ausgabe verwendet; 1. From Far Away, 2. Becalmed, 3. Desert Air, 4. Part of the Machinery, 5. Starstruck, 6. Gatecrasher, 7. Underwater, 8. Glass Ceiling, 9. Staying Upright, 10. Questing) CD included RHODA Janice Tucker The ABC’s of Violin for the Absolute Beginner. Performance and play-along CD. Violin Book 1 CD only, with complete rehearsal and piano backing WATTS Sarah Razzamajaz Violin (A pizza music!; Be seeing you; Camel dance; Downhill; Emily’s rocking chair; Mist in Central Park; Night rain; Off the wall; Opening night; So there; Strange things; The Doris waltz; The Greenwoods’ gradens; Vice versa; Viva vespa!. Van het titelblad: Starts with just one note – takes you up to sixteen. Jazzy piano part for the teacher) CD included

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BACH Carl Philipp Emanuel 1714-1788 Sonata in C major Wq. 136 (H.558) (Leigh Jacobs) originally for viola da gamba and continuo (Jean) GABRIEL-MARIE 1852-1928 Sérénade Badine (Dias) JARRETT Keith *1945 Bridge of Light for Viola and Orchestra KREISLER Fritz 1875-1951 Schön Rosmarin (Arnold) LUMSDEN Caroline / WEDGWOOD Pam Jackaroo. Fantastical pieces for absolute beginners with pictures into colour in (1. Jackaroo; 2. Zebraphants March; 3. Crocodillo Sdnap; 4. Lazy Chimliroo; 5. Henpecker; 6. Humming Cat; 7. Fluttering Butterworm; 8. Grunting Boarkey; 9. Pythonippotamus; 10. Jackaroo Jump; 11. Waffalo; 12. Imaginary Animals; 13. Crocodillo Snoring; 14. Jungle Footprints) Jurassic Blue. Monstrous pieces for beginners with pictures to colour in (1. Scary, scaly Spinosaurus; 2. Vicious Velociraptor; 3. Strong Iguanadon; 4. Plesiosaurus; 5. Fly high, Pterodactyl; 6. Bony Stegosaurus; 7. Clever Compsognatus; 8. Lazy Tyrannosaurus Rex; 9. Triceratops Rocks; 10. Dotty Diplodocus; 11. Jurassic Blue) SZÉLÉNYI István 1904-1972 Aria (1952) (Szélényi) VIEUXTEMPS Henri 1820-1881 Sonate B-Dur Op. 36 (Morgan)

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ALBUM Two Puerto Rican Dances (1. Manuel G. TAVÁRES 1843-1883: Un Recuerdito; 2. Juan Morel CAMPOS 1857-1896: Bella Illusíon) (Colón) BLACKWELL Kathy & David Cello Time Joggers (the cello book contains several cello duets; these are unaccompanied and so not included here) piano accompaniment to Book 1 BRAHMS Johannes 1833-1893 Sonata No. 2 in F major Op. 99 (Kurtz) CHOPIN Frédéric 1810-1849 Nocturne Op. 72 (Taneiev) DAMASE Jean-Michel *1928 Sonate with harp DEBUSSY Claude 1862-1918 The Little Negro. Édition originale (Sousa-Antunes) with guitar FAURÉ Gabriel 1845-1924 Anthology of Selected Pieces (Élégie Op. 24; Pièce pour violoncelle (Papillon) Op. 77; Romance Op. 69; Siclienne Op. 78; Sérénade Op. 98; Andante; Berceuse Op. 16; Morceau de lecture) (Howat) Romance in A major Op. 69 (Kurtz) FINZI Graciane *1945 Errance dans la nuit. Ballade pour violoncelle et orchestre (Jean) GABRIEL-MARIE 1852-1928 Sérénade Badine (Dias) GÁRDONYI Zoltán 1906-1986 Zwei kleine Rhapsodien (1954) (Gárdonyi) 1st position Sonate (1944) (Gárdonyi) GEMINIANI Francesco 1666-1762 Sechs Sonaten Op. 5 (1747) (Kolneder, Schultz) with continuo GIRARD Anthony Deux pièces d’après Marc Aurrèle (1. La fleuve du temps; 2. Lame du monde) GOUNOD Charles 1818-1893 Two Pieces: 1. Sérénade, 2. Larghetto

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LUMSDEN Caroline / WEDGWOOD Pam Jackaroo. Fantastical pieces for absolute beginners with pictures into colour in (1. Jackaroo; 2. Zebraphants March; 3. Crocodillo Sdnap; 4. Lazy Chimliroo; 5. Henpecker; 6. Humming Cat; 7. Fluttering Butterworm; 8. Grunting Boarkey; 9. Pythonippotamus; 10. Jackaroo Jump; 11. Waffalo; 12. Imaginary Animals; 13. Crocodillo Snoring; 14. Jungle Footprints) Jurassic Blues. Monstrous pieces for beginners with pictures to colour in (1. Scary, scaly Spinosaurus; 2. Vicious Velociraptor; 3. Strong Iguanadon; 4. Plesiosaurus; 5. Fly high, Pterodactyl; 6. Bony Stegosaurus; 7. Clever Compsognatus; 8. Lazy Tyrannosaurus Rex; 9. Triceratops Rocks; 10. Dotty Diplodocus; 11. Jurassic Blue) MARX Joseph 1882-1964 Pastorale (1914) MASSENET Jules 1842-1912 Tristesse de Dulcinée extrait de ‘Don Quichotte’ MENDELSSOHN-BARTHOLDY Felix 1809-1847 Songs without Words Book 4 (Hartmann) Variatinen Op. 17 und andere Stücke (Romance Op. 109, Albumblatt) (Elvers, Heinemann, Schilde, Kanngieser) MOORE Andrew *1954 Earlydayse Cello. Twelve Pieces for early grade beginners. Variety of styles. Playable and fun piano part. CD with full performance and piano backing only (A carol; A little Paganini; All at sea – a hornpipe; A mystery tale; An old dance; A shade of blue; Chilly day; Loosen up!; Scottish echos; The slippery eel; The train ride; Walk of the dinosaurs) CD included OURKOUZOUNOV Atanas Scherzo à dix cordes (Márquez) cello+guitar SCHUMANN Robert 1810-1856 / HAUSMANN Robert 1852-1909 Märchenbilder (Storck) originally for viola and piano SHCHEDRIN Rodion *1932 Parabola concertante per violoncello solo, orchestra d’archi e timpani (2001) SKARŹYNSKI Karol 1873-1957 Polonaise Op. 8 (Sperskie) SZÉLÉNYI István 1904-1972 Aria (1952) (Szélényi) SZELIGOWSKI Tadeusz 1896-1963 Poem (Suchecki) THARAUD Virginie Bien joué!!! Petis duos avec piano avec pour aborder la musique de chambre en souriant (1. Le furet paresseux qui se moquait de ses poursuivants!; 2. Le chat qui avait enfin “perdu” sa mère Michel!; 3. Le coquelicot timide qui rêvait . . . ; 4. Un mari, un Rousselle, un Dagobert . . . confusions!) VASKS Péteris *1946 Partita (1974/2001) WIENIAWSKI Henryk 1835-1880 Légende in G minor Op. 17 (Wiłkomirski)

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CELLO PLAY-ALONG (CELLO WITH CD-ACCOMPANIMENT): 153270

156083

ALBUM Broadway & Hollywood Classics: 12 Solo Arrangements with CD Accompaniment [We Go Together, Day-O (The Banana Boat Song), My Favorite Things, Someday Out Of The Blue, Leaving On A Jet Plane, The Candy Man, This Is The Moment, Consider Yourself, (I’ve Had) The Time Of My Life, When You Believe, The Entertainer, The Impossible Dream (The Quest)] CD included ALBUM Guest Spot. New Film Themes. Playalong for Cello. Ten great themes from contemporary movies (Yann TIERSEN: Le banquet / La vals des monstres uit Amelia; James HOMER: All Love can be uit A Beautiful Mind; Stephen WARBECK: Pelagia’s Song uit Captain Corelli’s Mandolin; Rachel PORTMAN: Passage of time / Vianne sets up shop uit Chocolat; Tan DUN: The eternal vow uit Crouching Tiger, Hidden Dragon; Hans ZIMMER: Honor him / Now we are free uit Gladiator; Patrick DOYLE: Pull yourself tohether uit Gosford Park; David BAERWOLD: Comet what may uit Moulin Rouge; Claude

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DEBUSSY: Clair de la lune uit Ocean’s 11; Mark MOTHERSBAUGH: Mothersbaugh’s Canon uit The Royal Tenenbaums) (Lesley) CD included ALBUM The Beach Boys. 12 solo arrangements with CD accompaniment (Fun, Fun, Fun; California Girls; I Get Around; Surfer Girl; Surfin’ Safari; Surfin’ U.S.A.; Wouldn’t It Be Nice; In My Room; Help Me Rhonda; Little Deuce Coupe; Good Vibrations; Barbara Ann) CD included BLACKWELL Kathy & David Cello Time Joggers. A first book of very easy pieces for cello. Cello Book 1 CD included MOORE Andrew *1954 Earlydayse Cello. Twelve Pieces for early grade beginners. Variety of styles. Playable and fun piano part. CD with full performance and piano backing only (A carol; A little Paganini; All at sea – a hornpipe; A mystery tale; An old dance; A shade of blue; Chilly day; Loosen up!; Scottish echos; The slippery eel; The train ride; Walk of the dinosaurs) CD included

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DOUBLE BASS WITH ACCOMPANIMENT: 157985

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ALBUM Festival perfomance Solos (Vincenzo BELLINI (1801-1835) / Charles dANCLA (18181907): Air Varie from the Opera Capuletti ed i Montecchi; MERLE (*?): Caballero, Demetrius & Mummers Danse Grotesque; Ranger (arr.): Country Gardens; Richard WAGNER (1813-1883): Prelude from Die Meistersinger von Nürnberg; François Joseph GOSSEC (1734-1829): Gavotte in G major; Johann Sebastian BACH (1685-1750): Gavotte in G minor & Minuet in G major from the Clavier-Büchlein für Anna Magdalena Bach; Isaac (arr.): The Jolly Dutchman; Franz SIMANDL (1840-1912): Larghetto (Étude No. 23); Georg Friedrich HÄNDEL (1685-1759): Largo “Ombra ma fu” from the Opera Serse; Frédéric CHOPIN (1810-1849): Maiden’s Wish; Jules MASSENET (1842-1912): Mélodie Op. 10; Traditional: Nautical Medley Songs of the Sea; Gustav SCHLEMÜLLER (1841-1900): Old Soldiers March Op. 12 No. 5, A Prayer & A Song; MARTIN (*?): Pompola; Arcangelo CORELLI (1653-1713): Sarabande; Joachim ANDERSEN (1847-1909): Sonatina; Giovanni Battista PERGOLESI (1710-1736): Tre Giorni Siciliana from the Opera Nina; EISENGRÄBER (*?): Variations for Contrabass On a Favorite Styrian Folk Song) double bass part piano accompaniment CHOPIN Frédéric 1810-1849 Polonaise brillante Op. 3 (Bernat) originally for cello and piano

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2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 157191

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ALBUM Four Play. The essential album for string quartet (Billy STRAYHORN: Take the ‘A’ Train; Gustav MAHLER: Adagietto from Symphony No. 5; Théodore DUBOIS: Toccata; Anton KARAS: The Harry Lime Theme from The Third Man; Claudio MONTEVERDI: Sinfonia and Final Duet from L’incoronazione di Poppea; Sebastián IRADIER: La Paloma; Carl DAVIES: Theme from Pride and Prejudice; Christopher GUNNING: Theme from Poirot) (Martelli) 2 violins+viola+cello parts ALBUM Sieben leichte Tangos (1. FLORES: A la luz del Candil – Tango-Canción; 2. CANARO: Tiempos Viejos – Tango; 3. KEPLER-LAIS: La Cieguita – Tango-Canción; 4. FILIBERTO: Cuando Llora la Milonga – Tango-Canción; 5. CANARO: Se Acabaron Los Otarios – Tango; 6. TEISSEIRE: Calandria – Tango-Canción; 7. FILIBERTO: Mentias – Tango) (Thomas-Mifune) 2 cellos 2 playing scores ALBUM Jour de fête (Alexandre GLAZUNOV 1865-1936: Carolers, Anatole LIADOV 1855-1914: Glorification, Nicolai RIMSKY-KORSAKOV 1844-1908: Russian Dancers) 2 violins+viola+cello parts ALBUM English & Irish Duets for Violin (with optional second part for viola) (1. A Policeman’s Lot is Not a Happy One; 2. God Save the Queen; 3. Irish Washerwoman; 4. Simple Simon; 5.

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All Through the Night; 6. Early in the Morning; 7. Scarborough Fair; 8. The Ghost of Tom; 9. Greensleeves; 10. Drowsy Maggie; 11. Old English Dance; 12. Blue Bells of Scotland; 13. Floral Dance; 14. Alleluia; 15. Molly on the Shore; 16. Mists Before the Sunrise Fly; 17. The Lough Gill; 18. Auld Lang Syne; 19. Dunmore Lassies) (Dezaire, Mussies) 2 violinss or violin+viola playing score (2 violins) with separate viola part ALBUM English & Irish Duets for Cello (with optional first part for viola) (1. A Policeman’s Lot is Not a Happy One; 2. God Save the Queen; 3. Irish Washerwoman; 4. Simple Simon; 5. All Through the Night; 6. Early in the Morning; 7. Scarborough Fair; 8. The Ghost of Tom; 9. Greensleeves; 10. Drowsy Maggie; 11. Old English Dance; 12. Blue Bells of Scotland; 13. Floral Dance; 14. Alleluia; 15. Molly on the Shore; 16. Mists Before the Sunrise Fly; 17. The Lough Gill; 18. Auld Lang Syne; 19. Dunmore Lassies) (Dezaire, Mussies) 2 cellos or viola+cello playing score (2 cellos) with separate viola part ALBUM The Best Violin Duet Book Ever! (Traditional: 1. Twinkle Twinkle Little Star; 2. English folk song: Scarborough Fair; 3. James HOOK: Minuet op. 37/2; 4. Israeli Song: Zum Gali Gali; 5. Richard RODGERS The Lonely Goatherd from The Sound of Music; 6. Israeli Song: Zum Gali Gali; 7. Richard M.SHERMAN & Robert B.SHERMAN: Supercalifragilisticexpialidocious from Walt Disney’s Mary Poppins; 8. Richard M.SHERMAN & Robert B.SHERMAN: Chim Chim Cher-ee from Walt Disney’s Mary Poppins; 9. Benny ANDERSSON & Björn ULVAEUS: I Have a Dream; 10. Traditional: Simple Gifts; 11. James HOMER, Barry MANN & Cynthia WELL: Somewhere Out There from An American Tale; 12. Richard RODGERS: My favourite Things from The Sound of Music; 13. Engelbert HUMPERDINCK: Evening Prayer from Hänsel und Gretel; 14. George Frideric HANDEL: Hornpipe from Watermusic; 15. Spanish, 14th century: Stella Splendens; 16. Guillaume de MACHAUT: Virelai; 17. Al RINKER: Ev’rybody Wants To Be A Cat; 18. English folk song: Greensleves; 19. Irish folk song: The Last Rose of Summer; 20. Antonín DVORÁK: Theme from The New World Symphony; 21. Mildred HILL; & Patty HILL: Happy Birthday; 22. Elisabeth LUTYENS: Barcarolle from Nine Pins; 23. Elisabeth LUTYENS: Carnival from Nine Pins; 24. Melanie CHISHOLM, Geri HALLIWELL, Andy WATKINS & Paul WILSON: Stop!; 25. Benny ANDERSSON, Björn ULVAEUS & Stig ANDERSSON: Mamma Mia!; 26. John BUCKLEY: Spring; 27. Jacques Féréol MAZAS: Little Duet Op. 38 Book I, No. 1; 28. Ignace PLEYEL: Andante and Rondo; 29. Igor STRAVINSKY: Lento and Allegro) (Coulthard) 2 violins ALBUM Viola Dream. An album of string quartets where the viola always has a tune [1. Iwan HANDOSHKIN (CHANDOSJKIN) (1747-1804) (Komlos): Canzona; 2. Antonín DVOŘÁK (1841-1904) (Komlos): Song To The Moon; 3. Claude DEBUSSY (1862-1918) (Komlos): Golliwogg’s Cake Walk; 4. Georges BIZET (1838-1878) (Glancy): In The Depths Of The Temple; 5. Ludwig van BEETHOVEN (1770-1827) (Komlos): Pathétique; 6. Giuseppe VERDI (1813-1901) (Komlos): Celeste Aïda; 7. Camille SAINT-SAËNS (1835-1921) (Glancy): Softly Awakes My Heart] (Komlos, Glancy) 2 violins+viola+cello parts ANDRÉE Elfrida 1841-1929 Streichquartett A-Dur Op. posth. (Morgan) 2 violins+viola+cello score and parts Streichquartett d-Moll (1861) (Meadows) 2 violins+viola+cello score and parts Quartett a-Moll (1870) (Meadows) violin+viola+cello+piano ARRIAGA Juan Crisostomo 1806-1826 Three String Quartets (D minor, A major, Eb major) (Conrath) 2 violins+viola+cello score (for the 1st time in score) BEETHOVEN Ludwig van 1770-1827 Streichquartett cis-Moll Op. 131 (Platen) 2 violins+viola+cello parts Streichquartett a-Moll Op. 132 (Platen) 2 violins+viola+cello parts Streichquartett a-Moll Op. 132 (Platen) 2 violins+viola+cello study score

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BENGRAF Joseph 1745-1791 Joseph Bengraf’s string quartets resemble in character those of Haydn’s early string quartets and are in the homophonic chamber music style of Dittersdorf and Vanhal (style galante). Six Quartets (Sas) 2 violins+viola+cello score only BRAHMS Johannes 1833-1893 Trio No. 3 in C minor Op. 101 (The American Chamber Trio) violin+cello+piano CERHA Friedrich *1926 4. Streichquartett (2001) 2 violins+viola+cello score 4. Streichquartett (2001) 2 violins+viola+cello set of parts CLARKE Rebecca 1886-1997 Two Pieces: 1. Lullaby, 2. Grotesque viola/violin+cello playing score viola-cello and separate violin part CONRATH Joseph J.H. *1935 Duo Tzigane violin+double bass score and parts ‘Le Petit Savoyard’ François Prume 1816-1849 2 violins score and parts DEBUSSY Claude 1862-1918 Children’s Corner (1. Doctor Gradus ad Parnassum; 2. Jimbo’s Lullaby; 3. Serenade for the Doll; 4. The snow is dancing; 5. The little shepherd; 6. Golliwogg’s cake walk) (Diermaier) 2 violins+piano Children’s Corner (1. Doctor Gradus ad Parnassum; 2. Jimbo’s Lullaby; 3. Serenade for the Doll; 4. The snow is dancing; 5. The little shepherd; 6. Golliwogg’s cake walk) (Diermaier) 2 violins+cello+piano+percussion score and 7 parts DELERUE Georges 1925-1992 Deuxième quatuor à cordes 2 violins+viola+cello score and parts DVOŘÁK Antonín 1841-1904 Serenade d-Moll Op. 44 (Rechtman) 4 violins+2 violas+2 cellos+double bass originally for 9 wind instruments, cello and double bass; score and parts EGK Werner 1901-1983 Trio g-Moll (1921) 2 violins+cello score and parts Trio A-Dur (1922) violin+viola+cello 1st edition, score and parts FOOTE Arthur 1853-1937 Spiccato Caprice Op. 27/5 (Norden) 2 violins+viola+cello+optional double bass score and 4 parts FUČIK Julius 1872-1916 Einzug der Gladiatoren (Birtel) violin+viola+cello score and parts GASSMANN Florian Leopold 1729-1774 Sechs Streichquartette Op. 1: Nr. 1 C-Dur & Nr. 2 d-Moll 2 violins+viola+cello score and parts Sechs Streichquartette Op. 1: Nr. 3 C-Dur & Nr. 4 d-Moll 2 violins+viola+cello score and parts Sechs Streichquartette Op. 1: Nr. 5 C-Dur & Nr. 6 d-Moll 2 violins+viola+cello score and parts Streichquartette Nr. 7 D-Dur, Nr. 8 f-Moll & Nr. 9 E-Dur 2 violins+viola+cello score and parts Streichquartette Nr. 10 g-Moll & Nr. 11 D-Dur 2 violins+viola+cello score and parts Streichquartette Nr. 12 G-Dur & Nr. 13 G-Dur 2 violins+viola+cello score and parts Streichquartette Nr. 14 e-Moll & Nr. 15 F-Dur 2 violins+viola+cello score and parts

154,30

31,75 37,90 95,10 20,30 20,00 17,50

12,20 20,50 61,70

51,40 36,60 20,50 9,45 23,05 20,55 20,55 20,55 20,55 19,30 20,55 20,55

26

> 158753 710060 150744 155865 709346 155826 710225

710337 710202 157073 152043

155617 153541 709918 710197 710386 > > >

GASSMANN Florian Leopold 1729-1774 Streichquartette Nr. 16 e-Moll & Nr. 17 a-Moll 2 violins+viola+cello score and parts GERNSHEIM Friedrich 1839-1916 Quintett Es-Dur Op. 82 (Morgan) 2 violins+viola+2 cellos score and parts GRIEG Edvard 1843-1907 Quartet Movement in F major Op. posth. (1891) 2 violins+viola+cello parts HAHN Reynaldo 1875-1947 Quatuor à cordes en la mineur 2 violins+viola+cello score and parts HÄNDEL Georg Friedrich 1685-1759 Passacaglia (Halvorsen, Press) violin+cello HAYDN Franz Joseph 1732-1809 6 String Quartets Op. 20 Hob.III: 31-36 (Eb, C, g, D, f, A) (Rowland-Jones) 2 violins+viola+cello score and parts HIJMANS Bram 1932-1986 Canto stringendo 2 violins+viola+cello score and parts KAISER-LINDEMANN Wilhelm *1940 Gospel Train (1. Deep River; 2. Let my People go!; 3. Nobody knows; 4. I got a robe . . .; 5. Where you there . . . ?; 6. Sometimes I feel like a motherless child) 2 violins+viola+cello score and parts KALABIS Viktor *1923 5th String Quartet Op. 63 In Memory Marc Chagall (1984) 2 violins+viola+cello score and parts KREHL Stephan 1864-1924 Streichquartett A-Dur Op. 17 (Päuler) 2 violins+viola+cello parts LAURUŠAS Vytautas *1930 concerto di corde (1999/2002) 2 violas playing score LONG Zhou *1953 Chinese Folksongs for String Quartet (Lan hua-hua; Driving the mule team; The flowing stream; Jasmine flower; A horseherd’s mountain song; When will the acacia bloom?; A single bamboo can easily bend; Leaving home) (1998) 2 violins+viola+cello score and parts NORTON Christopher Quintet 4 violins+piano PARADEISER Marian 1747-1775 Divertimento B-Dur (Erhart) 2 violins+cello score and parts PHILIPP Franz 1890-1972 Quartett c-Moll Op. 13 violin+viola+cello+piano PLEYEL Ignaz Joseph 1757-1831 Drei Duos Op. 44 (Päuler) violin+viola score and parts PUGNANI Gaetano 1731-1798 Six Sonatas Op. 4 Volume 1: 1-3 (Kaufman) 2 violins score and parts RAFF Joachim 1822-1882 Klaviertrio Nr. 1 c-Moll Op. 102 violin+cello+piano Streichquartett Nr. 2 A-Dur Op. 90 2 violins+viola+cello score and parts Stereichquartett Nr. 6 c-Moll Op. 192/1 2 violins+viola+cello score and parts

20,55 64,25 17,95 58,70 11,05 54,10 15,00

16,50 30,85 30,85 19,20

61,15 30,60 22,50 33,75 19,30 19,60 42,40 77,10 64,25

27

157276

154254 154255 167312 157313 157314 157315 > 157316 157911 157912 157909 157910 158757 155878 155687 157810 710211 153542 035601 035602

RHODA Janice Tucker The ABC’s of Duets for Violin, Includes 1st and 3rd positions. Covers Beginning, Intermediate and Advanced Techniques [American Folk Songs: Mary had A Little Lamb, This Old man, Row Your Boat, The Farmer In The Dell, Little Brown Jug & Old MacDonald; French Folk Songs: À Paris & Frère Jacques; Janice Tucker Rhoda: Dancing Partners, Child’s Play & Shinichi (A Tribute to Shinichi Suzuki); German Folk Songs: Du, Du Liegst Mir Im Herzen (You, You Are In My Heart) & Lightly Row; English Folksong: Farmer; African-American Folksongs: ‘Liza Jane & The Swallow; Ludwig van Beethoven: Life’s Tapestry & Violin Concerto Theme; Lowell Mason (after George Frederick Handel): Joy To The World; Stephen Foster: Oh, Susanna; Scottish Folk Song: Loch Lomond; Irish Fiddle Tune: The Devil’s Dream; Netherlandish Folk Songs: Dutch Warbler & Thanksgiving Song; Irish Folk Song: Believe Me, If All Those Endaering Young Charms; A.M. Toplady and Thomas Hastings: Rock Of Ages; Chinese Folk Song: The Spirited Girl; Johannes Brahms: Cradle Song] 2 violins playing score RIES Ferdinand 1784-1838 Streichtrio Es-Dur WoO 70/1 (Schmidt) violin+viola+cello score and parts Streichtrio e-Moll WoO 70/2 (Schmidt) violin+viola+cello score and parts Streichquartett F-Dur Op. 70/1 (Schmidt) 2 violins+viola+cello score and parts Streichquartett G-Dur Op. 70/2 (Schmidt) 2 violins+viola+cello score and parts Streichquartett fis-Moll Op. 70/3 (Schmidt) 2 violins+viola+cello score and parts Streichquartett B-Dur Op. 126/1 (Schmidt) 2 violins+viola+cello score and parts Streichquartett c-Moll Op. 126/2 (Schmidt) 2 violins+viola+cello score and parts Streichquartett A-Dur Op. 126/3 (Schmidt) 2 violins+viola+cello score and parts RIHM Wolfgang *1952 10. Streichquartett (1993/97) 2 violins+viola+cello parts 10. Streichquartett (1993/97) 2 violins+viola+cello pocket score 12. Streichquartett (2000/2001) 2 violins+viola+cello parts 12. Streichquartett (2000/2001) 2 violins+viola+cello pocket score ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 Drei Streichquartette Op. 2 (Morgan) 2 violins+viola+cello score and parts ROSSINI Gioacchino 1792-1868 Six Sonatas Nos. 1-3 (McAlister) 2 violins+cello+double bass parts Six Sonatas Nos. 4-6 (McAlister) 2 violins+cello+double bass parts SAWER David *1961 Riddle (2001) violin+cello+piano easy SCHAEUBLE Hans 1906-1988 Streichquartett Op. 35 (Walton) 2 violins+viola+cello score and parts SCHUBERT Franz 1797-1828 Andante sostenuto D.471 (Angerer) violin+viola+cello score and parts STAMITZ Carl 1745-1801 Sechs Duette Heft I: Nr. 1-3 (Lebermann) 2 violas playing score Sechs Duette Heft II: Nr. 4-6 (Lebermann) 2 violas playing score

13,00 18,65 18,65 20,55 20,55 20,55 20,55 20,55 20,55 79,05 17,95 69,40 12,80 36,00 39,70 39,70 11,80 48,85 19,15 15,35 15,35

28

155685 155686 155687 710312 710226 710198 710196 155448 155449 710221

156844 155828 156764

STRAUSS Johann 1825-1899 Wein, Weib und Gesang – Wiener Waltz (Thomas-Mifune) 4 cellos parts Künstlerleben – Wiener Waltz (Thomas-Mifune) 4 cellos parts Tausend und eine Nacht – Wiener Waltz (Thomas-Mifune) 4 cellos parts TAILLEFERRE Germaine 1892-1983 Trio (Ariagno) violin+cello+piano TANEJEW Serge 1856-1915 Trio Es-Dur Op. 31 violin+viola+cello viola originally obsolete tenor viola, parts TELEMANN Georg Philipp 1681-1767 Sechs Sonaten im Canon Op. 5 (Michel) 2 violins score and parts THIERIOT Ferdinand 1838-1919 Sextett D-Dur Op. posth. (Päuler) 2 violins+2 violas+2 cellos 1st edition, score and parts TOBIAS Rudolf 1873-1918 Streichquartett Nr. 1 d-Moll 2 violins+viola+cello parts Streichquartett Nr. 2 c-Moll 2 violins+viola+cello parts TSCHAIKOWSKY Peter I. 1840-1893 Aus Jahreszeiten: 1. April – Schneeglöckchen, 2. Juni – Barkarole, 3. Oktober – Herbstlied (Thomas-Mifune) 4 cellos parts TURINI Francesco 1589-1656 Due Sonate a Tre (‘E tanto tempo horma’ & Il Corisino’) (Müller-Busch, Kuper) 2 violins+cello+continuo VRIJENS Guibert *1943 Duo (1990) cello+double bass score and parts WAIGNEIN André *1952 Four by Four. Four Pieces for Violin Quartet (1. Mulberry Bush; 2. Haurrak Ika Suzue; 3. Bloublichky; 4. Danse Basque Espagnole) 4 violins score and parts

14,15 14,15 14,15 28,25 21,95 15,40 64,25 48,85 48,85

13,20 19,00 15,00

18,95

1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: FLUTE SOLO: 157869

154615

ALBUM Groove Lab (1. Amsterdam; 2. Wots The Bluez; 3. Deep Cover; 4. Didger Blues; 5. Brich Lane; 6. Marimba Heaven; 7. Overlord; 8. Left For Swindon; 9. Soho; 10. Yer Dinner’s In The Dog) CD included GISLER-HAASE Barbara Magic Flute – Die Flötenschule für Fortgeschrittene, mit CD, Band 3 (Von der prähistorischen Flöte bis zur Flauto Traverso: Einführung – Geschichte der Flöte von den Anfängen bis ins 18. Jahhundert; Die Flöte in der Barockzeit: G.F.HÄNDEL – aus Sonate VII h-Moll: Andante, A tempo di Minuett; J.J.QUANTZ – aus Solfeggi für die Traversflöte mit Unterricht von Herrn Quantz; J.S.BACH - Sonate C-Dur BWV 1033: Menuett 1; G.Ph.TELEMANN – aus 12 Fantasien: Nr. 5; A.CORELLI – aus Sonata I: Allemanda; G.Ph.TELEMANN – aus 12 Fantasien: Nr. 10; A.CORELLI – aus Sonate II: Allemanda, Giga; G.F.HÄNDEL – aus Sonate III g-Moll: Larghetto, Presto; G.Ph.TELEMANN – aus Sonate h-Moll: Siciliana, Dolce ma non adagio, Presto; M.BLAVET – aus Sonate Nr. 4 gMoll La Lumagne: Ciciliana, Presto; Die Zeit der Klassik: Einführung – Die mehrklappige Flöte; Aus den Flötenschulen der Klassik: Werke von G.M.CAMBINI, A.VANDERHAGEN, F.DEVIENNE; J.HAYDN – aus Streichquartett Op. 1 Nr. 3: menuett (II.Satz), Menuett (IV. Satz); W.A.MOZART – aus Quartett C-Dur KV 285b: Thema, Allegro; I.PLEYEL – aus 12 Duette für 2 Flöten: Nr.1/4; Romantik: Enführung – Die Böhmflöte. Aus den Flötenschulen

16,25

29

157235

157236 159232 156069

147520 710385 157962 148018 709910 709912

709913 157546

der Romantik: A.B.FÜRSTENAU – Übungen zur Artikulation, L.DROUET – aus Méthode pour la flûte; E.KÖHLER – Duette; F.SCHUBERT – Moment musical f-Moll D780 Nr. 3; F.SCHUBERT – aus Original-Tänze für Flöte oder Violine und Gitarre: Nr. 10, Nr. 13, Nr. 14; E.GRIEG – Morgenstimmung; F.LE BORNE – Habanera; C.KUMMER – Duette; Etüden für die Böhmflöte: Werke von E.KÖHLER, W.POPP, G.GARIBOLDI, H.SOUßMANN, J.G.TROMLITZ, A.HUGOT; Musik des 20. Jahrhunderts: Einführung. E.SATIE – aus Jack in the box: Allegro moderato, C.BLYTON – Cormorant in the Snow, Azaleas and Cuckoo; Wichtige Hinweise zur Notation und Ausführung neuer Spieltechniken: G.AMANN – Ein Amselgesang, Tschilpende Spatzen, Der Ruf des Rauhfußkauzes; J.DIERMAIER – Selbstporträt, Der rote Blick; M.VETTER – Zwischenräume; Popularmusik (Bearbeitungen: Richard Graf): The Foggy Dew, Somebody’s knockin’at your door, Free at last; Übersicht der CD-Tracks) CD included, method ADAMS Sally Sally Adams’s Flute Basics. A method for individual and group learning. Pupil’s book (The method is set out in 20 stages and contains: A wonderful variety of concert pieces by the great composers; Additional stages on the head-joint alone and foot-joint notes; Traditional tunes and fun, original exercises; Great new pieces by Sally Adams, Paul Harris, Nigel Morley, Sarah Watts, Alan Gout, Peter Cowdrey and Pam Wedgwood; Duets and trios throughout – ideal for group teaching; Invaluable ‘fact files’, quizzes and ‘hot tips’ to teach notation and general musicianship; Guidance on technique and posture throughout; Helpful, clear fingering charts and ‘rhythm’ boxes; Illsutrations by Drew Hillier. It starts at absolute beginner level and progresses to about Grade 2. The seperate teacher’s book contains duet parts for the teacher or a more advanced student to play, with simple piano accompaniments by Alan Gout) Sally Adams’s Flute Basics. A method for individual and group learning. Teacher’s book with flute and piano accompaniments ALTÈS Henri 1826-1899 Exercices journaliers (Clardy) French, English, German and Spanish texts BACH Johann Sebastian 1685-1750 Bach-Exercitium: Préludes, Fantaisies, Toccatas, Exercitium (Fantasia BWV 572 en Do majeur, Preludio BWV 543 en La mineur, Preludio BWV 541 en Fa majeur, Preludio BWV 535 en Ré mineur, Toccata BWV 916 en Sol majeur, Preludio BWV 923a en Mi mineur, Toccata BWV 564 en Si bémol majeur, Fantasia BWV 542 en Sol mineur, Preludio BWV 556 en Ré majeur, Preludio BWV 966 en Ré majeur, Preludio BWV 544 en Si mineur, Preludio BWV 553 en Mi bémol majeur, Preludio BWV 536 en Mi bémol majeur, Toccata BWV 914 en Do mineur, Preludio BWV 531 en La majeur, Toccata BWV 910 en Fa dièze mineur, Preludio BWV 559 en Fa dièze mineur, Preludio BWV 550 en La bémol majeur, Preludio BWV 558 en Fa mineur, Pedal-Exercitium BWV Fa mineur, Preludio BWV 560 en Mi majeur, Preludio BWV 549 en Do dièze mineur) (Veilhan) BRICCIALDI Giulio 1818-1881 Studi per flauto. Opera completa Vol. 1: 30 soli o esercizi (BignardellI0 GENZMER Harald *1909 2. Sonate (1999) LESLEY Simon Funky Scales for Flute Covering Grades 1-3 of All Major Examination Boards! Complete with CD Backing Tracks CD included MICHELIS Vincenzo de 1825-1891 Preludio Monodico Onnitonico. Esercizio giornaliero Op. 91 (Bignardelli) OLDENKAMP Michel / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor dwarsfluit method, CD included Horen, lezen & spelen 3. Stijlboek [1. Free Time (pop); 2. Klezmerantics (klezmer); 3. The Twelfth of Ever (twaalftoonsmuziek); 4. Ring for a Swing (swing); 5. Dancing Dalmatians (volksmuziek); 6. Railroad to St. Louis (blues); 7. Sonata Nr. 14 (klassiek); 8. Brazilain Beat (bossa nova); 9. Duo de la Molinara (klassiek); 10. Et exultavit spritus meus (Magnificat) (barok)] a book with piano accompaniments is separately available Horen, lezen & spelen 3. Stijlboek piano accompaniment SALBERT Dieter Flotenmusik in drei Sätzen flute=alto flute solo

30,20

12,15 15,30 31,85

31,85 14,50 16,65 20,30 14,80 15,45

9,45 11,95 12,80

30

156734

>

VELDKAMP Erik All Jazz: 11 Pieces in Swinging Styles (Stay Loose!; Keep On Moving; Why Bother?; It’s For real; It’s Nice To be here; Happy Talk; The Swing Along Blues; Get It Right; A Blues A Day; Stamp Your Feet; Quiet, Please) demo- and play-along CD included WICHERS Gerdien / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor fluit method, CD included

15,45 15,45

OBOE SOLO: 900760

156738 156743

157075 710031

DELCAMBRE Bernard Hautbois et musique 1: The Oboe Family: A Brief History; Lesson 1: C major, High E diatonic, Trills, Hemiolas; Lesson 2: A minor; A minor harmonic form; 6/4 time signature; ornamentation – Step 1; A minir melodic form; Glossary: C major and A minor; Vibrato; Lesson 3: F major; High F diatonic; New trills; Lesson 4: D minor; D minor harmonic form; D minor melodic form; Glossary: F major en D minor; Lesson 5: Bb major; High Eb; New trills; Lesson 6: G minor; G minor harmonic form; G minor melodic form; Glossay: Bb major and G minor; Trills recapitulation; Music in its time (Suite de la méthode Le Hautbois facile du même auteur) (Walter) OLDENKAMP Michel / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor hobo method, CD included Horen, lezen & spelen 3. Stijlboek [1. Free Time (pop); 2. Klezmerantics (klezmer); 3. The Twelfth of Ever (twelve tone music); 4. Ring for a Swing (swing); 5. Dancing Dalmatians (folk music); 6. Railroad to St. Louis (blues); 7. Sonata Nr. 14 (classical); 8. Brazilain Beat (bossa nova); 9. Duo de la Molinara (classical); 10. Et exultavit spritus meus (Magnificat) (baroque)] a book with piano accompaniments is separately available (156744) REIMANN Aribert *1936 Solo (2001) SALTER Graham 35 Melodic Studies for Oboe. Easy and Intermediate Studies to Develop Control and Expressive Playing

28,50 15,45

9,45 12,80 19,40

CLARINET SOLO: 157868

159634

710344 156748 155922 155921 710346 710347 710358 157961 156759

ALBUM Groove Lab (1. Amsterdam; 2. Wots The Bluez; 3. Deep Cover; 4. Didger Blues; 5. Brich Lane; 6. Marimba Heaven; 7. Overlord; 8. Left For Swindon; 9. Soho; 10. Yer Dinner’s In The Dog) CD included ALBUM Etudes (69) for Clarinet in Pop and Classical Arrangements (CZIFRA, POPP, KÖHLER, GARIBOLDI, GLASER, SOUSSMANN, CIARDI, NAUDOT, DEVIENNE, HUGOT, PLATONOV) (Czifra) CD included ALLERME Jean-Marc Jazz Attitude: 40 études jazz faciles et progressives Livre 2: 21-40 Bb-, CD included CRASBORN-MOOREN Paul 30 Melodic Studies for Clarinet GIRARD Anthony 50 petites études faciles et progressives Volume 1: 25 études 50 petites études faciles et progressives Volume 2: 25 études KASSAP Sylvain Début. Pièce pour le premier cycle BbMétropolitaine BbKLOSÉ Hyacinthe 1808-1880 / BERR Friedrich 1794-1838 12 études mélodiques d’après Paganini, Donizetti et divers auteurs (Verdier) moyenne difficulté à difficile LESLEY Simon Funky Scales for Clarinet Covering Grades 1-3 of All Major Examination Boards! Complete with CD Backing Tracks CD included OLDENKAMP Michel / KASTELEIN Jaap Horen, lezen & spelen 3. Stijlboek [1. Free Time (pop); 2. Klezmerantics (klezmer); 3. The Twelfth of Ever (twelve tone music); 4. Ring for a Swing (swing); 5. Dancing Dalmatians (folk music); 6. Railroad to St. Louis (blues); 7. Sonata Nr. 14 (classical); 8. Brazilain Beat

16,25

14,50 24,40 9,45 11,95 11,95 7,95 7,95 13,00 20,30

31

156046 158520

710348 156754

710030

(bossa nova); 9. Duo de la Molinara (classical); 10. Et exultavit spiritus meus (Magnificat) (baroque)] a book with piano accompaniments is separately available (156760) RIDOUT Alan 1934-1996 Epitaph for Michael BbROSE Cyrille The New Rose Studies for Clarinet . The Cyrillic Rose: 32 Etudes (based on the etudes of Franz Wilhelm Ferling 1796-1874) (Warner) for the numbers 11 en 19 being the most popular a piano accompaniment is included ROSSÉ François *1945 Lueur (Kassap) VELDKAMP Erik All Jazz: 11 Pieces in Swinging Styles (Stay Loose!; Keep On Moving; Why Bother?; It’s For real; It’s Nice To be here; Happy Talk; The Swing Along Blues; Get It Right; A Blues A Day; Stamp Your Feet; Quiet, Please) demo- and play-along CD included WILDMAN Peter *1957 It’s as if. Six metaphors for any solo clarinet

9,45 6,90

14,45 6,00

15,45 13,25

SAXOPHONE SOLO: 157867

156047 156775

158115 710362 114156 157324 156769 156770 155771 156786

710368 710035 156781

155683

ALBUM Groove Lab (1. Amsterdam; 2. Wots The Bluez; 3. Deep Cover; 4. Didger Blues; 5. Brich Lane; 6. Marimba Heaven; 7. Overlord; 8. Left For Swindon; 9. Soho; 10. Yer Dinner’s In The Dog) alto Eb-, CD included CORBETT Ian *1972 Something Serious baritone, EbGORP Fons van Kids Play Easy Solo (1. Overture; 2. Dance Steps; 3. Warming Up; 4. Romance; 5. Blue Tip; 6. Cuban Dance; 7. Two Sleepy Eyes; 8. Jump & Rest; 9. My Own Rock Band; 10. Tragedy; 11. Stoccata; 12. Dutch Reggae; 13. Clog Dance; 14. Painful; 15. On Holiday; 16. Rock Duet) tenor, BbLACOUR Guy 56 études récréatives pour saxophone Volume 1: 30 études (facile 1-3) (Fourmeau) CD included 56 études récréatives pour saxophone Volume 2: 26 études (intermediate 4-6) (Fourmeau) CD included LAUBA Christian *1952 Dixième étude “Hard too hard” tenor, BbNICOLE Grégoire *1975 Mystagogie alto EbOLDENKAMP Michel / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor sopraansaxofoon soprano Bb-, method, CD included Horen, lezen & spelen 3. Methode voor altsaxofoon alto Eb-, method, CD included Horen, lezen & spelen 3. Methode voor tenorsaxofoon tenor Bb-, method, CD included Horen, lezen & spelen 3. Stijlboek [1. Free Time (pop); 2. Klezmerantics (klezmer); 3. The Twelfth of Ever (twelve tone music); 4. Ring for a Swing (swing); 5. Dancing Dalmatians (folk music); 6. Railroad to St. Louis (blues); 7. Sonata Nr. 14 (classical); 8. Brazilain Beat (bossa nova); 9. Duo de la Molinara (classical); 10. Et exultavit spiritus meus (Magnificat) (barok)] piano accompaniment is separately available (156787 for A-sax , 156788 for S-/T-sax) PRATI Hubert 17 mini-puzzles-études techniques Volume 2 (Fourmeau) SALTER Graham 35 Melodic Studies for Saxophone. Easy and Intermediate Studies to Develop Control and Expressive Playing. With Chart and Specialist Fingerings by Paul Harvey VELDKAMP Erik All Jazz: 11 Pieces in Swinging Styles (Stay Loose!; Keep On Moving; Why Bother?; It’s For real; It’s Nice To be here; Happy Talk; The Swing Along Blues; Get It Right; A Blues A Day; Stamp Your Feet; Quiet, Please) alto Eb-/tenor Bb-, demo- and play-along CD included ZBAR Michel Cinq clairs-obscures images du Désert des tartares de Dino Buzzati alto, Eb-

16,25 10,80

14,45 24,40 24,95 21,05 9,95 15,45 15,45 15,45

9,45 12,20 19,40

15,45 13,45

32 BASSOON SOLO: 156048

EMERSON June 90 Easy Bassoon Studies Grades 1-5

20,50

TRUMPET SOLO: 157870

155918 156618 158129 710361 150731 150732 156035 156036 710389 155595 157187

157188 155414 156799

156615 156616 156617 157466 156797

ALBUM Groove Lab (1. Amsterdam; 2. Wots The Bluez; 3. Deep Cover; 4. Didger Blues; 5. Brich Lane; 6. Marimba Heaven; 7. Overlord; 8. Left For Swindon; 9. Soho; 10. Yer Dinner’s In The Dog) CD included ALLEGRINI Michel 10 études (Touvron) ARBAN Jean-Baptiste 1825-1889 Fifteen Selections from Arban’s The Art of Phrasing (Bovinette) Bb-cornet / trumpet BARATTO Paolo Andantino with piano or organ BOULANGER Gérard / GILLET Pierre Ma trompette. mes débuts (Touvron) method, CD included CAENS Thierry *1958 Basic Systems Popur Trompette 1: Premier Contacts Basic Systems pour Trompette 2: Gammes, échauffements, vocalises et accords FRICKE Charles One Hundred and Four Progressive Exercises for Cornet or Trumpet (1903), Book 1 (McGregor) One Hundred and Four Progressive Exercises for Cornet or Trumpet (1903), Book 2 (McGregor) HAYDN Franz Joseph 1732-1809 Concerto in Eb major Eb-trumpet part (originally Bb-trumpet) HUMMEL Johann Nepomuk 1778-1837 Concerto in Eb major (Voisin) Eb-trumpet part (originally Bb-trumpet) MILLER John John Miller’s Trumpet Basics. A method for individual and group learning. Pupil’s Book (The method is set out in 20 stages for Bb trumpet or cornet, and contains: A wonderful variety of classical, jazz and pop pieces, including themes from The Godfather and Batman, and arrangements from Beethoven and Handel to Malcolm Arnold and Kurt Weill; Traditional tunes, original exercises and great new pieces by John Miller and Pam Wedgwood; Duets and trios throughout – ideal for group teaching; Invaluable ‘fact files’, quizzes and ‘hot tips’ to teach notation, general musicianship and care of the instrument; Guidance on technique and posture throughout; Illustrations by Drew Hillier) John Miller’s Trumpet Basics. A method for individual and group learning. Teacher’s Book with trumpet and piano accompaniments Bb- trumpet/Bb-cornet OLDENKAMP Michel / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor trompet method, CD included Horen, lezen & spelen 3. Stijlboek [1. Free Time (pop); 2. Klezmerantics (klezmer); 3. The Twelfth of Ever (twelve tone music); 4. Ring for a Swing (swing); 5. Dancing Dalmatians (folk music); 6. Railroad to St. Louis (blues); 7. Sonata Nr. 14 (classical); 8. Brazilain Beat (bossa nova); 9. Duo de la Molinara (classical); 10. Et exultavit spiritus meus (Magnificat) (baroque)] also suitable for flugelhorn, saxhorn, barytone, euphonium T.C., piano accompaniments is separately available (156800) THIBAUD Pierre Méthode pour trompettiste avancé method Exercises chromatiques et études pour trompettiste avancé method Exercises d’échauffement et vocalises pour trompettiste avancé method THOMPSON James The Buzzing Book. Complete Method for Trumpet and other T.C. Brass Instruments method, 2 CDs included (version Bb / version C) VELDKAMP Erik All Jazz: 11 Pieces in Swinging Styles (Stay Loose!; Keep On Moving; Why Bother?; It’s For real; It’s Nice To be here; Happy Talk; The Swing Along Blues; Get It Right; A Blues A Day; Stamp Your Feet; Quiet, Please) demo- and play-along CD included

16,25 10,75 14,45 9,35 33,75 17,15 18,85 15,80 15,80 10,15 10,70

12,15 15,30 15,45

9,45 50,70 21,70 11,55 22,60

15,45

33 HORN SOLO: 155682 156184 156823

DURAND Philippe *1956 Abysses (moyen 2) FOLDENKAMP Michel / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor hoorn method, CD included Horen, lezen & spelen 3. Stijlboek [1. Free Time (pop); 2. Klezmerantics (klezmer); 3. The Twelfth of Ever (twelve tone music); 4. Ring for a Swing (swing); 5. Dancing Dalmatians (folk music); 6. Railroad to St. Louis (blues); 7. Sonata Nr. 14 (classical); 8. Brazilain Beat (bossa nova); 9. Duo de la Molinara (classical); 10. Et exultavit spiritus meus (Magnificat) (baroque)] piano accompaniment is separately available (156824), F-

7,95 15,45

9,45

BARITONE SOLO: 156815

BOTMA Tijmen / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor bariton/euphonium

T.C., CD included

15,45

TROMBONE SOLO: 158133 900761

156831 156840

156839

158131 156797

AGRELL Jeffrey Temperamental Suite bass trombone DUBEDOUT Bertrand Études-chants-chorales: 15 pièces pour trombone(s) (Chant 1*, Étude 1*; Chant 2*; Étude 2*; Chant 3*, Étude 3*; Étude 4*; Chant 4***, Étude 5*; Chant 5*; Étude 6***; Étude 7**; Chant 6*; Étude 8***; Choral****) (Raffard) trombone solo (*), 2 trombones (**), 3 trombones (***), 4 trombones (****) facile à moyenne difficulté (3-5) JANSMA Jilt / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor trombone CD included, B.C. OLDENKAMP Michel / KASTELEIN Jaap Horen, lezen & spelen 3. Stijlboek [1. Free Time (pop); 2. Klezmerantics (klezmer); 3. The Twelfth of Ever (twelve tone music); 4. Ring for a Swing (swing); 5. Dancing Dalmatians (folk music); 6. Railroad to St. Louis (blues); 7. Sonata Nr. 14 (classical); 8. Brazilain Beat (bossa nova); 9. Duo de la Molinara (classical); 10. Et exultavit spritus meus (Magnificat) (baroque)] piano accompaniment is separately available (156841), B.C. Horen, lezen & spelen 3. Stijlboek also suitable for flugelhorn, saxhorn, barytone, euphonium T.C., piano accompaniment is separately available (156841), for contents see 156840, T.C. PLOG Anthony *1947 Postcards VELDKAMP Erik All Jazz: 11 Pieces in Swinging Styles (Stay Loose!; Keep On Moving; Why Bother?; It’s For real; It’s Nice To be here; Happy Talk; The Swing Along Blues; Get It Right; A Blues A Day; Stamp Your Feet; Quiet, Please) B.C./T.C., demo- and play-along CD included

9,35

11,15 15,45

9,45 9,45 11,70

15,45

ALTO HORN SOLO: 156815

BOTMA Tijmen / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor althoorn in Es

CD included

15,45

T.C., CD included

15,45

EUPHONIUM SOLO: 156815

BOTMA Tijmen / KASTELEIN Jaap Horen, lezen & spelen 3. Methode voor bariton/euphonium

34 TUBA SOLO: 158134

AGRELL Jeffrey Eccentric Dances

11,70

1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: PICCOLO WITH ACCOMPANIMENT: 710371 158534

FREMIOT Marcel Phonons (Beaumadier) MOWER Mike Sonata (2002)

16,30 26,55

FLUTE WITH ACCOMPANIMENT: ALBUM Flute All Sorts: Easy pieces [1. Polish Dance (DEMANTIUS); 2. Old Japanese Folk Song (Traditional); 3. Minuet and Trio (MOZART W.A.); 4. Minuet (TELEMANN); 5. The Elephant (SAINT-SAËNS); 6. Chill! (RAE); A Toy (Anonymous); 7. The Plough Boy (Traditional); 8. Tambourin (SOMIS); 9. Tyrolean Dance (KRÄHMER); 10. Barcarolle (TCHAIKOVSKY); 11. Sweeney Todd (ARNOLD); 12. Hallelujah! (WEDGWOOD); 13. Moresca (MONTEVERDI); 14. Rondeau (NAUDOT); 15. Andante (MOZART L.); 16. Contemplation (CONCONE); 17. Waltz (BRITTEN); 18. Roller-Skating (HARRIS)] (Harris, Adams) ALBUM 157234 Cult Classics. Music from Cult Films. Flute [1. Pulp Fiction (Misirlou by Milton LEEDS, N, ROUBANIS, Fred WISE & Bon RUSSELL); 2. Diva (‘Ebben ne amorò lontana’ from La Wally by Alfredo CATALANI); 3. Shadow of the Vampire (from A Concert in Wismar by Dan JONES); 4. Die Hard (First movement from Brandenburg Concerto No. 3 by Johann Sebastian BACH); 5. Trainspotting (‘Habañera’ from Carmen by Georges BIZET); 5. Reservoir Dogs (Little Green Bag by Hans BOUWENS & Jan VISSER); 6. Fatal Attraction (‘Un bel di’ from Madame Butterfly by Giacomo PUCCINI); 7. Apocalypse Now (‘The Ride of the Valkyries’ from Die Walküre by Richard WAGNER)] (Harris) ALBUM 1555873 La Flûte Classique Cahier 3 (H. PURCELL: Gavotte; L. MOZART: La Chasse; F. COUPERIN: Fanfare de Diane; M. BLAVET: Gavotte La Dédale; J. HOTTETERRE: Air Le Fleuri; Anonymus: Les Sifflets ou Les Chaudronniers; A. VIVALDI: Pastorella; L. de CAIX d’HERVELOIS: Musette; L. VINCI: Pastorella; M. BLAVET: Sarabande; J.J. QUANTZ: Largo; B. MARCELLO: Allegro; J. HOTTETERRE: Le Beaulieu; L. de CAIX d’HERVELOIS: La Vénitienne; J. HOTTETERRE: Prélude et Allegro; J. HOTTETERRE: Allemande La Royale; G.Ph. TELEMANN: Largo en Canon; L. de CAIX d’HERVELOIS: Bourrée La Bretonville) (Le Roy, Classens) ALBUM 155866 La Flûte Classique Cahier 4 (L. GRANOM: Sicilienne; L. GRANOM: Allegro; L. de CAIX d’HERVELOIS: La Marche du Czar; W.A. MOZART: Andante; L. de CAIX d’HERVELOIS: Papillon; J.B. LOEILLET: Gigue; G.Ph. TELEMANN: Cantabile et Allegro; J.B. VANHAL: Minuetto con Variazioni; J. STANLEY: Sicilienne; M. BLAVET: Allegro; M. BLAVET: Le Marc-Antoine; G.Ph. TELEMANN: Vivace; J.B. VANHAL: Presto) (Le Roy, Classens) ALBUM 155458 Cinq rondos (Fernando CARULLI 1770-1841: Rondo; Muzio CLEMENTI 1752-1832: Rondo; Franz LAUSCHKA 1764-1825: Rondo bohémienne; Daniel STEIBELT 1765-18123: Rondo élégant; Johann Baptist VANHAL 1739-1813: Rondo) (Rivoal, Lambert) with guitar ALBUM 157811 Play-Along for Flute. Selected easy pieces from Bach to Satie (1. Melody from Piano Sonata in F major K332; 2. Andante from Piano Sonata in A major K331; 3. Presto from Piano Sonata in A minor K310; 4. Menuetto (Allegretto) from Symphony No. 41 “Jupiter” K551; 5. Theme from Symphony No. 40 K550; 6. Menuetto from Symphony No. 36 “Linz” K425; 7. Larghetto from Piano Concerto in C minor K491; 8. Adagio from Piano Sonata in F major K280; 9. Trio from Serenade No. 9 “Posthorn Serenade” K320; 10. Melody from Trio in G major K564; 11. Theme from Clarinet Quintet in A major K581) (Gisler-Haase) CD included 157192

12,15

14,20

23,75

23,75

15,40

18,65

35

710314

710339

155385 155955

710313 157871 154917 710390 157864 157863 900845 155834 900721 710330 710329 150716 155915 150706 150707 710359 158090

ALBUM Sept chants et danses du XIXe siècle (1. ALKAN: Rigaudon; 2. DONIZETTI: Lu Trademiento; 3. FERRER: Sérénade espagnole; 4. GLINKA: Mazurka; 5. GURLITT: Romance; 6. LALO: Danse espagnole; 7. TSCHAIKOVSKY: Chanson italienne) (Rivoal, Lambert) with guitar ALBUM Play Jazztime. Hits from the 20s and 30s (1. MACK & JOHNSON: Charleston; 2. GERSHWIN: Someone to watch over me; 3. GERSHWIN & CAESAR: Swanee; 4. BASSMAN & WASHINGTON: I’m getting sentimental over you; 5. GERSHWIN & DE SYLVIA: Do it again; 6. JOHNSTON & BURKE: Pennies from heaven; 7. GERSHWIN: He loves and she loves; 8. GERSHIWN: I got rhythm) (Stratford, Adams) ALAIN Jehan Ariste 1911-1940 Invention with organ AMBACH Cathrin Spielbuch 1 (Vier Stücke – Four beginners only; Merrily we roll along; Bonsor - Kleine Walzer; Let’s Waltz!; Schoenmehl - Spaziergang am Meer; Im Frühling; Drei winzige Walzer – Walzer Nr. 1; Anonymus – Aufzug der Spielleute; O’Neill – Out of the count; Nykrin – Kleiner Walzer; Oh, when the Saints; Stop and Go!; Caroso – Pavanigla; Händel – Sarabande; Praetorius – Tanz; Grieg – Gjendines Wiegenlied; Rock-Ballade; Schöpsdau – Old Charlie’s back; Gretchaninoff – Der kleine Gernegroß; Diabelli – Scherzo; Schubert – Walzer; Attaignant – Gaillarde; Gervaise – Pavane; Diabelli – Melodisches Übungsstück; Sprunghaft; I come from Alabama; Phalèse – Renaissance-Tanz; Friedas Blues; Beethoven – Romance; Walzer zum Kennenlernen; Ungarischer Tanz; Tschaikowsky – Chant français; Tschaikowsky – Chanson triste; Baberkoff – Russka; Weber – Andante; Mozart – Andante grazioso; Bella Bimba; Zgraja – Walking Waltz; Danza; Brahms – Walzer; Both – Michail; Reichardt – Schäfers Klage. Also partly for 2 flutes) ASSAD Sergio *1952 Jobiniana No. 2 (Assad) with guitar BACH Johann Sebastian 1685-1750 Suite a-Moll BWV 997 (Dausend) with guitar BACH Wilhelm Friedemann 1710-1784 Zwei Sonaten e-Moll BR WFB B17 und F-Dur BR WFB B18 (Wollny, Horn) with continuo BEETHOVEN Ludwig van 1770-1827 Serenade in D major Op. 8 (Stallman) originally for string trio BERT Henri Hommage d’un jeune flûtiste à quelques grands musiciens: Hommage à HAENDEL, Hommage à MOZART, Hommage à SCHUBERT. 1ere Recueil level: 2nd year Hommage d’un jeune flûtiste à quelques grands musiciens: Hommage à MENDELSSOHN, Hommage à FAURÉ, Hommage à BACH. 2me Recueil level: 3rd year BIRD Arthur 1856-1923 Two Pieces Op. 17 (1. Scène orientale, 2. Caprice oriental) BOTTELIER Ina *1943 Nocturne (1984) with guitar BRIDGE Frank 1879-1941 Allegretto grazioso (Richmond) (from the First Book of Organ Pieces) CARDOSA Jorge Al compas de la viguëla with guitar DAMASE Jean-Michel *1928 Pantomimes with marimba DENISOV Edison *1929 Avant le couleur du soleil alto flute+vibraphone DOPPLER Franz 1821-1883 Fantaisie sur un motif de Beethoven Op. 43 (Adorján) FÁBREGAS Elisenda *1955 Sonata No. 1 FAURÉ Gabriel Urbain 1845-1927 Après un rêve Op. 7/1 (Marion) FISCHER Johann Christian 1733-1800 Concerto pour hautbois ou flûte et orchestre (Jousse, Pierlot) (Jean) GABRIEL-MARIE 1852-1928 Sérénade Badine (Dias)

16,70

14,20 13,45

16,65 19,30 17,95 17,35 33,35

14,80 16,30 11,95 10,00 12,75 24,40 15,40 34,25 14,25 47,85 9,50 19,60 9,95

36

709200 155807 155689 155690 157936 157216

709831

138365 710209 152526 158121 150708 150709 150710

150712 900766 710238 158547 158756 710242

710370 710236 157232

GHIDONI Armando *1959 Easy Blues (débutant) GLINKA Michael 1804-1857 Nocturne (Galais) with harp HAHN Reynaldo 1875-1947 Romance en La majeur (Larrieux) Nocturne (Larrieux) HÄNDEL Georg Friedrich 1685-1759 Konzert g-Moll HWV.287 für Flöte (Oboe) und Orchester (Best, Köhs) HARRIS Paul Chocolate Box. 10 Musical treats (1. Hazelnote Crunch; 2. Minty Minuet; 3. Dark Chocolate Truffle Trot; 4. Toffee Tango; 5. Strawberry Sarabande; 6. Viennese Vanilla Valse; 7. Mocha Baroqua; 8. Caramel Carousel; 9. Fudge Fandango; 10. Maple Nut Rag) HEILBUT Peter *1920 Sechs Marionettes – Sieben Epigramme und andere Stücke (Drei Epigramme (Suite): 1. Fünftönig (Pentatonik), 2. Sechstönig (Ganztonfolge), 3. Siebentönig (Dur); Walzer; Zwei Epigramme: 1. Elegie (Präludium), 2. Achtel-Rallye; Luftballon steigen lassen; Dialogo interotto (unterbrochenes Zwiegespräch); Zwei Epigramme (Esel-Suite): 1. Lastesels Traum von der Leichtigkeit des Seins, 2. Packt den Esel Ubermut, übers Eis er tanzen tut; Sechs Marionetten: 1. An unsichtbaren Fäden, 2. Harlekine, 3. Luftakrobat über Fangnetz, 4. Schlangenbeschwörer, 5. Der Philosoph, 6. Wettläufer; Zugabe) KILAR Wojciech *1951 Sonatina (Olkiewicz) KIRNBERGER Johann Philipp 1721-1783 3. Sonate es-Moll (Wiese, Michel) with continuo KUHLAU Fiedrich 1786-1823 Three Grand Solos Op. 57/1-3 LINDPAINTNER Peter Josef von 1791-1856 Grande Polonaise Op. 47 (Chatoux) LUYPAERTS Guy-Claude De la flûte . . . Volume 1 (Mignonette, En mesure, Valse champêtre, Sable, Métronome, Petit brin d’air) (débutant 1) text French/English/German/Spanish, CD included De la flûte . . . Volume 2 (Allègre, Butterfly, Révérences, Intervalles, Menuetto, Nautile, Thème et variations) (débutant 2) text French/English/German/Spanish, CD included De la flûte . . . Volume 3 (Tarantelle, Bal en soir, Sur quatre notes, Trianon et menuet, Menuet, Acanthes, Les fjords) (préparatoire 1 et 2) text French/English/German/Spanish, CD included MANSART Jean-Louis *1954 Le jour naissant: 3 pièces MATALON Martín Formas de arena (formese de sable) flute/alto flute with harp RADAELLI Carlos Petite Milonga (Estrada) with guitar, 2 playing score REYNOLDS Verne Sonata ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 Konzert für Flöte und Orchester Nr. 12 G-Dur Murray RWV C27 (Meier, Morgan) THARAUD Virginie Bien joué!!! Petis duos avec piano avec pour aborder la musique de chambre en souriant (1. Le furet paresseux qui se moquait de ses poursuivants!; 2. Le chat qui avait enfin “perdu” sa mère Michel!; 3. Le coquelicot timide qui rêvait . . . ; 4. Un mari, un Rousselle, un Dagobert . . . confusions!) VIDAL Christophe Lumières côtières I (Walter) WALDTEUFEL Emil 1837-1915 Amours et printemps (Rivoal, Lambert) with guitar WEDGWOOD Pam Really Easy Jazzzin’About. Fun Pieces for Flute (1. Tangerine; 2. Dragonfly; 3. Easy Tiger; 4. Riding Out West; 5. Smart Operator; 6. Wrapit Up; 7. Hot Chilli; 8. Crystal Spring; 9. Keep Truckin’; 10. Butter Cup; 11. Cat Walk; 12. Cheeky Cherry)

8,65 10,35 18,85 21,05 15,30

14,20

16,05 23,50 15,40 20,55 ??,?? 23,45 27,20 27,20 ??,?? 58,95 6,95 24,60 19,30

7,70 14,50 7,70

12,15

37 FLUTE PLAY-ALONG (FLUTE WITH CD-ACCOMPANIMENT): 155475

156727

156732

093099

156728

156735

710318

159644

709908

709909

ALBUM Duets for One for Flute: Film (1. Can’t Take My Eyes Off You from Bridget Jones’ Diary; 2. Clair de Lune from Ocean’s Eleven; 3. Hallelujah Chorus from Look Who’s Talking Too; 4. Just The Two of Us from Austin Powers 2; 5. Largo from “Xerxes” from Les Liasons Dangereuses; 6. Moon River from Breakfast at Tivvany’s; 7. Raider’s March from Raiders of the Lost Ark; 8. Scene from “Swan Lake” from Billy Elliot; 9. Supercalifragilisticexpialidocious from Walt Disney’s Mary Poppins; 10. The Bare Necessities from Walt Disney’s The Jungle Book; 11. The Blue Danube from 2001: A Space Odyssey; 12. Theme from Jean de Florette; 13. Waltz from “The Sleeping Beauty” from Rollerball; 14. When You Say Nothing At All from Notting Hill) (Carson Turner) CD included, grades 1-2+ ALBUM Classics for the young flute player: 8 masterpieces, easy to play [1. Allegretto (from Symphony No. 7 by Ludwig van BEETHOVEN/Douglas Court); 2. Gypsy Rondo (Franz Joseph HAYDN/James Curnow); 3. Trumpet Tune (Henry PURCELL/Stephen Bulla); 4. Hungarian Dance (Johannes BRAHMS/Mike Hannickel); 5. Pizzicato Polka (Johann Jr. STRAUSS & Joseph STRAUSS/Mike Hannickel); 6. Aver verum corpus (Wolfgang Amadeus MOZART/Timothy Johnson); 7. Trumpet Voluntary (Jeremiah CLARKE/James Curnow); 8. Peer Gynt Suite No. 1: 1. Morning Mood, 2. The Death of Ase, 3. Anitra’s dance, 4. In the Hall of the Mountain King (Edvard GRIEG/James Curnow). ALBUM Jubilee! Play-Along Spirituals (1. Joshua Fit the Battle; 2. Down by the Riverside; 3. There is a Balm in Gilead; 4. Jacob’s Ladder; 5. Ezekiel Saw the Wheel; 6. Swing Low, Sweet Chariot; 7. Go Down, Moses; 8. Wade in the Water; 9. Great Day; 10. Kum Ba Yah) (Bulla) CD included ALBUM Great Melodies for Flute (1. Beach Party; 2. Cool It; 3. In A Mood; 4. St. Lucia; 5. The Chase; 6. Cheeky Monkey; 7. Minor Incident; 8. Double Density; 9. If I Love You) (Hollis) CD included (with demo and accompaniment) ALBUM Sunday School Classics. Easy instrumental solos or duets for any combination of instruments (1. Onward, Christian Soldiers; 2. When We All Get To Heaven; 3. Jesus Loves Me; 4. Dan The Man; 5. He Is Lord; 6. Joyful Worship; 7. Just A Closer Walk; 8. Amazing Grace; 9. Peace Like A River; 10. Alleluia; 12. Do, Lord, Remember Me; 12. He’s Wonderful) (Curnow, Curnow) CD included ALBUM Retro Pop 60s 70s 80s. Flute (1. Fab Foundation; 2. Peace, Love and Joy; 3. Fusion Frontier; 4. Metalmorphosis; 5. Precious Moments; 6. Motor City; 7. Can You Dig It?; 8. Dance Mix; 9. Synthsations; 10. Techno Thang) (Hosay) CD included (with demo and accompaniment) ALBUM Noël enchanté. Jouez et chanter les plus beaux Noëls Volume 2. En soliste ou avec accompagnement . Dès la première année de Flûte à bec, Flûte traversière, Violon, Hautbois et tous les instruments en ut (1. Le premier noël; 2. Devant la crèche; 3. Tous enchoeur; 4. Go tell it on the mountain; 5. Venez, divin Messie; 6. Le bon roi Wencelas; 7. Les choeurs angéliques; 8. Noël nouvelet; 9. Once in royal David’s city; 10. Dans cette étable; 11. Greensleeves; 12. Deck the hall; 13. Marche der rois mages; 14. Minuit, chrétiens) (Veczan, Gosselin) CD included ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Flute, Oboe, Keyboard, Percussion (for contents see clarinet playalong, item 159643) (Feldstein, Clark) fully correlated play-along-CD included COWLES Colin Amazing Animals (1. A Rattle Snake Rag; 2. The Busy Buzzy Blue Bottle Blues; 3. Gaucy Galumping Grubs; 4. The Fiery Frog Hopper’s Hop; 5. A Seven legged Spider Square dance; 6. A Beguiling Bug’s Beguine; 7. A Lugworm’s Lament For A Lost Lug; 8. A Succulent Snail Sings Before Supper; 9. A Rubicund Rat From Russia) CD included Amazing Animals piano accompaniment

18,30

15,45

15,45

15,45

15,45

20,55

18,80

15,45 13,45

38

156726

093255

709907

709906 154614

GORP Frans van Kids play easy solo. Flute (1. Ouverture; 2. Dance Steps; 3. Warming Up; 4. Romance; 5. Blue Tulip; 6. Cuban Dance; 7. Two Sleepy Eyes; 8. Jump & rest; 9. My Own Rock Band; 10. Tragedy; 11. Stoccata; 12. Dutch Reggae; 13. Clog Dance; 14. Painful, 15. On Holiday; 16. Rock Duet) CD included JOPLIN Scott 1868-1917 Ragtime Favourites for Flute (1. Magnetic Rag; 2. The Entertainer; 3. Rag Time Dance; 4. The Chrysanthemum; 5. New Rag; 6. Fig Leaf Rag; 7. Pleasant Moments; 8. Maple Leaf Rag) CD included (with demo and accompaniment) MOZART Wolfgang Amadeus 1756-1791 Mozart for Flute (Melody from Piano Sonata in F major K.332; Andante from Piano Sonata in A major K.331; Presto from Piano Sonata on A minor K.310; Menuetto Allegretto from Symphony No. 41 Jupiter K.551; Theme from Symphony No. 40 K.550; Menuetto from Symphony No. 36 Linz K.425; Larghetto from Piano Concerto in C minor K.491; Adagio from Piano Sonata in F major K.280; Trio from Serenade No. 9 Posthorn Serenade K.320; Melody from Trio in G major K.564; Melody from Clarinet Quintet in A major K.581) (Cathrine) CD included OLDENKAMP Michiel / KASTELEIN Jaap Scales under Construction CD included SOTELO Mauricio *1961 Del aura al suspinar (1998-2001) contrabass flute / alto flute with magnetic tape

14,45

15,45

15,45 14,45 30,20

OBOE WITH ACCOMPANIMENT:

710068

ALBUM Airs célèbres d’Opéra Volume II (DONIZETTI: Una furtiva lagrima de L’Elisir d’amore; OFFENBACH: À Leucade de La belle Hélène; VERDI: Marche des trompettes de Aïda, Scorrendo uniti remota via de Rigoletti, Coro zingarelle de La Traviata) (Ghidoni) CD included BELLINI Vincenzo 1801-1835 Concerto (McAlister)

900718

DÖRING Georg Asmas 1789-1833 was in 1812 2nd oboe to the Court Orchestra in Kassel. In the following year the 1st oboe, the renowned Friedrich Eugen Thurner, left to embark on a solo career, so Döring promoted to his place. In 1818 he decided to move to Frankfurt, renewing an earlier acquaintanceship with the violinist and composer Louis Spohr. He gave up playing the oboe shortly afterwards in favour of the timpani, and at the same time started another career as a librettist. Spohr, in his Memoirs, speaks very encouragingly of him, entrusting the libretto of Der Berggeist to Döring. Op. 1 – Boteros – Rondo Espagnol (Brown)

>

158090 710042 709200 157936 156045 710369 900847 156744 900846 900759

(Jean) GABRIEL-MARIE 1852-1928 Sérénade Badine (Dias) GÁRDONYI Zsolt *1946 Duplum (2001) with organ GHIDONI Armando *1959 Easy Blues (débutant) HÄNDEL Georg Friedrich 1685-1759 Konzert g-Moll HWV.287 für Flöte (Oboe) und Orchester (Best, Köhs) JOSEPHS Wilfred 1927-1997 Sonata Op. 152 LIBES Patrice Chant et danse de Circé (Walter) LOEILLET Jean Baptiste 1688-1750 Sonata in E major Op. 2/7 (Béon) OLDENKAMP Michel / KASTELEIN Jaap Horen, lezen & spelen 3. Stijlboek piano accompaniment to 156743, see oboe solo SAMMARTINI Giovanni Battista 1700-1755 Sonata in G major (Rothwell) SAVOYE Emmanuel Sonate (Walter)

21,05 8,95

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39

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710370 157424 157189

THARAUD Virginie Bien joué!!! Petis duos avec piano avec pour aborder la musique de chambre en souriant (1. Le furet paresseux qui se moquait de ses poursuivants!; 2. Le chat qui avait enfin “perdu” sa mère Michel!; 3. Le coquelicot timide qui rêvait . . . ; 4. Un mari, un Rousselle, un Dagobert . . . confusions!) VIDAL Christophe Lumières côtières I (Walter) VIVALDI Antonio 1676-1741 Sonata in G minor RV 28 (Caldini, Caldini) with continuo WEDGWOOD Pam Really Easy Jazzzin’About. Fun Pieces for Oboe (1. Tangerine; 2. Dragonfly; 3. Easy Tiger; 4. Riding Out West; 5. Smart Operator; 6. Wrapit Up; 7. Hot Chilli; 8. Crystal Spring; 9. Keep Truckin’; 10. Butter Cup; 11. Cat Walk; 12. Cheeky Cherry)

7,70 14,50 11,55

12,15

OBOE PLAY-ALONG (OBOE WITH CD-ACCOMPANIMENT): >

156742

156732

156728

159644

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ALBUM Airs célèbres d’Opéra Volume II (DONIZETTI: Una furtiva lagrima de L’Elisir d’amore; OFFENBACH: À Leucade de La belle Hélène; VERDI: Marche des trompettes de Aïda, Scorrendo uniti remota via de Rigoletti, Coro zingarelle de La Traviata) (Ghidoni) CD included ALBUM Classics for the young oboe player: 8 masterpieces, easy to play [1. Allegretto (from Symphony No. 7 by BEETHOVEN/Court); 2. Gypsy Rondo (HAYDN/Curnow); 3. Trumpet Tune (PURCELL/Bulla); 4. Hungarian Dance (BRAHMS/Hannickel); 5. Pizzicato Polka (Johann Jr. STRAUSS & Joseph STRAUSS/Hannickel); 6. Aver verum corpus (MOZART/Johnson); 7. Trumpet Voluntary (CLARKE/James Curnow); 8. Peer Gynt Suite No. 1: 1. Morning Mood, 2. The Death of Ase, 3. Anitra’s dance, 4. In the Hall of the Mountain King (GRIEG/James Curnow)] (Curnow) CD included ALBUM Jubilee! Play-Along Spirituals (1. Joshua Fit the Battle; 2. Down by the Riverside; 3. There is a Balm in Gilead; 4. Jacob’s Ladder; 5. Ezekiel Saw the Wheel; 6. Swing Low, Sweet Chariot; 7. Go Down, Moses; 8. Wade in the Water; 9. Great Day; 10. Kum Ba Yah) (Bulla) CD included ALBUM Sunday School Classics. Easy instrumental solos or duets for any combination of instruments (1. Onward, Christian Soldiers; 2. When We All Get To Heaven; 3. Jesus Loves Me; 4. Dan The Man; 5. He Is Lord; 6. Joyful Worship; 7. Just A Closer Walk; 8. Amazing Grace; 9. Peace Like A River; 10. Alleluia; 12. Do, Lord, Remember Me; 12. He’s Wonderful) (Curnow, Curnow) CD included ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Flute, Oboe, Keyboard, Percussion (for contents see clarinet playalong, item 159643) (Feldstein, Clark) fully correlated play-along-CD included GORP Frans van Kids play easy solo. Oboe (1. Ouverture; 2. Dance Steps; 3. Warming Up; 4. Romance; 5. Blue Tulip; 6. Cuban Dance; 7. Two Sleepy Eyes; 8. Jump & rest; 9. My Own Rock Band; 10. Tragedy; 11. Stoccata; 12. Dutch Reggae; 13. Clog Dance; 14. Painful, 15. On Holiday; 16. Rock Duet) CD included MOZART Wolfgang Amadeus 1756-1791 Mozart for Alto Saxophone (1. Melody from Piano Sonata in F major K.332; 2. Andante from Piano Sonata in A major K.331; 3. Presto from Piano Sonata in A minor K.310; 4. Menuetto Allegretto from Symphony No. 41 ‘Juputer’ K.551; 5. Theme from Symphony No. 40 K.550; 6. Menuetto from Symphony No. 36 ‘Linz’ K.425; 7. Larghetto from Piano Concerto in C minor K.491; 8. Adagio from Piano Sonata in F major K.280; 9. Trio from Serenade No. 9 ‘Posthorn Serenade’ K.320; 10. Melody from Trio in G major K.564; 11. Theme from Clarinet Quintet in A major K.581) (Cathrine) CD included OLDENKAMP Michiel & KASTELEIN Jaap Scales under Construction CD included

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14,45

15,45 14,45

40 COR ANGLAIS WITH ACCOMPANIMENT: 158760

SCHAEUBLE Hans 1906-1988 Introduktion und Fantasia Op. 31 (Walton)

12,85

CLARINET WITH ACCOMPANIMENT: >

157186

157233

153655

710338

153653 157820 157866 158118 155833 158116 157846 157845 710234 158090 155890 158309

ALBUM Airs célèbres d’Opéra Volume II (DONIZETTI: Una furtiva lagrima de L’Elisir d’amore; OFFENBACH: À Leucade de La belle Hélène; VERDI: Marche des trompettes de Aïda, Scorrendo uniti remota via de Rigoletti, Coro zingarelle de La Traviata) (Ghidoni) CD included, BbALBUM Unbeaten Tracks: 8 Contemporary Pieces (1. Peter SCULTHORPE *1929: Reef Singing; 2. Lloyd MOORE *1966: Lower Ground; 3. Christopher GUNNING *1944: Reluctant Ragtime; 4. Eddie McGUIRE *1948: Elegiac Waltz; 5. Huw WATKINS *1976: March; 6. John HAWKINS *1949: Night Run; 7. Edward RUSHTON *1972: Clay; 8. Richard HARRIS *1968: Escapology) (Harris) Grade 4-7, BbALBUM Clarinet All Sorts: Easy Pieces (GIBBONS: The Silver Swan; PLAYFORD: Granny’s Delight; MOZART W.A.: Minuet; BRAHMS: Lullaby; ARNOLD: Cornish Dance; Traditional: Andulko the Goose Girl; RAE: Time to Go; BYRD: Wolseys Wilde; Traditional: Country Bumpkin; COUPERIN: The Little Nothing; DELIBES: The King is Amused; BRICCIALDI: Carnival of Venice; WEDGWOOD: Big-Brother Blues; PRAETORIUS: Courante; Traditional: The Cachoucha; HOOK: Divertimento; DVOŘÁK: Humoresque; HARRIS: Computer Dance) (Harris) Grades 1-3, BbALBUM The Klezmer Clarinet. Jewish music of celebration (Bulgar from Odessa; At the Rabbi’s Feast; Freylichs from Bukovina; Freylichs from Warsaw; Leading the In-laws Home; In-laws dance; Sweet Father; Dance of Displeasure; Bulgar from Kishinev; Dance of Delight; Doina; Street Melody; The Wise Man’s Song; Little Galitsian Dance; Jewish Wedding Song; Dance! Dance!) (Huws Jones) with optional easy clarinet and guitar ALBUM Play Jazztime. Hits from the 20s and 30s (1. MACK & JOHNSON: Charleston; 2. GERSHWIN: Someone to watch over me; 3. GERSHWIN & CAESAR: Swanee; 4. BASSMAN & WASHINGTON: I’m getting sentimental over you; 5. GERSHWIN & DE SYLVIA: Do it again; 6. JOHNSTON & BURKE: Pennies from heaven; 7. GERSHWIN: He loves and she loves; 8. GERSHIWN: I got rhythm) (Stratford, Adams) ADAMS John *1947 Gnarly Buttons for Clarinet and Orchestra (1996) AKSES Necil Kâzìm 1908-1999 Allegro feroce Bb-clarinet=alto saxophone Eb ALLERME Jean-Marc Jazz Attitude: 40 études jazz . Faciles et progressives. Livre 1 Bb-, CD included BORNE François 1840-1920 Fantaisie brillante sur Carmen (Parisi, Verdier) BbBOTTELIER Ina *1943 Nocturne (1984) with guitar DEMERSSEMAN Jules 1833-1866 Sérénade Op. 48 (Verdier) BbDEVIENNE François 1759-1803 Première Sonate en ut mineur (Sgard) Bb-, CD with complete rehearsal of all 3 sonatas included Deuxième Sonate en si bémol Majeur (Lanciën) BbTroisième sonate en mi bémol Majeur (Sgard) Bb(Jean) GABRIEL-MARIE 1852-1928 Sérénade Badine (Dias) AGLINKA Michael 1804-1857 Sonata originally for viola and piano, BbKALLIWODA Johann Wenzel 1801-1866 Morceau de Salon Op. 229 (Meier) Bb-

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41

710376 156760 900855 156037

157146 155913

710236 154014 157193

KILAR Wojciech Theme from the Film The Pianist (Widłak) BbOLDENKAMP Michel & KASTELEIN Jaap Horen, lezen & spelen 3. Stijlboek piano accompaniment to 156759, see clarinet solo STAMITZ Carl 1746-1801 Concerto in Eb major (Darmstadt Concerto) (Böse) BbSTOLTZMAN Richard The Richard Stoltzman Songbook (I. Bill DOUGLAS: Begin Sweet World, Feast, Infant Dreams, Lullaby, Morning Song, Open Sky; II. Classics: BACH: Air, MOZART: Ave Verum Corpus K.618; FAURÉ: En Priere; BACH: Largo from Concerto for harpsichord and orchestra BWV 1056; BACH: O Sacred Head Now Wounded; FAURÉ: Pie Jesú from Requiem; BACH: Siciliano; SAINT-SAËNS: The Swan from Carnival of the Animals; FOSS: Three American Pieces: 1. Early Song 1944, 2. Dedication 1944, 3. Composer’s Holiday 1945; III. Jazz: TRADITIONAL: Amazing grace; ELLINGTON: Come Sunday; GERSHWIN: Gershwin!!; RODGERS: My Funny Valentine; ROWLES: The Peacocks; TRADITIONAL: There’s a man Goin’Round; GERSHWIN: Three Preludes for Piano) BbSZÉLÉNYI István 1904-1972 Aria (1952) (Szélényi) BbVERDIER Jean-François Cartes postales: 32 petites pièces originales et faciles (1. Danse hongroise; 2. Les chameaux; 3. Chewing gum; 4. Cappuccino à Rome; 5. Chicago; 6. Valse délicate et chocolat suisse; 7. Copacabana; 8. Berceuse scandinave; 9. Élastique; 10. Tango!; 11. Petite valse souple; 12. Poupée russe; 13. Vieux blues; 14. Fleur blue; 15. Petit manège; 16. Pas de problème; 17. Spaghetti; 18. Au p’tit bal de Montmartre; 19. Broadway; 20. Goulasch; 21. Brumes sur le Loch Ness; 22. Valse gliiiiissante; 23. Habanera; 24. Berceuse de Chine; 25. Troika; 26. Festival de Cannes; 27. Cloches de Toscane; 28. Gamins de Budapest; 29. Vieux château et petit fantôme; 30. Casino de la plage; 31. Pluie sur Dublin; 32. Buenos Aires) (Verdier) Bb-, CD included WALDTEUFEL Emil 1837-1915 Amours et printemps (Rivoal, Lambert) Bb-, with guitar WEBER Carl Maria von 1786-1826 Klainettenkonzert Nr. 1 f-Moll Op. 73 (Gertsch, Umbreit) WEDGWOOD Pam Really Easy Jazzzin’About. Fun Pieces for Clarinet (1. Dragonfly; 2. Easy Tiger; 3. Riding Out West; 4. Smart Operator; 5. Swing Your Partners; 6. Simply The Rest!; 7. Hot Chilli; 8. Crystal Spring; 9. Keep Truckin’; 10. Butter Cup; 11. Cat Walk; 12. Cheeky Cherry) Bb-

10,80 11,95 14,95

42,80 15,35

28,50 7,70 15,40

12,15

CLARINET PLAY-ALONG (CLARINET WITH CD-ACCOMPANIMENT): >

156750

093100

157237

ALBUM Airs célèbres d’Opéra Volume II (DONIZETTI: Una furtiva lagrima de L’Elisir d’amore; OFFENBACH: À Leucade de La belle Hélène; VERDI: Marche des trompettes de Aïda, Scorrendo uniti remota via de Rigoletti, Coro zingarelle de La Traviata) (Ghidoni) CD included, BbALBUM Classics for the young clarinet player: 8 masterpieces, easy to play [1. Allegretto (from Symphony No. 7 by BEETHOVEN/Court); 2. Gypsy Rondo (HAYDN/Curnow); 3. Trumpet Tune (PURCELL/Bulla); 4. Hungarian Dance (BRAHMS/Hannickel); 5. Pizzicato Polka (Johann Jr. STRAUSS & Joseph STRAUSS/Hannickel); 6. Aver verum corpus (MOZART/Johnson); 7. Trumpet Voluntary (CLARKE/James Curnow); 8. Peer Gynt Suite No. 1: 1. Morning Mood, 2. The Death of Ase, 3. Anitra’s dance, 4. In the Hall of the Mountain King (GRIEG/James Curnow)] (Curnow) CD included ALBUM Great Melodies for Clarinet (1. Beach Party; 2. Cool It; 3. In A Mood; 4. St. Lucia; 5. The Chase; 6. Cheeky Monkey; 7. Minor Incident; 8. Double Density; 9. If I Love You) (Hollis) CD included (with demo and accompaniment), BbALBUM Cult Classics. Music from Cult Films. Clarinet [1. Pulp Fiction (Misirlou by Milton LEEDS, N, ROUBANIS, Fred WISE & Bon RUSSELL); 2. Diva (‘Ebben ne amorò lontana’ from La Wally by Alfredo CATALANI); 3. Shadow of the Vampire (from A Concert in Wismar by Dan JONES); 4. Die Hard (First movement from Brandenburg Concerto No. 3 by Johann Sebastian BACH); 5. Trainspotting (‘Habañera’ from Carmen by Georges

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156755

900758

159633

159643

156749

093297

156751

BIZET); 5. Reservoir Dogs (Little Green Bag by Hans BOUWENS & Jan VISSER); 6. Fatal Attraction (‘Un bel di’ from Madame Butterfly by Giacomo PUCCINI); 7. Apocalypse Now (‘The Ride of the Valkyries’ from Die Walküre by Richard WAGNER)] (Harris) ALBUM Retro Pop 60s 70s 80s. Clarinet (1. Fab Foundation; 2. Peace, Love and Joy; 3. Fusion Frontier; 4. Metalmorphosis; 5. Precious Moments; 6. Motor City; 7. Can You Dig It?; 8. Dance Mix; 9. Synthsations; 10. Techno Thang) (Hosay) CD included (with demo and accompaniment) ALBUM L’invitation musicale en voyage (SCHUMANN: Traller-Liedchen & Mélodie; HAYDN: Bagpipers, Danse allemande & Choral Saint Antoine; SCHUBERT: Rosamunde; BACH: Musette; MOZART: La flûte enchantée, Menuet, Air de Chérubin & Là ci darem la mano; NAULAIS: Mini blues, Voyage imaginaire, Ciel de brume, Romance, La ruelle à Guy & Petite Cécile; Traditonel: Hatikvah, Les bateliers de la Volga) (Dangain, Naulais) CD with orchestral accompaniment included, BbALBUM In Concert. Clarinet 1: 19 classics in pop and classical arrangements for medium advanced musicians. Bach, Grieg, Mozart and other composers (Wolfgang Amadeus MOZART: Alla Turca; Eine kleine Nachtmusik; Menuet; Georg Philipp TELEMANN: Aria I; Aria II; georg TROMLITZ: Grazioso alla Rondo; Luigi BOCCHERINI: Menuet; Antonio VIVALDI: Two menuetti; Franz Joseph HAYDN: Schon eilet froh der Ackermann; Gipsy Rondo; Allegro; Jean Baptiste LOEILLET: Menuet en Rondeau; Edvard GRIEG: Kobold; Georg Friedrich HÄNDEL: Gavotte I; Gavotte II; Johann Sebastian BACH: Rondo; Frédéric CHOPIN: Valse Op. 69/2; Franz SCHUBERT: Moments musicaux: No. 3) (de Colignon) (play-along with orchestra, violins, harpsichord, piano, guitar, bass guitar, drums etc.) CD included ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Clarinet, Bass Clarinet (A Little Jazz Waltz; A Little Rock; A New Alouette; A Tisket, A Tasket; Academic Festival; Alouette; Andantino; Au Clair de la Lune; Aura Lee; Baa, Baa Black Sheep; Barcarolle; Beautiful Brown Eyes; Blow the Man Down; Bonjour, Mes Amis; Camptown Races; Carnival de Venice; Cassion Song; Down by the Station; Dreydl, Dreydl; El Juego Chirimbolo; Erie Canal; For He’s A Jolly Good Fellow; Frère Jacques; Frog Song; Give Me That Old Time Religion; Go Tell Aunt Rhody; Good King Wenceslas; Goodbye Old Paint; Ha’Kyo Jung; Happy Little Donkey; Hickory Dickory Dock; Hot Cross Buns; It’s Raining, It’s Pouring; Jingle Bells; Jolly Old St. Nicholas; Kum Ba Yah; Largo; Lightly Row; Lo Yisa Goy; London Bridge; Long, Long Ago; Looby Loo; Love Somebody; Lovely Evening; Lullaby; Marching Along; Merrily We Roll Along; Morning Theme; Musette; Oats and Beans and Barley Grow; Ode To Joy; Oh, Susanna; Old MacDonald; Oranges and Lemons; Over My head; Pop Goes the Weasel; Rock On, Mon; Rock-a-my-Soul; Rockin’Bass; Rondo Alla Turca; San Sereni; Shepherd’s Hey; Spring Time; Symphony No. 1; Tezna tezna; The Bridge at Avignon; The Little Light of Mine; The Victors March; There’s a Hole in the Bucket; This Old man; Tom Dooley; Trumpet Voluntary; Twinkle, Twinkle, Little Star; Up on A Housetop; When the Saints Go Marching In) (Feldstein, Clark) fully correlated play-along-CD included GORP Frans van Kids play easy solo. Clarinet (1. Ouverture; 2. Dance Steps; 3. Warming Up; 4. Romance; 5. Blue Tulip; 6. Cuban Dance; 7. Two Sleepy Eyes; 8. Jump & rest; 9. My Own Rock Band; 10. Tragedy; 11. Stoccata; 12. Dutch Reggae; 13. Clog Dance; 14. Painful, 15. On Holiday; 16. Rock Duet) CD included JOPLIN Scott 1868-1917 Ragtime Favourites for Clarinet (1. Magnetic Rag; 2. The Entertainer; 3. Rag Time Dance; 4. The Chrysanthemum; 5. New Rag; 6. Fig Leaf Rag; 7. Pleasant Moments; 8. Maple Leaf Rag) CD included (with demo and accompaniment), BbMOZART Wolfgang Amadeus 1756-1791 Mozart for Clarinet (1. Melody from Piano Sonata in F major K.332; 2. Andante from Piano Sonata in A major K.331; 3. Presto from Piano Sonata in A minor K.310; 4. Menuetto Allegretto from Symphony No. 41 ‘Juputer’ K.551; 5. Theme from Symphony No. 40 K.550; 6. Menuetto from Symphony No. 36 ‘Linz’ K.425; 7. Larghetto from Piano Concerto in C minor K.491; 8. Adagio from Piano Sonata in F major K.280; 9. Trio from Serenade No. 9 ‘Posthorn Serenade’ K.320; 10. Melody from Trio in G major K.564; 11. Theme from Clarinet Quintet in A major K.581) (Cathrine) CD included, Bb-

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156747

OLDENKAMP Michiel & KASTELEIN Jaap Scales under Construction

CD included

14,45

SAXOPHONE WITH ACCOMPANIMENT: >

157820 157882 150723 157323 157881 156787 156788 710343

155916 710237 157146

ALBUM Airs célèbres d’Opéra Volume II (DONIZETTI: Una furtiva lagrima de L’Elisir d’amore; OFFENBACH: À Leucade de La belle Hélène; VERDI: Marche des trompettes de Aïda, Scorrendo uniti remota via de Rigoletti, Coro zingarelle de La Traviata) (Ghidoni) CD included, alto Eb-/soprano Bb-/tenor BbAKSES Necil Kâzìm 1908-1999 Allegro feroce Bb-clarinet=alto saxophone Eb FRISCH Jean-Paul Pro Saxo (Fourmeau) alto Eb-/soprano Bb-/tenor EbGHIDONI Armando *1959 Comme un rêve (débutant) alto, tenor or soprano Far-West Aventure (niveau 6) alto Eb- or soprano Bb- or tenor BbGIRARD Anthony Six danses cruelles et lointaines (Gremelle) alto EbOLDENKAMP Michel & KASTELEIN Jaap Horen, lezen & spelen 3. Stijlboek piano accompaniment to 156786, see saxophone solo, A-sax OLDENKAMP Michel & KASTELEIN Jaap Horen, lezen & spelen 3. Stijlboek piano accompaniment to 156786, see saxophone solo, S-/T-sax PEIGNÉ Bertrand L’Album des souvenirs: 10 petites pièces (Les bibelots; Les tasses chinoises; La locomotive rouge; Les ailes de soie; Les fagots de bois; Les larmes de glace; L’étrange sirène; Le crépuscule des mystères; Les pensées du clair de lune; La petite fête) (Delangle) alto EbPROUST Pascal Combien de marins . . . ? (Gremelle) alto EbSAMYN Gino Le Club des notes (Delangle) alto EbSZÉLÉNYI István 1904-1972 Aria (1952) (Szélényi) A-sax, Eb-

21,05 10,20 11,95 13,45 26,90 11,95 11,95 11,95

18,00 7,65 7,70 15,35

SAXOPHONE PLAY-ALONG (SAXOPHONE WITH CD-ACCOMPANIMENT): >

156776

093125

157238

ALBUM Airs célèbres d’Opéra Volume II (DONIZETTI: Una furtiva lagrima de L’Elisir d’amore; OFFENBACH: À Leucade de La belle Hélène; VERDI: Marche des trompettes de Aïda, Scorrendo uniti remota via de Rigoletti, Coro zingarelle de La Traviata) (Ghidoni) CD included, alto Eb-/soprano Bb-/tenor BbALBUM Classics for the young saxophone player: 8 masterpieces, easy to play [1. Allegretto (from Symphony No. 7 by BEETHOVEN/Court); 2. Gypsy Rondo (HAYDN/Curnow); 3. Trumpet Tune (PURCELL/Bulla); 4. Hungarian Dance (BRAHMS/Hannickel); 5. Pizzicato Polka (Johann Jr. STRAUSS & Joseph STRAUSS/Hannickel); 6. Aver verum corpus (MOZART/Johnson); 7. Trumpet Voluntary (CLARKE/James Curnow); 8. Peer Gynt Suite No. 1: 1. Morning Mood, 2. The Death of Ase, 3. Anitra’s dance, 4. In the Hall of the Mountain King (GRIEG/James Curnow)] (Curnow) CD included ALBUM Great Melodies for Altosaxophone (1. Beach Party; 2. Cool It; 3. In A Mood; 4. St. Lucia; 5. The Chase; 6. Cheeky Monkey; 7. Minor Incident; 8. Double Density; 9. If I Love You) (Hollis) CD included (with demo and accompaniment), EbALBUM Cult Classics. Music from Cult Films. Altosaxophone [1. Pulp Fiction (Misirlou by Milton LEEDS, N, ROUBANIS, Fred WISE & Bon RUSSELL); 2. Diva (‘Ebben ne amorò lontana’ from La Wally by Alfredo CATALANI); 3. Shadow of the Vampire (from A Concert in Wismar by Dan JONES); 4. Die Hard (First movement from Brandenburg Concerto No. 3

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157852 710015 158173

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156779

709772 709773

by Johann Sebastian BACH); 5. Trainspotting (‘Habañera’ from Carmen by Georges BIZET); 5. Reservoir Dogs (Little Green Bag by Hans BOUWENS & Jan VISSER); 6. Fatal Attraction (‘Un bel di’ from Madame Butterfly by Giacomo PUCCINI); 7. Apocalypse Now (‘The Ride of the Valkyries’ from Die Walküre by Richard WAGNER)] (Harris) ALBUM Retro Pop 60s 70s 80s. Altosaxophone (1. Fab Foundation; 2. Peace, Love and Joy; 3. Fusion Frontier; 4. Metalmorphosis; 5. Precious Moments; 6. Motor City; 7. Can You Dig It?; 8. Dance Mix; 9. Synthsations; 10. Techno Thang) (Hosay) CD included (with demo and accompaniment) ALBUM Guest Spot. New Film Themes. Playalong for Alto Saxophone. Ten Great Themes from Contemporary Movies (Le Banquet / La Valse des monstres from Amelia; All Love Can Be from A Beautiful Mind; Pelagia’s Song from Captain Corelli’s Mandolin; Passage of Time / Vianne Sets Up Shop from Chocolat; The Eternal Vow from Crouching Tiger, Hidden Dragon; Honor Him / Now We Are Free from Gladiator; Pull Yourself Together from Gosford Park; Come What May from Moulin Rouge!; Clair de lune from Ocean’s 11; Mothersbaughs’ Canon from The Royal Tenenbaums) (Lesley) CD included ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Tenor Saxophone (for contents see clarinet play-along, item 159643) (Feldstein, Clark) fully correlated play-along-CD included ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Alto Saxophone, Baritone Saxophone (for contents see clarinet play-along, item 159643) (Feldstein, Clark) fully correlated play-along-CD included ALLERME Jean-Marie Jazz Attide: 40 études jazz faciles et progressives Livre I alto Eb-, CD included (with demo and accompaniment) Jazz Attide: 40 études jazz faciles et progressives Livre II alto Eb-, CD included (with demo and accompaniment) BACHNER Christian Play-Along Saxophone. Latin (1. Manha de Carneval, 2. Un poquito canto, 3. Come back, Liza, 4. Bananaboat Song, 5. Caribbean Loop, 6. Tango con passione) (Birch) alto Eb- or tenor Bb-, CD included COWLES Colin Amazing Animals (1. A Rattle Snake Rag; 2. The Busy Buzzy Blue Bottle Blues; 3. Gaucy Galumping Grubs; 4. The Fiery Frog Hopper’s Hop; 5. A Sevenlegged Spider Square Dance; 6. A Beguiling Bug’s Beguine; 7. A Lugworm’s Lament For A Lost Lug; 8. A Succulent Snail Sings Before Supper; 9. A Rubicund Rat From Russia) Eb-/B-, play-along CD included GLASER Frank / HERMSEN Wieke Methode van de 21ste eeuw voor altsaxofoon deel 1: 71 stukken met CD-begeleiding CD included GORP Frans van Kids play easy solo. Altosaxophone (1. Ouverture; 2. Dance Steps; 3. Warming Up; 4. Romance; 5. Blue Tulip; 6. Cuban Dance; 7. Two Sleepy Eyes; 8. Jump & rest; 9. My Own Rock Band; 10. Tragedy; 11. Stoccata; 12. Dutch Reggae; 13. Clog Dance; 14. Painful, 15. On Holiday; 16. Rock Duet) CD included JOPLIN Scott 1868-1917 Ragtime Favourites for Saxophone (1. Magnetic Rag; 2. The Entertainer; 3. Rag Time Dance; 4. The Chrysanthemum; 5. New Rag; 6. Fig Leaf Rag; 7. Pleasant Moments; 8. Maple Leaf Rag) CD included (with demo and accompaniment), Eb-/BbMOZART Wolfgang Amadeus 1756-1791 Mozart for Alto Saxophone (1. Melody from Piano Sonata in F major K.332; 2. Andante from Piano Sonata in A major K.331; 3. Presto from Piano Sonata in A minor K.310; 4. Menuetto Allegretto from Symphony No. 41 ‘Juputer’ K.551; 5. Theme from Symphony No. 40 K.550; 6. Menuetto from Symphony No. 36 ‘Linz’ K.425; 7. Larghetto from Piano Concerto in C minor K.491; 8. Adagio from Piano Sonata in F major K.280; 9. Trio from Serenade No. 9 ‘Posthorn Serenade’ K.320; 10. Melody from Trio in G major K.564; 11. Theme from Clarinet Quintet in A major K.581) (Cathrine) CD included OLDENKAMP Michiel & KASTELEIN Jaap Scales under Construction CD included, A-sax EbScales under Construction CD included, S-sax/T-sax Bb-

14,20

15,45

20,30

18,80

18,80 24,40 24,40

18,65

15,45 13,95

14,45

15,45

15,45 14,45 14,45

45 BASSOON WITH ACCOMPANIMENT: 157185

157308 155839

ALBUM Unbeaten Tracks: 7 Contemporary Pieces (1. Joseph PHIBBS *1974: Tango rouge; 2. Carl davis *1936: Mr Jeremy Fisher; 3. Michael DAUGHERTY *1954: Bell-bottom blues; 4. Richard BISSILL *1960: Hector unravelled; 5. Fraiser TRAINER *1967: Song for Connie; 6. Bernd FRANKE *1953: Prambana; 7. Paul HART *1954: Andante) (Orford) Grades 4-7 KALLIWODA Johann Wenzel 1801-1866 Morceau de salon Op. 230 (Buschmann) ZIBLAT Lionel Leave Peace In Me Op. 4 with harp

18,30 10,30 15,00

BASSOON PLAY-ALONG (BASSOON WITH CD-ACCOMPANIMENT): 159638

ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Trombone, Baritone B.C., Bassoon (for contents see clarinet playalong, item 159643) (Feldstein, Clark) fully correlated play-along-CD included

18,80

TRUMPET WITH ACCOMPANIMENT: >

900720 155386 150734 156800 150735

ALBUM Airs célèbres d’Opéra Volume II (DONIZETTI: Una furtiva lagrima de L’Elisir d’amore; OFFENBACH: À Leucade de La belle Hélène; VERDI: Marche des trompettes de Aïda, Scorrendo uniti remota via de Rigoletti, Coro zingarelle de La Traviata) (Ghidoni) CD included, C-/BbCLARKE Jeremiah 1673-1707 Trumpet Voluntary (Denwood) BbGHIDONI Armando *1959 Ballad and Rag Divertimento (élémentaire) C-/BHAENDEL George Frédéric 1685-1759 L’Harmonieux Forgeron – Air varié (Caens) C-/Bb-, with piano or organ OLDENKAMP Michel & KASTELEIN Jaap Horen, lezen & spelen 3. Stijlboek piano accompaniment to 156799, see trumpet solo PICHAUREAU Claude *1940 Trombatests Cycle I: 1re, 2e et 3e années (débutant) C-/Bb-

21,05 10,30 21,05 16,30 11,95 23,45

TRUMPET PLAY-ALONG (TRUMPET WITH CD-ACCOMPANIMENT): 156794

156796

159642

ALBUM Classics for the young trumpet player: 8 masterpieces, easy to play [1. Allegretto (from Symphony No. 7 by BEETHOVEN/Court); 2. Gypsy Rondo (HAYDN/Curnow); 3. Trumpet Tune (PURCELL/Bulla); 4. Hungarian Dance (BRAHMS/Hannickel); 5. Pizzicato Polka (Johann Jr. STRAUSS & Joseph STRAUSS/Hannickel); 6. Aver verum corpus (MOZART/Johnson); 7. Trumpet Voluntary (CLARKE/James Curnow); 8. Peer Gynt Suite No. 1: 1. Morning Mood, 2. The Death of Ase, 3. Anitra’s dance, 4. In the Hall of the Mountain King (GRIEG/James Curnow)] (Curnow) CD included ALBUM Retro Pop 60s 70s 80s. Trumpet (1. Fab Foundation; 2. Peace, Love and Joy; 3. Fusion Frontier; 4. Metalmorphosis; 5. Precious Moments; 6. Motor City; 7. Can You Dig It?; 8. Dance Mix; 9. Synthsations; 10. Techno Thang) (Hosay) CD included (with demo and accompaniment) ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Trumpet, Baritone T.C. (for contents see clarinet play-along, item 159643) (Feldstein, Clark) fully correlated play-along-CD included

15,45

15,45

18,80

46

156793

156792

GORP Frans van Kids play easy solo.Trumpet (1. Ouverture; 2. Dance Steps; 3. Warming Up; 4. Romance; 5. Blue Tulip; 6. Cuban Dance; 7. Two Sleepy Eyes; 8. Jump & rest; 9. My Own Rock Band; 10. Tragedy; 11. Stoccata; 12. Dutch Reggae; 13. Clog Dance; 14. Painful, 15. On Holiday; 16. Rock Duet) CD included OLDENKAMP Michiel & KASTELEIN Jaap Scales under Construction CD included

14,45 14,45

CORNET PLAY-ALONG (CORNET WITH CD-ACCOMPANIMENT): 156792

OLDENKAMP Michiel & KASTELEIN Jaap Scales under Construction

CD included

14,45

CD included

14,45

FLUGELHORN PLAY-ALONG (FLUGELHORN WITH CD-ACCOMPANIMENT): 156792

OLDENKAMP Michiel & KASTELEIN Jaap Scales under Construction

HORN WITH ACCOMPANIMENT: 158526

153527 > 150724 150725 709199 157040 156824 150726 150704 150727

BARRATT Carol Bravo! Horn in F. More than 25 pieces (BARRATT: Jewel in the Crown, Crook’s Corner, Rise and Shine!, Getting a Buzz!, In the Limelight, Mosey Along, Shortcake-Walk, Ferryside, Howling-bags, Modal Lament, Serenade, Chorale, Another Wimbledon Waltz!, Ber-Rock Blues, Trompe de Chasse, Three Variations on Cat in the Snow, Astolpho’s Horn; VON DER HAFE; Round Dance; FRENCH-CANADIAN FOLKSONG: On the Wing; GERVAISE: Allemande; NORWEGIAN FOLK SONG: Safe haven; LATVIAN FOLK SONG: Harvest Time; SCOTTISH FOLK SONG: The Night Visiting Song; TRADITIONAL/BARRATT: St. James’ Infantry) (Currie) FBERGONZI Benedetto 1790-1840 Variationen über “O mattutini albori” aus der Oper “La donna del lago” von Gioacchino Rossini (Gabler) F-/EEISNER Carl 1802-1974 Deux pièces de salon (Zwei Stücke) (Ostermeyer) FAURÉ Gabriel 1845-1924 Trois Romances sans Paroles Op. 17 (Bourgue) FGHIDONI Armando *1959 Évocation en swing (débutant) FJOPLIN Scott 1868-1917 A breeze from Alabama – Ragtime (Jody) (préparatoire 2) FMOZART Wolfgang Amadeus 1756-1791 Honrkonzert Nr. 4 Es-Dur KV 495 (Wiese, Schulze, Levin) Eb-/FOLDENKAMP Michel & KASTELEIN Jaap Horen, lezen & spelen 3. Stijlboek piano accompaniment to 156823, see horn solo PICHAUREAU Claude *1940 Cornotests Cycle I: 1re, 2e et 3e années (débutant) FSOR Fernando 1778-1839 Dix séguidillas (Bourgue) (élémentaire 2) with guitar Trois séguidillas (Bourgue) F-

HORN PLAY-ALONG (HORN WITH CD-ACCOMPANIMENT): 156819

ALBUM Classics for the young horn player: 8 masterpieces, easy to play [1. Allegretto (from Symphony No. 7 by BEETHOVEN/Court); 2. Gypsy Rondo (HAYDN/Curnow); 3. Trumpet Tune (PURCELL/Bulla); 4. Hungarian Dance (BRAHMS/Hannickel); 5. Pizzicato Polka (Johann Jr. STRAUSS & Joseph STRAUSS/Hannickel); 6. Aver verum corpus (MOZART/Johnson); 7. Trumpet Voluntary (CLARKE/James Curnow); 8. Peer Gynt Suite

18,35 16,60 ??,?? 19,65 13,45 9,95 23,15 11,95 21,05 19,65 12,65

47

159639

156818

156816

No. 1: 1. Morning Mood, 2. The Death of Ase, 3. Anitra’s dance, 4. In the Hall of the Mountain King (GRIEG/James Curnow)] (Curnow) CD included ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Horn (for contents see clarinet play-along, item 159643) (Feldstein, Clark) fully correlated play-along-CD included GORP Frans van Kids play easy solo. Horn F-/Eb (1. Ouverture; 2. Dance Steps; 3. Warming Up; 4. Romance; 5. Blue Tulip; 6. Cuban Dance; 7. Two Sleepy Eyes; 8. Jump & rest; 9. My Own Rock Band; 10. Tragedy; 11. Stoccata; 12. Dutch Reggae; 13. Clog Dance; 14. Painful, 15. On Holiday; 16. Rock Duet) CD included OLDENKAMP Michiel & KASTELEIN Jaap Scales under Construction CD included

15,45

18,80

14,45 14,45

BARITONE PLAY-ALONG (BARITONE WITH CD-ACCOMPANIMENT): 159638

156792

ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Trombone, Baritone B.C., Bassoon (for contents see clarinet playalong, item 159643) (Feldstein, Clark) fully correlated play-along-CD included OLDENKAMP Michiel & KASTELEIN Jaap Scales under Construction CD included

18,80 14,45

TROMBONE WITH ACCOMPANIMENT: 153525 152527

158031 158032

156832 156841 150737 158089 156614

ALBRECHTSBERGER Johann Georg 1736-1809 Concerto per Trombone (Winkler) also with organ, tenor trombone BORDOGNI Marco 1789-1856 Melodious Etudes for Performance – Solos with Piano Accompaniment and Duets for Two Trombones [A Word About the Piano Accompaniments; Composer, Arranger Biographies; Moderato; Allegretto (Rochut No. 3); Andante Pastorale (Rochut No. 10); Allegro (Rochut No. 16); Allegro Moderato (Rochut No. 22); Andante Cantabile (Rochut No. 23); Allegro; Andante Sostenuto (Rochut No. 85); Andante (Rochut No. 87); Andante Espressivo (Rochut No. 91); Six Vocalises for Two Voices: Duet No. 1 – Cantabile; Duet No. 2 – Andante; Duet No. 3 – Cantabuile; Duet No. 4 – Andante; Duet No. 5 – Andante Sostenuto; Duet No. 6 – Andante Espressivo] (Raph) MARTIN Gilles 15 Miniatures (1. Tout simplement; 2. Soleil levant; 3. Saute-mouton; 4. Bouquet final; 5. Attention à la marche!; 6. The Kid; 7. Spleen; 8. Pirouette; 9. Folk; 10. Picoti; 11. P’tite soeur; 12. Berline; 13. Plein vol; 14. Petite polka; 15. Valse lente) (facile) (Raffard) 12 Pièces récréativies (1. Vague à l’âme; 2. Dernier ‘etro; 3. Cocktail; 4. Lunettes noires; 5. Quartier latin; 6. Rocking-chair; 7. Clip-Clap; 8. Petit Boris; 9. Lolita; 10. Parade; 11. Poursuite) (facile moyenne difficulté) (Raffard) OLDENKAMP Michiel / KASTELEIN Jaap Scales under Construction CD included, B.C. Horen, lezen & spelen 3. Stijlboek piano accompaniment to 156839/156840, see trombone solo PICHAUREAU Claude *1940 Trombontests Cycle I: 1re, 2e et 3e année (débutant) PROUST Pascal Ballades insolites (Raffard) PRYOR Arthur 1870-1942 Solos for Trombone (1. Blue Bells of Scotland; 2. Fantastic Polka; 3. The Little Chief – Polka Caprice; 4. Love’s Enchantment – Valse de concert; 5. The Patriot; 6. La Petite Suzanne – Valse Caprice; 7. Starlight – Waltz Caprice; 8. Thoughts of Love – Valse de Concert)

18,75

20,55

18,30 16,00 14,45 11,95 21,05 9,00

21,70

48 TROMBONE PLAY-ALONG (TROMBONE WITH CD-ACCOMPANIMENT): 159638

156837

ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Trombone, Baritone B.C., Bassoon (for contents see clarinet playalong, item 159643) (Feldstein, Clark) fully correlated play-along-CD included HOSAY James L. Retro Pop 60s 70s 80s (1. Fab Foundation; 2. Peace, Love and Joy; 3. Fusion Frontier; 4. Metalmorphosis; 5. Precious Moments; 6. Motor City; 7. Can You Dig It?; 8. Dance Mix; 9. Synthsations; 10. Techno Thang) CD included, B.C./T.C.

18,80

15,45

TUBA WITH ACCOMPANIMENT: 150738 158124

PICHAUREAU Claude *1940 Tubatests Cycle 1: 1e, 2e et 3e année (débutant) STEVENS John *1951 Journey for contrabass tuba & orchestra

C-/Bb-

30,90 21,85

TUBA PLAY-ALONG (TUBA WITH CD-ACCOMPANIMENT): 159637

ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Tuba (for contents see clarinet play-along, item 159643) (Feldstein, Clark) fully correlated play-along-CD included

18,80

EUPHONIUM WITH ACCOMPANIMENT: 158127 158128 710360

BARATTO Paolo *1926 Romanze in F major (1996) Euphenissimo BOUTRY Roger Mosaïque (Fritsch)

9,35 9,35 euphonium or saxhorn B.C., C-/Bb-

31,50

EUPHONIUM PLAY-ALONG (EUPHONIUM WITH CD-ACCOMPANIMENT: 156935

156837

156792

GORP Frans van Kids play easy solo. Euphonium T.C./B.C. (1. Ouverture; 2. Dance Steps; 3. Warming Up; 4. Romance; 5. Blue Tulip; 6. Cuban Dance; 7. Two Sleepy Eyes; 8. Jump & rest; 9. My Own Rock Band; 10. Tragedy; 11. Stoccata; 12. Dutch Reggae; 13. Clog Dance; 14. Painful, 15. On Holiday; 16. Rock Duet) CD included, B.C./T.C. HOSAY James L. Retro Pop 60s 70s 80s (1. Fab Foundation; 2. Peace, Love and Joy; 3. Fusion Frontier; 4. Metalmorphosis; 5. Precious Moments; 6. Motor City; 7. Can You Dig It?; 8. Dance Mix; 9. Synthsations; 10. Techno Thang) CD included, B.C./T.C. OLDENKAMP Michiel & KASTELEIN Jaap Scales under Construction CD included

14,45

15,45 14,45

49 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 2 AND MORE WOODWIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 709270

157918

158196

158197

158199 158200

710222 710069 900762 158174

152719

ALBUM Flight of Elise. Nicolai RIMSKY-KORSAKOV & Ludwig van BEETHOVEN (van der Linden) SATBar-saxophone quartet score and parts ALBUM Sinterklaasliedjes (1. Jongens heb je’t al vernomen; 2. Wie komt er al die jaren; 3. Sinterklaas is jarig; 4. Zie de maan schijnt door de bomen; 5. Zachtjes gaan de paardevoetjes; 6. Daar wordt aan de deur geklopt; 7. O, kom er eens kijken; 8. Zie ginds komt de stoomboot; 9. Sinterklaas die goede heer; 10. Sinterklaasje bonne, bonne, bonne; 11. Sinterklaas kapoentje; 12. Hoor de wind waait door de bomen; 13. Hoort wie klopt daar kinderen; 14. Sinterklaasje kom maar binne; 15. Sinterklaas, zegt moe; 16. De zak van sinterklaas; 17. Rommel de Bommel; 18. Dag Sinterklaas) (Lupa) 2 C-instruments+chord instrument play-along CD included ALBUM Kerstliederen (1. O kerstnacht schoner dan de dagen; 2. De herdertjes lagen bij nachte; 3. Herders hij is geboren; 4. Jingle bells; 5. Stille nacht; 6. Midden in de winternacht; 7. Maria die zoude naar Bethlehem gaan; 8. Nu zijt wellekomen; 9. Hoe leit dit kindeke; 10. Klein klein Jezuke; 11. Eer zij God; 12. Komt allen tesamen; 13. O Kindeke klein; 14. Er is een kindeken geboren op aard) (Lupa) 2 C-instruments+chord instrument play-along CD included ALBUM Romantische Meesterwerken (Delen uit de notenkrakersuite van P.I.Tsjaikofski: 1. Mars; 2a. Danse des Mirlitons – versie voor dwarsfluiten; 2b. Danse des Mirlitons; 3. Danse de la Fé-Dragée; Delen uit de opera Carmen van G. Bizet: 4. Habanera; 5. Mars en Toreador; 6. Danse Macabre van C. Saint-Saëns; 7. Slavische Mars van P.I. Tsjaikofski; 8. Sabeldans van A. Chachaturian; 9. Bolero van M. Ravel; 10. Pizzicati van L. Delibes; 11. Hungarian Dance No. 5 van J. Brahms; 13. Dance of the hours van A. Ponchielli) (Lupa) 2 C-instruments+chord instrument play-along CD indluded ALBUM Sinterklaasliedjes (1. Jongens heb je’t al vernomen; 2. Wie komt er al die jaren; 3. Sinterklaas is jarig; 4. Zie de maan schijnt door de bomen; 5. Zachtjes gaan de paardevoetjes; 6. Daar wordt aan de deur geklopt; 7. O, kom er eens kijken; 8. Zie ginds komt de stoomboot; 9. Sinterklaas die goede heer; 10. Sinterklaasje bonne, bonne, bonne; 11. Sinterklaas kapoentje; 12. Hoor de wind waait door de bomen; 13. Hoort wie klopt daar kinderen; 14. Sinterklaasje kom maar binne; 15. Sinterklaas, zegt moe; 16. De zak van sinterklaas; 17. Rommel de Bommel; 18. Dag Sinterklaas) Lupa) 2 A-saxophones Eb+chord instrument play-along CD included ALBUM Pop for Two (1. Got no money; 2. Don’t want to go home; 3. Song for you; 4. Come to me; 5. Eleven; 6. No more tears; 7. Feel so lazy; 8. My baby left me again; 9. Sleeping Didem; 10. Get da funk; 11. The Loot; 12. Hands up in the air; 13. Morning light) (Lupa) 2 C-instruments+chord instrument play-along CD included ABEL Carl Friedrich 1723-1787 Trio G-Dur Op. 16/1 (Gronefeld, Grünke) 2 flutes+continuo BOISMORTIER Joseph Bodin de 1689-1755 Sonata (Raugel) 2 flutes playing score DEBUSSY Claude 1862-1918 Petite Suite (David, Markeas) (difficult) SATBar-saxophone quartet originally piano 4-hands, score and parts Children’s Corner (1. Doctor Gradus ad Parnassum; 2. Jimbo’s Lullaby; 3. Serenade for the Doll; 4. The snow is dancing; 5. The little shepherd; 6. Golliwogg’s cake walk) (Diermaier) 2 flutes/Bb-clarinets/Bb-saxophones/Bb-trumpets/recorders+bassoon+piano+percussion score and 7 parts DUMONCHAU Charles François 1775-1820 Duo Op. 27/1 (Feja) 2 bassoons score and parts

17,75

12,50

12,50

12,50

12,50

12,50 13,30 5,95 37,15

20,50 18,00

50

150719 150720 155384 710367 709201 157880 157278 155914 158120 155912 158051 157079 709901

156745 156761 156791 156790 157893

710218

FAURÉ Gabriel Urbain 1845-1927 Tendresse extrait de Dolly Op. 56 (Gartenlaub) 2 flutes+piano Le pas espagnol extrait de Dolly Op. 56 (Gartenlaub) 2 flutes+piano Kitty-valse extrait de Dolly Op. 56 (Gartenlaub) 2 flutes+piano GANTCHOULA Philippe Tutti frutti (Fourmeau) SATBar-saxophone quartet score and parts GHIDONI Armando *1959 Classical Fugue goes Jazz. Trio flute+Bb-clatinet/alto saxophone+piano HAMEL Georges Perles de cristal. Fantaisie-Polka (Cadoret) SATBar-saxophone quartet score and parts HYLA Lee *1952 We Speak Etruscan Bb-bass clarinet+Eb-baritone saxophone 2 playing scores LABASTE Jean-Pierre 32 études en duos (Verdier) 2 Bb-clarinets LINDPAINTNER Peter Joseph von 1791-1856 / ALTÈS Henry 1826-1895 20 Études mélodiques et progressives extraites de l’opus 126 de Lindpaintner (Chatoux) 2 flutes MARKEAS Alexandros Anamnesis (David) SATBar-saxophone quartet score and parts Variantes flute=piccolo+oboe+Bb-clarinet=bass clarinet playing score MAUZ Rudolf Clarinettissimo Band 1: Fit in allen Tonarten – Übungen, Duette und Spielstücke 1-2 Bb-clarinets method, CD included OLDENKAMP Michiel & KASTELEIN Jaap Horen, lezen & spelen 1. Duoboek (1. De echoput; 2. Walsen maar; 3. De marsmannetjes; 4. Sterk verhaal, zacht van aard; 5. Goedenavond Mieke; 6. Alpino-boogie; 7. Wals met de pasjes; 8. De woudlopers; 9. Stop op tijd; 10. Santa Lucia; 11. De optocht; 12. Après-ski; 13. De man van Yucatán; 14. Wals van de weerwolf; 15. Taxi Rag; 16. De swingende parelvissers; 17. Space Rock) 2 flutes playing score Horen, lezen & spelen 1. Duoboek 2 oboes playing score, for contents see 709901 Horen, lezen & spelen 1. Duoboek 2 clarinets playing score, for contents see 709901 Horen, lezen & spelen 1. Duoboek 2 alto saxophones/baritone saxophones playing score, for contents see 709901 Horen, lezen & spelen 1. Duoboek 2 soprano saxophones/tenor saxophones playing score, for contents see 709901 PALESTRINA Giovanni Pierluigi 1525-1594 18 Motets (Fontaine): 1.Quia Vidisi ne, Thoma; 2. Salve Regina; 3. Eja ergo; 4. Ave, Maria; 5. Sub tuum praesidium; 6. Adoramus Te, Christe 4 Bb-clarinets 7. Haec dies; 8. Surrexit pastor bonus; 9. Gloriosi Principe terrae 3 Bb-clarinets+bass clarinet 10. Domine, quando veneris; 11. Commissa mea pavesco; 12. Heu mihi, Domine; 13. Anima mea tubata est; 14. Super flumina Babilonis; 15. Ad Te levavi oculos meos; 16. Miserere nostri, Domine; 17. Ad Dominum com tribularer; 18. Sagittae potentis acutae 1 Eb-clarinet+2 Bb-clarinets+bass clarinet score and parts PÄSSLER Carlo 1774-1865 Concerto per oboe, clarinetto e orchestra (Zanettovich, Bulfone) oboe+clarinet+piano(-reduction)

12,65 24,60 18,20 49,35 52,95 9,95 21,70 18,30 24,40 25,70 18,30 23,05

9,45 9,45 9,45 9,45 9,45

58,95 16,50

51

710239 710240 157848

710233 157892

159242 710054 155688 157080 158117 150722 710198 158765 155879 157646

157649 157644 709882

709883

PEIGNÉ Bertrand Spirit of Highlands (Delangle) SATBar-saxophone quartet score and parts El Dourrhaïm (Delangle) SATBar-saxophone quartet score and parts PELLEGRINO Michel Jazzy-mélo. Jouez en play-back. Duos, Trios et Quatuors de clarinettes (3 clarinettes: Turnaround; 4 clarinettes: First Jazzy Piece, Blue Note Blues, Minor Mood, Boogie Mood, Bluesy Mood, Swingy Mood, Fiffing Blues, Real Blues, Anatole) 2-4 clarinets score and partys, play-along CD included piano accompaniment separately available PETIT Jacques 10 Variations gondolantes sur le Carnaval de Venise (Thème; 1. Ramonage; 2. Citations; 3. Bavard; 4. Sciant; 5. La belle et la bête; 6. Soft-Waltz; 7. Salade de thèmes; 8. HardTango; 9. Swingin’; 10. Fête de la bière) (Fourmeau) SATBar-saxophone quartet score and parts RAVEL Maurice 1875-1937 Pièce en forme de habanera (Müller-Dombois) 4 flutes score and parts REED Alfred *1921 Five Canons (2001) SATBar-saxophone quartet parts RIEDT Friedrich Wilhelm 1710-1783 Triosonate G-Dur (Gronefeld, Grünke) 2 flutes+continuo SCHNEIDER Enjott *1950 As times go bye . . . – Suite in memoriam J.S.Bach (2001) ATBar-saxophone trio score and parts STRAUSS Johann Sohn 1825-1899 Perpetuum mob le Op. 257 (Verdier) 4 clarinets score and parts SUCCARI Dia *1938 Les trois clarinettes 3 Bb-clarinets score and parts TELEMANN Georg Philipp 1681-1767 Sechs Sonaten im Canon Op. 5 (Michel) 2 flutes score and parts 100. Triosonate F-Dur (Michel) oboe+bassoon+continuo 1st edition WAILLY Paul de 1854-1933 Aubade (McAlister) flute+oboe+Bb-clarinet score and parts WATTS Sarah Razzamajazz. Duets and Trios for Flute (1. A change in the weather; 2. Advent calendar; 3. Anna Lou; 4. A.S.A.P.; 5. Blue sock blues; 6. From Pineapple; 7. G’s garden; 8. Katie’s room; 9. Little flower; 10. Psychedelic; 11. Still waters; 12. Stormy; 13. Three way; 14. Too late for Jane; 15. Tortoise jive; 16. Waltz on West 79th Street) 2-3 flutes playing score Razzamajazz. Duets and Trios for Clarinet (for contents see 157646) 2-3 clarinets playing score Razzamajazz. Duets and Trios for Saxophone (for contents see 157646) 2-3 saxophones playing score ZGRAJA Krzysztof *1950 Saxophonics 2: Duo (Leichte und sehr leichte Duette mit integrierten pädagogischen Aufgaben: Te Deum; Karolinka; Still, still, still; Ah, vous dirai-je; Walkie-Talkie; Spain-Club; Burleske; Gipsy-Dance; Bourrée; Asia-Spirit; Penta-Tonic; Latin-Puls; Für Elise; WaterStaccato; Gigue; Afro-Kanon) 2 saxophones playing score Saxophonics 3: Jazz, Rock & Pop (Leichte Duette in unterschiedlicher Stilistik: Double Start; Rock; Accord-Walking; Hall-Dance; Happy-Boogie; Jazz-Rock-Time; Rondo-Mobile; Alberti-Blues; Blues-Staccato; Swing-Sexten; Know-How; Bolero-Popular) 2 saxophones playing score

9,25 9,25

24,40 8,60

45,15 17,15 13,45 23,45 25,65 15,40 23,45 15,40 15,40 11,05

12,25 12,25 12,25

13,90

15,15

52

709884

157549 095451

ZGRAJA Krzysztof *1950 Saxophonics 4: Trio (Leichte und sehr leichte Trios mit integrierten pädagogischen Aufgaben: Intinatio I; Romanza de amor; Greensleeves; Intonatio II; Te Deum; Largo; Barcarole; Intonatio III; Gaudeamus igitur; Tatra; Soldatenmarsch; Spiral-Set; Türkischer Marsch; Spain-Club; Ungarischer Tanz; Afro-Sound) 3 saxophones playing score “Walking-Time”. Suite 4 flutes score and parts 14 Trios 3 flutes playing score

16,45 16,65 18,65

2 AND MORE BRASS INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 155596

150729 153256 152527

900761

150728 150730 158132 159773

152045

ALBUM Christmas Music Volume I (BACH: Three Chorales from Christmas Oratorio S.248; BACH/PRAETORIUS: In Dulci Jubilo; BERLIOZ: The Shepherd’s Farewell from L’Enfance du Christ Op. 25; FRANZ: Widmung Op. 14/1; HÄNDEL: And the Glory of the Lord & But Who May Abide the Day of His Coming? from Messiah; HASSLER: Cantate Domino; KASTALSKY; God is With Us; VICTORIA: O Magnum Mysterium; VIVALDI: Cum Sancto Spiritu from Gloria) (Bastable) 2 Bb-trumpets+2 trombones score and parts ALBUM Traditional. Air écossais (Jody) 5 F-horns score and parts ANONYMUS 1830 Die sechs Schweriner Trompetenmusiken (Pfeiffer, Pfeiffer) 4 C-trumpets+timpani score and parts BORDOGNI Marco 1789-1856 Melodious Etudes for Performance – Solos with Piano Accompaniment and Duets for Two Trombones [A Word About the Piano Accompaniments; Composer, Arranger Biographies; Moderato; Allegretto (Rochut No. 3); Andante Pastorale (Rochut No. 10); Allegro (Rochut No. 16); Allegro Moderato (Rochut No. 22); Andante Cantabile (Rochut No. 23); Allegro; Andante Sostenuto (Rochut No. 85); Andante (Rochut No. 87); Andante Espressivo (Rochut No. 91); Six Vocalises for Two Voices: Duet No. 1 – Cantabile; Duet No. 2 – Andante; Duet No. 3 – Cantabile; Duet No. 4 – Andante; Duet No. 5 – Andante Sostenuto; Duet No. 6 – Andante Espressivo] (Raph) 2 trombones (Six Vocalises) DUBEDOUT Bertrand Études-chants-chorales: 15 pièces pour trombone(s) (Chant 1*, Étude 1*; Chant 2*; Étude 2*; Chant 3*, Étude 3*; Étude 4*; Chant 4***, Étude 5*; Chant 5*; Étude 6***; Étude 7**; Chant 6*; Étude 8***; Choral****) (Raffard) trombone solo (*), 2 trombones (**), 3 trombones (***), 4 trombones (****) facile (3) à moyenne difficulté (5) DVOŘÁK Antonín 1841-1904 Danse slave No. 8 Op. 46 (Jody) 4 F-horns score and parts GRIEG Edvard 1843-1907 Suite de Peer Gynt (Jody) 6 F-horns score and parts HARJU Jukka *1975 Horn Hounds “Those Crazy Dogs” (2000) 2 horns 2 playing scores KALKE Ernst-Thilo *1924 Tango, Mambo et cetera: 13 lateinamerikanische Tänze (1. El Choclo (VILLOLDO); 2. Tango Bolero; 3. Mambo Rambo; 4. Tango Habanera; 5. La Cucaracha; 6. Vitória do Brazil; 7. Tango Blues; 8. Tango Gitano (nach Carmen von BIZET); 9. Lu’s Cha Cha Cha (nach Für Elise von BEETHOVEN); 10. Tango Minore; 11. Jarabe Tapatio (Mexikanischer Huttanz); 12. Tango Rotmico; 13. Tango all’ongarese) 4 trombones score and parts LONG Zhou *1953 Five Maskers 2 trumpets+F-horn+trombone+tuba score and parts

34,95 12,65 17,85

20,55

11,15 16,30 23,45 11,70

23,15 59,10

53

156801

156825 156842 156843 157089 158125 155863 158126 158130

OLDENKAMP Michiel & KASTELEIN Jaap Horen, lezen & spelen 1. Duoboek (1. De echoput; 2. Walsen maar; 3. De marsmannetjes; 4. Sterk verhaal, zacht van aard; 5. Goedenavond Mieke; 6. Alpino-boogie; 7. Wals met de pasjes; 8. De woudlopers; 9. Stop op tijd; 10. Santa Lucia; 11. De optocht; 12. Après-ski; 13. De man van Yucatán; 14. Wals van de weerwolf; 15. Taxi Rag; 16. De swingende parelvissers; 17. Space Rock) 2 trumpets/hunting horns/baritones/euphoniums T.C. playing score Horen, lezen & spelen 1. Duoboek 2 horns playing score, for contents see 156801 Horen, lezen & spelen 1. Duoboek 2 trombones B.C. playing score, for contents see 156801 Horen, lezen & spelen 1. Duoboek 2 trombones T.C. playing score, for contents see 156801 SCHNEIDER Enjott *1950 Jubilus 2 Bb-trumets+2 trombones+organ score and parts SCHNEIDER Bruno *1957 Rencontre 99 natural F-horn+modern F-horn playing score TCHEREPNIN Alexander 1899-1977 March (1958) 3 Bb-trumpets score and parts TURNER Kerry *1960 Ghost Rider (1994) bass trombone+tuba score and parts VOSKANYAN Arzas *1947 Quartet for Trumpets (1999) 4 trumpets score and parts

9,45 9,45 9,45 9,45 38,50 11,70 12,65 37,45 18,70

COMBINATIONS OF WOODWIND AND BRASS INSTRUMENTS: 156106 > 158174

> > 710212 710034 710057 900853

ALJABJEW Alexander A. 1787-1851 Quintett-Satz C-Dur (Abel) flute+oboe+Bb-clarinet+bassoon+F-horn score and parts BOCHSA Robert-Nicolas-Charles 1789-1856 Nocturne Op. 3 (Ostermeyer) F-horn+oboe+harp DEBUSSY Claude 1862-1918 Children’s Corner (1. Doctor Gradus ad Parnassum; 2. Jimbo’s Lullaby; 3. Serenade for the Doll; 4. The snow is dancing; 5. The little shepherd; 6. Golliwogg’s cake walk) (Diermaier) 2 flutes/Bb-clarinets/Bb-saxophones/Bb-trumpets/recorders+bassoon+piano+percussion score and 7 parts EISNER Carl 1802-1874 1. Sextett (Ostermeyer) flute+oboe+clarinet+bassethorn+bassoon+horn score and parts 2. Sextett (Ostermeyer) flute+oboe+clarinet+bassethorn+bassoon+horn score and parts HERZOGENBERG Heinrich von 1843-1900 Trio D-Dur Op. 61 (Päuler) oboe+D-horn+piano HUGHES Eric 1924-1200 Three Impressions flute+oboe+Bb-clarinet+bassoon+F-horn score and parts KROMMER Franz 1759-1831 Partita Op. 45/2 (McAlister) 2 oboes+2 Bb-clarinets+2 Eb-horns+Bb-trumpet+2 bassoons+contrabassoon parts Partita Op. 45/3 (McAlister) 2 oboes+2 Bb-clarinets+2 Eb-/Bb-horns+Bb-trumpet+2 bassoons+contra bassoon score and parts

34,70 21,85

20,50 32,15 32,15 30,85 23,45 28,45 25,45

54

155764

710033 155919 155920 > > > > > 158759 710383 > > > 156016

LESSEL Franciszek 1780-1838 A Polish composer of Czech origin. He first studied piano, violin and composition with his father Wincenty, and later in 1799, he went to Vienna, where he became a pupil of Haydn. His ten-year-long stay in Vienna was interrupted by periods spent at the court of the Lubomirsky’s at Łańcut, where he worked as court conductor and musician. Before going to Vienna Lessel gave concerts in Lvov playing in a chamber music ensemble together with Karol Kurpiński and Karol Lipiński. Immediatley after his return to Poland he appeared as a pianist in Lvov, Cracow and Warsaw performing his own works. He composed all his life. The present work was published in Vienna in 1806, at that time him being a pupil of Haydn. A quartet for flute and string trio is due to be republished. Grand Trio Op. 4 (Mrygoń) Bb-clarinet+Eb-horn+piano McCOMBIE Alan *1933 Prelude & Fugue flute+oboe+Bb-clarinet+bassoon+F-horn score and parts MOZART Wolfgang Amadeus 1756-1791 Drei Divertimenti KV 213-240-252 (originally for 2 oboes, 2 horns and 2 bassoons) (Walter) flute+oboe+Bb-clarinet+bassoon+F-horn score and parts Zwei Divertimenti KV 253-270 (originally for 2 oboes, 2 horns and 2 bassoons) (Walter) flute+oboe+Bb-clarinet+bassoon+F-horn score and parts REICHA Joseph 1752-1795 Parthia B-Dur (Ostermeyer) 2 oboes+2 clarinets+bassoon+2 horns score and parts Parthia F-Dur (Ostermeyer) 2 oboes+2 clarinets+2 bassoons+3 horns score and parts REICHA Antonín 1770-1836 Quintett D-Dur Op. 91/3 (Kneusslin) flute+oboe+clarinet+bassoon+horn reprint, score and parts Quintett F-Dur Op. 100/1 (Ostermeyer) flute+oboe+C-/B-clarinet+bassoon+F-horn score and 6 parts Quintett d-Moll Op. 100/2 (Ostermeyer) flute+oboe+C-/B-clarinet+bassoon+D-/F-horn score and 7 parts ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 Partita D-Dur Murray RWV B3 (Biener) 2 oboes+2 A-clarinets+2 D-horns+bassoon score and parts SENFTER Johanna 1879-1961 Tonstück Op. 60 (Maier) flute+A-clarinet+4 F-horns+2 bassoons score (parts separately available) TELEMANN Georg Philipp 1681-1767 Concerto a 3 ex F (Ostermeyer) flute+F-horn+harpsichord+bassoon WINEBERGER Paul 1758-1821 Parthia Es-Dur (Ostermeyer) oboe+2 clarinets+bassoon+2 horns score and parts Parthia F-Dur (Ostermeyer) 2 oboes+2 clarinets+bassoon+3 horns score and parts WÖLFL Joseph 1773-1812 Divertimento (Sonata) (Walterskirchen) 2 oboes+2 bassoons+2 D-horns score and parts

54,35

25,50 52,05 45,15 23,15 25,70 ??,?? 42,40 42,20 36,00 16,65 12,85 25,70 25,70 19,30

COMBINATIONS OF WIND AND STRING INSTRUMENTS: > > 158425

AMON Johann Andreas 1763-1825 1. Quintett Op. 110 (Ostermeyer) flute+horn+violin+viola+cello+optional double bass 2. Quintett Op. 118 (Ostermeyer) flute+horn+violin+viola+cello+optional double bass ANDREOZZI Gaetano 1755-1826 Three Quintets (Bb major, C major, F major) (Cirillo) flute/oboe+2 violins+viola+cello

score and parts

25,70

score and parts

25,70

score and parts

73,50

55

158776 > > 709959 709960 709968 158047 710001 140140 > > 140139 710214 710215 710213 > 158174

157897 900856 710328 > >

BARTÓK Béla 1881-1945 Contrasts (Dellamaggiore, Bartók) violin+A-=Bb-clarinet+piano corrected edition BRANDL Johann Evangelist 1760-1837 Sextuor C-Dur Op. 16 (Schottstädt) oboe+bassoon+violin+2 violas+cello score and parts Grande Serenade C-Dur Op. 7 (Schottstädt) oboe+bassoon+2 horns+violin+2 violas+ cello+ double bass score and parts Quatuor e-Moll Op. 40/1 (Schottstädt) flute+violin+viola+cello score and parts Quatuor D-Dur Op. 40/2 (Schottstädt) flute+violin+viola+cello score and parts Quatuor G-Dur Op. 40/3 (Schottstädt) flute+violin+viola+cello score and parts Quatuor D-Dur Op. 15c (Schottstädt) flute+violin+viola+cello score and parts Quintetto Nr. 2 D-Dur Op. 60 (Schottstädt) flute+violin+2 violas+cello score and parts Quintett D-Dur Op. 14 (Schottstädt) bassoon+violin+2 violas+cello score and parts Quintett C-Dur Op. 61 (Schottstädt) violin+viola+cello+bassoon+piano piano score and parts Quintett F-Dur Op. 62 (Schottstädt) violin+viola+cello+bassoon+piano piano score and parts Quintett F-Dur Op. 63 (Op. 13) (Schottstädt) violin+viola+cello+bassoon+piano piano score and parts CRUSELL Bernhard Henrik 1775-1838 Quartett D-Dur Op. 7 (Meier) A-clarinet+violin+viola+cello score and parts Quartett C-Dur Op. 7 (Meier) oboe+violin+viola+cello score and parts Quartett D-Dur Op. 8 (Meier) flute+violon+viola+cello score and parts DANGEL Arthur *1931 Intermezzo II flute+cello DEBUSSY Claude 1862-1918 Children’s Corner (1. Doctor Gradus ad Parnassum; 2. Jimbo’s Lullaby; 3. Serenade for the Doll; 4. The snow is dancing; 5. The little shepherd; 6. Golliwogg’s cake walk) (Diermaier) 2 flutes/violins/Bb-clarinets/Bb-saxophones/Bb-trumpets/recorders+bassoon/cello/double bass+piano+percussion score and 7 parts DI TUCCI Jean-Jacques Trio flute=alto flute=bass flute+cello+piano DUBOIS Théodore 1837-1924 Terzetto flute+viola+harp FERRAN Jean-Michel Sept visions de l’apocalypse violin+Bb-clarinet+cello+piano FIORILLO Federigo 1753-1823 / PUNTO Giovanni 1746-1803 Trois Quintetti (1789): Nr. 2 F-Dur (Ostermeyer) flute/oboe+F-horn+violin+viola+cello score and parts GIORDANI Tommaso 1751-1798 Divertimento (Machella) flute+violin+harpsichord GRANDVAL Marie 1830-1907 Marie Grandval (Marie-Félicie-Clémence de Reiset, Vicomtesse de Grandval) was one of the most active members of the young musical fraternity of her time. She studied music from the age of six and by the age of twelve was already beginning to compose, at first under the direction of Flotow, who was a family friend, and later with Saint-Saëns. She made her début with a Mass and a Stabat Mater, which were given many performances.

40,80 27,60 39,20 23,15 23,15 23,15 23,15 27,65 23,15 32,15 32,15 32,15 19,30 19,30 19,30 14,90

20,50 30,90 8,95 24,40 23,15 18,30

56

156049

131342

158691 710195 710203 158690 710199 149714

148308

710208 710210 > 710206 > > 142842 128102 > 158426 710248

Her output was prolific and included symphonic, religious, operatic and instrumental works, all of which demonstrated her considerable talent, imagination and energy. She wrote under various pseudonyms presumably to circumvent any bias against her gender Deux Pièces: Romance et Gavotte (Ambache) oboe+cello+piano HAYDN Franz Joseph 1732-1809 Sechs Quartette (Divertimenti) Band II: Hob.II:D16, Hob.II:Es15 & Hob.XIV:F1 (Boucly) flute+violin+viola+cello (Hob.II:D16 & Hob.II:Es15) flute+viola+cello+harpsichord/harp (Hob.XIV:F1) score and 4 parts HOLLER Georg Augustin 1761-1820 Avertissement in D (Divertimento D-Dur) (Ruhland) D-horn+2 violins+viola+cello score and parts JANITSCH Johann Gottlieb 1708-1763 Sonata da chiesa C-Dur Op. 7/3 (Päuler, Gevert) oboe/flute+violin+viola+continuo Triosonate e-Moll (Päuler, Gevert) flute/oboe+violin+continuo JELIC Vinco 1596-636 Vier Ricercare (Ruhland) cornett/violin+trombone+viola da gamba+continuo KRAUS Joseph Martin 1756-1792 Sonata D-Dur (Päuler) flute+viola score and parts MONDONVILLE Jean-Joseph Casanéa de 1711-1772 Sonata sesta from Sei Sonate à Quattro (1742) oboe+2 violins+bassoon/cello+continuo score parts availabe MOZART Wolfgang Amadeus 1756-1791 / MÜLLER August Eberhard 1767-1817 Ouverturen: ” Die Entführung aus dem Serail” KV 384 & “La Clemenza do Tito” KV 621 (Wiese) flute+2 violins+viola+cello score and parts MÜLLER-ZÜRICH Paul 1898-1993 Serenade (Kleine Suite) Op. 51 (Morgan) viola+F-horn+harp NEUKOMM Sigismund 1778-1858 Quintett B-Dur Op. 8 (Meier) oboe/Bb-clarinet+2 violins+viola+cello score and parts PUNTO Giovanni (STICH Johann Wenzel) 1746-1803 Trois Quintett (1789): Nr. 1 F-Dur (Ostermeyer) flute/oboe+F-horn+violin+viola+cello score and parts QUANTZ Johann Joachim 1697-1773 30. Triosonate d-Moll (Päuler, Gevert) flute+violin/oboe+continuo REICHA Joseph 1752-1795 Parthia D-Dur (Ostermeyer) 2 flutes+2 oboes+2 clarinets+2 bassoons+3 horns+double bass score and parts Parthia D-Dur (Ostermeyer) 2 flutes+2 oboes+2 clarinets+2 bassoons+2 horns+double bass score and parts RIES Ferdinand 1784-1838 Quintett h-Moll Op. 107 (Schmidt) flute+violin+2 violas+cello score and parts Quartett C-Dur Op. 145/1 (Schmidt) flute+violin+viola+cello score and parts ROMBERG Andreas 1787-1821 Flute Quintet in E minor Op. 41/1 (Caesar) flute+violin+2 violas+cello score and parts Flute Quintet in D major Op. 41/2 (Caesar) flute+violin+2 violas+cello score and parts Flute Quintet in F major Op. 41/3 (Caesar) flute+violin+2 violas+cello score and parts

18,60

38,55 23,15 19,30 15,40 16,70 16,70 13,55

24,35 18,00 45,00 23,15 12,20 30,85 30,85 27,00 20,55 27,55 27,55 27,55

57

158755 158758 > 154049 709934 154050 709935 158765 > > > > 155843

ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 Partita F-Dur Murray RWV B20 (Buschmann) 2 flutes+2 oboes+2 Bb-clarinets+3 F-horns+2 bassoons+double bass score and parts Sextett D-Dur Murray RWV B24 (Biener) flute+2 D-horns+violin+viola+cello score and parts ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 / PUNTO Giovanni 1746-1803 Trois Quintetti (1789): Nr. 2 F-Dur (Ostermeyer) flute/oboe+F-horn+violin+viola+cello score and parts TAPRAY Jean François 1738-1819 Quatuor en Fa majeur Op. 18/1 piano/harpsichord+Bb-/C-clarinet+viola+cello piano score set of 4 parts (B-clarinet / C-clarinet/violin / viola / cello) Quatuor en Si bémol majeur Op. 18/2 piano/harpsichord+Bb-/C-clarinet+viola+cello piano score set of 4 parts (B-clarinet / C-clarinet/violin / viola / cello) TELEMANN Georg Philipp 1681-1767 100. Triosonate F-Dur (Michel) oboe+cello+continuo 1st edition WINEBERGER Paul 1758-1821 Parthia en chasse (Ostermeyer) 2 flutes+oboe+2 clarinets+2 bassoons+4 horns+double bass score and parts Parthia F-Dur (Ostermeyer) 2 flutes+oboe+2 clarinets+2 bassoons+4 horns+double bass score and parts WINTER Peter von 1754-1825 Variationen über ein Thema von Michele Caraffa de Colobrano (1787-1872) (Fendt) clarinet+2 violins+viola+cello score and parts WITT Friedrich 1770-1836 Parthia F-Dur (1790) (Ostermeyer) 2 flutes+2 oboes+2 clarinets+2 bassoons+2 horns+double bass score and parts ZIBLAT Lionel “Snobs” [1. Let’s Party (Alone!); 2. Friendship and Freedom] oboe+clarinet+bassoon+viola+cello score

64,25 36,00 23,15 ??,?? 11,55 ??,?? 11,55 15,40 36,00 36,00 14,15 30,85 22,50

RECORDER: So = sopranino recorder / S = descant or soprano recorder / A = treble or alto recorder / T = tenor recorder / B = bass recorder / gB = great bass recorder / subB = sub bass recorder 157158

157815

151097 153904 154611

ALBUM Spiel und Spaß mit der Altblockflöte: Die schönsten Folksongs für Altblockflöte (zusätzlich mit zweiter Stimme) (Alas my love; Morning has broken; I’ve been a wild rover; Auld lang syne; Amazing grace; Kalinka; Kasatschok; Bella bimba; Tiritomba; Il était un petit navire; Plaisis d’amour; Cielito lindo; La cucaracha; La paloma; Andenmelodie; Oh happy day; Swing low; Yankee Doodle; Tom Dooley) (Magolt, Magolt) 1-2 A-recorders playing score, black and white illustrations ALBUM Blockfötentrio Ensemble Dreiklang Berlin (Claude DEBUSSY 1862-1918: The Little Negro; ANONYM –1400: Trotto; Irmhild BEUTLER *1966: Uncle Knick-Knack) AAT-recorder trio score and parts AUTENRIETH Ronald J. *1959 Norrutno SATB-recorder quartet score and parts BACH Johann Sebastian 1685-1750 Fuga a-Moll BWV 543 (van Goethem) SATB-recorder quartet score and parts BEUTLER Irmhild / RIPPER Martin / ROSIN Sylvia C Workshop Bassblockflöte. Bassblockflöte lernen im Ensemblespiel Band I (1. Ungaresca: S/ATB-recorder trio; 2. Petruschka: S/AATB-recorder quartet; 3. Les Bouffons: SATBrecorder quartet; 4. Bransle des Lavandières: ST/B-recorder trio; 5. Scarbourough Fair: SAATB-recorder quintet) score and parts

10,20

14,05 4,50 14,80

28,25

58

158023

> > 157076 156945

151096 155950

709302 157620

709831

157160

BEUTLER Irmhild / RIPPER Martin / ROSIN Sylvia C Workshop Bassblockflöte. Bassblockflöte lernen im Ensemblespiel Band 2 (1. Dindirin: ATB-recorder trio; 2. Greensleeves – Traditional: AT/B or BgB-recorder duo; 3. Un poquito canto: S/AAB-recorder trio; 4. Menuet – Mattheson: AAB-recorder trio; 5. Pari Intervallo: AbgBsubB-recorder quartet; 6. Pari Intervallo – Pärt: SATB-recorder quartet) method, CD included BOS Trudi Samenspelboek voor Fiere Fluiters Deel 1 Niveau 1-2 2-4 recorders 67 pieces Samenspelboek voor Fiere Fluiters Deel 2 Niveau 1-2 2-4 recorders 41 pieces BUTZ Rainer / MAGOLT Hans Flötenzirkus. Die Blockflötenschule für Kinder ab fünf Jahren method, illustrated, large notes GORP Fons van Easy Solos for Recorder (Overture; Romance; My Own Rock Band; Dance Steps; Jump & rest; Warming Up; Blue Tulip; Stoccata; Dutch Reggae; Tragedy; Clog Dance; Painful; Cuban Dance; On Holiday; Two Sleepy Eyes; Rock Duet) recorder+CD accompaniment CD included GRAAP Lothar *1933 Kleine Tänze 3 S-recorders 3 playing scores HARNSBERGER L.C. My First Classical Recorder Book. Learn to play recorder using 20 great classical melodies. Explains the basics of reading music. Perfect for beginners or advanced students who want to play classical melodies. Great for individual or class instruction (About the Recorder; Types of Recorders; Parts of the Recorder; Holding the Recorder; Playing the Recorder; Getting Acquainted with Music; Ode To Joy – Easier Version; Barcarolle; Finlandia; Theme from ‘Swan Lake’; Can-Can; Aria from ‘Don Giovanni – Duet; Theme fropm ‘William Tell’; Musette –Duet; Ode To Joy – Full Version; Sonata Theme; Merry Widow Waltz; Eine Kleine Nacht Musik; 1812 Overture; Theme from ‘Carmen’; Theme from ‘Hansel and Gretel’; Lullaby; Theme from Beethoven’s 5th Symphony; Dance of the Hours; Canon – Quartet; On the Beautiful Blue Danube; Complete Fingering Chart) book and recorder book only HEGER Uwe Straßenmusik à 2: Klezmer, Blues, Ragtime & Latin-Folk Heft 1 [Dancing In The Morning (Klezmer); Shopping Blues (Blues in G); Tango Santiago (Latin-Folk); Cappuccino Rag; Loneliness (Klezmer); No Smoking (Blues in G); Mexico (Latin-Folk); Cola Rag; Melanie’s Melancholy (Klezmer); Coffeetime Blues (Blues in D); Salsa Cuba (Latin-Folk); Limo Rag; At The Bazar (Klezmer); No Exchange (Blues in C); Sold Out (Blues in F); Café au lait Rag; My First Bicycle (Klezmer); I Love Fried Potatos (Blues in G); Samba Rio (Latin-Folk); Desire For Fortune (Klezmer); Pizza Rag; Tango Latino (Latin-Folk); Smile A While (Blues in G); The Dancing Donkey (Klezmer)] 2 recorders (SS-/TT-/ST-/SA-)+optional guitar/chord instrument score HEILBUT Peter Sechs Marionettes – Sieben Epigramme und andere Stücke (Drei Epigramme (Suite): 1. Fünftönig (Pentatonik), 2. Sechstönig (Ganztonfolge), 3. Siebentönig (Dur); Walzer; Zwei Epigramme: 1. Elegie (Präludium), 2. Achtel-Rallye; Luftballon steigen lassen; Dialogo interotto (unterbrochenes Zwiegespräch); Zwei Epigramme (Esel-Suite): 1. Lastesels Traum von der Leichtigkeit des Seins, 2. Packt den Esel Ubermut, übers Eis er tanzen tut; Sechs Marionetten: 1. An unsichtbaren Fäden, 2. Harlekine, 3. Luftakrobat über Fangnetz, 4. Schlangenbeschwörer, 5. Der Philosoph, 6. Wettläufer; Zugabe) A-recorder+piano HELLER Barbara *1936 Hundertmelodienbuch für Blockflöte solo oder andere Melodieinstrumente (1. Eine alte Melodie; 2. Zweimal; 3. Schwankende Melodie; 4. Hin – und zurück; 5. Sonnenlied; 6. Ziellose Melodie; 7. Walzer; 8. Largo; 9. Aufwärts; 10. Stille; 11. Sprunghafte Melodie; 12. Eterno (ewig); 13. Heiter; 14. Ganztonschritt; 15. Das besondere E; 16. Erinnerung; 17. Montagsmelodie; 18. Morgenmelodie; 19. Lustige Melodie; 20. Quintenmelodie; 21. Extreme Melodie; 22. Die None; 23. Schnell; 24. Mit Schwung; 25. Quintsprunge; 26. Verwirrende Melodie; 27. Kleine Schritte; 28. Langsam oder schnell?; 29. Frisch; 30. So oder so; 31. Streng; 32. Sehr zart; 33. Geste; 34. Alla breve; 35. Sehr ruhig; 36. Husch; 37. Flott (oder Feierlich); 38. Kurz; 39. Fröhliches Es; 40. Dur oder Moll?; 41. Die Achtelpause;

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42. Unklar; 43. Kleine Etüde; 44. Scherz; 45. Altmodisch; 46. Fließend; 47. Molto legato oder der Versuch, eine Melodie zu fangen; 48. Der Punkt; 49. Rasch; 50. Da Capo; 51. Leierkasten; 52. Lang und kurz; 53. Mit Auftakt; 54. Stolpermelodie; 55. Der Zielton; 56. Ruhiger werden; 57. Der Sprung; 58. Kleiner Tanz; 59. Ruf; 60. Kleine Fanfare; 61. Mit größter Ruhe; 62. Halbtonspile; 63. Spiel mit der Quarte; 64. Trotzig; 65. Mit großem Atem; 66. Das gemeinsame E; 67. Gute Laune; 68. Die Katze beißt sich in den Schwanz; 69. Kleines Trio; 70. Auf und ab durch b und #; 71. Zwischenspiel; 72. Unendliches Spiel; 73. Vorwärts; 74. Sonntags; 75. In A; 76. In memoriam; 77. Escaleras (Treppen); 78. breites band; 79. Kinderlied; 80. Tristeza (Traurigkeit); 81. Ruhelos; 82. Abschied; 83. Erzählung; 84. Banal; 85. Weich; 86. Die Frage; 87. Übergang; 88. Kreuz und quer; 89. Kleine Blüte; 90. Bindungen; 91. Ähnlichkeiten; 92. Jammertal; 93. Große Freude; 94. Glücklicher Moment; 95. Ziemlich schnell; 96. Lange Zeit; 97. Freie Zeit; 98. Keine Zeit; 99. Organisierte Zeit; 100. Kleine Unterschiede; 101. Äußerst langsam; 102. Schluss!. LANDEGHEM Jan van *1954 Türkischer Hummelfulg – Ein musikalischer Spaß SATgB- or SATB-recorder quartet score and 5 parts MAGOLT Hans & Marianne Die schönsten Folksongs für Altblockflöte zusätzlich mit 2. Stimme (Spiel und Spaß mit der Blockflöte) (Alas my love; Morning has broken; I’ve been a wild rover; Auld lang syne; Amazing grace; Kalinka; Kasatschok; Bella bimba; Tiritomba; Il était un petit navire; Plaisis d’amour; Cielito lindo; La cucaracha; La paloma; Andenmelodie; Oh happy day; Swing low; Yankee Doodle; Tom Dooley) 1-2 A-recorders CD included TELEMANN Georg Philipp 1681-1767 Don Quichotte-Suite (Herrmann) SATB-recorder quartet score and parts TENTA Philipp Drei jiddische Volkslieder (Di griene Cusine; Dreydl; Rézele) SSA-recorder trio score and parts TURINI Francesco 1589-1656 Due Sonate a Tre (‘E tanto tempo horma’ & Il Corisino’) (Müller-Busch, Kuper) 2 C-recorders+bass instrument+continuo VIVALDI Antonio 1676-1741 Concerto en Fa majeur Op. 19 “La tempesta di mare” (Sanvoisin, Gauthier) 3 A-recorders score and parts VOORT Paul van der, OLDENKAMP Michiel, KASTELEIN Jaap Blokfluitland. Methode voor blokfluit deel 1 method, colourful illustrated WATTS Sarah Razzamajazz. Duets and Trios for Recorder (1. A change in the weather; 2. Advent calendar; 3. Anna Lou; 4. A.S.A.P.; 5. Blue sock blues; 6. From Pineapple; 7. G’s garden; 8. Katie’s room; 9. Little flower; 10. Psychedelic; 11. Still waters; 12. Stormy; 13. Three way; 14. Too late for Jane; 15. Tortoise jive; 16. Waltz on West 79th Street) 2-3 recorders playing score

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ALBUM Guitar Popular Ensemble Volume 8 (1. PIAZZOLLA: Adios Noniño; 2. HOSONO: Nausica of the Valley of Wind; 3. ANDERSON: Blue Tango; 4. RODRIGES: La Cumparsita; 5. LECUONIA: Malagueña; 6. PONCE: Scherzino Mexicano; 7. GARLAND: In The Mood) (Ebe) 3 guitars (2.), 4 guitars (1., 3., 4., 6., 7.), 5 guitars (5.) score ALBUM Popular Pieces For Guitar Solo Volume 6 (Change The World; All You Need Is Love; Rainy Days and Mondays; Fly Me To The Moon; A Song For You; Save The Best For Last; Les Champs Élysées; Daydream Believer; To Feel The Fire; You’ll Never Walk Alone; It’s Too Late; Top Of The World; Tie A Yellow Ribbon Round Ole Oak tree; Ticket To Ride; Love; Tea For Two; All I Want For Christmas Is You; Sentimental Journey) (Takeuchi) guitar solo

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ALBUM Cinq rondos (Fernando CARULLI 1770-1841: Rondo; Muzio CLEMENTI 1752-1832: Rondo; Franz LAUSCHKA 1764-1825: Rondo bohémienne; Daniel STEIBELT 1765-18123: Rondo élégant; Johann Baptist VANHAL 1739-1813: Rondo) (Rivoal, Lambert) flute+guitar guitar score and flute part ALBUM Die schönsten Weihnachtslieder zusätzlich mit 2. Stimme (Leise rieselt der Schnee; Lobt Gott, ihr Christen; Morgen, Kinder, wird’s was geben; Morgen kommt der Weihnachtsmann; O du fröliche, o du selige; O Heiland, reiß die Himmel auf; O Tannenbaum; Stille Nacht, heilige Nacht; Vom Himmel hoch, da komm ich her; Was soll das bedeuten) (Magolt,. Magolt) guitar solo with optional 2nd guitar play-along CD included ALBUM L’atelier guitare(s) électrique Volume I: Blues, Rock, Funk, Country, Latin, Jazz, Reggae (Bandenier, Bordonneau) CD included ALBUM El Choclo. Favorite Arrangements for Guitar 3 (1. CHAZARRETA & LOMBARDI: Zamba de Vargas; 2. VILLOLDO: El Choclo; YUPANQUI: 3. Luna Tucumana, 4. Lloran las Ramas del Viento; 5. CANARO & MORES: Adios, Pampa mia!; 6. Spanish Folksong: Juez Interdits; 7. Japanese Traditional: Sakura; 8. Russian Folksong: Two Guitars; 9. HAN SON U: DORA WAYO BUSAN HANG YE; 10. SADA: Kita no kuni kara – from faraway ground; 11. MITAKE: Kawa no nagare no yoni; 12. VAN WETTER: La Playa; 13. SECUNDA: Dona Dona; 14. SOROZABAL: Cancion de Marcelono; 15. SEEGER: Where have all the flowers gone; 16. RUSTICHELLI: La ragazza di Bube; 17. MYERS: Cavatina) (Nagano) guitar solo ALBUM Screen Music for Guitar Volume 3 (She; Both Sides Now; Crazy For You; Please Please Me; I Say A Little Prayer; Mission Impossible Theme; Flash Dance . . . What A Feeling; The Summer Knows; The Windmills Of Your Mind; Always With Me; Gremlins Mega Madness; Fascination; True Love; A Summer Place; Bella Notte; Il Postino; From Russia With Love; Princess Mononoke; You’ll Be In My Heart; Love Theme From A Star Is Born) (Takevchi) guitar solo ALBUM Argentine Tango (1. Astor PIAZZOLLA: Chiqulin de Bachin; 2. Astor PIAZZOLLA: Oblivion; 3. Eduardo AROLAS: La cachila; 4. Juan De DIOS FILIBERTO: Caminito; 5. Julian PLAZA: Danzarin; 6. Julian PLAZA: Nostalgico; 7. Juan Carlos COBIAN: Los ,areados; 8. Anibal TROILO: Romance de barrio; 9. Angel VILLOLDO/Jose CATULO CASTILLO: El choclo; 10. Gonzalez CASTILLO/Sebastian PIANA: Silbando; 11. Eduardo DONATO: A media luiz’; 12. Vicente GRECO: Ojos negros; 13. Masahiro IIZUMI: Julian; 14. Franco de caro/Mario GOMILA: Flores negras; Astor PIAZZOLLA: Libertango) (Iizumi) guitar solo ALBUM Sept chants et danses du XIXe siècle (1. ALKAN: Rigaudon; 2. DONIZETTI: Lu Trademiento; 3. FERRER: Sérénade espagnole; 4. GLINKA: Mazurka; 5. GURLITT: Romance; 6. LALO: Danse espagnole; 7. TSCHAIKOVSKY: Chanson italienne) (Rivoal, Lambert) flute+guitar AGUADO Dionisio 1784-1849 Selected Works (1. Trois Rondos Brillants Op. 2; 2. Le Menuet Affuandangado Op. 15; 3. Le Fandango Varie Op. 16; 4. Variaciones Brillantes WoO; 5. Gran Solo de Sor) guitar solo AIRAULT Vincent Douze récréations (3e et 4e année) (Estrada) guitar solo ALBÉNIZ Isaac 1860-1909 Sevilla (Rivoal) 2 guitars score and parts Asturias (Rivoal) guitar ensemble (4 guitars) score and parts ALMEIDA Israel *1943 6 Choros guitar solo

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ASSAD Sergio Sonata (Fukuda) guitar solo Jobiniana No. 2 (Assad) flute+guitar BACH Johann Sebastian 1685-1750 Prélude de la Suite No. 1 pour violoncelle BWV 1007 (Sadanowsky) guitar solo Partita c-Moll BWV 997 (Krause) guitar solo Prelude BWV 999 & Fuga nach BWV 1000, 1001, 539 (Krause) guitar solo Suite a-Moll BWV 997 (Dausend) flute+guitar score and parts BENSA Olivier Fanfare et Canon (Rivoal) 6 guitars score and parts BOTTELIER Ina *1943 Nocturne (1984) clarinet+guitar Charango. Bossa nova (1969) 2 guitars BOURNET Pascal Collection mes premiers pas. Dennla: 10 pièces (1. Premièr pas de valse 2e année; 2. Au bord de l’eau 2e année; 3. Point contre point 2e année; 4. Dennia 2e année; 5. An dro 2e année; 6. Paysage d’Espagne 2e année; 7. Danse médiévale 3e année; 8. Marie-Lou tricote 3e année; March pour l’index 3e année; La danse de Piotr 3e année) (Masson) guitar solo BOXTART Harald Don’t Stop The Music! Methode voor legatospel voor beginnende gitaristen method, CD included BROUWER Leo *1939 An Idea guitar solo Tríptico (Dunne) 2 guitars parts Acerca del cielo, el aire y la sonrisa (1979) (Dunne) 4 guitars score and parts CAMISASSA Claudio Méthode progressive Volume 2 method CARDOSO Jorge Al compas de la viguëla flute+guitar Falta envido (Estrada) guitar solo CASARES Oscar Roberto *1928 Mélodies séfarades et Danse hébraïque guitar solo CHOPIN Frédéric 1810-1849 Huit pièces (Valse Op. 64/2; Nocturne Op. 9/2; Grande Valse brillante Op. 18; Valse en la mineur Op. 64/2; Valse Op. 34/2; Valse Op. 69/2; Valse de l’adieu Op. 69/1; Polonaise Héroïque Op. 53) (Lalaine, Leclerc) guitar solo CD included Chopin for Guitar Solo (Polonaise Heroïque” Op. 53; Préludes Op. 28/4, 6, 7, 14, 15, and 20, Mazurkas Op. 30/2, Op. 41/1, Op. 63/3, Op. 67/1-4, Op. 68/1-3) (Eötvös) guitar solo DEBUSSY Claude 1862-1918 The Little Negro. Édition originale (Sousa-Antunes) cello+guitar DERAI Simone La guitare à travers chants. Initiation à la pratique de la guitare (1re et 2e années) (Granier) method

14,50 19,30 9,95 10,15 10,15 17,95 16,70 10,00 7,50

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62

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DOMENICONI Carlo *1947 Sunayama Henge Op. 71a (Verwandlung) guitar solo FERNANDEZ Eduardo *1952 A Meditation on “SAKURA” 4 guitars 2 playing scores DYENS Roland *1955 Variations sur un thème de “La Flûte enchantée” de W.A. Mozart (F. Sor) guitar ensemble (4 guitars) score and parts EYRE Banning Africa. Your passport to a new world of music. A variety of African styles, including: Congolese, Malian Blues, Mbira, Mbaganga – Examples in standard music notation and in TAB method, CD included FISHER Jody Beginning Jazz Guitar. The Complete Jazz Guitar Method. Beginning – Intermediate – Mastering - Chord/Melody – Mastering – Improvisation method, DVD included Jody Fisher’s The Art of Solo Guitar The jazz guitarist’s guide to solo guitar arranging. Book 1: Jazz Theory – Harmonizing a Tune – Chord-playing Technique – Making Arrangements – Examples in Standard Music Notation and TAB method, CD included Jody Fisher’s The Art of Solo Guitar The jazz guitarist’s guide to solo guitar arranging. Book 2: Improvisation – Scales – Walking Bass Lines – Chord Phrases – Playing Around Chord Shapes method, CD included FUJII Keigo Medieval Suite. Collected Works for Guitar: 1. Medieval Suite (The Proclamation, Cantiga, Song of the Pilgrims); 2. Preludio melancolico; 3. Waltz in a Dream; 4. Linköping Waltz; 5. Lullaby for Homa; 6. Introductión y Danza No. 1; 7. Variations on “Haru ga Kita” (1994) guitar solo GIULIANI Mauro 1781-1829 Rossiniana No. 1 Op. 119 (Dyens) guitar solo+2 violins+viola+cello score and parts The Complete Studies: Op. 1 Studio; Op. 48 Esercizio; Op. 512 Eighteen progressive lessons; Op. 98 Delightful studies; Op. 100 Etudes; Op. 139 First lessons (part I) (Jeffery) guitar solo GRANADOS Enrique 1867-1916 Valses Poéticos (Fukuda) guitar solo GRAU Jean-Pierre Halloween. Pièces pour guitare seule et en duo [1. Halloween (All the Saints Evening); 2. Le Gardien de la Crypte; 3. Danse des squelettes; 4. Chez la sorcière; 5. Vers minuit; 7. Des ombres dans la cave; 8. Vampires; 9. La Maison hantée; 10. Marche des gargauilles] guitar solo (nos. 2-9, 2 guitars (nos. 1 and 10) HAMBURGER David Beginning Blues Guitar. The Complete Electric Blues Guitar Method. Beginning – Intermediate – Mastering method, DVD included HEGER Uwe Straßenmusik à 2: Klezmer, Blues, Ragtime & Latin-Folk Heft 1 [Dancing In The Morning (Klezmer); Shopping Blues (Blues in G); Tango Santiago (Latin-Folk); Cappuccino Rag; Loneliness (Klezmer); No Smoking (Blues in G); Mexico (Latin-Folk); Cola Rag; Melanie’s Melancholy (Klezmer); Coffeetime Blues (Blues in D); Salsa Cuba (Latin-Folk); Limo Rag; At The Bazar (Klezmer); No Exchange (Blues in C); Sold Out (Blues in F); Café au lait Rag; My First Bicycle (Klezmer); I Love Fried Potatos (Blues in G); Samba Rio (Latin-Folk); Desire For Fortune (Klezmer); Pizza Rag; Tango Latino (Latin-Folk); Smile A While (Blues in G); The Dancing Donkey (Klezmer)] 2 oboes/melody instruments+optional guitar/chord instrument score HIRASA Osamu Big Tree Suite (Apple Tree of Home Town; Waltz in the Past; Goodfriends; Lullaby*; Blues; The Sea; Memories of the Tree*; 4-Beat Waltz; Apple Tree of Home Town*) 2 guitars (* with tin-whistle or melody instrument) score and parts HOWARD Paul Guitar Roots: Swing. The roots of great guitar playing – Easy-to-read examples in standard music notation and TAB – Basic technique and music theory for the swing player – Fun-toplay swing arrangements – Lessons in voicings, chord progressions, licks, and more – Loads of swing trivia and interesting facts method, CD included

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HOWARD Paul Guitar Roots: Bluegrass. Easy-to-read examples in standard music notation and TAB – Basic technique and music theory for the bluegrass player – Authentic bluegrass tunes to play – Lessons in bluegrass licks, soloing, improvising, and more – Loads of bluegrass trivia and interesting facts method, CD included HURWITZ Tobias & RILEY Glenn 7-String Guitar. An Introduction to Heavy Rock Styles. Scales, chords, rhythms, and riffs – Licks and solos in the styles of great seven-string players – Four different tunings – Examples in standard music notation and TAB method, CD included IANNARELLI Simone *1970 Suite (Vingiano) guitar solo JARRETT Keith *1945 The Köln Concert Part IIc (Barrveco) guitar solo JOVIČIĆ Jovan *1926 The Jovičić Collection. Traditional Slavic, Spanish, and Oriental Melodies for Classic Guitar [Part I: Introduction; Jovan Jovičić – Life and Work; Notes about the compositions in this collection; Part II: Original compositions for solo guitar: 1. Suite from Vojvodina (19421969); 2. Macedonian Rhapsody (1952); 3. Arabesque (1950); 4. Moorish Dance (19531954); 5. Suite No. 4 (1966); 6. Russian Suite (1968); 7. Suite on Folk Themes in G major (1969); Original composition for two guitars: 8. Suite from Serbia for two Guitars (1992)] (Dojčinović) guitar solo (Nos. 1-7), 2 guitars (No. 8) CD included KADOSCH Philippe *1959 Amigo violao (Azuma) 4 guitars score and parts KLEYNJANS Francis *1951 Flux et Reflux Op. 165B 2 guitars playing score Flux et Reflux Op. 165C (Aussel) guitar solo Hommage à Stanley Meyers Op. 187a 4 guitars score and parts KNAAP Loek van der Speel Blues en Rock. Methode voor Lead Guitar method, CD included KOSTER Dennis Flamenco. Your passport to a new world of music. Includes lessons on basic flamenco rhythms and techniques, including: Soleares, Llamada Bulerías, Alzapúa, Alergias, Rasgueado, Tremolo – Examples in standard music notation and in TAB method, CD included KRUISBRINK Annette *1958 Arc-en-ciel guitar solo Let the Devil Swing 4 guitars score and parts LALANNE Jean-Félix *1962 Autour de la guitare: 13 duos inédits (1. Alfonsina y el mar; 2. Bras dessus. bras dessous; 3. Selena’s Dream; 4. Yohna; 5. Tea time frealing; 6. Shoah des larmes; 7. Suite irlandaise; 8. Medley: Irish Dance / Country Medieval; 9. Le diset wedding; 10. Miss; 11. Percussion flamenca – Zapateado; 12. Hérérique; 13. Mers et lunes) (Jania, Leclerc) voice+guitar (1.) guitar solo (4.) 2 guitars (2., 3., 5., 6., 7., 8., 9., 10., 11. and 13.) 2 nylon guitars+sitar guitar+2 guitars+12 string instruments+electric guitar+bass guitar (12.) (score) TAB and standard music notation LANGENBERG Jan van den Guitar Discovery. Guitar Method Book 2 LAURO Antonio 1917-1986 Works for Guitar Volume 1: Tatiana (Valse No. 1), Andreina (Valse No. 2), Natalia (Valse No. 3), Yacambú (Valse No. 4) (Diaz) guitar solo

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LAURO Antonio 1917-1986 Works for Guitar Volume 2: El Marabino, Angostura, Carora (Diaz) guitar solo Works for Guitar Volume 3: Maria Luisa, El Niño, Natalia (Valse No. 3), El Negrito (Diaz) guitar solo Works for Guitar Volume 4: Maria Carolina, Ana Cristina, Virgilio (Diaz) guitar solo Works for Guitar Volume 5: Seis por Derecho, Pasaje, Aragüeño (Diaz) guitar solo Works for Guitar Volume 6: Romanza, Nocturne, Oriente (Diaz) guitar solo Works for Guitar Volume 7: nelly, Ana Florencia, Petronila (Diaz) guitar solo Works for Guitar Volume 8: La Gatica, Momoti, Merengue (Diaz) guitar solo Works for Guitar Volume 9: Pavana, Crepuscular, Canción (Diaz) guitar solo LECLERCQ Norbert *1944 14 Escales guitar solo LOTTERSTÄTTER Elisabeth & SCHNEIDER Martina Gimme Five. Leicht, aber oho! 13 Stücke zum Zusammenspielen recorder+violin+guitar+cello+piano score MAGOLT Hans & Marianne Die schönsten Weihnachtslieder für Gitarre zusätzlich mit 2. Stimme (Leise rieselt der Schnee; Lobt Gott, ihr Christen; Morgen, Kinder, wird’s was geben; Morgen kommt der Weihnachtsmann; O du fröliche, o du selige; O Heiland, reiß die Himmel auf; O Tannenbaum; Stille Nacht, heilige Nacht; Vom Himmel hoch, da komm ich her; Was soll das bedeuten) 1-2 guitars black/white illustrations MAZER Susan Guitar for the Absolute Beginner. Book One. Absolutely everything you need yo know to start playing now! Get started playing right away – Teaches basic chords, melody playing, lead and fingerstyle guitar. Learn standard music notation in an easy step-by-step manner method, DVD included MERTZ Johann Kaspar 1806-1856 Vespergang (Lévesque) 4 guitars+contrabass-guitar (5-part guitar orchestra) score and (5) parts NEWMAN Billy Brazil. Your passport to a new world of music. Includes lessons on basic Brazilian rhythms and styles, including: Matixe, Choro, Samba, Tango, Baiao, Boss Novva – Examples in standard music notation and in TAB method, CD included OURKOUZOUNOV Atanas Scherzo à dix cordes (Márquez) cello+guitar PIAZZOLLA Astor 1921-1992 Las estanciones porteños (Assad) guitar solo Double Concerto (dit aussi concerto “hommage à Liège”) (Goldman) guitar+accordion+piano+optional double bass PISADOR Diego 1509-1557 Musique pour vihuela. Trois Pièces (1. Decidle al caballero que . . , 1. Pavana muy llana par tañer, 3. La cortesía) (Bataïni) 3 guitars score and parts PUJOL Máximo Diego *1957 Tres piezas de oteño 2 guitars 2 playing scores RADAELLI Carlos Petite Milonga (Estrada) flute+guitar 2 playing scores RAVEL Maurice 1875-1937 Pièce en forme de habanera (de Sousa-Antunes) cello+guitar

21,70 21,70 21,70 21,70 21,70 21,70 21,70 21,70 12,85 17,35

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RUIZ-PIPÓ Antonio 1934-1997 Seis Canciones y danzas (Dautaner) guitar solo RUMPT Wim van Gitaarspelen. Doe je zo! method SATO Hirokazu *1966 Collected Works for Guitar 2: 12 Songs around the seasons (1. Cherry blossoms; 2. May song; 3. Wedding march; 4. Spring waltz; 5. Romance to the stars; 6. In a summer garden; 7. September rain; 8. Summer serenade; 9. Under the autumn sky; 10. Menuet sentimental; 11. The song of advent; 12. Christmas song; 13. Autumn minuet; 14. New year’s song; 15. A winter day’s story; 16. Winter etude; 17. The arrival of spring) guitar solo SOR Fernando 1778-1839 Dix séguidillas (Bourgue) (élémentaire 2) F-horn+guitar STÖPLER Emiel *1970 Escher’s Dream (Kearmy) guitar solo SUZUKI Iwao *1955 Collected Works for Guitar Volume 2 (1. Idyllic Suite; 2. Two Pieces after “Kojiki”; 3. Ancient Dance from “Gagaku”; 4. Aria and Dance in ancient style; 5. Okinawa; 6. Variations on Gagaku “Eteuraku”; 7. Lullaby from Itsuki; 8. Lullaby from Chugoku acea; 9. Konpira Fune-fune; 10. Tancahme-Bishi; 11. Hietsuki-Bushi; 12. Minyo; 13. Reminiscences of a soprano; 14. Fantasia for Guitar and Orchestra) guitar solo (nos. 1-12) flute+guitar (no. 13) guitar+strings (no. 14 – score only) TCHAIKOVSKY Peter I. 1840-1893 Canzonetta from the Violin Concerto Op. 35 (Oistrakh, Krantz) violin+guitar TELEMANN Georg Philipp 1681-1767 12 Fantasies Volume 1: 1-4 (Kindle) guitar solo originally for violin solo TENNANT Scott Pumping Nylon. The Classical Guitarist’s Technique Handbook. Giuliani’s 120 Right-hand Studies – Original Compositions by Andrew York and Brian Head – Tarrega arpeggio studies – Musical examples by Bach, Turina, Rodrigo and others method, DVD included TESCHNER Hans Joachim Fridolins Reisetagebuch I. Von Spanien nach Lateinamerika. Lieder und Tänze (Tres hojitas – Asturien; ¡Ay, linda amiga! – Kastilien; Al lado de mi cabaña – Leon; ¡Viva lo blanco!; El noy de la mare – Katalonien; El Vito – Andalusien; ¡Viva España y Sevilla! – Sevilla; Anda jaleo – Andalusien; Al paño fino – Andalusien; La pajarera – Mexiko; Sambalelé – Brasilien; Nesta Rua – Brasilien; Acordai Doncela – Brasilien; Zamba Vargas - Argentinien) 2 guitars or A-recorder/flute+guitar illustrated VASSILIEV Konstantin *1970 Dance of the forest (1. Three Forest Paintings: a. The Old Oak, b. Snowdrop, c. Dance of the Forest Ghosts; 2. Fatum; 3. Alba; 5. Serenade) guitar solo (Nos. 1-3), 3 guitars (No. 5) score VÉRITÉ Alain Atmosferas sudamericanas Volume I (1. Preludio; 2. Salto lindo; 3. Ayre; 4. Vals sencillo) guitar solo Atmosferas sudamericanas Volume II (1. Fiesta; 2. Carasacada; 3. Llanto; 4. Chôro allegre) guitar solo VIVALDI Antonio 1678-1741 L’estro armonico Op. 3: Concerto No. 1 RV 549 (Kindle) 4 guitars score and parts L’estro armonico Op. 3: Concerto No. 2 RV 578 (Kindle) 4 guitars score and parts L’estro armonico Op. 3: Concerto No. 3 RV 310 (Kindle) 2 guitars score and parts

32,55 9,95

23,60 19,65 12,85

23,60 14,50 15,40

47,95

8,85

16,35 9,00 9,00 23,15 23,15 23,15

66

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155410 710393 159422 157896

VIVALDI Antonio 1678-1741 L’estro armonico Op. 3: Concerto No. 4 RV 550 (Kindle) 4 guitars score and parts L’estro armonico Op. 3: Concerto No. 5 RV 519 (Kindle) 2 guitars score and parts L’estro armonico Op. 3: Concerto No. 6 RV 356 (Kindle) 3 guitars score and parts WALDTEUFEL Emil 1837-1915 Amours et printemps (Rivoal, Lambert) flute/Bb-clarinet+guitar guitar-score and 2 parts WALLACH Howard Easy Folk Songs for Kids. A Collection of Popular Traditional Tunes (Yankee Doodle; Shoo Fly; This Old Man; She’ll Be Comin’ Round the Mountain; Three Blind Mice; Buffalo Gals; Row, Row, Row Your Boat; Hush, Little Baby; Lazy Mary; Bingo; I’ve Been Workin’ on the Railroad; On Top of Old Smokey; London Bridge; The Farmer in the Dell; The Crawdad Song; The Itsy Bitsy Spider; Rock-A-Bye Baby; The Riddle Song; Oh! Susanna; Mister Frog Went A-Courtin’; Frère Jacques) guitar solo TAB, standard music notation and chord diagrams, CD included Your Pick of Bach. Selected Solos and Duets. Arranged for Pickstyle Guitar (SOLOS: Menuet from Anna Magdalena Notebook; Gavotte from Cello Suite VI; Menuet, Sarabande, and Gigue from Cello Suite I; Prelude, Menuet I, and Menuet II from Cello Suite II; Bourrée, Sarabande, and Gigue from Cello Suite III; Bourrée and Gigue from Violin Partita III; Allemande from Violin Partita II; DUETS: Bourrée from the Lute Suite in E minor; Menuet from Anna Magdalena Notebook; Air from Orchestral Suite IV; Jesu, Joy of Man’s Desiring) 1-2 guitars TAB and standard music notation, CD included Easy American Folk Songs. A Collection of Popular Traditonal Tunes (Black Is the Color of My True Love’s Hair; In Good Old Colony Times; Wildwood Flower; Shenandoah; Cumberland Gap; Sometimes I Feel Like a Motherless Child; Old Joe Clark; The Erie Canal; Johnny Has Gone for a Soldier; Amazing Grace; A Worried Man; I Wonder as I Wander; The Streets of Laredo; Short’nin’ Bread; Aura Lee; The Farmer is the Man; When Johnny Comes Marching Home; Sweet Betsy from Pike; Wade in the Water; Shady Grove) guitar solo TAB, standard music notation and chord diagrams, CD included Easy Folksongs from Around the World. A Collection of Popular Traditional Tunes (ENGLAND: Scarborough Fair; Early One Morning; Barbara Allen; Greensleeves; SCOTLAND: Skye Boat Song; The Blue Bell of Scotland; IRELAND: Down by the Salley Garden; The Minstrel Boy;; AUSTRALIA: Waltzing Matilda; Botany Bay; FRANCE: Au Clair de la Lune; RUSSIA: Evenings Near Moscow; Meadowlands; RUMANIA: The Ardeleam Woman; ARGENTINA: Vidalita; JEWISH: Lomir Zich Iberbeten; JAPAN: Sakura; GERMANY: Muss I Denn?; ITALY: Santa Lucia) guitar solo TAB, standard music notation and chord diagrams, CD included WILSON Ian *1964 Leaves and Navels (1996-1997) flute+guitar+viola+cello score Leaves and Navels (1996-1997) flute+guitar+viola+cello parts WORMS Claude Chants et danses populaires d’Espagne: 8 pièces (1. Cancion – Montanes-Santander; 2. Los Higos son Verdes – Galice; 3. Baile Aedodillo – Castile; 4. El Ole – Andalouse; 5. El Mayoral – Ronda Infantil – Caceres; 6. Seguidillas – Manche; 7. Bolero liso – Duo – Madrid) guitar solo (nos. 1-6) 2 guitars (no. 7) YORK Andrew *1958 Harumi 4 guitars score and parts Moontan guitar solo YSAŸE Eugène 1858-1931 Sonate Op. 27/1 (Kristensen) guitar solo ZAVARO Pascal Nylon Music guitar solo difficult

23,15 23,15 23,15 7,70

22,45

26,95

22,45

22,45 14,05 29,55

10,30 25,40 12,70 15,40 8,35

67

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ZOHN Andrew Five Easy Pieces (1970) (Kearmy) guitar solo ZWART Jeff & WENNINK Ed Solo Guitar. Take the Lead! Improviseren op rock-, blues- en popschema’s [DEEL 1: Technische oefeningen – warming-up; Blues, bluesschema’s; Bluesbegeleiding; Toonladders. de mineurpentatonische toonlader, de bluesladder; Licks, intro, turnaround; Endings; Soloconcept, 3-lines-concept; Rock & pop, toonladders, de majeurtoonladder, majeurladder-oefenconcept; De parallelle mineurtoonladder; De parallellmineur pentatonische toonladder; “Wonderful Tonight” (Eric Clapton); DEEL 2: Technische oefeningen – warming-up; Blues, bluesschema’s, bluesbegeleiding; Toonladders, A-mineurpentatonische ladder (schuifpatroon); Licks (dubbeltonig); Bending, bending licks; “Oh Pretty Woman” (Gay Moore); Rock & pop, toonladders, de majeurtoonladder, majeurtoonladderoefenconcept; Andere majeurtoonsoorten; “Knockin’on Heaven’s Door (Guns N’Roses); Cmajeur / A-mineur; “Still Got the Blues” (Gary Moore); Majeur-/mineurladder-oefenconcept; THEORETISCHE BIJLAGE: akkorden (drieklanken), het majeurakkord; Het mineurakkoord, intervallen, laddereigen schema’s in majeur; Akkoorden in majeur, akkoordenschema’s; Akkoorden (vierklanken), laddereigen schema’s in mineur; AKKORDENTABEL; INFO] guitar solo+CD-accompaniment (play-along)

11,55

16,95

MANDOLIN: 900804

710391

ALBUM Mandolin Gold. 100+ of the most popular selections (Ah! Maria; Amazing Grace; Chicken Reel; Come Back to Sorrento; Cripple Creek; Danny Boy; Drigo’s Serenade; Hava Nagila; In the Pine; Jesu, Joy of Man’s Desiring; Man of Constant Sorrow; Midnight in Moscow; Ode to Joy – Beethoven; Old Joe Clark; O Sole Mio; Possum up a Gum Stump; Sally Goodin’; Stack a’Barley; Toselli’s Serenade; Two Guitars; Vivaldi’s Mandolin Concerto; Wedding Tarantella; Wildwood Flower; Yankee Doodle Dandy; and many others) (Fox) mandolin solo KAGAJO Hiromitsu *1961 Promenade I for Mandolin Orchestra mandolins I & II+mandola+guitar+mandocello+double bass score and parts

22,45 49,90

HARP: 155789

157849 > 900765 155808 157851 710327 155807

ANDRÈS Bernard Friandises. Soixante seize études faciles et brèves pour la harpe (1. à deux doigts; 2. à trois doigts; 3. à quatre doigts; 4. intervalles; 5. mains alternées; 6. accords à 3 doigts – intervalles alternés – accords à 3 doigts alternés; 7. rythmes et effets; 8. tournes) harp solo BEAUCHAMP Jean-Bernard Fleurs de delte (2002) 2 celtic harps BOCHSA Robert-Nicolas-Charles 1789-1856 Nocturne Op. 3 (Ostermeyer) F-horn+oboe+harp DAMASE Jean-Michel *1928 10 études faciles et progressives (Mégevand) harp solo Tango harp solo Sonate cello+harp Courtepièces. Quatre pièces (2002) celtic harp or grand harp GLINKA Michael 1804-1857 Nocturne (Galais) flute+harp

23,15 10,30 21,85 9,95 9,75 19,30 10,30 10,35

68

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700076 700077 155830

900766 710208 156826

155571 155570 155791 710326

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FAURÉ Gabriel Urbain 1845-1924 Berceuse extrait de Dolly Op. 56 (Marie) 4 harps score and parts Pavane (Andrès) harp solo HAYDN Franz Joseph 1732-1809 Sechs Quartette (Divertimenti) Band II: Hob.II:D16, Hob.II:Es15 & Hob.XIV:F1 (Boucly) flute+violin+viola+cello (Hob.II:D16 & Hob.II:Es15) flute+viola+cello+harpsichord/harp (Hob.XIV:F1) score and 4 parts HIJMANS Bram 1932-1996 “Haken ogen I”. Vijf karakterstukjes voor kleine harp (1990) celtic harp “Haken ogen II”. Vijf karakterstukjes voor kleine harp (1990) celtic harp KLAVER Linde Raindrops in the Sunshine: 11 short pieces, duets and songs for harp (1. Mama - met tekst/with text; 2. Summer Rain – duet; 3. Dreams; 4. A windy day; 5. A little conversation – duet; 6. Please wake up – met gedicht/with poem; 7. A little boy – met tekst en aparte zangstem/with text and separate voice part; 8. Butterfly; 9. Be happy; 10. From day till night; 11. Peace) 1-2 harp(s) some pieces with text and one with voice part MATALON Martín Formas de arena (formese de sable) flute/alto flute+harp MÜLLER-ZÜRICH Paul 1898-1993 Serenade (Kleine Suite) Op. 51 (Morgan) viola+F-horn+harp ORTIZ Dr. Alfredo Rolando The International Rhythmic Collection. For All Harps or Piano, Volume 3: Easy to Advanced levels (Important Instructions; The Itsy Bitsy Spider: The Spider and the Harp, The Traveling Spider; Mano a mano; Pensamientos #1; Waltz for a Birth; La Bamba Easy; Otro carnavalito - Easy; La Bamba – Advanced; A un recuerdo; Waltz for a Birth – Advanced; Ignazú; Andina; Ottro carnavalito – Advanced; Waltz for a Birth – Harp & Violin; Waltz for a Birth – Violin part; Venezolana Número 3 – for Pedal harp; Accompaniment patterns) harp and harp+violin PARISH ALVARS Elias 1808-1849 Souvenir de Bosphore Op. 62/1 harp solo Air arménien Op. 62/4 harp solo PROUST Pascal Deux aquarelles (préparatoire) harp or Celtic harp solo WERY Benoît Imagerie enfantine: six pièces pour petite ou grande harpe (1. Au pays des merveilles; 2. Sur le cheval de bois; 3. Jardin feérique; 4. Valse triste; 5. La Danse du farfadet; 6. Variation pour Jacques) Celtic harp or grand harp En Forêt: dix pièces pour petite ou grande harpe (1. Sous le tilleul; 2. Faon vient de naitre; 3. Jeux de Papillons; 4. La Chanson de Papi Hibou; 5. La Danse du Cygne; 6. A la lisière; 7. La ballade du petit Labrador; 8. Hymne à l’impératrice Marmotte; 9. A la rencontre de l’”ecureuil; 10. Soleil couchant) Celtic harp or grand harp solo Kaléidoscope: six pièces pour petite ou grande harpe (La Balancoire; 2. Aves des castagnettes; 3. Bleu marine; 4. Si l’on rockait, nostalgiquement; 5. Le vent d’automne; 6. Souvenir du Paraguay) Celtic harp or grand harp solo WOODS Sylvia Twenty-two Romantic Songs arranged for Harp (A Summer Place; And I Love You So; Evergreen; From This Moment On; Hawaiian Wedding Song; Ice Castles Theme; Lady; Let It Be Me; Moondance; My Own True Love - Tara’s Theme; My Love; Never My Love; The Prayer; Raindrops Keep Fallin’ On My head; The Rose; Send In The Clowns;

26,90 13,45

38,55 10,00 10,00

20,00 58,95 18,00

26,85 12,00 12,00

8,40

10,30

11,55

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Somewhere In Time; Sunrise; Sunset; Tammy; Through The Eyes Of Love; Time To Say Goodbye; Wedding Song; The Wind Beneath My Wings) harp solo ZIBLAT Lionel Leave Peace In Me Op. 4 bassoon+harp

39,65 15,00

PERCUSSION: 150739

157873

159644

159636

900763 157898 157899 157900

155691 710329 150716 158083

157872 710340 158087

ALBUM Stage Session Volume 2: 25 partitions progressives pour batterie avec CD d’accompagnement (Michaël BOUDOUX; Jacky BOURBASQUET; Claude GASTALDIN; Joe HAMMER; Loïc PONTIEUX; Adriano ZAMPIERI; Maxime ZAMPIERI; musique sur CD: Lionel MELOT) (élémentaire à excellence) percussion+CD-accompaniment method, text: French, English, German, Spanish, CD included ALBUM Fünf Stücke für Pauken (John H. BECK: The Grand-Duchy; 2. Boris DINEV: Päiffenitz; 3. Siegfried FINK: La Valse de Timbales; 4. Jean GEOFFROY: Rainy Days; 5. Tomoyuki OKADAJ: Japauken) (Fink) timpani ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Flute, Oboe, Keyboard, Percussion (for contents see clarinet playalong, item 159643) (Feldstein, Clark) fully correlated play-along-CD included ALBUM The Yamaha Advantage. The Greatest Solo Songbook: 75 All-Time Favorite Melodies using only 6 notes. Snare Drum (for contents see clarinet play-along, item 159643) (Feldstein, Clark) fully correlated play-along-CD included BENETTI Didier Vibrasons (Martynson) vibraphone solo Cartes postales Volume 1: 1. Rodéo dance, 2. Bizarmarch (Macarez) Cartes postales Volume 2: 1. Mexicania, 2. Calleron (Macarez) marimba (4 octaves)+piano Cartes postales Volume 3 (Macarez) vibraphone+piano (1st piece) vibraphone+marimba+piano (2nd piece) CHANTEREAU Marc Divertissement pianorimba or marimba solo DAMASE Jean-Michel *1928 Pantomimes flute+marimba DENISOV Edison *1929 Avant le couleur du soleil alto flute+vibraphone DONDEYNE Désiré *1921 Concerto grosso pour euphonium (ou saxhorn en ut our en sib B.C.), poercussion, et harmonie de chambre (Lelong) euphonium/saxhorn C-/Bb B.C.+percussion+piano(-reduction) FITCH Steve *1957 Lament and Recitative timpani/percussion solo FOUGEROUX Stéphan Trois pièces (Geoffroy) side drum HIROMITSU Mayumi KI-LA-LI (les petits étoiles) (Macarez) marimba solo

34,25

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18,80 8,35 11,95 16,00 16,00 13,45 15,40 34,25

52,05 10,20 10,30 8,35

70

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900764 157850

156766 710241 120519 900805

JOLAS Betsy *1926 États violin+6 percussionists violin part; percussion on hire only MACAREZ Frédéric Un premier concert (facile 3) (Macarez) persuccion+piano Pazapa 1 (Macarez) 1. Première valse (facile 1) percussion (side drum+suspended cymbal)+piano/vibraphone/xylophone/marimba 2. Les copains (facile 2) percussion (side drum+suspended cymbal)+piano/vibraphone/xylophone/marimba Pazapa 2 (Macarez) 1. Pop corn (facile 3) percussion (side drum+wood block+cow bell+suspended cymbal)+piano/vibraphone/xylophone/marimba 2. Chicorea (moyenne difficulté) percussion (tom-tom+side drum+wood block+cow bell+suspended cymbal)+ piano/vibraphone/xylophone/marimba MESSIAEN Olivier 1908-1992 28 Études sur les modes à transpositions limitées d’Olivier Messiaen (Jodelet) xylophone/marimba MOULIN Martin Personnages (Geoffroy): 1. hommage à Claude Debussy, 6 hommage à Maurice Ravel, 8. hommage à Leoš Janačék marimba+piano 2. petite valse jazz, 4. à la manière de Kurt Weill, 5. hommage à L. Bornstein, 7. hommage à Serge Prokofiev, à Camille Saint-Saëns vibraphone+piano 3. à la manière de Béla Bartók xylophone+piano OOSTERHOUT Arjen Real Time Drums Basic Method for Drumset Level 2 demo- and play-along CD included PICHOU Daniel La batterie intégrale de néophyte à avancé percussion method, CD included SOTELO Mauricio *1961 De magia (1995) T-=A-saxophone+percussion+piano study score WANAMAKER Jay Drum Rudiment Dictionary. A complete reference guide containing the Percussive Art Society’s 40 International Drum Rudiments. Includes: Practice Patterns, Rudimental Snare Drum Solos

17,15 10,75

9,00

10,75 25,70

10,30 18,95 24,95 20,50

8,95

MISCELLANEOUS: > 157874 157122 900777 154552 159506

Prima Vista Ritme. Examen C. Ritmische Vorming rhythmical education Übeplan für die Woche BUCHER Peter & PAFFENHOLZ Petra Fridolins musikalischer Adventskalender. 24 Lieder, Geschichten und Fensterbilder zur Weihnachtsfest CD included, pictures on see-through-foil MAAS Henk / EIJNDEN Jan van den Algemene Muziektheorie. Examen C. Theoriewerkboek voor de HaFaBra Sector MESSIAEN Olivier 1908-1992 Feuillets inédits. Quatre pièces (Loriod-Messiaen) ondes Martenot+piano MYETTE Willie First Adventures in Jazz. (About JazzKids and the Author; How this Book is Structured; Photocopying, Licenses & Volume Discounts; The Importance of Teaching Students by Ear; How to Incorporate Aural Teaching; Scales Covered in This Book; Swing vs. Straight; Getting Students to Compose Their Own Licks; How to Accompany Students; Accessing Special Online Content on Jazzkids.com; Hopping Rabbit / Sad Turtle; Joel’s Tune; Wacky

7,95 3,60 25,65 14,45 16,65

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Men; Ella Shine; Jessica’s Blues; Dustin’s Da Man; Little Willie’s Strut; Ernie Dude; Kooky Kevin; Marvelous Mikki; Blues For You!; Bluesy Accompaniments; Major Accompaniments;More About the Accompaniments / CD Contents; Advanced Concepts; Other Offerings from Jazzkids) teacher’s manual, CD included First Adventures in Jazz (Joel’s Tune; Wacky Men; Ella Shine; Jessica’s Blues; Dustin’s Da Man; Little Willie’s Strut; Ernie Dude; Kooky Kevin; Marvelous Mikki; Blues For You!; Explanation of Rhythm; List of Rhythms Used; Straight Rhythms; Enclosed CD – Now Waht?; Other Offerings) student workbook, CD included First Adventures in Jazz (Hopping Rabbit; Sdad Trutle; Joel’s Tune; Wacky Men; Ella Shine; Jessica’s Blues; Dustin’s Da Man; Little Willie’s Strut; Ernie Dude; Kooky Kevin; Marvelous Mikki; Blues For You!) song book, CD included SIMPSON Martin Teaches alternate tunings. A Systematic Approach to Open and Altered Tunings. Correlates with the Martin Simpson DVD available with this work. Includes transcriptioins of Martin Simpson’s arrangements of classic tunes performed on the DVD. Contains 6 additional Martin Simpson’s arrangements book, DVD included WEBER Alain Cahiers de formation rythmique Cahier 3 about learning rhythm ZIMMERSCHIED Dieter Oper – Operette – Musical. Erlebniswelt Musik (Oper: 17. Jahrhundert > Claudio MONTEVERDI – Orfeo; 18. Jahrhundert > Georg Friedrich HÄNDEL – Julius Cäsar, Wolfgang Amadeus MOZART – Le Nozze di Figaro; Zwischendurch ein Blick zurück; 19. Jahrhundert > Giuseppe VERDI – Il Trovatore, Richard WAGNER – Der fliegende Höllander; 20. Jahrhundert > Alban BERG – Wozzeck, Kurt WEILL – Aufstieg und Fall der Stadt Mahagonny, Hans Werner HENZE – Der junge Lord, Karlheinz STOCKHAUSEN – DIENSTAG aus LICHT; Stichworte zur Oper; Wie sollte eine “moderne” Oper aussehen?; Abschließende Fragen und Gedanken; Operette: Die “Geburtsorte” der Operette: Paris > Jacques OFFENBACH - Orpheus in der Unterwelt; Wien > Johann STRAUß Sohn – Die Fledermaus, Franz LÉHAR – Die lustige Witwe; Was geschieht in Wiener Operetten?; Berlin > Paul LINCKE – Frau Luna; Musical: . . . die Weiterentwicklung der Operette?; Wie es begann . . .> Oscar HAMMERSTEIN / Jerome KERN – Show Boat; Das “klassische” Musical; Das “engagierte” Musical > Sheldon HARNICK / Jerry BOCK – Anatevka, Tim RICE / Andrew Lloyd WEBBER – Jesus Christ Superstar, Time RICE / Andrew Lloyd WEBBER – Evita; Das “Showmusical” . Trevor NUNN / Andrew Lloyd WEBBER – Cats, Richard STILGOE / Andrew Lloyd WEBBER – Starlight Express; Stichworte zum Musical) pupil’s book, illustrated Oper – Operette – Musical. Erlebniswelt Musik. Lehrerkommentar [1. Allgemeiner didaktischer Komentar; 2. Stellenwert und Funktion der Sequenzen; 3. Spezifische Probleme; 4. Methodische Empfehlungen und Lernziele: Oper, Operette, Musical; 5. Sachinformationen Oper: 17. Jahrhundert (MONTEVERDI: Orfeo); 18. Jahrhundert (HÄNDEL: Julius Cäsar, MOZART: Le Nozze di Figaro); Zwischendurch ein Blick zurück; 19. Jahrhundert (VERDI: Il Trovatore, WAGNER: Der fliegende Höllander); 20. Jahrhundert (BERG: Wozzeck, WEILL :Aufstieg und Fall der Stadt Mahagonny, HENZE : Der junge Lord, STOCKHAUSEN: DIENSTAG aus LICHT); Wie sollte eine “moderne” Oper aussehen?; Abschließende Fragen und Gedanken; 6. Sachinformationen Operette: Was ist eigentlich eine Operette?; Die “Geburtsorte” der Operette: Paris (OFFENBACH: Orpheus in der Unterwelt); Wien (STRAUß Sohn: Die Fledermaus, LÉHAR: Die lustige Witwe); Berlin (LINCKE: Frau Luna); 7. Sachinformationen Musical: . . . die Weiterentwicklung der Operette?; Wie es begann . . .(HAMMERSTEIN / KERN: Show Boat; Das “klassische” Musical (BERNSTEIN: West Side Story, BERLIN: Annie Get Your Gun, LOEWE: My Fair Lady, PORTER: Kiss me Kate); Das “engagierte” Musical (HARNICK / BOCK: Anatevka, RICE / WEBBER: Jesus Christ Superstar, RICE / WEBBER: Evita); Das “Showmusical” .(NUNN / WEBBER: Cats, STILGOE / WEBBER: Starlight Express); Zum Nachdenken und Diskutieren; Literatur] teacher’s book

28,95

21,70 21,70

35,95 16,90

14,80

32,05

ACCORDION: 153899

ALBUM Akkordeon pur: Popsongs 1 (You Are Not Alone; Flashdance . . . What A Feeling; Thank You For The Music; Yesterday; Everybody Needs Sombody To Love; Something Stupid; Unbreak My Heart; A Prayer For Freedom) (Kolz) accordion solo

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ALBUM Akkordeon pur: Popsongs 2 (Can You Feel The Love Tonight; How Deep Is Your Love; From A Distance; N’oubliez jamais; I Will Survive; Hit The Road Jack; My Heart Will Go On; Three Roses) (Kolz) accordion solo ALBUM Marches, paso-dobles et polkas pour accordéon (1. Y’a d’la joie; 2. Adieu Venise provençale; 3. Clarinette-Polka; 4. Marche des bûcherons tyroliens; 5. Coplas de mi morena; 6. Beer Barrel Polka; 7. Amigo del Paso; 8. Bouquet champêtre; 9. Mon manège á moi; 10. Zillertaler Marche; 11. Pop-pourri de marches) (Maugain) accordion solo CD with accompaniment included ALBUM Cha-chas, boléros et tangos pour accordéon (1. La Paloma; 2. La Cuaracha; 3. Cerisier rose et pommier blanc; 4. Histoire d’un amour; 5. Souvenir de Capri; 6. Romance à Venise; 7. Tango danse bleu; 8. Ma bohémienne; 9. Parfum d’acacias; 10. La Chanson d’Orphée; 11. Quizas-quizas) (Maugain) accordion solo CD with accompaniment included GORP Fons van Easy Solos for Accordion (Overture; Jump & Rest; Dutch Reggae; Dance Steps; Warming Up; Romance; Blue Tulip; Cuban Dance; My Own Rock Band; Tragedy; On Holiday; Stoccata; Clog Dance; Painful; Two Sleepy Eyes; Rock Piece) (Latychev) accordion solo CD with accompaniment included MICHAILOV Iwan / SCHUPPEN Hans van Accordion To The Top Method Book 2 method

16,60

19,30

16,70

15,45 13,90

BANDONEON: 155954

PIAZZOLLA Astor 1921-1992 Adios noniño bandoneon+2 violins+viola+cello

score and parts

39,20

NEELY Blake Fast track. De snelle weg tot succes. Lead-zanger voor mannen- of vrouwenstem. Book 1 (1. Stemtypen; 2. Goed getikt; 3. Al bijna muziek; 4. Klap en tel; 5. Kom maar op met die noten; 6. Snelbinder; 7. Wals - la - la; 8. Noten: C, D, E, F, G; 9. Van C naar G; 10. Mary Has A Little Lamb; 11. Vader Jajkob Rock; 12. Ode an die Freude; 13. Van blad zingen, oefening 1; 14. Van blad zingen, oefening 2; 15. Van blad zingen, oefening 3; 16. Van blad zingen, oefening 4, 17. Van blad zingen, oefening 5; 18. Here I Stand . . . Waiting; 19. ‘La’ (me met rust); 20. When The Saints Go marching In; 21. Noten: A, B, C; 22. Joy To The World; 23. Take Me Onto the Stage, Please; 24. Swanee River; 25. La La in octaven; 26. Halve- en hele-toonafstanden; 27. Van de Zuid- naar de Noord-C; 28. Warming-up 1; 29. Warming-up 2; 30. Amazing Grace (in C); 31. Amazing Grace (in F); 32. Toonlader van Fmajeur; 33. B en Bes; 35. Aura Lee; 36. Toonladder van G-majeur; 37. F en Fis; 38. Amazing Grace (in G); 39. The Cruel War Is Raging; 40. Good Night, My Fans; 41. Op de kleintjes letten; 42. Simple Gifts; 43. Sst, de kleintjes rusten; 44. Bury me Not On The Lone Plane; 45. Buffalo Gale; 46. Alouette; 47. Worried Man Blues; 48. Interval-trucjes; 49. Mysterieus melodietje 1; 50. Mysterieus melodietje 2; 51. Mysterieus melodietje 3; 52. Mysterieus melodietje 4; 53. Kleine intervallen; 54. Trucjes voor kleine intervallen; 55. Leesoefening 1; 56. Leesoefening 2; 57. Leesoefening 3; 58. Leesoefening 4; 59. Toonladder van D-majeuir; 60. Toonladder van A-majeur; 61. Toonladder van Bes-majeur; 62. Beautiful dreamer; 63. Danny Boy; 64. Auld Land Syne; 65. Crazy Blues; 66. Sugar Blues; 67. Swingt voor geen meter; 68. Syncopische ritmes; 69. Stukken beter; 70. ‘T Ain’t Nobody’s Bizness If I Do; 71. Frankie and Johnny; 72. St. Louis Blues; 73. St. James Infirmary; 74. Exit for freedom; 75. Unplugged Ballad; 76. Billy B. Badd; 77. Inzingoefeningen) CD included

15,45

SOLO VOICE: 156724

73 SOLO VOICE(S) AND/OR CHOIR WITH INSTRUMENTAL ACCOMPANIMENT: 158093

155711

152914

155536

150814

153523

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ALBUM Chor aktuell. Basis. Eine Sammlung für das Chorsingen an allgemein bildenden Schulen (Kanons: Chormusik geistlich und weltlich; Liedsatz – Folklore; Gospel; Populäre Musik; Graphische Notation – Aleatorik - Sprechchor) (Suttner, Frey, Kalmer, Mettke) choir with and without accompaniment 100 pieces for choir in different voice combinations, paperback, 176 pages ALBUM Voices [Au fond du temple saint from The Pearlfishers; Ave Verum Corpus; Bridge Over Troubled Water; Caruso; Che farò senza Euridice? from Orfeo ed Euridice; Ebben? Ne andrò lontana from La Wally; Exsultate Jubilate from Exsultate Jubilate; Granada; Lascia ch’io pianga from Rinaldo; Let The Bright Seraphin from Samson; Music Of The Night from The Phantom of the Opera; O Sole Mio; Suicio! In questi fieri momenti from La Gioconda; The Look Of Love; Time To Say Goodbye (Con Tre Partirò); Va Pensiero from Nabucco; Voi che sapete from The Marriage of Figaro; What A Wonderful World; When I Am Laid In Earth from Dido and Aeneas] voice+piano ALBUM Ave Maria,. gratia plena. Ave-Maria-Vertonungen des 19. und frühen 20. Jahrhunderts (Jehan ALAIN 1911-1940; Mattia BATTISTINI 1856-1928; Georges BIZET 1836-1875; Maurice BLAZY 1873-1895; Anton BRUCKNER 1824-1896; Luigi CHERUBINI 1760-1842; Antonín DVOŘÁK 1841-1904; Gabriel FAURÉ 1845-1924; César FRANCK 1822-1890; Vincenz GOLLER 1873-1953; Charles GOUNOD 1818-1893; Alexandre GUILMANT 1837-1911; A.W.P. HANAU ????-????; Willem HEYDT 1858-1928; Franz LISZT 1811-1886; Achille PHILIP 1878-1959; Henri POURON ????-????; Joseph Gabriel RHEINBERGER 1839-1901; Camille SAINT-SAËNS 1835-1921; Josef SCHEEL ????????; Jean SCHRIJVERS ????-????; Franz SCHUBERT 1797-1828; Robert STOLZ 1880-1875) (Wagner) voice+organ ALBUM Pasodobles españoles Volume II. Traditional Dance Music. An exceptional collection of the finest Pasodobles for both piano solo and piano with voice (MARQUINA: Brisas de Malaga; CHUCCA: El Bateo; LUNA: El Niño Judio; LOPE: Gerona; GUERRERO: La Blanca Doble; ALONTO: La Corsarias; LOPEZ JUARRANZ: La torre de Oro; DOMINGO: Los Dos Adolfos; GIMENEZ: Los Voluntarios; MORALEDA: Luna de España; DOMINGO: ¡Marcial eres el mas grande!; MARQUINA: ¡Solera Fina!; LOPE: Triana) voice+piano ALBUM Ave Maria (BACH, GOUNOD, SCHUBERT). Insgesamt in 5 Tonarten spielbar, jeweils in einer hohen und einer tiefen Version (Neges) voice+guitar, partly with 2nd guitar ALBUM Eight British Folksongs (1. All Through the Night; 2. The Noble Duke of York; 3. The Keys of Canterbury; 4. Londonderry Air; 5. The Poacher; 6. Early One Morning; 7. The Oak and the Ash; 8. Bobby Shaftoe) (Stoker, Wolff) voice+guitar ALBUM Zing maar mee. Deel 1: Bekende kleuterliedjes met pianobegeleiding (In Holland staat een huis; Hop Marjanneke; Zagen, zagen, wiede, wiede wagen; Lang zal ze leven; Toen onze Mop een mopje was; Zakdoekje leggen; Boer wat zeg je van mijn kippen?; Alle eendjes zwemmen in het water; Rije, rije, rije in een wagentje; Slaap, kindje slaap; Paardje in galop; Drie kleine kleutertjes; Daar zaten zeven kikketjes ; Schuitje varen, theetje drinken; Altijd is Kortjakje ziek) voice(s)+piano with guitar chords, CD with piano accompaniment included ALBUM Zing maar mee. Deel 2: Bekende Sinterklaasliedjes met pianobegeleiding (Wie komt er alle jaren; Zie ginds komt de stoomboot; Daar is een stoomboot aangekomen; Sinterklaas goedheiligman; Sinterklaas is jarig; Sinterklaas, die goede heer; Zie de maan schijnt door de bomen; Sinterklaas kapoentje; Daar wordt aan de deur geklopt; De zak van Sinterklaas; O kom er eens kijken; Sinterklaasje, bonne, bonne, bonne) voice(s)+piano with guitar chords, CD with piano accompaniment included

21,60

26,45

32,00

26,45

17,35

19,15

18,75

12,50

74

158359

158207

710021

710028

156999

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ALBUM Zing maar mee. Deel 3: Bekende Kerstliedjes met pianobegeleideing (Kling klokje kling; Stille nacht; O denneboom,; De herdertjes lagen bij nachte; Komt allen tezamen; Er is een kindeke; Midden in de winternacht; Te Bethlehem geboren; O kindeke klein; Nu daagt het in het oosten; Nu zijt wellekome; Gloria in Excelsis) CD with accompaniment included ALBUM In een blauw geruite kiel. Scheepsversjes & zeeliedjes (Kom mee naar de zee; Alles in de wind; Berend Botje; Daar vaart een man op zee; Hup ouwe zeeman; Wij gaan varen; De mosselman; Schipper mag ik overvaren?; Schip moet zeilen; Schuitje varen; ‘t Scheepje; Varen, varen over de baren; Witte zwanen, zwarte zwanen; In naam van Oranje; Zwemmen; Daar was laatst een meisje loos; Een liedje van de zee; Een scheepje; De Zuiderzeeballade; In een blauwgeruite kiel; Ketelbinkie; Mieke hou je vast; De zilvervloot; Bloody Mary; Golven van de zee; Tien kleine visjes; Over de woeste baren; Er was eens een oorlogsschip; ‘k Heb de zon zien zakken; Al die willen te kaap’ren varen; Ga je mee varen, meisje?; Row your boat) geïllustreerd ALBUM Airs d’opéras russes (Michael GLINKA 1804-1857: Romande d’Antonida de Une vie pour le tsar; Alexander DARGOMYJSKY 1813-1869: Air de Natascha de Russalka; Anton RUBINSTEIN 1829-1894: Air de Tamata de Démon; Nicolai RIMSKY-KORSAKOV 18441908: La Princesse de Chemakhâa de Le Coq d’or; Peter I. TCHAÏKOVSKI 1840-1893: Arioso de Iolanta, Air de Lisa & Atioso de Lisa de La Dame de Pique, Lettra de Tatiana de Eugène Onéguine) (Bonnardot, Volodos) soprano+piano play-along CD included ALBUM Airs d’opérettes (Edmond AUDRAN 1842-1901: Air de Toledad de L’Enlèvement de la Toledad; François BAZIN 1816-1878: Air de Fanchette de Le Trompette de Monsieur le Prince; Justin CLÉRICE 1863-1908: Air d’Angèle – couplets de capitaine de Les Filles Jackson et Cie. & Couplets – valse d’Hélène de L’Ordre de l’Empereur; Emile JONAS 1827-1905: Couplets de Régaillete de Le Duel de Benjamin; Charles LECOCQ 1832-1918: Air du Duc - rondeau de la paysanne de Le Petit Duc , Couplets de la Camargo de La Camargo & Couplets de Clairette de La Fille de Madame Angot; Victor MASSÉ 1822-1884: Air du rossignol de Les Noces de Jeanette; Robert PLANQUETTE 1848-1903: Air de Germaine – chanson des cloches de Les Cloches de Corneville; Victor ROGER 18531903: Couplets de Bérénice de 28 Jours de Clairette; Florimond RONGÉ dit HERVÉ 18251892: Air de Denise – légende de l;a grosse-caisse de Mam’zelle Nitouche; Léon VASSEUR 1844-1917: Couplets de Molda – la leçon de coquetterie de La Timbale d’argent) (Verschaeve) soprano+piano ALBUM Theatre Songs for Men (As long as he needs me from Oliver; Broadway baby from Follies; I want to go to Hollywood from Grand Hotel; If I were a bell from Guys & Dolls; Louis says from Victor/Victoria; Missing you – My bill from The Civil War; A new life and Someone like you from Jekyll & Hyde; Still from Titanic; Unusual way – In a very unusual way from Nine) voice+piano play-along CD included ALBUM Theatre Songs for Women (A better life from Scrooge; Better than I from Joseph; Empty chairs et empty tables from Les Misérables; The impossible dream and Man of la Mancha from Man of la Mancha; Luck be a lady from Guys & Dolls; No moon from Titanic; This is the moment from Jekyll & Hyde; Trust me from Victor/Victoria; What kind of foll am I? from Stop the World – I Want to Get Off) voice+piano play-along CD included ALBUM Classical Soul (1. Son Of A Preacher Man; 2. Rescue Me; 3. Midnight Train To Georgia; 4. Knock On Wood) (Rice) SSA-choir+piano score ALBUM Classic Soul [1. Get The Sweetest Feeling; 2. In The Midnight Hour; 3. Abraham, Martin and John; 4. (Sittin’on) The Deck Of The Bay] (Rice) SATB-choir+piano score

12,50

7,95

25,70

21,85

24,60

24,60

12,15

12,15

75

710063

157250

900788

900794

710384

150748

ALBUM Arias from Eighteenth Century French Operas Book I: Seven Arias for Soprano (François-André PHILIDOR 1726-1795: Ballet, Air de Soprano de Ernelinde & Ariette d’Honoria de Tom Jones; Pierre-Alexandre MONSIGNY 1729-1817: Ariette de Jeannette de Le Déserteur, Vaudeville de Rose de Rose et Colas & Ariette de Manon de Félix, ou l’Enfant trouvé; Étienne-Nicolas MÉHUL 1763-1817: Air de Dalinde & Mélodrame, Récitatif et Air d’Ina de Ariodant) Expert, Pillard) soprano+piano ALBUM Caribic no problem! 12 Arrangements (1. Bring Me Half A Hoe – Jamaica; 2. Cha Cha Ballahoo – Jamaica; 3. Chi Chi Bud – Jamaica; 4. Play Fo’Ma Dogoma – Trinidad; 5. Docta Bud – Jamaica; 6. Emma Le’Me’Lone – Trinidad; 7. Janey Girl – Jamaica; 8. Late A Come – Jamaica; 9. Lion Heart - Jamaica; 10. Moon A Shine – Jamaica; 11. Time For Man Go Home – Westindische Inseln; 12. Ophelia Letter Blow Away – Trinidad) (Torkel) SATB-voices+optional percussion score ALBUM 10 Folk Songs for Solo Voice. For Concerts, Contests, and Recitals (Railroad Medley [The Wabash Cannon Ball, She’ll Be Comin’ ‘Round the Mountain, I’ve Been Working on the Railroad); I Know Where I’m Going; Simple Gifts; Beautiful Dreamer; The Erie Canal; The Ash Grove; Arkansas Traveler; Aura Lee; Billy Boy; Groober Peas] (Hayes) medium low voice+piano CD included ALBUM Sacred Solos for All Seasons: 20 Songs for Solo Voice and Piano for Use Throughout the Church Year (The Twenty Third Psalm; Lord, here Am I; Upon This Rock; My Savior and My God; We’re Fellowship of Believers; Bringing in the Sheaves; Precious Jesus; Come Follow Me; And the Crowd Cried Out; I Will Remember Thee; Christ Is Risen, Alleluia!; When My Lips Can Frame No Sound; Listen here, Listen Here; Blessed Is He; Gentle Mary, Tender Mary; This We Pray; Battle Hymn of the Republic; Amazing Grace; Hodie; Benediction) (Althouse) medium high voice+piano CD included ALBUM Weddings for choirs. 40 Perfect SATB pieces (Anonymus: Rejoice in the Lord always; Malcolm ARCHER/Georg Friedrich HÄNDEL: Rejoice!; Johann Sebastian BACH/Charles GOUNOD: Ave Maria; Johann Sebastian BACH: Jesu, joy of Man’s desiring; Now thank we all our God; James Leith MacBeth BAIN: Brother James’s Air; The Lord’s my shepherd; Edward C. BARSTOW: I sat down under His shadow; Though I speak with the tongues of men; Adrian BATTEN: O sing joyfully; Johannes BRAHMS: Geistliches Lied: Lass dich nur nichts nicht dauern; Andrew CARTER: Deep Peace; Go before us, O Lord; God be in my head; Bob CHILCOTT: If ye love me; Irish blessing: May the road rise to meet you; Love; John CLEMENTS: Come, my way, my truth, my life; Ian CREW: Now lies the earth; Gerald FINZI: My lovely one; César FRANCK: Panis Angelicus – Bread of the angel host; Georg Friedrich HÄNDEL: Hallelujah; John HARPER: Psalm 150: Praise God in his holy place; Gabriel JACKSON: Song: I gaze upon you; Philip LEDGER: I will lift up mine eyes; Joel MARTINSON: Arise, my love; The Invitation: Come ye hither all; William MATHIAS: Let the people praise thee, O God; Philip MOORE: How do I love thee?; Wolfgang Amadeus MOZART: Laudate Dominum – O Praise the Lord; Peter PARSHALL: A new commandment; John RUTTER: God be in my head; My true love hath my heart; The Lord bless you and keep you; Franz SCHUBERT: Ave Maria – Hail, O Mary; Charles Villiers STANFORD: Beati quorum via; Antonio VIVALDI: Gloria in excelsis Deo; Richard WAGNER: Here comes the bride!; William WALTON: Set me as a seal; Healey WILLAN: I beheld her, beautiful as a dove; Rise up, my love, my fair one) (Martin, Parshall) SATB-choir+organ score ALBUM Découvrir l’Opéra français – Airs (André GRÉTRY 1741-1813: Ariette de Laurette “Je crain de lui parler la nuit” de Richard Coeur de Lion; Charles GOUNOD 1818-1893: Récit et Ballade du Roi de Thulé “Il était un Roi de Thulé” de Faust; Léo DELIBES 1836-1891: Couplets de la dévote “Portons toujours des robes sombres” de Le Roi l’a dit; Jules MASSENET 1842-1912: Air du Prince charmant “Coeur sans amour” de Cendrillon, Chanson d’Avignon “En Avignon, pays d’amour” de Grisélidis, Air de Manon “Adieu, notre petite table” de Manon, Air de Sophie “Du gai soleil: de Werther) (Semellaz) soprano+piano CD included

15,00

10,55

31,45

37,45

20,30

38,85

76

710324

900842

157901 158689 147485 155841 152003

158155

155870 155877 900851 155880 155868

710027

ALBUM Les classiques du chant choisis et commentés (BACH: Großer Herr de Oratorio de Noël; BERLIOZ:: Voice des roses de La Damnation de Faust; CAMPRA: Sombres forêts de Tancrède; DONIZETTI: Come Paride vezzoso de L’Elisir d’Amore; GLUCK: C’est un torrent impétueux de La Rencontre imprévue; HAENDEL: Tu sei il cor di questo core de Giulio Cesare; HAYDN: Salva, salva, ajuto de La Fedeltà Premiata & Schon eilet froh der Akkermann de Les Saisons; KREUTZER: Ein Schütz bin ich de Das Nachtlager in Granada; MASSÉ: Enfin me voila seul de Les Noces de Jeannette; MONTEVERDI: Tu se’ morta de L’Orféo; MOZART: Con un vezzo all’italiana de La Finta Giardiniera, Deh vieni alla finestra de Don Giovanni & Non sia de rotrosi de Cosí fan tutte; PUCCINI: Questo amor vergogna mia de Edgar; PURCELL: I attempt from love’s sickness to fly de The Indian Queen; ROSSINI: Élégie “L’ultimo ricordo”; SCHUBERT: Was kümmert mich ein sumpfig Land de Des Teufels Lustschloss; VERDI: Romance “Non t’accostare all’urna”) (Bonnardot) baritone+piano CD included ALBUM Arias from Eighteenth-Century French Operas Book 2: Six Arias for Soprano (Nicolas-Marie DALAYRAC 1753-1809: 1. Air de Sophie Acte II Scène 3 from Sargines, ou l’Elève de l’amour; 2. Air de Lise Acte I Scène 4 from Maison à vendre; 3. Un coeur encor adolescent & 4. Récitatif et Air de Lucrèce from La jeune Prude, ou Les Femmes entre elles; François-André Danican PHILIDOR 1726-1795: Chanson de Justine Acte II Scène 2 from Le Sorcier; Etrienne-Nicolas MÉHUL 1763-1817: Rondeau d’Isabelle from L’Irato, ou L’Emporté) (Expert, Pillard) soprano+piano ABOULKER Isabelle Quatre contes musicaux pour les petits children’s choir+piano or soprano+piano ANONYMUS (PINO Antonio ?) 17th century Laudate pueri Dominum (Psalm 112) (Ruhland) bass voice+C-trumpet+continuo ARGENTO Dominick The Andrée Expedition. Song-Cycle (1983) baritone+piano AVALON Anna van Poems of Passion Part I (1. The river; 2. Accused; 3. Oak tree; 4. Travel gently) voice+harp BACH Johann Sebastian 1685-1750 Johannespassion. Passio secundum Joannem. Fassung IV (1749) BWV 245 mit der unvollendeten Revision (1739) im Anhang (Wollny, Drinker) SATBB soloists+SATB-choir+piano vocal score BASSANI Giovanni Battista 1657-1716 Two Motets: 1. Audite Fideles Anime; 2. Regina Coeli from Motetti a voce sola Opera 12 (Luckhardt) soprano+continuo BEACH Amy (Mrs. H.H.A. BEACH / Amy Marcy CHENEY) 1867-1944 Four Songs Op. 56 (1. Autumn Song; 2. Go not too far; 3. I know how to find the Spring; 4. Shena Van) high voice+piano Four Songs Op. 56 (1. Autumn Song; 2. Go not too far; 3. I know how to find the Spring; 4. Shena Van) low voice+piano Four Songs Op. 51 (1. Ich sagte nicht; 2. Wir drei; 3. Juni; 4. Je demande à l’oiseau) high voice+piano BIZET Georges 1838-1878 Sixteen Songs Book 1 (1. La Sirène; 2. Ouvre ton coeur; 3. Pourquoi pleurer; 4. Voyage; 5. Aubade; 6. La Nuit; 7. Le Doute; 8. Conte) medium voice+piano Sixteen Songs Book 2 (9. Aimons, rêvons; 10. La chanson de la rose; 11. Qui donc t’aimera mieux; 12. Le Gascon; 13. N’oublions pas!; 14. Si vous aimez; 15. Pastel; 16. L’Abandonnée) medium voice+piano Toreador Song from Carmen (Rutter) soprano+optional mezzo soprano+baritone+TTBB-choir+piano choral score

16,95

10,45 42,80 16,70 36,75 15,00

14,15

12,85

7,85 7,85 7,45

23,75

23,75 3,05

77

710055

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710025 154650

078006 710064 900852

155872 156650 156693 156651 152031 156701 156658 156705 156659

710023 156654 159167 156707

BORODIN Alexander 1833-1887 Four Songs (1. Chanson de la forêt sombre; 2. Fleurs d’amour; 3. La reine de la mer; 4. Clair jardin . . . ) mezzo soprano/baritone+piano text Russian, French, English, German BOTTELIER Ina *1943 Quatre poèmes de Ronsard (1. À Cassandre; 2. Prends cette rose aimable; 3. Une beauté de quinze ans enfantine; 4. Derniers vers pour Cassandre) soprano/tenor+piano Quatre poèmes de Ronsard (1. À Cassandre; 2. Prends cette rose aimable; 3. Une beauté de quinze ans enfantine; 4. Derniers vers pour Cassandre) soprano/tenor+guitar BRAHMS Johannes 1833-1893 Geistliches Lied (Rutter) SATB-choir+organ choral score BURT Francis *1926 Bavanrian Gentians für Kammerchor und sechs Instrumentalisten nach einem Gedicht von D.H. Lawrence (1956/2001) SATB-choir+3 percussionists+piano+cimbalom+harp study score BUTT James Hebridean Rainbows. Songcycle (Anna Adams) high voice+harp CACCINI Giulio 1545-1618 Le nuove musiche . Madrigals and Arias Book I (Movetevi à pietà; Queste lagrime amare; Dolcissimo sospiro; Amor, io parto; Non più guerra, pietate; Perfidissimo volto) (Perinello) voice+piano Le nuove musiche . Madrigals and Arias Book II (1. Vedrò il mio sol; 2. Amarilli mia bella; 3. Sfogava con le stelle; 4. Fortunato angellino; 5. Dovrò dunque morire; 6. Filli, mirando il cielo) (Perinello) voice+piano CAPLET André 1878-1925 Trosi Poèmes de G. Jean-Aubry (1. Le sable fin et fuyant . . . : 2. Angoise; 3. Préludes) voice+piano CARTER Andrew *1939 Oh, how joyfully SATB-voices+piano score I am all-fair SATB-voices+organ choral score Venezuelan Carol SATB-voices+piano choral score Take Heart, the Journey’s Ended. A Provençal Coral Tune SATB-choir+organ choral score A Blake Triptych: The Tyger, Cradle Song, Summer upper voices+piano score Anthems: 10 Anthems for mixed voices SATB-voices+piano/organ score CHILCOTT Bob *1955 Your Face SAB-voices+piano choral score Anthems (1. And Thank Him Then; 2. Be Thou My Vision; 3. Even Such Is Time; 4. God So Loved The World; 5. If Ye Love Me; 6. Irish Blessing; 7. Just As I Am; 8. Song; 9. Sweet Prospect; 10. Walk Softly) SATB-voices+piano/organ some divisions, choral score Song soprano or tenor solo+SATB-voices+F-horn+piano choral score The Time of Snow SATB-voices+piano choral score In the heart of the world SATB-voices+piano choral score DALEY Eleanor The Lake Isle of Innisfree upper voices+piano choral score

5,95

20,00 22,50 3,05

35,35 17,40

8,95

8,95 11,05 6,00 3,90 3,90 3,05 14,20 14,20 4,90

14,20 6,00 4,90 4,90 3,90

78

150745 155876

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157931 157933 710071 133895 157933 155498

155869 155881 150747

DENISOV Edison 1929-1996 Ton image charmante. Dix mélodies soprano/tenor+piano DONIZETTI Gaetano 1797-1848 Matinée musicale Book 2 (6. La Gelosia – Duettino; 7. L’Addio – Duettino; 8. La Corrispondenza amorosa – Solo; 9. La Campana – Quartettino; 10. Rataplan – Quartettino) 1, 2 and 4 voices+piano DOWLAND John 1563-1626 Complete Lute Songs V: A Pilgrimes Solace (1612) [1. Disdain me still, that I may ever love; 2. Sweet stay a while, why will you rise?; 3. To aske for all thy love; 4. Love those beames that breede; 5. Shall I strive with words to move; 6. Were every thought an eye; 7. Stay time a while thy flying; 8. Tell me true Love; 9. Goe nightly cares, the enemy to rest; 10. From silent night; 11. Lasso vita mia, mi fa morire; 12. In this trembling shadow; 13. If that a Sinners sighes be Angels food; 14. Thou mighty God (the first part); 15. When Davids life by Saul (the second part); 16. When the poor Criple (the third part); 17. Where Sinne sore wounding; 18. My heart and tongue were twinnes; 19. Up merry Mates, to Neptunes praise (A Dialogue); 20. Welcome blacke night; 21. Cease these false sports; 22. A Galliard to Lachrimae] (Wolff) voice+guitar DUTEIL Yves 30 ans de chansons (Virages; Marie merveille, Marie bonheur; L’écritoire; Tisserand; Les Batignolles; J’attends; La tarantelle; Le petit pont de bois; Prendre un enfant; Le mur de la prison d’en face; J’ai la guitare qui me démange; Mélancolie; Trente ans; L’opéra; Les fées; Au parc Monceau; Le gens sans importance; La statue d’ivoire; Clémentine et Léon; La langue de chez nous; Le cirque; Pour les enfants du monde entier; Ton absence; La rumeur; Retour d’Asie; Bientôt vingt ans; Dreyfus; Autour d’elle; La tibétaine; Apprendre) (Leclerc) voice+piano CD included DVOŘÁK Antonin 1841-1904 Messe D-Dur Op. 86 (Burghauser, Čubr) soloists+choir+organ score FAURÉ Gabriel Urbain 1845-1924 Requiem Op. 48 (Bredenbach) soloists+choir+organ score Two Duets Op. 10 (1. Puisque’ici-bas toute âme . . . ; 2. Tarentelle) 2 sopranos+piano or soprano+tenor+piano FAURÉ Gabriel Urbain 1845-1924 / MESSAGER André 1853-1929 Messe des pêcheurs de Villerville pour choeur de femmes et orchestre de chambre (Gartenlaub, Nectoux) female choir+piano vocal score Requiem Op. 48 (Bredenbach) soloists+choir+organ score FISCHER Frank Café del Mar Collection: 10 great chill-out tracks from the legendary Café del Mar arranged for voice and piano with chord symbols. Includes backing track CD and video [1. Altogether Blue (The Horns Of Plenty); 2. Close Cover (Wim Mertens); 3. Gabriel (Lamb); 4. Redemption Song (Moodswings); 5. Smokebelch II – Beatless mix (Sabres Of Paradise); 6. So Long Ago, So Clear (Jon & Vangelis); 7. The Look Of Love (Dusty Springfield); 8. Tout Est Bleu (Ame Strong); 9. Utopia (Goldfrapp); 10. Whispering Wind (Moby)] (Sotomayor) piano+vocal+chords CD included FOOTE Arthur 1853-1937 Four Songs Op. 67 (1. Dew in the heart of the rose; 2. Love guides the roses; 3. Once at the Angelus; 4. Before sunrise) low voice+piano Song from the Rubáiyát Op. 40 voice+piano FRANCÈS Robert *1919 Paysages Musicaux – Melodies [1. Les grands vents venus d’outremer (de Régnier); 2. Venise (Nietzsche); 3. L’automne (Nietzsche); 4. Le Rhin (Moréas); 5. Obsession (Baudelaire); 7. Mélancolique Mer (Moréas); 8. Notre Père] medium voice+piano

37,15

11,05

32,00

37,25 15,40 10,30 5,95

30,90 10,30

34,85

9,45 6,25

37,15

79

155644

157842 157594 710074

155871 900850

156717 157147 155838 158259 158156 153739 158012 155634 156086

154839 155612 153290

FRANCK Johann Wolfgang 1644-1710 Musikalische Andachten (Hamburg, 1687) Band I (1. Canto solo: Ach herr, strafe mich nicht; 2. Alto solo: jesu, o du süßer Nahm; 3. Canto solo: Jesu, liebste Freund der Seelen) und Band II (4. Canto solo: Laß, o Herr, dein Ohr sich neigen; 5. Canto solo: Ich will in aller Noth auf meiner Jesu bauen; 6. Canto solo: Sey mir still und harr auf Gott) (Wessel) voice+continuo GÁRDONYI Zoltán 1906-1986 Lobgesang nach Psalm 45 (1960/1981) SATB-choir+organ score GOUNOD Charles 1818-1893 Messe Sainte Cecile (Lölkes) 2 equal voices (soloists and tutti)+organ/piano full score Six Cantiques: 1. Le Ciel a visité la terre; 2. Le Nom de Marie; 3. Chantez, voix béniés!; 5. L’Anniversaire des martyrs; 6. Notre Dame des petits enfants soprano+piano 4. Départ des missionaires 2 sopranos+piano GRIEG Edvard 1843-1907 Norwegian. Five Songs on Poems by John Paulsen Op. 58 (1. Heimkehr; 2. An das Vaterland; 3. Henrik Wergeland; 4. Die Sennerin; 5. Der Auswanderer) voice+piano Poems by Vilhelm Krag Op. 60 (1. Margarethlein; 2. Die Mutter singt; 3. Im Kahne; 4. Ein Vogel schrie; 5. Zur Jobhannisnacht) voice+piano HÄNDEL Georg Friedrich 1685-1759 Hallelujah Chorus from Messiah (Rutter) SATB-choir+piano choral score HENZE Hans Werner *1926 Whispers from Heavenly Death. Cantata (Walt Whitman) (1948/1999) high voice and piano revised edition HIJMANS Bram 1932-1996 Aloeëtte voice+piano IMAÑA Clemente 17th century “Filis Yo tengo”. Aria soprano+bassoon+continuo score, harpsichord part and bassoon part JOHNSON Robert 1583-1633 10 Songs (Luckhardt) soprano+continuo KARG-ELERT Sigfrid 1877-1933 Benedictus für Soli, Chor, Violine, Harfe oder Klavier ad libitum, und Orgel Op. 82/1 soloists+choir+violin solo+organ with optional; harp or piano score Vom Himmel hoch, Kanzone für Sopran-solo, Chor, Violin and Orgel Op. 82/2 soprano+choir+violin+organ score KEMPFF Wilhelm 1895-1991 Der neue Petrarca high voice+piano KING Carole *1942 You’re the voice. Ten timeless classics arranged for voice, piano and guitar, as performed and recorded by the legendary Carole King [(You Make Me Feel Like) A Natural Woman; Beautiful; Crying In The Rain; I Feel The Earth Move; It’s Too Late; So Far Away; Way Over Yonder; Where You Lead; Will You Love me Tomorrow; You’ve Got A Friend] voice+piano+guitar CD included LEUFGEN Friedrich *1958 Trauerfarbene Seel – Trauerfarbenes Land flute+narrator MacMILLAN James *1959 Te Deum mixed choir+organ English text from Book of Common Prayers, score MARTINSON Joel When the Morning Stars Together SATB-choir+trumpet+organ choral score

30,85 21,85 28,80

14,95

7,85 5,95 3,90 21,80 10,00 14,50 16,05 15,40 17,35 21,85

34,85 11,70 6,10 3,25

80

156696 157497

155882 710022 710072 158180

156700 157601

155638 157322

156068

158190

MATTHIAS William 1934-1992 Ad majorem Dei gloriam SATB-voices+organ choral score MEACOCK David Handel’s Messiah from Scratch. Soprano edition. A unique rehearsal and performance edition for choirs. CD with full choral demonstration tracks. Unique vocal warm-ups. Exercises for every chorus (full vocal score of all 21 choruses; full text of arias and recitatives; soprano part in larger easy-to-read format; compatible with other major editions; instrumental and solo cues; note-finding markings; performance notes and rehearsal tips; CD 1: superb professionally recorded orchestra and choral demonstration tracks for every chorus; soprano part increased in volume for easy learning; CD 2: unique vocal warm-ups; pracrtice exercises specially devised by editor and choral director David Meacock; slowed down versions of difficult sections) 2 CDs included MENDELSSOHN Fanny 1805-1847 Six Songs Op. 1 (1. Schwanenlied; 2. Wanderlied; 3. Warum sind denn die Rosen so blass; 4. Mayenlied; 5. Morgenständchen; 6. Gondellied) voice-piano Verleih uns Frieden (Rutter) SATB-choir+organ choral score MONTEVERDI Claudio 1567-1643 Lamento di Arianne (Respighi) voice+piano Lamento d’Arianna (1. Lamento d’Arianna a voce sola e basso continuo; 2. Lamento d’Arianne: Prima parte – Lasciatemi morire, Seconda parte – O Tesco, Tesco mio, Terza parte – Dove, dove è la fede, Quarta e ultima parte – Ahi ch’ei non pur rispande a 5 voci; 3. Pianto della Madonna sopra il Lamento d’Arianna a voce sola e basso continuo) (Malipiero) voice+continuo (1 & 3) score MOORE Philip *1943 Magnificat and Nunc dimittis SATB-voices+organ score MOZART Wolfgang Amadeus 1756-1791 Konzert-Arien für Sopran und Orchester Band III [“Vorrei spiegarvi, oh Dio!” KV 418 – Arie, Einlage in die Oper Il curioso indiscreto; “No, che non sei capace” KV 419 – Arie, Einlage in die Oper Il curioso indiscreto; “Ch’io mi scordi di te – “Non temer, amato bene” KV 505 – Rezitativ und Arie (Rondo) aus einer bearbeitung der Oper Idomeneo (Wien 1780); “Bella mia fiamma, addio” – “Resta, oh cara” KV 526 – Rezitativ und Arie aus der Festa teatrale Cerere placata von Niccolò Jomelli; “Ah se in ciel, benigme stelle” KV 538 – Arie aus dem Drama L’eroe cinese; “A; desio di chi t’adore” KV 577 – Rondo aus der Oper Le nozze di Figaro (Wiederaufnahme Wien 1789); “Al;ma grande e nobil core” KV 578 – Arie, Einlage in die Oper I due baroni di Rocca Azzurra; “Un moto di gioia” KV 579 – Ariette aus der Oper Le nozze di Figaro (Wiederaufnahme Wien 1789); “Schon lacht der holde Frühling” KV 580 – Arie, geplante Einlage in eine deutsche Bearbeitung von Il barbiere di Siviglia von Giovann Paisiello; “Chi sà, chi sà, qual sia!” KV 582 – Arie, Einlage in die Oper Il barbiere du bon cuore von Vicente Martin y Soler; “Vado, ma dove? oh Dei!” KV 583 – Arie, Einlage in die Oper Il barbiere di buon cuore von Vicente Martin y Soler] (Beyer, Banze) soprano+piano(-reduction) OBISPO Pascal / MAURICI Calogero Millésime voice+piano with guitar chords OLLONE Max d’ 1875-1959 Les Chants d’Exil – Mélodies [1. Laissez-le parler (Méterie); 2. Premier d’amour (Coppée); 3. Chanson de Page (Métérie); 4. Orage (Ollone); 5. Attante (Ollone); 6. Mandole (David); 7. Exil (Ollone)] medium voice+piano Les Chants d’Ailleurs – Mélodies [1. Jeune homme dis-nous pourquoi (Tagore); 2. Ce que tu m’offres volontiers (Tagore); 3. L’indifférente (poésie divers); 4. Paysages Grec: a. Je revois l’heureux age (Ollone), b. Sous le regard des dieux bienveillants à l’a (Ollone); 5. Canzonetta de Primavera (Ollone); 6. Berceuse persane (Ollone)] medium voice+piano PÄRT Arvo *1935 Salve Regina (2001) SATB-choir+organ choral score

3,90

34,60

11,05 2,75 5,95

15,35 4,90

29,55 7,70

37,15

26,90 14,05

81

158189 156698 156605 158868

154622

900849

157001

155681 159165 157934 158160

157991 157932 158095 158096

PÄRT Arvo *1935 Salve Regina (2001) SATB-choir+organ organ part PHILIPS Peter 1561-1628 Cantantibus organis (Lyne) SSATB-voices+organ choral score PIAZZOLLA Astor 1921-1992 Otoño porteño. Autumn of Buenos Aires (Escalada) SATB-voices+piano+optional percussion choral score PUBLIG Michael A Jazzy Christmas – Cool arrangements (Go Tell It On The Mountain; What Child Is This?; The First Noel; Bajuschki Baju; O Christmas Tree; Silent Night) SATB-voices/choir+piano/keyboard vocal score RIHM Wolfgang *1952 Das Rot. Sechs Gedichte der Karoline von Günderrode (1780-1806) (1990) (1. Hochroth, 2. Ist alles stumm und leer, 3. Des Knaben Morgengruß, 4. Des Knaben Abendgruß, 5. An Creuzer, 6. Liebst du das Dunkel) voice+piano RIMSKY-KORSAKOV Nicolai 1844-1908 Four Songs Op. 42 (1. Soupir, tremblants murmures; 2. Me voici, je te salue; 3. Enfin les noirs nuages vont s’éparpillant; 4. Mon doux chérubin) high voice+piano RIZZO Gene Accompanying the Jazz/Pop Vocalist. A Practical Guide for Pianists (1. Exploring Song Forms: Phrases & Periods; Ternary Form; Harmony & Cadence; Binary Forms; ThreeTheme Songs; Sinlge-Period/Strophic Form; 2. Intros And Endings: Intros: Vamps; Arpeggio on the V7; Recognizable Phrase; Sequence; For Songs Not Starting on the Tonic; Octave Displacement; Endings: Tag; Holding a Note; Pedal Point; Chromatic Repetitions; Sixths; 3. Writing A Lead Sheet: Do’s and Dont’s; 4. Accompanying Different Vocal Styles: Crooners, Storytellers, and Hybrids; Counterpoint; Voice Leading; 5. Descriptive Accompaniment: Pedal Points & Static Harmony; Sixths & Upper Neigbour Trills; Active Harmony with an independent Bass; Self-Contained Broken Chords; Thirds, Sixths, and the Beguine; 6. Tempo Rubato: Taking Turns; A Capella; Close Voicing; Keep It Simple ; 7. Transposition: Choosing a Key; Think Fast!; Two Complete Songs: “Crazy ‘Bout My Baby” for male voice, “Why?” for female voice) demonstration and playalong CD included ROTA Nino 1911-1979 Il Presepio su parole popolari toscane voice+2 violins+viola+cello score and parts RUTTER John *1945 Psalm 150 SSS soli+SATB-choir+brass ensemble+percussion+organ score SAINT-SAËNS Camille 1835-1921 Oratorio de Noël – Weihnachtsoratorium Op. 12 (Heimbucher) soloists+choir+organ score SANCES Giovanni Felice 1609-1679 Two Motets: 1. Audite me; 2. Domine Deus Meus from Motetti a voce sola 1638 (Luckhardt) soprano+continui SCHNEIDER Enjott *1950 (SCHNEIDER Norbert J.) Trakl-Träume. Meditationen (1987) low voice+piano SCHUBERT Franz 1797-1828 Messe G-Dur D.167 (Gerisch) soloists+choir+organ score SOR Ferdinando 1778-1839 The Complete Italian Arietts, Italian Duets, and the Three Canons in Two Books, Book 1: Three Italian Arietts, Sets 1 through 7 (Jeffery) 1-3 voices+guitar The Complete Italian Arietts, Italian Duets, and the Three Canons in Two Books, Book 2: Three Italian Arietts, Sets 8 through 10, Three Italian Duets, Sets 1 and 2, and the Three Canons (Jeffery) 1-3 voices+guitar

23,05 3,70 2,30

9,65

27,65

7,45

21,70 19,20 6,00 18,00

12,85 21,20 10,90

34,70

34,70

82

155964 158540 158541 158161 158162 710398 158591 710026 125066

153294 144145 153295 153298

STANFORD Charles Villiers 1852-1924 A Song of Trust Op. 113/2 unison voices+organ choral score Benedictus and Agnus dei in Bb major SATB-voices+organ choral score Benedictus and Agnus dei in F major SATB-voices+organ choral score STROZZI Barbara 1619-1664 Motet Salve Sancta Caro Dei from Sacri musicali affetti Opera 5 (Nr. 4) (Luckhardt) soprano+continuo Udite Amanti. 5 Arietten from Cantate, Ariette e Duetti, Opera Seconda (Luckhardt) soprano+continuo ST-PIER Natasha Tu trouveras (Leclerc) voice+piano+guitar THOMAS Stefan *1968 Laberintos soprano+T-recorder+violin score (soprano) and 2 playing scores VERDI Giuseppe 1813-1901 Brindisi from La Traviata (Rutter) soprano solo+tenor solo+SATB-choir+piano choral score Ave Maria. Volgarizzata da Dante per soprano solo, due violini, viola e due violoncelli (Horn) soprano+organ vocal score WILBURG Mack All Things Bright and Beatiful upper voices+piano 4-hands+optional flutes choral score O Filii et Filiae (O Sons and Daughters) from Season Songs SATB-choir+piano choral score Arise, O God and shine (Rejoice, the Lord is King) SATB-choir+organ choral score Sing Praise to Him SATB-choir+organ choral score

1,00 2,45 3,15 11,55 12,85 7,70 16,05 3,05 2,85 3,05 3,05 3,05 3,05

SOLO VOICE(S) AND/OR CHOIR WITH ORCHESTRAL ACCOMPANIMENT: 156685

150751 050645

157113

ALLEN Brett Lensley Nativity Scenes – Suite (I. 15th Century French Franciscan Processional: O Come, O Come, Emmanuel; II. John Henry HOPKINS: We Three Kings; III. Georg Friedrich HÄNDEL / William HULDFORD: Handelia; IV. Franz GRUBER: Silent Night; V. 14th Century German Melody: Good Christian Men Rejoice) narrator+string orchestra full score FLORENTZ Jean-Louis Magnificat – Antiphone pour la visitation Op. 3 tenor solo+SATB-choir+orchestra full score MOZART Wolfgang Amadeus 1756-1791 Kyrie in D minor KV.341(368a) (Focke) SATB-choir+2 flutes+2 oboes+2 clarinets+2 bassoons+4 horns+2 trumpets+timpani+strings+continuo vocal score RÜGGEBERG Michael *1941 Ein Haus voll Musik. Eine musikalische Geschichte für Erzähler und Orchester (1. Ouvertüre; 2. Der Mann und seine Musik; 3. Der Entschluss; 4. Der Hauskauf; 5. Die Melodie kehrt zurück; 6. Das große, stille Haus; 7. Die Zeitungsanzeige; 8. Die Streicherfamilie stellt sich vor; 9. Der Kontrabass; 10. Das Violoncello; 11. Die Violine und die Bratsche; 12. Das Streichquintett; 13. Die Holzbläser treten auf; 14. Die Klarinette; 15. Die Oboe; 16. Die Flöte; 17. Das Fagott; 18. Die Blechbläser kommen; 19. Das Blech spielt auf; 20. Die Schlagwerker ziehen ein; 21. Der Flügel; 22. Die Harfe; 23. Das Chaos oder die Katzenmusik; 24. Betroffenheit unter Musikern; 25. der Dirigent; 26. Zustimmung; 27. Gemeionsames Musizieren; 28. Finale) (Text Margret Rettich) narrator+orchestra score

36,65 140,60

5,15

30,85

83

157935 012719 710219 710220 900834

TELEMANN Georg Philipp 1681-1767 Die Hirten bei der Krippe zu Bethlehem – Geistliche Kantate TWV1:797 (Focke) SATB-soloists+SATB-choir+2 S-recorders+2 A-recorders+2 flutes+2 oboes+bassoon+2 horns+3 trumpets+timpani+strings+continuo vocal score Allein Gott in der Höh sei Ehr – Weihnachtskantate (Hofmann) bass/baritone solo+SATB-choir+optional trumpet+strings+continuo score TRAETTA Tommaso 1717-1779 Stabat Mater (Trinca) soprano solo+alto solo+SATB-choir+strings+organ score Stabat Mater vocal score TÜÜR Erkki-Sven *1959 Requiem ST soloists+SATB-chamber choir+piano+string orchestra vocal score

18,00 12,20 27,15 16,50 15,15

UNACCOMPANIED CHOIR: 157510

158093

156647

156649

156648

156646

159776

ALBUM Fair Oriana. Madrigals in celebration of Elizabeth I (Ellis GIBBONS 1573-1603: Long live fair Oriana; Thomas HUNT 1580-1658: Hark! Did ye ever hear?; Robert JONES 15971615: Fair Oriana; Edward JOHNSON 1572-1601: Come, blessed bird; Thomas BATESON 1570-1630: Oriana’s Farewell) (Summerly) SATB-choir with divisons, score ALBUM Chor aktuell. Basis. Eine Sammlung für das Chorsingen an allgemein bildenden Schulen (Kanons: Chormusik geistlich und weltlich; Liedsatz – Folklore; Gospel; Populäre Musik; Graphische Notation – Aleatorik - Sprechchor) (Suttner, Frey, Kalmer, Mettke) choir with and without accompaniment 100 pieces for choir in different voice combinations, paperback, 176 pages ALBUM English Carols c.1500-c.1620. Selected from the New Oxford Book of Carols (1. Thys endere nyght I saw a syght; 2. Lully, lulla, thow little tyne child – The Coventry Carol; 3. As I out rode this enderes night – The Coventry Shepherd’s Carol; 4. We happy hirdes men; 5. Swete was the song the Virgin’e soong; 6. Remember, O thou man; 7. Thus angels sung – The Angels’ Song) (Keyte, Parrott) 1-4-part voices score ALBUM English Traditional Carols. Selected from the New Oxford Book of Carols (1. The Boar’s Head Carol; 2. Now the Holly bears a berry – The St Day Carol; 3. The Cherry Tree Carol; 4. The Seven Joys of Mary; 5. Tomorrow shall be my dancing day; 6. Rehoice and be merry; 7. A virgin unspotted; 8. I saw three ships come sailing in) (Keyte, Parrott) 4-part voices score ALBUM European Carols up to 1750. Selected from the New Oxford Book of Carols (1. Riu, riu, chiu; 2. En! natus est Emmanuel/Lo! born is our Emmanuel; 3. Puer natus in Bethl;ehem/A boy is born in Bethlehem; 4. In dulci jubilo; 5. Es steht ein’Lind’im Himmelreich/There stood in heaven a linden tree; 6. Gaudete!) (Keyte, Parrott) 1-4-part voices score ALBUM Carols of the Middle Ages. Selected from the New Oxford Book of Carols (1. Veni, Redemptor/Come, thou Redeemer of the earth; 2. Angelus ad Virginem; 3. Verbum caro factum est: In hoc anni circulo; 4. Verbum Patris umanatur; 5. Qui creavit celum/He who made the earth so fair – Song of the Nuns of Chester; 6. Of the Father’s heart begotten/Corde natus ex Parentis) (Keyte, Parrott) 1-4-part voices score ALBUM Geistliche Lieder, Gospels und Spirituals für Frauenchöre (ADVENT: Wir warten auf das Licht; Nun öffnet eure Türen; Ein Warten geht durch diese Zeit; Lass dich auf die Freude ein; WEIHNACHTEN: Kommt mit zum Stall von Bethlehem; Wer Ohren hat, hört; Auf dem Weg nach Bethlehem; Auf Bethlehems Feldern; Singt von der Liebe der Heiligen Nacht; Über dunklen Feldern; Seht das Wunder ist geschehen; “Kleines Lamm”, sagt der Nachtwind; Darin ist erschienen die Liebe Gottes; Es war ein Tag der großen Wende; JAHRESWECHSEL: In der Stille dieses Tages; PASSION: Vor deinem Kreuz; Dank für

8,05

21,60

6,65

6,65

6,65

6,65

84

156690

156713 156704 710024 153455

156695 133848

154616

158172

156703 155844 152033

Golgatha; OSTERN: Christus ist vom Tod erstanden; Freude über Freude; PFINGSTEN: Kommt und empfangt den Geist; Komm du, Heiliger Geist; GOTTESDIENST: Komm zu uns in deinem Wort; Herr, rede du zu uns; Du höchster Gott; Du, dessen Name heilig ist; LOB UND DANK: O großer Gott, wie herrlich ist dein Wort; Herr, deine Güte reicht so weit; Preis und Anbetung sie unserm Gott; Lobsinget dem Schöpfer; Mein Herz wird jubeln; Christus, Herr, Hirte und Freund; Mit meinem Lied will ich dich loben; Ein Lied soll neu erklingen; Lobe den Herrn, meine Seele; Das ist ein köstlich Ding; Singet froh, wir haben Grund zum Danken; Singt Dankeslieder; Lobe den Herrn, sing ihm dein Lied; Jauchzt vor Gott, alle Länder der Erde; TROST: Der Herr ist treu; Alle Tage, alle Nächte; Meine Seele ist stille in dir; Gott verspricht, sein Volk zu heilen; Wenn das Dunkel dieser Welt; Bei dir bin ich angekommen; Wirf dein Anliegen auf den Herrn; Auf Gott allein will ich hoffen; GOTTES LIEBE: Darum freu ich mich an deiner Güte; FRIEDEN: Verleih uns Frieden; HOCHZEIT: Wo du hingehst; Ihr wagt es gemeinsam; GEBURTSTAG: Wir wünschen Gottes Segen; MORGENLIED: Morgenlicht leuchtet; Ein junger Tag bricht hell herein; Die Barmherzigkeit des Herrn; SEGEN: Gott, wenn du uns segnest; SPIRITUALS / GOSPELS: Holy, Holy; You Are My All In All; Swing Low; Just a Closer Walk with Thee; Babylon’s Falling; Steal Away to Jesus; All Night, All Day; My Lord, What a Morning; Oh, Hand me Down Your Silver Trumpet; Lord, I Want to be a Christian) (Heizmann) female choir choral edition BACH Johann Sebastian 1685-1750 Motetten zweifelhafter Echtheit: 1. Ich lasse sich nicht, du segnest denn BWV Anh. 159; 2. Jauchzet dem Herrn, alle Welt BWV Anh. 160 (Rempp) 2 SATB-choirs score BRUCKNER Anton 1824-1896 Christus factus est (Rutter) SATB-choir choral score CHILCOTT Bob *1955 Home, Sweet Home SATB-choir choral score My Prayer SSAATTBB-choir choral score CURTIS Natalie Songs and Tales from the Dark Continent (Songs, Tales and Proverbs of the Ndau Tribe; Songs and Tales of the Zulu Tribe) voices DALEY Eleanor Upon My Heart SATB-choir choral score EDLUND Lars *1922 Fem Folkvisor (1. Ant han dansa med mej; 2. Femton finnar; 3. Linda, min Linda; 4. U töisi gick i änge) (1970) mixed choir score FILZ Richard Vocal Percussion Volume I: Drums ‘n’voice. As accompaniment to a-cappella pieces, as accompaniment of instrumental ensembles, for percussion / instrumental teaching, rhythm training for all musicians, for singerxs, vocal ensembles and (school) choirs workshop book, CD included Vocal percussion Volume II: Latin. As accompaniment to a-cappella pieces, as accompaniment of instrumental ensembles, for percussion / instrumental teaching, rhythm training for all musicians, for singerxs, vocal ensembles and (school) choirs (Vocalisation of Latin Percussion Sounds: congas, bongos, cowbell, guiro, maracas, claves, shaker, surdo, agogo, bells, cuica, . . .; Vocalising Latin Rhythms: samba, bossa nova, cha cha, mambo, calypso; Sing Alongs; ‘body ‘n’voice’ rhythm workshops) workshop book, CD included GLOVER-KIND John A. I Do Like to Be Beside the Seaside (Carter) SATB-choir choral score HIJMANS Bram 1932-1986 Oliver Cromwell SAB-choir and sing-along public score JEFFERSON Robert L. A Pilgrim and a Stranger SATB-choir choral score

20,50

10,90 2,75 3,05 6,95

26,90 3,90

10,20

28,25

25,65 3,05 7,50 3,05

85

159272 159109 710366 157839

151618 158180

155609

046324 156714 710280 153311

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JOLAS Betsy *1926 Savez-vous qui est mon ami? 3-part choir choral score LACHNER Franz 1803-1890 Stabat Mater Op. 154 (Günther) SATB-choir+SATB-choir score MARKEAS Alexandros La Paix! Texte de l’auteur d’après Arostiphane mezzo soprano+children’s choir score MEIER Manfred *1936 That Land of Peace and Happiness. Vier Spirituals in Sätzen für gemischten Chor a cappella (1. Come and Go, 2. Burden Down, 3. Do Lord Remember Me, 4. Steal Away) SATB-choir choral score MONK Meredith *1943 Astronaut Anthem (1983) SATTBB-choir choral score MONTEVERDI Claudio 1567-1643 Lamento d’Arianna (1. Lamento d’Arianna a voce sola e basso continuo; 2. Lamento d’Arianne: Prima parte – Lasciatemi morire, Seconda parte – O Tesco, Tesco mio, Terza parte – Dove, dove è la fede, Quarta e ultima parte – Ahi ch’ei non pur rispande a 5 voci; 3. Pianto della Madonna sopra il Lamento d’Arianna a voce sola e basso continuo) (Malipiero) 5 mixed voices (2) score MOORE Philip *1943 Three Prayers of Dietrich Bonhoeffer (1. Morning Parayers; 2. Prayers in Time of Distress; 3. Evening Prayers) SATB-choir choral scores, each OLSSON Otto Emanuel 1879-1964 Ave Maris Stella SSAATTBB-choir choral score PASSEREAU Pierre 1509-1547 Il est bel et bon (Rutter) SATB-choir choral score POOS Heinrich *1928 Orpheu’s Laute (William Shakespeare) SSATB-choir+SSATB-choir choral score PROULX Richard Songs of Love and Old Age. Settings of Four Anonymous English Secular Texts (1. Thou sleepest fast; 2. Love is a secret, feeding fire, 3. Three score and ten; 4. The old man’s complaint) SSAATTBB-choir score SCHMIDT-LANDMEIER Arend Fair ist stark. Aufgeweckte Songs für hellwache Kinder (1. Hinter, vor und neben uns; 2. Fait ist stark; 3. Hausaufgaben; 4. Jürgen; 5. Familienleben; 5. Verliebt; 6. Das darfst du nicht!; 7. Straßen leben; 8. Martin Köster; So geht’s!) children’s choir with chord symbols, demo-CD included SCOTT John Behold, O God our defender SATB-choir with divisions, choral score TORKEL Wilhelm A. *1945 You’ll hear the trumpet. Spirituals & Gospels für gemischten Chor (1. Babylons falling; 2. Steal away; 3. I’m goin’up home; 4. Sometiomes I feel like a motherless child; 5. When the stars begin to fall; 6. ‘Zekile saw the wheel; 7. Wade in the water; 8. Ev’ry time I feel the Spirit) SATB-choir score

1,65 ??,?? 10,55

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4,05 3,70 2,75 6,45

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VOCAL SCORES OF OPERA, OPERETTA, MUSICAL, ORATORIO, MASSES: 099346 158303

BRITTEN Benjamin 1913-1976 Te Deum in C major FRANCK César 1822-1890 Les Béatitudes (Die Seligpreisungen) – Oratorium (Lölkes)

full score

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vocal score

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GOUNOD Charles 1818-1893 Mors et vita (1884). Trilogie sacrée pour choeur mixte, solistes et orchestre symphonique (Petrov) vocal score HÄNDEL Georg Friedrich 1685-1759 Deidamia HWV 42 Opera in tre atti (Pacholke) vocal score, Italian and German text HAYDN Franz Joseph 1732-1809 Die Schöpfung Hob.XXI:2 (Burmeister) vocal score Missa in tempore belli “Paukenmesse” (Hulme) vocal score KRENEK Ernst *1900 Jonny spielt auf. Oper in zwei Teilen Op. 45 (1925) textbook RAE James / CORNICK Mike “Cinderella” Jones. A musical for children complete, CD included ROSSINI Gioacchino 1792-1868 Ciro in Babilonia – An Opera in Two Acts vocal score TRAETTA Tommaso 1717-1779 Stabat Mater (Trinca) vocal score

48,00 41,10 15,15 16,25 10,20 60,35 47,55 16,50

ORCHESTRA WITH AND WITHOUT INSTRUMENTAL SOLOISTS: 157605 710077

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BEETHOVEN Ludwig van 1770-1827 Symphonie Nr. 2 D-Dur Op. 36 (Brown) orchestra study score COHEN Mary Carol Stringfest. Popular carols for flexible string ensemble with optional piano 2-part string ensemble+optional piano score and parts (3 playing scores for violin duo, viola duo and cello duo each; 3 parts for beginners, for violin. viola and cello each, piano part) COLLEDGE Kartherine & Hugh Simply 4 Strings: A Caribbean Suite: Four Pieces (1. Charley Marley; 2. Boysie; 3. The Wreck of the Sloop John B; 4. Mango Walk) elementary string orchestra score and parts DEBUSSY Claude 1862-1918 Children’s Corner (1. Doctor Gradus ad Parnassum; 2. Jimbo’s Lullaby; 3. Serenade for the Doll; 4. The snow is dancing; 5. The little shepherd; 6. Golliwogg’s cake walk) (Diermaier) children’s ensemble: 1st part in C : flute/violin/recorder 1st part in Bb- : clarinet, saxophone/trumpet 2nd part in C : flute/violin/recorder 2nd part in Bb- : clarinet/saxophone/trumpet bass part : bassoon/cello/double bass percussion part: side drum, triangle, woodblock piano part score and 7 parts HÄNDEL Georg Friedrich 1685-1759 Konzert für Orgel und Orchester g-Moll Op. 4/3 HWV 291 (Koopman) organ solo+orchestra score Konzert g-Moll Op. 4/1 HWV.289 (Best, Gudger) organ solo+orchestra score Konzert B-Dur Op. 4/2 HWV.290 (Best, Gudger) organ solo+orchestra score Konzert g-Moll Op. 4/3 HWV.291 (Best, Gudger) organ solo+orchestra score Konzert F-Dur Op. 4/4 HWV.292 (Best, Gudger) organ solo+orchestra score Konzert F-Dur Op. 4/5 HWV.293 (Best, Gudger) organ solo+orchestra score Konzert B-Dur Op. 4/6 HWV.294 (Best, Gudger) organ solo+orchestra score Konzert B-Dur HWV.294 (Best, Gudger) harp solo+orchestra score Konzert g-Moll HWV.287 (Best) flute/oboe solo+orchestra score

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HAYDN Franz Joseph 1732-1809 Symphonie Nr. 94 Mit dem Paukenschlag G-Dur Hob.I:94 orchestra score HOLLER Georg Augustin 1761-1820 Avertissement in D (Divertimento D-Dur) (Ruhland) D-horn solo+string orchestra score and parts KILLMAYER Wilhelm *1927 La joie de vivre. Kammerkonzert für kleines Kammerorchester mit obligater Oboe (1996) chamber orchestra with oboe solo study score LIGETI György *1923 Concerto Românesc (1951) orchestra score Konzert für Violine und Orchester (1990/1992) violin solo+orchestra score MUFFAT Gottlieb 1690-1770 Konzert F-Dur (Haselböck) harpsichord solo+2 violins+bass score MÜLLER-ZÜRICH Paul 1898-1993 Concerto turicensis für Streichorchester Op. 72 (Päuler) string orchestra score PÄRT Arvo *1935 Tabula rasa (1977). Doppelkonzert für zwei Violinen, Streichorchester und präpariertes Klavier 2 solo violins+string orchestra+prepared piano study score Tabula rasa (1977). Doppelkonzert für Violine, Viola, Streichorchester und präpariertes Klavier solo violin+solo viola+string orchestra+prepared piano study score PÄSSLER Carlo 1774-1865 Concerto per oboe, clarinetto e orchestra (Zanettovich, Bulfone) oboe solo+clarinet solo+orchestra score PROKOFIEFF Serge 1891-1953 Symphony No. 4 1st version Op. 47 (McBurney) symphony orchestra study score RICHTER Franz Xaver 1708-1789 Sinfonia B-Dur für Streicher string orchestra with continuo score string parts (violin I/II, viola, cello/double bass) separately, each harpsichord/organ Sinfonia c-Moll für Streicher string orchestra with continuo score string parts (violin I/II, viola, cello/double bass) separately, each harpsichord/organ RIHM Wolfgang *1952 Vers une symphonie flueve IV – Orchesterkomposition (1997/1998) Neufassung 2000 orchestra study score ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 Konzert für Flöte und Orchester Nr. 12 G-Dur Murray RWV C27 (Meier) flute+orchestra score SCHUBERT Franz 1797-1828 Sinfonie Nr. 8 C-Dur D.944 (Aderhold) orchestra full score Die acht Sinfonien (Nr. 1 D-Dur D.82; Nr. 2 B-Dur D.125; Nr. 3 D-Dur D.200; Nr. 4 c-Moll D.417; Nr. 5 B-Dur D.485; Nr. 6 C-Dur D.589; Nr. 7 h-Moll D.759; Nr. 8 C-Dur D.944) orchestra study score(s) SUK Joseph 1874-1935 Serenade Op. 6 string orchestra score TAKÁCS Jenö *1902 American Rhapsody [Drei Stücke – Drei Ländler: 1. Keltische Pastorale, 2. Paprika Jancsi (Hanswurst), 3. American Rhapsody] string orchestra score and set of parts (4/3/2/2)

30,85 23,15 21,20 51,35 42,35 23,75 13,45

37,90 37,90 19,70 40,80 18,00 2,85 5,15 18,00 2,85 5,15 65,65 36,00 75,80 87,40 13,15

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TELEMANN Georg Philipp 1681-1767 Konzert F-Dur TWV51:F2 (Kross) violin solo+orchestra score Konzert e-Moll TWV51:e3 (Kross) violin solo+orchestra score Konzert D-Dur TWV51:D10 (Kross) violin solo+orchestra score Konzert G-Dur TWV51:F8 (Kross) violin solo+orchestra score Konzert C-Dur TWV51:C2 (Kross) violin solo+orchestra score Konzert E-Dur TWV51:E2 (Kross) violin solo+orchestra score Konzert D-Dur TWV51:D9 (Kross) violin solo+orchestra score Ouvertüre D-Dur TWV55:D17 (Plietzsch) 2 C-trumpets+strings+continuo wit optional 2 oboes and bassoon 1st edition, score VIVALDI Antonio 1678-1741 Concerto D-dur für Solovioline, Streicher und Basso continuo Op. 3/9 (L’estro armonico) (Morgan) violin solo+strings+continuo score WALTON William 1902-1983 Façade Entertainments (Lloyd-Jones) orchestra study score Symphony No. 1 (Lloyd-Jones) orchestra study score

18,00 18,00 18,00 18,00 18,00 18,00 18,00 23,15

18,00 61,25 61,25

BOOKS OF MUSICAL INTEREST: 140928

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Die Symphonien Bruckners (Geleitwort von Lorin Maazel; Regina Back: “Wenn ich nur eine Ernäherende Stellung bekommen könnte”. Biographische Notizen zu Anton Bruckner 1824-1896; Egon Voss: Die Brucknersche Symphonie. Allgemeine Charakteristika; Doris Sonnefelder: Symphonie in d-Moll – Die “Nullte” oder “Annulierte”. Werkbetrachtung und Essay, Ein kompositorischer Schritt in die Zukunft; “Freilich habe ich Ursache, mich zu schämen:. Zum Problem der Fassungen bei Bruckner; Dorothea Redepenning: 1. Symphonie in c-Moll. Werkbetrachtung und Essay. Ein “kecker” Bissen; Der lange Weg zur “großen” Symphonie. Bruckner und seine Vorgänger; Bernhard Rzehulka: II. Symphonie in c-Moll. Werkbetrachtung und Essay. Der Raum öffnet sich. “Tönend bewegte Struktur” gegen “tönend bewegte Literatur”. Bruckner und die “Neudeutschen”; Egon Voss: III. Symphonie in d-Moll. Werkbetrachtung und Essay. Bruckners Schmerzenskind. “Der arme Organist aus Wien” und “der Meister aller Meister”. Bruckner und Wagner; Rüdiger Heinze: IV. Symphonie in Es-Dur. Werkbetrachtung und Essay. “Der Errfolg in Wien ist mir unvergeßlich”. Hornsignal und Vogelruf. Anton Bruckner und das Romantische; Peter Gülke: V. Symphonie in B-Dur. Werkbetrachtung und Essay. “Nicht um 1000 Gulden möchte ich das nochmals schreiben”. “Meine Sachen sind mir lieber”. Zum Verhältnis von Brucknwer und Brahms. Manfred Wagner: VI. Symphonie in A-Dur. Werkbetrachtung und Essay. Die “Kühnste”. “Verbessernde” Eingriffe. Dirigenten um Anton Bruckner; Renate Ulm: VII. Symphonie in E-Dur. Werkbetrachtung und Essay. “Wie klingt die Sinfonie?”. “Traumverwirrter Katzenjammerstil” – oder Was ist das “Musikalisch-Schöne” wirklich?. Bruckner und Hanslick – zwei Antipoden; Peter Jost: VIII. Symphonie in c-Moll. Werkbetrachtung und Essay. “Vielleicht läßt sich durch eine Umarbeitung viel erreichen”. “Allerdurchlauchtigster, Großmächtigster, Allergnädigster Kaiser”. Bruckner und die Hierarchie; Wolfgang Stähr: IX. Symphonie in d –Moll. Werkbetrachtung und Essay. Abschied vom Leben – Bruckners “Unvollendete”. Ein unzerstörbares Credo. Die Frage nach der Religiosität Anton Bruckners; Conclusio: Jutta Pumpe: Erkenntnisse – Verkenntnisse. Essay. Zwei Beispiele aus der Bruckner-Rezeption) (Ulm) paperback, 255 pages Messe und Motette (A. MESSE. I. Lateinsiche einstimmige Messe: 1. Bedeutung; 2. Proprium missae und Ordinarium missae; 3. Entwicklung im hohen und späten Mittelalter; II. Missa graeca; III. Glagolitische Messe: 1. Entstehung und Entwicklung; 2. 20. Jahrhundert; IV. Mehrstimmige Meßvertonungen bis 1600: 1. Einleitung; 2. Anfänge der

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Meßkomposition; 3. Vom Satzpaar zum Ordinariumszyklus; 4. Die zyklische Form zwischen 1450 und 1520; 5. Parodienmesse; 6. Gebrauchsfunktionen und Reformansätze im 16. Jahrhundert; 7. Tridentinum und Gegenreformation; 8. Regionale Entwicklungen im späten 16. Jahrhundert; V. Mehrstimmige Meßvertonungen des 17. bis 20. Jahrhunderts: 1. 17. Jahrhundert; Exkurs: Orgelmesse: 1. Begriff; 2. Die Alternatim-Orgelmesse; 3. Weitere Arten von Orgelmusik für den Meßgottesdienst; 2. 18. Jahrhundert; 3. 19. Jahrhundert; 4. 20. Jahrhundert; VI. Requiem: 1. Allgemeines; 2. Geschichte, Theologie, Texte; 3. Mehrstimmigkeit vor 1600; 4. Motetten zur Totenliturgie; 5. Das Requiem bis um 1800; 6. 19. Jahrhundert; 7. 20. Jahrhundert; B. MOTETTE: I. Terminus und Entstehung: 1. Terminus; 2. Entstehung; II. Bis ca. 1329; 3. Bis ca. 1420; IV. 15. und 16. Jahrhundert: 1. Terminologie und Typologie; 2. Pluralisierung der Gattung im 15. Jahrhundert; 3. Sakralisierung und Trivialisierung; Exkurs I: Motetti missales. 4. Liturgische Gebrauchsfunktionen um und nach 1500: Psalm, Antiphon, Hymnus; 5. Sonderformen; Exkurs II: Motetten-Chanson. 6. Liturgisierung in der zweiten Hälfte des 16. Jahrhunderts; 7. Überlieferung; V. Vom Barock bis zur Gegenwart: 1. Die Entstehung der konzertierenden Motette; 2. Anfägne in Norditalien und Rom; 3. Motetten in Nord- und Mittelitalien; 4. Die römische Motette im 17. Jahrhundert; 5. Die italiensiche Motette seit dem Ende des 17. Jahrhunderts; 6. Motetttenkomposition in den protestantischen Gebieten des deutschsprachigen Raums und in Frankreich; 7. Motettenkomposition in katholischen Gebieten des deutschsprachigen Raums; Exkurs: Anthem; 8. Das 19. und 20. Jahrhundert) (Lütteken) paperback, 200 pages

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Schumann Forschungen 7: “Neue Bahnen”. Robert Schumann und seine musikalische Zeitgenossen. Bericht über das 6. Internationale SchumannSymposium am 5. und 6. Juni 1997 im Rahmen des 6. Schumann-Festes, Düsseldorf [Klaus Wolfgang Niemöller: Vorwort; Abkürzingen; Friedhelm Krummacher: Schumann in Opposition . Die Streichquartette op. 41 im gattungsgeschichtklichen Kontext; Mária Eckhardt: Franz Liszt als Bearbeiter und Vermittler von Werke Robert Schumanns; Bernhard R. Appel: Robert Schumann und die Komponistin Elise Müller; Ute Bär: Robert Schumann und Ferdinand David; Gerd Nauhaus: Schumann und Carl Reinecke; Joachim Draheim: Schumanns Schwager Woldemar Bargiel als Komponist; Renate Hofmann: Die Beziehungen zwischen Theodor Kirchner und Robert und Clara Schumann; Volker Kalisch: Heines Geist aus Schumanns Händen. Eine Interpretation der Ballade Die beiden Grenadiere op. 49/1 (mit Blick auf Richard Wagners Les deux grenadiers); Peter Jost: Karl Ritter, Komponist zwischen Schumann und Wagner; Beatrix Borchard: Ein später Davodsbund. Zum Scheitern von Joseph Joachims Konzept einer psychologischen Musik; Matthias Wendt: Keine “Neue Bahnen”? – Schumann als Berater und Förderer junger (und wenig junger) Komponisten; Thomas Synofzik: . . . fruchtbares Streben verratend. Friedrich Eduard Wilsing in der Kritik Robert Schumanns; George S, Bozarth: Brahms und Schumann: Erinnerungen in Musik; Akio Mayeda: Schumanns Motto und Brahms’ Erste Symphonie. Motivanalyse und Versuch einer Deutung; Michael Struck: BeziehungsProbleme: Zum Verhältnis der Komponisten Schumann und Brahms, dargestellt am Beispiel von Violinsonaten; Klaus Wolfgang Niemöller: Suitenbildung mit alten und neuen Tänzen in der Klaviermusik von Schumann und Brahms; Linda Correll Roesner: Brahms und die Schumann-Gesamtausgabe] (Appel) bound, 369 pages

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Fanny Hensel. Tagebücher (Einleitung; Zum vorliegenden Band; Abbildungen; 1829, 1830, 1831, 1832, 1833, 1834, 1835, 1839, Beginn der ersten Italien-Reise, 1840, 1841, 1842, 1843, 1844, 1845 - Beginn der zweiten Italien-Reise, 1846, 1847, Dokumente zum Tod Fanny Hensels; Kommentar; Literaturverzeichnis; Verzeichnis der Werke von Fanny Hensel; Verzeichnis der Werke von Felix Mendelssohn-Bartholdy; Personenverzeichnis) (Klein, Elvers) bound, 378 pages

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A Schnittke Reader. Alfred Schnittke. With a Foreword by Mstislav Rostropovich (I. Schnittke speaks about himself: 1. From Conversation with Alexander Ivashkin 19851994; II. Schnittke on the Lenin Prize: 2. Letter to the Lenin Prize Committee 1990; III. Schnittke on his own compositions: 3. On Concerto grosso No. 1 late 1970s; 4. On the Fourth Symphony 1984; 5. On Film and Film Music 1972, 1984, 1989; 6. On Staging Tchaikovsky's The Queen of Spades 1977; IV. Schnittke on creative artists: Composers: 7. On Shostakovich: Circles of Influence 1975; 8. On Prokofiev 1990; 9. On Gubaidulina 1970s; 10. On Kancheli 1981, 1991; 11. In Memory of Filip Moisevich Gershkovich Performers: 12. On Sviatoslav Richter 1985; 13. On Gernadi Rozhdestvensky 1991; 14. Subjective Notes on an Objective Performance on Alezei Liubinov 1973; A Writer: 15. On

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Viktor Jerofeev 1988; A Painter: 16. On the Paintings of Vladimir Yankilevsky 1987; V. Schnittke on twentieth-century music: 17. Polystylistic Tendencies in Modern Music c.1972; 18. The Orchestra and the New Music early 1970s; 19. The Problem of Giving Outward Expression to a New Idea 1982; 20. From Schnittke’s Archive 1970s and 1980s; 21. On Jazz 1984; 22. Timbral Relationships and Their Functional use: The Timbral Scale 1970s 23. Klanfarbenmelodie – Melody of Timbres 1970s; 24. Functional Variability of Linein Orchestral Texture 1970s; 25. A New Approach to Compositon: The Statistical Method 1970s; 26. Stereophonic Tendencies in Modern Orchestral Thinking 1970s; 27. Using Rhythm in Overcome Meter 1970s; 28. Static Form: A New Conception of Time 1970s; 29. Paradox as a Feature of Stravinsky’s Musical Logic 1973; 30. Timbral Modulations in Bartók’s Music for Strings, Percussion and Celesta 1970s; 31. The Principle of Uninterrupted Timbral Affinities in Webern’s Orchestration of Bach’s Fuga (Ricercata) a 6 voci 1970s; 32. The Third Movement of Berio’s Sinfonia: Stylistic Counterpoint, Themataic and Thematisicm; 33. Ligeti’s Orchestral Micropolyphony 1970s; VI. Schnittke as seen by others: 34. Gidon Kremer 1989; 35. Gernadi Rozhdestvensky 1989; 36. Vladimir Yankilevsky 1989; 37. Mstislav Rostropovich 1990; 38. Mark Lubotsky 1998) (Ivashin) bound, 268 pages

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Europäische Musikgeschichte. 2 Bände (Band I: Europäische Musik im Spiegel ihrer Geschichte: 1. Michael Zimmermann: Was ist Musik?; 2. Carl Dahlhaus: Was ist Musikgeschichte?; 3. Rudolf Stephan: Die ästhetische Gegenwart der Alten Musik; Der Ursprung des Musikwerks: 4. Hartmut Möller: Die Schriftlichkeit der Musik und ihre Folgen; 5. Hartmut Möller: Die Modernen Musiker des 14. Jahrhunderts; 6. Michael Zimmermann: Johannes Tinctoris und der Beginn der Neuzeit; 7. Helmut Hucke: Die Messe als Kunstwerk; Musik wird zur Tonkunst: 8. Silke Leopold: Kontrapunkt und Textausdruck; 9. Wilhelm Seidel: Der Streit um die italienische und die französische Oper um 1700; 10. Arno Forchert: Zwischen Schütz und Bach: Theaterstil und Kirchenmusik; 11. Peter Cahn: Scheibes Kritik an Bach und das Ende des Barock; 12. Donald Burrows: Handel in London; 13. Wolfgang Ruf: Instrumentalmusik als Klangrede; 14. Gerhard Allroggen: Opernreform und Publikum in Paris; 15. Ludwig Finscher: Galanter und gelehrter Stil: Der kompositionsgeschichtliche Wandel im 18. Jahrhundert; Band II: Das Musikleben im 19. Jahrhundert: 16. Carl Dahlhaus: Absolute Musik; 17. Arnfried Edler: Virtuose und poetische Klaviermusik; 18. Norbert Miller: Deutsches Bildungsbürgertum und italienische Oper; 19. Thomas Kabisch: Konservative gegen Neudeutsch, oder: Was heißt “außermusikalisch”?; 20. Carl Dahlhaus: “Wagnerianer” und “Brahminen”; 21. Siegfried Schibli: Tschaikowsky und das “mächtige Häuflein”; 22. Renate Groth: Debussy und das “Französische” in der Musik; Musikverstehen und Neue Musik: 23. Volker Scherliess: Schönberg und Strawinsky: Zwei Wege der Neuen Musik; 24. Stephen Hinton: Analyse statt Ästhetik; 25. Stephen Hinton: Wider das bürgerliche Konzertwesen; 26. Albrecht Riethmüller: Zur Politik der unpolitischen Musik; 27. Hermann Danuser: Werktreue und Texttreue in der musikalischen Interpretation; 28. Frank Schneider: Was ist musikalischer Fortschritt? Die Diskussion in de sozialistiscchen Ländern; 29. Giselher Schubert: Bekehrung, Verrat, Entwicklung? Strawinskys Wendung zur Zwölftonmusik; 30. Ulrich Mosch: Boulez und Cage: Musik in der Sackgasse?) (Ehrmann-Herfort, Finscher, Schubert) 2 volumes, a total of 1392 pages

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BARENBOIM Daniel A Life Iin Music (1. Argentina; 2. European Intermezzo; 3. Israel; 4. European Intermezzo II; 5. From Child to Adult; 6. England; 7. On Conducting and Chamber Music; 8. Israel after 1967; 9. Lieder and Guest Conducting; 10. France; 11. Opera; 12. Chicago; 13. Berlin; 14. Stage Directors and Bayreuth; 15. Israel Today; 16. Weimar; 17. Life in Music; 18. Music in Life; 19. Life and Music; 20. On Interpretation; 21. Musical Afterthoughts; Appendix: Address to the Hebrew University of Jerusalem) (Lewin, Huscher) bound, 246 pages

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BARTÓK Peter My Father (Foreword; I. Early Years; II. Environment; III. Budapest, 1932-1940; IV. Mountains; V. America; VI. Folk Music; VII. Some Musical Compositions; VII. What Kind of Man?; Letters by Béla Bartók: Part 1, Part 2) bound, 331 pages

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BAUMANN Eric Ein Ave Maria im Wilden Westen. Karl May als Komponist (Musik in Karl Mays erzählerischem Werk; Karl Mays musikalische Ausbildung; Zu Entstehung und Rezeption

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des Ave Maria; Analyse des Ave Maria; Tiefere Bedeutungsgeschichten des Ave Maria; Anhang: Die Partitur; Die Textfassungen; Notenausgaben und Diskografie des Ave Maria; Kompositionen von Karl May; Musikbücher aus Karl Mays Bibliothek; Wie wohl ist mir, o Freund der Seele; Verwendete Literatur) paperback, 99 pages, CD included

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BERLIOZ Hector Hecor Berlioz. Schriften - Betrachtungen eines musikalischen Enthusiasten. Ausgewählt und kommeniert von Frank Heidelberger [Ein Leben für das Schreiben – Schreiben um zu überleben: Einleitende Bemerkungen zu Berlioz als Musikliterat und Kritiker; I. Allgemeine Betrachtungen zur Musik und zu einzelnen Komponisten: Musik; Anmerkung zu klassischer und romantischer Musik; Einige Worte über die Trios und Sonaten von Beethoven; Beethoven im Ring des Saturn. Die Medien; Schlechte Sänger, gute Sänger. Publikum, Claqueure; Liszt; Richard-Wagner-Konzerte. Zukunftmusik; II. Einzelbesprechungen von Opern: Glucks Orpheus im Théatre Lyrique; Fidelio, Oper in drei Akten von Beethoven. Aufführung im Théatre Lyrique; Der Freischütz von Weber; Über die Instrumentation von Robert der Teufel; Die Hugenotten. Die Partitur (Erster Asrtikel); Die Hugenotten. Die Partitur (Zweiter und letzter Artikel); III. Orchester-Abende: Prolog; Zweiter Abend. der wandernde Harfenspieler, Novelle aus der Gegenwart – Aufführung eines Oratoriums – Der Schlaf der Gerechten; Vierter Abend: Ein Debüt im Freischütz, nekrologische Novelle – Marescot, eine Abdecker-Studie; Fünfter Abend: Das S in Robert der Teufel, grammatikalische Novelle; Zwölfter Abend: Selbstmord aus Enthusiasmus. Eine wahre Geschichte; Fünfzehnter Abend: Kleiner der Ältere hat wieder Ärger; Sechzehnter Abend: Musikalische und phrenologische Studien – Alpträume – Die Puritaner der geistlichen Musik – Paganini, biografische Skizzen; Siebzehnter Abend; IV. Grotesken der Musik: Prolog; Grotesken der Musik; Ein Programm grotesker Musik; Ist das ironisch gemeint?; Der Evangelist der Trommel; Der Apostel des Flageolets; Der Prophet der Posaune; Dirigenten; Ein Klarinettenkonzert; Klagelieder Jeremias; Ein Vorbildlicher Kritiker; Die Saison. Der Club der Schreckegespenster; Die kleinen Nöte der Großen Konzerte; Die Debütantin. Despotismus des Operndirektors; Die Vergänglichkeit des Ruhmes; Ende lustig, alles gut] ] bound, 284 pages

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BROWN A. Peter The Symphonic Repertoire. The First Golden Age of the Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert Volume II (Chapter One: Haydn, Mozart, Beethoven, and Schubert: Orchestras and Concerts; Chapter Two: The Symphonies of Franz Joseph Haydn: Introduction; Group I: Symphonies before 1761; Group II: Symphonies before 1761 to ca. 1763?; Group III: Early Esterhazy Symphonies ca. 17611765; Group IV: Esterhazy Symphonies ca. 1766-1772; Group V: Symphonies for Prince Esterhazy and Public Consumption ca. 1772 to ca. 1782; Group VI: Symphonies 17821784; Group VII: The Six Paris Symphonies 1785-1786; Group VIII: Two Symphonies for Tost and Three More for Paris 1787-1789; Group IX: and X: The Twelve Symphonies for London; Haydn and Pleyel in London; Chapter Three: The Symphonies of Wolfgang Amadeus Mozart: Symphonies for England and Holland 1774-1776; Symphonies for Vienna 1767-1768; Salzburg Symphonies 1771-1774; The Paris Symphony 1778; Three Salzburg Masterworks 1779-1780; Viennese Masterworks 1782-1788; Mozart’s Symphonies in Historical Context; Chapter Four: The Symphonies of Ludwig van Beethoven: Introduction: Phases of Beethoven’s Symphonic Development, Symphony Sketches from the 1790s; Symphony No. 1 in C major Op. 21; Symphony No. 2 in D major Op. 36; Symphony No. 3 in Eb major Op. 55 Eroica; Symphony No. 4 in Bb major Op. 60; Symphony No. 5 in C minor Op. 67; Symphony No. 6 in F major Op. 68 Pastoral; Symphony No. 7 in A major Op. 92; Symphony No. 8 in F major Op. 93; Wellingtons Sieg bei Vittoria; Symphony No. 9 in D minor Op. 93 Choral; Plans for a Tenth Symphony; Chapter Five: The Symphonies of Franz Peter Schubert: Introduction: Bibliographic Problems and Editions, Stylistic Divisions; Symphony No. 1 in D major D.82; Symphony No. 2 in Bb major D.225; Symphony No. 3 in D major D.200; Symphny No. 4 in C minor D.417 Tragic; Symphony No. 5 in Bb major D.485; Symphony No. 6 in C major D.589; Symphonic Sketches D.615, 708A; Draft Symphony (No. 7) in E major D.729; Symphony No. 8 in B minor D.759 Unfinished; Symphony No. 9 in C major D.944 Great) bound, 716 pages

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CHOLOPOVA Valentina Der Weg im Zentrum. Annäherungen and den Komponisten Rodion Shchedrin (Durch das Prisma der Gegenwart – Die Ästhetik Rodion Shchedrins; Charakter ist Schicksal –

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Die ersten fünfzig Jahre; Partitur, Klaviatur und die Versuchungen der Politik – Horizonte des Werks der achtziger Jahre; Der russische Ausländer – Meridiane der neunziger Jahre; Die Verkörperung des Erfolgs – Anstelle eines Schlussworts; Anhang: Annotationen musikalischen Werke Rodion Shchedrins; Die wichtigsten Schriften Rodion Shchedrins; Grundlegende Literatur ünd Rodion Shchedrin) paperback, 201 pages

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CHRISTENSEN Jesper Bøje 18th Century Continuo Playing. A Historical Guide to the Basics (Chapter I – French Figured Bass from Roughly 1690 to 1720: Excerpts from Michel de St. Lambert: Nouveau Traité de l’Accompagnement du Clavecin 1707, Excerpts from Jean-François Dandrieu: Principes de l’Accompagnement du Clavecin 1719; Chapter II – German Figured Bass from Roughly 1710 to 1735: Excerpts from Johann David Heinichen: Der General-Bass in der Composition Dresden 1728 and Georg Philipp Telemann: Sing- Spiel und GeneralBass-Übungen Hamburg 1733-34; Chapter III – Oher Essential Aspects of Figured Bass Playing)(Bradford Robinson) hard cover, 155 pages

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GÖTTERT Karl-Heinz / ISENBERG Eckhard Orgeln! Orgeln! Konzepte – Kuriositäten – Kontinente (1 USA: It never rains in Southern California. Die Freiluftorgel im Balbos Park von San Diego; Positiv denken, auch mit Durterz. Orgel und Glockenspiel der Kristall-Kathedrale in Garden Grove; Unterstützung für den neuen Don Juan. The Grand Court Organ im Warenhaus Lord and Taylor in Philadelphia; Im Guiness-Buch der Rekorde. Convention Hall in Atlantic City; Eine Tibia zum Sterben. Kleine Geschichte der Kinoorgel in den USA und Deutschland; 2. Europa: Dollyismus im Orgelbau. Die Norddeutsche Barockorgel der neuen Örgryte-Kirche in Göteburg; Unüberbietbare Attraktivität. Kathedrale in Oliwa; Von der Götterdämmerung zur ewigen Anbetung. Basilika Sacré-Coeur in Paris; Großmammas Disco. Das Café des Orgues in Herzeele; Aus dem Schatten getreten. Rekonstruktion des Orgelpositivs vom Genter Altar; Viel mehr als Bumbum und Tschinderassassa. Nationalmuseum für Musikautomaten in utrecht; Abheben und schweben. Die Luftkissenorgel in der Stiftskirche von Neuchâtel; Töne aus Schießscharten. Die “Heldenorgel” der Festung Geroldseck in Kufstein; Keine Ergänzung für Bramante & Co. Entwurf einer Monumentalorgel für den Petersdom in Rom; Vom Friseursalon zum Megavon. Zum Fund einer Automatenorgel an Sultan Mehmed III. in Istanbul; 3. Deutschland: Kei n Geld am Dollart oder: Von der reichsten Orgellandschaft der Welt. Historische Orgeln in Ostfriesland und der Provinz Groningen; Fünf Sterne mit Orgel. Club Diana im Westin Grand Hotel in Berlin; Vortgesetzte Trauer? Kleine Geschichte der Synagogenorgel in Deutschland; Klingendes Meißner. Orgelpositiv mit Porzellanpfeifen; Kein schlechter Scherz. Das Cage-Projekt Organ/ASLP in Halberstadt; Pfeifen auf Rädern. Open-air-Konzertorgel des Vereins Thüringer Orgelsommer; Angekommen in der Zukunft. Neue Ideen zur Gestaltung von Orgelprospekten; Argumente für die Schublade. Zum Ideenwettbewerb um die neue Orgel im Kölner Dom; Wissen erfahren. Orgelmuseen in Borgentreich, Frauenstein, Ostheim a.d. Rhön und Windesheim; Lauter Orgelfreunde: Goebbels, Göring, Hitler. Die Orgel für die Kongresshalle der Reichsparteitage in Nürnberg; Lemmens und Leberkäs. Die Hausorgel in der landwirtschaftlichen Halle auf Gut Rottenried; Nichts so, wie es aussieht. Zu Joseph Vilsmaiers Verfilmung von “Schlafes Bruders”; 4. Asien und Australien: Bambus gegen zu viel Spanien. Die Bambusorgel von Las Piñas; Orgelstadt der Superlative. Kirchen-, Konzertsaal- und (Hoch-)Schulorgeln in Tokio; Einmalige Drehung. Die Orgel mit den zwei Gesichtern im Metropolitan Art Space in Tokio; Die mit den Wind spielt. Symphony Hall in Kyoto; “Aber ach, dieser 64-Fuß ist einzigartig, prachtvoll”. Town Hall in Sydney) hard cover, 177 pages

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GRÖNKE Kadja Frauenschicksale in Čajkovskijs Puškin-Opern. Aspekte einer Werke-Einheit (1. Die russische Oper und Čajkovskij: Forschungsansatz der Untersuchung; 2. Frauenschicksale in Čajkovskijs Puškin-Opern: Werkimmanente Aspekte einer homogene Konzeption: 2.1. Die ‘gleiche Aneignungsweisen’: Von Puškins literarischen Vorlagen zu Čajkovskijs Opern; 2.2. Das ‘gleichförmige Dramaturgiekonzept’: Frauenschicksale als ‘Wege der Liebe’; 2.3. Der ‘gleichgestaltete Szenentyp’: Die Liebende und der Chor der Mädchen; 2.4. Das ‘gleichbleibende Konfliktmuster’: Die ‘Liebeswahl’ einer jungen Frau und das Scheitern der Liebe am erwählten Mann; 2.5. Der ‘gleichartige Motivationsmodell’: Der Mann und seine Geltungsdrang; 2.6. Das ‘gleichwertige Rollenschema’: Die Liebende und ihre ‘Liebesalternative’; 3. Čajkovskij und die Frauenschicksale in seinen Puškin-Opern: Ein biographischer Denkansatz; 3.1. Čajkovskij im Spielgelbild seiner Puškin-Opern; 3.2.

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Čajkovskijs Geschlechterverhältnis: Deutungsversuch auf der Basis der Projektionshypothese; 4. Bühne und Leben: Schlußbetrachtungen; 5. Anhang) (ČajkovskijStudien 5) bound, 605 pages

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HERBST Wolfgang Stille Nacht! Heilige Nacht! Die Erfolgsgeschichte eines Weihnachtsliedes (Ein Lied fällt aus dem Rahmen; Mutmaßungen und Gewissheiten: Die Suche nach der Urgestalt von “Stille Nacht!”; Sein Weihnachtsgedicht und sein Leben: Der Dichter Joseph Mohr; Das “traute hochheilige Paar” und der “holde Knabe im lopckigen Haar”; Der Kult um das häusliche Glück: Preußens Musterfamilie feiert Weihnachten; Jesus und die Völker der welt: Politik im Weihnachtslied?; Lehrer, Mesner und Organist: Der Komponist Franz Xaver Gruber; “ . . . . . in der heiligen Nacht mit allem Beifall produziert”: Die Uraufführung 1818; Von der Salzach an die Pleiße: Der Durchbruch zum Erfolg; Vom Zillertal an die Wallstreet: Die Uberfahrt nach Amerika; Ein “ächtes Tyroler-Lied”?: Die vergessenen Namen; “Christ, der Retter ist da!”: “Stille Nacht!” im Protestantismus; “ . . . . . . eine völlig verfehlte Komposition”: Das Lied bekommt Feinde; Die älteste, die beste oder die erfolgreichste Fassung: Welche ist authentisch?) bound, 131 pages

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HOYER Andrea Im Musikinstrumentenmuseum. Flöte, Geige und Giraffe. Ein Bilderbuch coulorful illustrated, picture book

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KLASHORST Gerrit Onne van de The disposition of the musician (Part 1 – How can I understand my disposition?: 1. Introduction; 2. The evolution of posture and movement; 3. The neuro-motor system; 4. Feedback on motor learning processes: the re-afferent principle; 5. Postural reflexes; 6. The pyramidal system of posture; 7. Motor contrlo development in childhood; 8. Disposition; 9. Body language; 11. Retardation of the senso-motor control development; 12. The original shape of motor and movement; 13. Posture and movement in order and disorder; 14. Bending and inclinations: an artist’s problem; 15. Examples od ad-centric and e-centric movements; 16. The stereotype dominant motor pattern in posture and movement in relation to the instrumental technique; 17. How to place and approach a musician; Part 2: Am I disposed to be a musician?: 1. The ergonomics of sitting; 2. Stance and gait – Reflection, gestalt, irradiation, occupancy of space; 3. Words and their consequencies for motor control: reflection in behaviour, word load and movement; 4. Examples of indisposition and their correlation; 5. How to examine indisposition; 6. Physical strain and mental stress; 7. The hand, its function; 8. Examples of incorrect developed motor patterns; Part 3 – It’s in the air: 1. Additional facts about breathing; 2. Theory and practice of the well conceived breathing; 3. Exercises to correct breathing technique; 4. Restoring the order of the posture and breathing function postpartum or after abdominal operations; 5. Breathing problems caused by disorders of posture; 6. Causes of problems with singers and wind players; 7. Breathing disorders by other causes; 8. How to improve the attack; Part 4 – The help of science for instrumental technique: 1. Ergonomics; 2. Ergonomic measurements, supports and innovations; 3. How to work with instruments, which are not ergonomicallly designed; Part 5 – Con espressione: 1. Testing and improving the senso-motor control feeling; 2. How to delete stereotype dominant postures and movements; 3. Rhythm, beat, acents; 4. Special exercises for the fine-motor control of the hand; 5. How to find synaesthetics; 6. Feedback procedures and norms; 7. Discipline and concentrations: how to to study; 8. Stage fright; Part 6 A-D – Part 6a: Being free - Explanation: 1. How to make yourself convenient with your instrument; 2. The sitting position for all instruments; 3. String instruments and disposition; 4. Violoncello; 5. The double bass; 6. Baroque instruments; 7. Analysing bowing problems for all stringed instruments; 8. Exercises for independence between the left and the right hand for all stringed instruments; 9. How to find the arm weight function in dynamics; Part 6b – Avoid non-essentials: 1. Keyboard instruments; 2. Piano and forte; 3. The organ; 4. Old keyboard stringed instruments; 5. Carillon; 6. New key instruments; 7. Dynamics; 8. Finger technique and fine-motor control exercises for rebuilding fine-motor fingering for piano,. organ, cymbal and other keyboards; Part 6c – Blowing makes free: 1. Single and double reed instruments and disposition; 2. Clarinet; 3. Oboe; 4. Bassoon; 5. The mouth hole wind instruments; 6. German flute – flute de traverse; 7. Brass instruments – Horn, trombone, trumpet, saxophone; Part 6d – Touch the spot: 1. Plucked stringed instruments; 2. Guitar; 3. The sitting posture for guitar and lute; 4. Investigation of finger technique for guitarist and lute player; 5. Guitar and lute; 6. The harp; 7. Precussion; Part 7 – The originals: 1. The original shapes of posture and movement:

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well practising leads to perfection; Part 8 – It is worth to know!: 1. Anatomy and physiology general; 2. The expiration; 3. The muscles: function and enervation; 4. Pathology; Part 9 – It is the last straw which breaks the camel’s back – Appendices: 1. Psychological philosophy; 2. Investigation schedule of pupils on possible problems with their disposition; 3. The originals – Schedule of originals of posture and movement; 4. Analysing bowing problems in case of an ad-centric attitude; 5. Exercises for independence between the left and right hand for all instruments; 6. Sound levels; 7. Exercises for fine-motor control training chords on keyboards; 8. The left and right hemisphere; 9. Positive and negative thinking; 10. Special pathology of the perineum with disorders of posture; 11. Prenatal exercises for winds and voice; 12. Tilting chamber; 13. Statistica) paperback, 581 pages

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KLOIBER Rudolf / KONOLD Wulf / MASCHKA Robert Handbuch der Oper (Werkbeschreibungen; Anhang: Bezetsungsfragen; Fachpartien; Hinweise auf weiterführende Literatur; Register zu den Werkbeschreibungen: nach Komponisten, nach Opern-Titeln, nach Librettisten und den Dichtern de Vorlagen). Unentbehrlich für alle Opernfreunde: Das aktuelle Opernrepertoire in rund 325 ausfürhlichen Werkbeschreibungen, nach Komponisten geordnet. Dieses Nachschlagewerk informiert über Handlung, Schauplätze und Spieldauer, über Solisten, Stimmfächer und Orchesterbesetzung, über die Textdichtung und den historischen Hintergrund. Mit Titel-, Komponisten- und Librettistenregister. Erweiterte und aktualisierte Neuausgabe. hard cover, 929 pages

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KREUSCH-JACOB Dorothée & FROMM Lilo Zehn kleine Musikanten. Ein Bilderbuch zum Anschauen, Lesen, Singen, Basteln, Spielen – und Zahlenlernen book with CD, colourful illustrated

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LEECH-WILKINSON Daniel The Modern Invention of Medieval Music. Scholarship, Ideology, Performance (1. The invention of the voices-and-instruments hypothesis; 2. The re-invention of the a cappella hypothesis; 3. Hearing medieval harmonies; 4. Evidence, interpretation, power and persuasion) bound, 335 pages

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METZELAAR Helen Zonder muziek is het leven onnodig. Henriëtte Bosmans (1895-1952), een biografie [1. Henriëttes ouders; 2. Nicolaas Witsenkade, Amsterdam; 3. Frieda Belinfante (zomer 1922-eind 1928); 4. Het Concertino (1919-v00rjaar 1932); 5. Francis Koene (zomer 1932januari 1935); 6. Politieke dreiging (1935-april 1940); 7. De eerste bezettingsjaren (mei 1940-april 1942); 8. Clandestiene concerten (zomer 1942-april 1945); 9. Eindelijk vrij (mei 1945-eind 1946); 10. De vijftig gepasseerd (1947-begin 1948); 11. Benjamin Britten en Peter Pears (1948); 12. Moeder Bosmans overlijdt (1949); 13. Noemie Perugia (1950); 14. Ongeneeslijk ziek (1951); 15. “Een verre glimlach” (1952); Bijlagen: 1. Lijst van artikelen van Henriëtte Bosmans; 2. Chronologische lijst van composities] paperback, 288 pages

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NEUHAUS Margaret N. The Baroque Flute Fingering Book. A Comprehensive Guide to Fingerings for the One-Keyed Flute. Including Trills, Flattements, and Battements. Based on Original Sources from the Eighteenth and Nineteenth Centuries [Preface to the first edition; Preface to the second edition. 1. Origin and history of the conical one-keyed flute (Aradl Powell); 2. Fingering principles and problems of the one-keyed flute; 3. The sources; 4. Fingerings: a. List of sources and their abbreviations, b. Symbols used in fingering tables; 5. The Trill; 6. The Flattement; 7. The battement; 8. Examples of fingerings to make diffficult pasages easier; 9. Playing in tune on a baroque flute (Catherine Folkers); General bibliography] (Powell) 2nd edition, paperback, 137 pages

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ORFF Carl & FUCHSHUBER Annegast Der Mond. Ein kleines Welttheater. Geschrieben und kommentiert von Carl Orff. Nach einem Märchen der Brüder Grimm. Mit Bildern von Annegast Fuchshuber coulorful illustrated, 40 pages

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PARKER Mara The String Quartet 1750-1797. Four Types of Musical Conversation (1. The string quartet as chamber music; 2. Social aspects: from private to public; 3. String Quartet types: towards a reconsideration; 4. The Lecture; 5. The polite conversation; 6. The debate; 7. The conversation; 8. The string quartet during the second half of the eighteenth century) bound, 315 pages

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REGNER Hermann Musik lieben lernen. Von der Bedeutung früher Begegnungen mit Musik. Ratgeber für Eltern und Erzieherinnen (1. Wozu Musik?: “Pass endlich auf!” . Über die Fähigkeit, sich zu konzentrieren; “Kannst du nicht hören?” . Vom Zuhörenkönnen/-wollen; Du bist dran!” . Vom Agieren und Reagieren beim Musizieren; “Das macht mich fröhlich!” . Von der Gefühlsresonanz; “Was fällt denn dirt ein?” . Über die Kunst zu erfinden; Das Ganze ist mehr . . .” . Vom unteilbaren Menschen; Musik um der Musik willen; 2. Ist unser Kind musikalisch?: Begabung als Erbe und Ergebnis des Lernens; Sensibilität; Intelligenz; Psychomotorik; Phantasie; 3. Musik zu Hause: Doch hatten seine Eltern eine echte Vorliebe für Musik”; “Vivat! Soll leben, wer mitsingen kann”; Ist unser Kind noch zu klein?; “Schlaf, Kindlein, schlaf” – Gelegenheit zum Singen: Die Spielstunde, Einschlafen und Aufwachen, Zum Trösten und Schmerzlindern, Familienfeste, Weihnachten, Ostern und andere Feste; “Das hat mir meine Bruder beigebracht”; Alle singen mit; Jeder lernt singen; Mit Liedern “umgehen”:, nicht sie lehren wollen; “Backe, backe, Kuchen” – Über Schwierigkeiten mit Texten; Kommt ohne Instrumenten nit”: Musikspielzueg für die Kleinsten; Die ersten Musikinstrumente; Einige Empfehlungen; Instrumente selbst bauen: Das Instrument muss klingen; Verantwortung gerecht teilen; Vom Einfachen zum Schwierigeren; Auf selbst gebauten Instrumente spielen; Ist das Musik?; 4. “Musik? Die kommt bei uns aus dem Lautsprecher!”: Musik rund um die Uhr; Das Angebot des Rundfunks; Musik “haben” – auf CDs und Kassetten; Die “heißen Eisen” der Familie: Fernsehen und Computer für die Kinder; Vom Segen der Stille; 5. Musik suchen und finden: Straßenmusik; Ins Konzert gehen; Musik finden; Das Wichtigste dabei: miteinander; 6. Musik lernen: Ich will Flöte spielen – Welches ist das “richtige” Instrument?; Vorne anfangen – Von der Bedeutung musikalischer Elementarerziehung; Anregungen aus dem Orff-Schulwerk; “Musik und Tanz für Kinder”; Lehrer/Lehrerin gesucht . . .; Wie “die anderen” denken – Von der Wichtigkeit sozialer Übereinstimmung; 7. Subjektive Erfahrung und objektiver Nachweis; Nachwort; Anhang: Aus Großmutters Schatztruhe: Fingerspiele; Hören, Horchen und rhythmisches Sprechen; Auf den Knien reiten; Mit Händen spielen; Lieder zum Singen und Spielen) paperback, 174 pages

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ROBERTSON Anne Walters Guillaume de Machaut and Reims. Context and meaning in his musical works [Prologue: Context and meaning in Guillaume de Machaut’s musical works; Machaut and Reims; Context and function, meaning and Scens in Machaut’s musical works; Part I – Reims and its music: cathedral, city, archdiocese: 1. Guillaume de Machaut in Reims; 2. Canonical affirmation and resistance in Machaut’s Motets 18 and 19; Part II – Turnedabout love songs: 3. Machaut’s Motets 1-17 and the medieval mystical tradition; 4. The beginning of love’s journey; 5. The middle of love’s journey: the struggle with sin; 6. The end of love’s journey: union with the beloved; Part III – Music of war, kingship, and final things: 7. Machaut’s late motets and the Hundred Years War in Reims; 8. Machaut’s David Hocket and the coronation of Charles V (1364); 9. Machaut’s Mass of Our Lady and composer remembrance through music; Epilogue: Context, meaning, and artistry in Machaut’s music; Innovation and musical artistry; Implications; Appendix A: Documents; Appendix B: Texts and translations of Machaut’s motets (Old French translations by Colleen Donagher); Appendix C: Manuscript consulted for the musical examples] bound, 456 pages

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SCHAPER Heinz-Christian Musiklehre compact. Grundwissen und Übungen. Noten – Intervalle – Harmonien – Fachbegriffe (Vorwort; Teil I - Einführung in die Notenschrift: 1. Begriffsbestimmungen “Klang”, “Ton”, “Geräusch”; 2. Notation der Tonhöhe; 3. Notation der Tondauer; 4. Einteilung in Takte; 5. Vervolständigung des traditionellen Notenbildes; Teil 2 – 6. Tonvorrat und Tonleiter-Aufbaumodelle; 7. Intervallstudien; 8. Grundzüge der Harmonielehre; Teil 3 – Prinzipien der musikalischen Gestaltung: 9. Erste Partiturstudien; 10. Einführung in die Formlehre; Anhang: Übersichten und Tabellen: Erweiterung des Tonraums . Phrasierungsbögen . Weitere Teilwerte . Verzierungen . Kirchentonarten

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(Modi) . Leitereigene Dreiklänge in Dur und Moll . Generalbassbezifferung und ihre harmonische Bedeutung . Kleine Instrumentenkunde . Instrumentenregister . Italienische Vortragsbezeichnungen und Begriffe; Lösungen zu den Übungen; Lösungen zu den Tests; Sachregister) paperback, 182 pages

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STRIMPLE Nick Choral Music in the Twentieth Century (1. A Brief Overview; 2. Austria and Germany; 3. France, Switzerland, and the Low Countries; 4. British Isles; 5. Czech Republic, Slovakia, Hungary, and Poland; 6. Russia and Other Former Soviet Republics; 7. Scandinavia and the Baltics; 8. Greece and the Balkans; 9. Italy and the Iberian Peninsula; 10. Africa and the Middle East; 11. Mexico, the Caribbean, Cenrtal America, and South America; 12. United States; 13. Canada; 14. Pacific Rim; 15. At Century’s End; Works Lists: Compositions for Mixed Chorus; Compositions for Boys’ or Children’s Chorus; Compositions for Female or Treble Chorus; Compositions for Male Chorus; Bibliography) bound, 389 pages

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TÖRNQVIST-VERSCHUUR Rita De pianomeester. Geïllustreerd door Willemien Min (Een dakje van muziek; Een lied voor opa; Prik-ogen; Levende noten; Spijkernoten; Net verhalen; Een brief; Ik wou een vogel zijn) vanaf 4 jaar, hard cover, 80 pages

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WERNER-JENSEN Arnold Opernführer für junge Leute. Die beliebtesten Opern von der Barockzeit bis zur Gegenwart. Wissenswertes rund um die Oper (Ouvertüre; Vorwort; Was ist eine Oper?; Kleine Einführung in die Operngeschichte; Die Opern: Christoph Willibald GLUCK: Orpheus und Eurydike; Wolfgang Amadeus MOZART: Die Entführung aus dem Serail; Figaros Hochzeit; Don Giovanni; Così fan tutte; Die Zauberflöte; Ludwig van BEETHOVEN: Fidelio; Gioacchino ROSSINI: Der Barbier von Sevilla; Carl Maria von WEBER: Der Freischütz; Albert LORTZING: Zar und Zimmermann; Der Wildschütz; Richard WAGNER: Der fliegende Holländer; Tannhäuser und der Sängerkrieg auf Wartburg; Lohengrin; Die Meistersinger von Nürnberg; Giuseppe VERDI: Rigoletto; La Traviata; Don Carlos; Aïda; Otello; Falstaff; Bedřich SMETANA: Die verkaufte Braut; Modest P. MUSSORGSKIJ: Boris Godunov; Johann STRAUSS: Die Fledermaus; Georges BIZET: Carmen; Peter I. TSCHAIKOWSKIJ: Eugen Onegin; Jacques OFFENBACH: Hoffmanns Erzählungen; Pietro MASCAGNI: Cavalleria rusticana; Ruggiero LEONCAVALLO: Der Bajazzo; Engelbert HUMPERDINCK: Hänsel und Gretel; Giacomo PUCCINI: La Bohème; Tosca; Madame Butterlfy; Leoš JANÁČEK: Das schlaue Füchslein; Richard STRAUSS: Salome; der Rosenkavalier; Igor STRAWINSKIJ: Die Geschichte vom Soldaten; Alban BERG: Wozzek; Paul HINDEMITH: Cardillac; George GERSHWIN: Porgy und Bess; Carl ORFF: Die Kluge; Worterläuterungen) paperback, 383 pages

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YEARSLEY David Bach and the Meaning of Counterpoint (1. Vor deinem Thron tret ich and the art of dying; 2. The alchemy of Bach’s canons; 3. Bach’s taste for pork or canary; 4. The autocratic regimes of A Musical Offering; 5. Bach and the machine; 6. Physiognomies of Bach’s counterpoint) bound, 255 pages

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MORE BOOKS OF MUSICAL INTEREST: 158773

The Cambridge Companion to the Musical [Part I - Adaptions and tranformations: before 1940: 1. Katherine K. Preston: American musical theatre before the twentieth century; 2. Orly Leah Krasner: Birth pangs, growing pains and sibling rivalry: musical theatre in New York, 1900-1920; 3. William A. Everett: Romance, nostalgia and nevermore: American and British operetta in the 1920s; 4. John Graziano: Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess; 5. Geoffrey Block: The melody (and the words) linger on: American musical comedies of the 1920s and 1930s; Part II – Maturations and formulations 1940 to 1970: 6. John Snelson: “We said we wouldn’t look back”: British musical theatre, 1935-1960; 7. Ann Sears: The coming of the musical play: Rodgers and Hammerstein; 8. Thomas L. Riis, Ann Sears, William A. Everett: The successors of Rodgers and Hammerstein from 1940s to the 1960s; 9. Bruce D. McClung, Paul R. Laird: Musical sophositcation on Broadway: Kurt Weill and Leonard Bernstein; Part III – Evolutions and integrations: after 1970: 10. Jim Lovensheimer:

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Stephen Sondheim and the musical of the outsider; 11. Paul R. Laird: Choreographers, directors and the fully integrated musical; 12. Graham Wood: Distant cousin or fraternal twin? Analytical approaches to the film musical; 13. Scott Warfield: From Hair to Rent: is “rock” a four-letter word on Broadway?; 14. Paul Prece, William A. Everett: The megamusical and beyond: the creation, internationalisation and impact of a genre] (Everett, Laird) paperback, 310 pages

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Musical Performance. A Guide to Understanding [I – Conceptions and preconceptions: 1. Colin Lawson: Performing through history; 2. Peter Walls: Historical performance and the modern performer; 3. John Rink: Analysis and (or?) perforrnance; 4. Eric Clarke: Understanding the psychology of performance; II – Learning to perform: 5. Janet Ritterman: On teaching performance; 6. Jane Davidson: Developing the ability to perform; 7. Stefan Reid: Preparing for performance; 8. Aaron Williamon: Memorising music; III – Making music: 9. Peter Hill: From the score to sound; 10. Jane Davidson: Communicating with the body in performance; 11. Elaine Goodman: Ensemble performance; 12. Elizabeth Valentine: The fear of performance; IV – Interpreting performance: 13. Eric Clarke: Listening to performance; 14. Peter Johnson: The legacy of recording; 15. Raymond Monelle: The critisicm of musical performance; 16. Jonathan Dunsby: Performers on performance] (Rink) paperback, 245 pages

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DEBOST Michel The Simple Flute. From A to Z (A to Z in Form of Introduction; Accompaniment; Acoustics; Agogic; Air Column; Air Speed; Alignments; Appogiatura; Appoggio; Arpeggio; Articulation; Attacks; Beginners; Blowing Long Phrases; Breathing 1: Generalities; Breathing 2: Mechanics; Breathing 3: Where Not to Breathe; Breathing 4: Where to Breathe; Bridge; Center of Gravity; Circular Blowing; Concentration, Relaxation; Diaphragm; Dynamics; Embouchure; Études; Fingerings; Finger Antagonisms; Finger Phrasing; Flutes; Focus; Freedom; Grace Notes; Hands; Hierarchy of Beats; Images; Interpretation; Interpreting Accents; Intervals; Intonation, Intonations; Isometrics; Jawboning; Keys; Lips; Little Devils; Memory; Muscle Groups; Muscles, Strong and Weak; Notes; Pain and Pleasure; Paris Conservatoire and French School; Phrasing; Posture; Practising; Programs; Quodlibet; Repertoire; Resonance; Rituals; Rest; Rubato; Scale Game; Silence; Stability; Stepping Stones; Stress; Style; Technique; Tempo; Tonguing; Trills; Tuning; Unusual Trill Fingerings; Vibrato; Warm-Ups; Yawning; Zeal in Form of Conclusion; Bibliography; Index) bound, 282 pages

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HILDEBRANDT Dieter Piano, piano! Der Roman des Klaviers im 20. Jahrhundert (Play it again! oder: Ein Wortbruch; I. Drei Klaviere um 1900 oder: Die Frage des Jahrhunderts: Tolstoi schockiert Rachmaninov; Auftritt eines Wunderkindse; “Ich habe das Klavier geküßt”; II. Ragtime oder Ein Rhythmus macht Epoche: Die Elektriesierung der Beine; Scott Joplin – Genie oder Synkope; Europa stolpert hinterher; III. Das Klavier verstößt den Spieler oder: Der Siegeszug des Player Pianos: Locker vom Hocker; Der Kinematograph des Klavierlauts; Experimente eines Einsiedlers; IV. Dissonanzen und Tumulte oder: Tonalität, adieu!: Der Konzertsaal als Kampfplatz; Tastatur ohne Orientierung; Busoni berauscht sich an Schönberg; V. Überfahrten, Untergänge oder: Auftritt der Ozeanpianisten: Rubinstein fällt vom Stuhl; Abentuer und Abschiedsszenen; Granados und der Fluch des Goldes; VI. Das Klavier in Zeiten des Umsturzes oder: Vom Klangkörper zur Maschine: Artur Schnabels “Revolutionsetüde”; Schlag auf Schlag; Faszination Motorik; VII. Die Kernspaltung des Klaviers oder: Auf der Suche nach dem Viertelton-Piano: Zwischen zwei Klavieren sitzen; Kommunismus und Kontinuum; Das Ding der Unmöglichkeit; VIII. Acht Klaviere und ein Propeller oder: Ein Amerikaner in Paris (George Antheil): Der Skandal der Skandale; Ein Kapitel Transpiration; Der Pistole auf dem Flügel; Das Ballett als Kehrmaschine; IX. Tortenschlachten mit Begleitung oder: Das Klavier zum Film: Akkordarbeit für “Metropolis”; Mit den Bildern um die Wette; Schostakowitsch schlägt sich durch; X. Das Klavier, das durchs Fenster kam oder: Ein Glissando für George Gershwin: “Der Junge ist ein Genie”; Der Piano Punder; Die allmähliche Verfertigung eines Hits; Welche Farbe für die “Rhapsodie”; XI. Elegie und Hohngelächter (I) oder: Drei Abgesänge aufs Klavier: Die Flucht aus der guten Stube (ein Klaviermärchen); “Dieser Götze aus Teckel und Bulldogs; Lindbergh übertönt das Klavier; XII. Als die Pianisten schwarz wurden oder: Die unerträgliche Leichtigkeit des Swing: New York, das Paradies der Pianisten; Das Klavier als Trompete; Ellington – Experiment und Entertainment; Ein Rubinstein des Jazz; Es darf gelacht werden; Der

98 Mann mit dem Mantel; XIII. Anton Weberns Klavierkristall oder: Die Kanonisierung der Stille: Der Schlafwandler; Wo aber ist das Thema?; Warnung and Pianisten; “Das ist mein Meisterwerk”; XIV. Das wohlpräpariertes Klavier oder: John Cage bastelt am Klang: “Der Avantgardist schlechthin!”; Nützliches vom Heimwerkermarkt; Flügelpräparation in Heimarbeit; XV. Das Klavier in der Vorhölle oder: Musik und “Das Ende der Zeit”: Messiaen im STALAG VIII A; Apokalypse im Arbeitslager; Ein Flügel als Lebensretter; XVI. Grolle Worte – neue Klänge oder: Provokationen in der Provinz: Experimentierfeld tabula rasa; Ein Widerspruchsgeist namens Stockhausen; Boulez guillotiniert Schönberg; Elektronik kontra Klavier; Der Komponistengott würfelt; XVII. Die Goldberg-Variationen oder: Den Bach rauf: Ein Klappstuhl wird Kultobjekt; Intuituion und Insistenz; Die Geschichte vom schlaflosen Grafen; Bach ohne Perücke; XVIII. Der Pianist im Zauberberg oder: Horowitz und die Fermaten: Warten auf ein Wunder; “Es war eben nichts mehr da”; Vorhänge und Verhängnis; Gulda läßt den Frack sausen; Horowitz spielt! – zu Hause; Warum noch Konzerte?; Die Legende lebt; XIX. Madame Butterfly tastet sich vor oder: Wie das Klavier Japan und Japan den Klaviermarkt eroberte: Die Tastentouristen; Japan wird Klavierweltmeister; Nichts ist unmöglich; XX. Elegie und Hohngelächter (II) oder: Auf zum letzten gefecht!: Flügelzerhacker vor Flußlandschaft; “Es darf nichts splittern”; Der Furor der Jelinek; Der Lack ist ab; Rettung in letzter Minute; XXI. Die große Freiheit oder: Der Wiederkehr der Improvisation: “Achtundachtzig Noten sind gar nichts”; Der Kult der “instant composition”; Jarretts Klavierexpeditionen; Improvisation – ein Paradox?; XXII. Angeschlagen – doch unbesiegt oder: Die neue Klaviergesellschaft: Ein Fest fürs Pianoforte; Die genialen Transporteure; Claras neue Note; Virtualität statt Virtuosität?; Letzte Lockerung) paperback, 346 pages

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Der geheime Held Wie oft, wenn du, mein Lieb, ein Lied mir spielst Und über diese leichtbewegten Tasten Mit denen du beseligend ins Ohr mir zieht, Die Kuppen deiner süßen Finger hasten, -

How oft when thou, my music, music play’st Upon that blessed wood whose motion sounds With thy sweet fingers, when thou gently sway’st The wiry concord that mine ear confounds.

Beneide ich die kecke Tastatur Die küssen darf das Inn’re deiner Hand Das leidenschaftlich meinen Lippen nur Gehören sollt, die es so zärtlich band

Do I envy those jacks that nimble leap To kiss the tender inward of thy hand, Whilst my poor lips which should that harvest reap, At the wood’s boldness by thee blushing stand.

Ach, würden diese Lippen einmal so berührt. Wie jenes tanzbeschwingte Holz. Das alle Töne-Tage deine Finger spürt -, Mit ihm zu tauschen, ja, das wär’ mein Stolz.

To be so tickled they would change their state And situation with those dancing chips, O’er whom thy fingers walk with gentle gait, Making dead wood more bless’d than living lips.

Doch wenn der freche Klotz geküßt sein muß. Reich ihm die Hand, die Lippe mir zum Kuß.

Since saucy jacks so happy are in this, Give them thy fingers, me thy lips to kiss.

William Shakespeare 128. Sonnett 044082

HILDEBRANDT Dieter Pianoforte. Der Roman des Klaviers im 19. Jahrhundert (Vorspiel: Der geheime Held; I. “Für solche Schweine spiele ich nicht” (Beethoven); II. Der Krieg im Saal (I). Zur Tradition ds Tastenturniers; III. Nr. 7362 oder: Das ist ja ein Hammer; IV. “ . . . fremd zieh ich wieder aus” (Schubert); V. Die gläseren Kutsche. Solo für Clara Wieck; VI. Paris oder die romantische Réunion; VII. Die Etüde wird salonfähig (Chopin); VIII. Der Krieg im Saal (II). Das Rendezvous Liszt – Thalberg; IX. Vom Klangkörper zum Körperklang (Schumann); X. Carl Czerny: Opus 500 oder: wie trete ich auf?; XI. “Le concert, c’est moi!”. Franz Liszt und das Jahrhundert der Virtuosität; XII. Das Klavier in der Satire. (Mit Gastspielen von Glaßbrenner, Berlioz und Busch); XIII. Bürgerkrieg und Wilder Westen. Gottschalks Klavier-Abenteuer in Amerika; XIV. Das Gebet einer Jungfrau oder die Geburt der höheren Tochter aus dem Geist der Salonstücke; XV. Vier Jahre im eigenen Labyrinth (Brahms); XVI. Der Krieg im Saal (III). Flügelkämpfe; XVII. Endlich entdeckt: Die Seele des Klaviers; XVIII. Die neue Virtuosität; XIX. Der Agent oder: Klavierspiel als Wirtschaftszweig; XX. Komplice der Katastrophen. Das Klavier im Roman des 19. Jahrhunderts; AbschiedsVorstellung oder: Wo ist denn das Klavier abzuholen?) paperback, 397 pages

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MABRY Sharon Exploring Twentieth-Century Vocal Music. A Practical Guide to Innovations in Performance and Repertoire (Part I – New Directions: 1. The Art of Singing TwentiethCentury Music; 2. Choosing Appropriate Repertoire; 3. Vocal Requierments of TwentiethCentury Music: Common Characteristics; 4. Vocal Coloration; Part II – Nontraditional Notation and Extended Vocal techniques: 5. The New Language of Notation; 6. Vocal Hybrids: Sprechstimme and Recitation; 7. Nontextual Sonic Vocabularies; 8. Vocal Effects; Part III – Repertoire Choices; Appendix A: Sample Programs; Appendix B: Suggested repertoire; Appendix C: Sources for composer and score location) bound, 192 pages

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MEURS Josine Wagner in Nederland 1843-1914 (I. Inleiding: 1.1. Vraag; 1.2. Richard Wagner; 1.3. Invloed; 1.4. Wagnérisme; 1.5. Historiografie; 1.6. Over dit boek; 1.7. Bronnen en beperkingen; II. De zelfstandigheid van de muziek (1843-1860): 2.1. Première; 2.2. De concertpraktijk; 2.3. Repertoire; 2.4. Introductie van Wagner; 2.5. Tweedeling; 2.6. Eerste uitvoeringen; 2.7. Toonkunst en de toekomst; 2.8. Opera; 2.9. Tannhäuser; 2.10. Nederland en het buitenland; III. Modern levensgevoel (de jaren zestig): 3.1. Tannhäuser in Parijs; 3.2. Caecilia; 3.3. Johannes Verhulst; 3.4 Aflossing; 3.5. Hans von Bülow in Nederland; 3.6. De Duityse Opera van Rotterdam; 3.7. Rotterdamse uitvoeringen; 3.8. Modern levensgevoel in Frankrijk en Nederland; 3.9. Een valse profeet; 3.10. Berichten uit München; 3.11. Jodenhaat; 3.12. De affaire Tideman; 3.13. Herschrijving; IV: Naar Bayreuth (1870-1876): 4.1. Ambitie; 4.2. De Wagnerbeweging; 4.3. Jacques van Santen Kolff; 4.4. Verwachtingen; 4.5. De Bayreuther Festspiele; 4.6. De “Bayreuther Kreis” – het Duitse rijk; 4.7. Desillusie; V. Het onzichtbare theater (1876-1883): 5.1. Wagner-concerten; 5.2. Premières in Rotterdam; 5.3. De Ring in Amsterdam; 5.4. De Gids en het Jonge Holland; 5.5. Invloed; 5.6. Marcellus Emants; 5.7. Parsifal; 5.8. Festspielbezoekers; 5.9. Bij de dood van Wagner; VI. Onder gelovigen (1883-1905): 6.1. Oprichting van de Wagnervereniging; 6.2. Graalridders; 6.3. . . . en de buitenwereld; 6.4. De concerten; 6.5. Concurrentie; 6.6. de kwestie van de dramatische producties; 6.7. de modeluitvoeringen; 6.8. Het solistenbeleid; 6.9. Leden en Festspielbezoekers; 6.10. De transformatie; 6.11. De macht der herhaling; VII. Verlangen naar synthese (fin de siècle): 7.1. Fin de siècle; 7.2. Theatrale ontwikkelingen; 7.3. Melodie en gedachte (Alphons Diepenbrock); 7.4. Diepenbrock, Gorter en De Nieuwe Gids; 7.5. Gemeenschapskunst; 7.6. Het Beethovenhuis; 7.7. Het einde van de gemeenschapskunst; VIII. Zielenschemering (de twintigste eeuw): 8.1. Ontaarding; 8.2. Decadentie; 8.3. De morbide distinctie van een fijner ras (Louis Couperus); 8.4. de kwakzalver en de geneesheer (Frederik van Eeden); 8.5. Het taalorkest van J.A. dèr Mouw; 8.6. Correspondenties (de schilders); 8.7. Nederlandse bijdragen aan het muziekdrama; 8.8. Graalroof; 8.9. De laatste graaldiensten; 8.10. Démasqué; IX. Conclusies en slot: 9.1. Terugblik; 9.2. De Nederlandse Wagner-receptie; 9.3. Betekenis; 9.4. Slot) paperback, 415 pages

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MITCHELL Donald Gustav Mahler. Songs and Symphonies of Life and Death – Interpretations and Annotations [Part I – Preparing for Das Lied: Fünf Lieder nach Rückert / Kindertotenlieder: From Darkness to Light and the Birth of Dichotomy; Interpretations; Annotations; Part II – Decoding Das Lied: Interpretations: Das Trinklied vom Jammer der Erde, Der Einsame im Herbst, Von der Jugend, Von der Schönheit, Der Trunkene im Frühling, Der Abschied; Annotations: Das Trinklied vom Jammer der Erde, Der Einsame im Herbst, Von der Jugend, Von der Schönheit, Der Trunkene im Frühling, Der Abschied; Part III – An Afterword on the Eighth Symphony: Interpretations: Veni creator spiritus; Goethe’s Faust: Part II, Act V, Last Scene; Annotations: Veni creator spiritus; Goethe’s Faust: Part II, Act V, Last Scene; Appendices: A. The Mansuscripts of Das Lied von der Erde by Edward R. Reilly; B. Postface to Die chinesische Flöte by Hans Bethge 1907; C. Heterophony by Guido Adler 1908; D. How Gustav Mahler Planned His “Eighth”: The First Sketch by Alfred Rosenzweig (Mathis) 1933] paperback, 659 pages

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OSBORNE Richard Herbert von Karajan – A Life in Music (Part I – 1908-1945: 1. An atmosphere of war; 2. Sunday’s child; 3. Teacher’s boy; 4. A Salzburg education; 5. Vienna; 6. A leader of suggestive power; 7. A young bandmaster from Ulm; 8. Swastikas in the sky; 9. Nearly in the dust; 10. “Tell me, now: are you happy with me?”; 11. Chess moves; 12. General Music Director, Aachen; 13. 1938: The promised land; 14. 1938: Das Wunder Karajan; 15. Peace

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and War; 16. “More Diogenes than Alexander”; 17. Down, down I come; 18. City terrors and mountain vigils; 19. Flight to Italy; Part II – 1945-1956: 20. Captain Epstein’s dilemma; 21. Interrogation; 22. An Englishman abroad; 23. A capacity of taking trouble; 24. New music: a tantrum and a tiff; 25. London; 26. A tale of two Berlins; 27. Furtwängler: shwodown in Chicago; 28. Getting and spending; 29. The hynotist; 30. Hanging on to Karajan; 31. Wiener Symphoniker and return to Germany; 32. Bachfest; 33. Milan, Paris, and Bayreuth; 34. Working with the Philharmonia; 35. On recording; 36. Crossing the Rhine; 37. The girl wth the flaxen hair; 38. Tristan and Lucia; 39. Brandy in Les Baux; 40. Death and succession; 41. American journey; 42. Trouble at mill; 43. A resignation and three recordings; Part III – 1957-1964: 44. Riding high; 45. Incessant traffic; 46. Three courtships and a marriage; 47. Vienna and London 1959-60; 48. Salzburg shenanigans; 49. Controlling insterests; 50. Vienna: the phoney war; 51. Karajan’s Circus; 52. Berlin Philharmonic; 53. A strange marriage; 54. Per Savage; 55. Farewell, Vienna; Part IV – 1964-1975: 56. Fresh woods and pastures new; 57. Pilgrimage to Järvenpaa; 58. Towards the Easter Festival; 59. Henri-Georges Clouzot; 60. The Easter Festival; 61. Carmen and Pagliacci; 62. An urge to educate; 63. Mr. Andry plays his ace; 64. Brave new worlds; 65. A question of image; 66. Disc trouble; Part V – 1976-1989: 67. Easter 1976; 68. Close encounters; 69. The man with the golden ring; 70. Phoenix; 71. Carpe diem; 72. Pleasant diversions; 73. 1982: Anniversary; 74. Pressing matters; 75. 1982: Divisions in the kingdom; 76. The Erlking; 77. War and peace; 78. Soldiering on; 79. Trouble over Taiwan; 80. Resignation; 81. A necessary end; Appendix A: Herbert von Karajan, “The Rehearsal”; Appendix B: Karajan’s membership of the Nazi Party and the trail of misinformation; Appendix C: Karajan’s deposition to the Austrian denazification examining board, 18 March 1946) bound, 851 pages

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PERREY Beate Julia Schumann’s Dichterliebe and Early Romantic Poetics. Fragmentation of Desire (i. Early Romantic Forms of Difference: 1. Introduction; 2. The Romantic fragment; 3. Romantic irony; 4. Reflection, language and music; 5. Theories of songe: Schumann’s “higher sphere of art”; II. Heine’s Signature of Modernity: The Lyrisches Intermezzo: 6. Introduction: 7. Heine, the Romantics and disenchantment; 8. Endings, cuts, cyclicity; 9. Heine’s image of a woman; 10. The genesis of the Buch der Lieder; III. The Poetics of Dichterliebe: 11. Introduction; 12. Schumann’s reception of Heine and the Buch der Lieder; 13. Musico-poetic analysis: i. The Romantic concept of “poetic time” in Dichterliebe; ii. Sehnen und Verlangen fulfilled in a Romantic fragment; iii. Romantic reflection on a tonal metaphor for the amorous: the diminished-seventh chord in Dichterliebe; iv. The ironic glance back: the last postlude) bound, 242 pages

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SWOBODA Maria / LINTZEN Ilse Spielend Lernen. Mit Erklärungen und 222 Trainingsfragen rund um das Klavier. Noten lesen und schreiben. Infos über Tastenintrumente. Musikalische, harmonische und rhythmische Grundbegriffe. Rätsel

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De BACH à Nos Jours Volume 5B (CHOPIN: Mazurka en sol mineur Op. 24/1; GLINKA: Tarantelle; TCHAIKOVSKY: Feuillets d’album; MOZART: Allegro de Sonate KV 283 & Allegro de Sonate en mi bémol KV 282; SCHUMANN: Klavierstück Op. 99/1 de Bunte Blätter & L’Étranger; BARTÓK: Accords de quintes & Sons harmoniques; HAYDN: Presto de Sonate en sol majeur Hob.XVI:27; SMETANA: Andante en mi bémol; GRIEG: Sylphide Op. 67/1; KODALY: Klavierstück Op. 3/1; BEETHOVEN: Bagatelle en ut majeur Op. 119/2; DEBUSSY: Danse bohémienne & Doctor Gradus Ad Parnassum; BERIO: Brin; CIMAROSA: Sonate en si bémol; Frank MARTIN: 3e Prélude; PROKOFIEFF: Menuetto Op. 32/2; GRANADOS: 5e Danse espagnol; SCHUBERT: Scherzo en si bémol; POULENC: 5e Improvisation; CHABRIER: Ballabile; MARTINU: Polka en la) (Hervé, Pouillard) played by Jean Martin, piano

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CDs: >

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also BROEKMANS & VAN POPPEL Korte Jansstraat 13-15 3512 GM UTRECHT ++ 31 (0)30 2343673 sheet music and literature only (forwarding by post only possible from AMSTERDAM: ++ 31 (0)20 6796575)